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EDM Pop

Isabella Chiarini – Out of Control: a Funk-Fed Dance-Pop Anthem with Mainstream Firepower

Posted on 16 July 2026

Off-the-rails rhythms render Isabella Chiarini’s latest earworm, Out of Control, one of the most infectious singles of the summer. The Hamilton, Ontario singer-songwriter has always treated pop as an open field for emotional honesty and sonic reinvention, and with her latest meteorological drop, she hits the sweet spot between feel-good dance-pop, EDM euphoria and funky new-wave sticky sweetness.

The stabs, chops and grooves of the synth-pop production turn Out of Control into an anthem that surges with staccato euphoria. It has the sincere, feel-good transcendence of ABBA’s biggest anthems within a massive production that carries clear appeal for fans of EDM-pop giants in the vein of Kygo and Calvin Harris. Yet Chiarini’s strongest advantage sits in the perceptible instrumental complexity and the way every layer in the mix pops with organic musicianship. Written around the rush of finding someone who brings out new sides of yourself, Out of Control whips up that (hopefully) relatable sense of fervour without the single ever risking the loss of its emotional core.

Chiarini’s upbringing, shaped by resilience after losing her mother at three and being raised by a father who taught her never to give up, feeds into the empowered rapture of her writing. After early vocal training with Teresa Nocita, development through PCG Universal in Nashville and current collaborations with Nocita and Canadian Idol winner Brian Melo, Chiarini more than sounds ready for serious dance-pop traction.

Out of Control is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Ede Carried San Francisco Alt Pop into a High-Octane Rush of a Dreamscape with ‘In Between’

Posted on 7 July 2026

Idaho-born, San Francisco-based singer-songwriter Ede has few pop boundaries left to break if her latest single, In Between, is anything to go by. By splicing the evocative drama of a power ballad with blasts of 90s garage in the frenetic beats and augmenting the energy of contemporary dance pop, she has dug the ultimate aural rabbit hole, leaving adrenaline on tap for fans looking for high-octane escapism.

The lush elements are viscerally juxtaposed by the hard-hitting tempos in the progressive single, allowing rushes of momentum to flood the mix before winding back to expose the fantastical dream pop core of yearning implanted into the nucleus of the release. In Between carries the feel of an artist who understands how to let intimacy survive inside large-scale production, keeping the emotional centre alive even as the arrangement races towards a rhythmic detonation.

Originally from Boise, Ede began writing through a lifelong relationship with music, using songwriting as a way to explore creativity and personal growth. Her self-produced alt-pop sensibility gives In Between its distinctive shape, while her forthcoming Heaven Sent collaboration with Jacob Espling is set to exhibit more of her uninhibited melodic ambition. At the very least, In Between may have just coined the neo-classical EDM chamber-pop genre.

In Between is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

TROUBLE staked their claim as brat pop supreme with their debut single, Bad Boy

Posted on 28 April 2026

The EDM pop duo, TROUBLE, which has a shot of becoming as iconic as Paris Hilton and Nicole Richey with their Y2K aesthetics and infectious attitude, anchored their debut floor-filler, Bad Boy, in siren-esque angst and an infallible recognition of their own self-worth; crashing in as this generation’s wave of aural feminism.

The four-to-the-floor beat, ferociously riling in all the right places vocals, and progressive unpredictability of the earworm never leaves you feeling that TROUBLE is just going through the motions; there’s a rare sense of authenticity in the urgency of Bad Boy; if you met TROUBLE backstage, you’d know exactly what to expect from the duo and their magnetically spiky sensibility if you met them backstage, and you also know that some poor wannabe lothario is still licking his wounds after inspiring this single.

Era-wise, Bad Boy, and its lacerating, playful fury, is impossible to pin down; EDM and pop aesthetics from the 90s and 00s take an intravenous shot into the anthem, which hits just as hard as Icona Pop and Charli XCX’s I Love It.

No fuckboy would stand a chance against these two, or anyone who decides to take note of the hell-hath-no-fury brat pop lyrics and build their own main character moments under the mentorship of the Nashville duo, Sofia Werner and Kyla Cusick.

Bad Boy is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

‘Summertime’ by Walter Hansen Lives Where Lust for Life Meets Oceanic Longing

Posted on 13 April 2026

Walter Hansen’s latest single, Summertime, is for everyone who has felt nostalgia for a perfect moment as it was still unravelling. Sonically visualising the scintillation of sun-kissed serendipity, Hansen’s experimental EDM pop hit pulls in motifs from across the globe; there’s everything from tropic pop heat to afrobeat rhythmics to Arabian snaking hooks, and at the centre of it all is his cultivation as a classic pop crooner. Recorded in his own studio after first taking shape in Sarasota near the beach, before later being completed in the Pacific Northwest, the single carries the feeling of a memory that refused to fade until it found the right form.

That lingering sense of emotional suspension and the chilled haze of the melodies allow Summertime to establish itself as immersive conduit of catharsis, somewhere you can always return to, knowing you’re in deft hands, where life itself is almost allowed to take on more fundamental meaning.

It’s impossible to tie the track to any one epoch; its timelessness works in beautiful tension with the thematic core of the release, placing you on the edge of an oceanic panorama as you’re reminded what it means for lust for life to converge with love for another. It’s a lush release that deserves to land right on your playlists.

Summertime is now available on all major streaming platforms, including SoundCloud.

Review by Amelia Vandergast

Emotional liberation hit full tempo in Lucy Crisp’s Electro-Pop earworm, Snakes and Ladders

Posted on 27 March 2026

Lucy Crisp has long since perfected the art of instilling alchemic rushes of euphoria into electro-pop earworms. In Snakes and Ladders, the UK breakthrough artist reached her creative zenith by letting vindication oscillate through the kinetically powerful production. The feverish tempo within the EDM-pop progressions fires up as an emotional accelerant, heightening the bite in the lyricism that calls out to anyone desperate for salvation from the sting of manipulation. She’s a firebrand in Snakes and Ladders, morphing anger into infectious licks of ecstasy while keeping the whole thing radio-ready and undeniably built for the dancefloor.

The single marks another bold stride in a career already defined by fearless intensity and reimagining moody pop through Crisp’s signature wildcard authenticity. Crisp creates tracks for those ready to step into their unapologetic selves. Her sound thrives on playing it unsafe, sewing together striking synth production with confessional songwriting that moves between vulnerability and defiance in a single note. Her 2023 debut EP, 65 Roses, released through Youth Music’s NextGen programme, opened up space for conversations around hidden disability and mental health, showing her natural instinct for turning private weight into shared catharsis.

Stepping into 2026, she’s building momentum with boundary-pushing pop shaped for big feelings and bigger stages. Snakes and Ladders feels like a turning point in her ability to scintillate through emotional clarity and deliver dancefloor adrenaline.

Vindication rarely arrives with this much colour, confidence or kinetic force. For pop fans who crave catharsis wrapped in euphoria, this one is an instant fix.

Snakes and Ladders is now available on all major streaming platforms, including SoundCloud.

Review by Amelia Vandergast

Loni Lincoln Turned Years of Creative Evolution into a Cross-Cultural EDM Earworm with ‘Asian Girl’

Posted on 13 March 2026

There’s little in life that maturity can’t better; cheese, wine, whiskey, and Loni Lincoln’s latest single, Asian Girl. The track has simmered and evolved over the years before landing in its final form, and that slow burn paid off. Created in collaboration with Desmond Lawrence, the two firebrands became an unreckonable force in a cross-cultural hybridic cut where traditional Eastern instrumentalism coils around kinetic EDM beats.

Lincoln’s vocal performance carries a palpable sense of cultural duality. Her delivery holds reverence for heritage while charging forward with contemporary pop urgency. When Lawrence heightens the track with his Dancehall-inspired bars, the song opens into a wider emotional frame, adding swagger and rhythmic electricity to the sonic architecture. In that moment, Asian Girl transforms from a culturally rooted concept into something far bigger.

The single lands as a vulnerability-fuelled earworm which tints its euphoric sonic rushes with the torment of knowing geography can quietly dictate how others choose to typecast you. That emotional tension sits beneath the shimmering production, allowing the track to balance empowerment with lived truth.

Lincoln’s story feeds directly into that perspective. Raised in Essex with a Chinese Malaysian mother and London-born father, her family lineage stretches across continents shaped by migration, resilience, and reinvention. Performing since childhood and sharing stages with artists including UB40, Lincoln carries that history into her songwriting with fearless honesty.

With production from Mario Eddie and Charlie King, Asian Girl lands as a cross-cultural pop statement powered by identity, heritage, and unapologetic self-definition.

Asian Girl is now available on all major streaming platforms, including Spotify.

Review by Amelia Vandergast

Craymo turned ‘Last Christmas’ into an iridescent EDM pop rush

Posted on 21 November 2025

Christmas came early for Craymo fans, on November 1st to be precise, when the innovator gave the iconic single, Last Christmas, an EDM rework. Craymo, the New York-born, Orlando-based indie pop disruptor who started out in the LA club scene and carried his sound through film placements, TV features and award circuits, showed again that he could take a familiar track and send it through an entirely different orbit without losing an ounce of intention.

If it were not for the lyrics that almost everyone in the Western hemisphere could verse off by heart, you would be forgiven for thinking this was an original mix. Craymo made it entirely his own by crooning in true 80s synth pop style over a four-to-the-floor house beat that traded sleigh bells for phasers, strobes and rays of iridescence. The shift gave the cover a euphoric momentum that pushed the song out of nostalgia and into something far more kinetic. He locked into the progressive edges with unwavering confidence, letting the gloss build and letting the vocal cut straight through the room with a cool, unforced rise. If any version deserved late-night spins, festival tent drops, or a spot in the seasonal club canon, it was this one.

Craymo had already proved he carried a knack for turning pop into something far-reaching, and Last Christmas slotted neatly into that instinct. It carries enough bite and shimmer to catch listeners off guard in the way only a well-aimed rework can.

Last Christmas is now available on all major streaming platforms, including Spotify.

Review by Amelia Vandergast

Matt Farren unleashed a hypersonic missile of post-breakup pop venom with the infectiously charged EDM hit, If I Were You

Posted on 24 October 2025

If I Were You by Matt Farren, featuring LIVM, pulls no pop punches. The Santa Rosa-hailing screenwriter-turned-indie-artist translated the volatility of heartbreak into an infectiously electric hit, wrapped in cinematic scorn and pulsing with enough EDM adrenaline to detonate on impact. It’s a hypersonic missile of pop euphoria, pinched with just the right amount of post-breakup vitriol to transform vulnerability into a vindicating anthem. This one’s built for the emotionally bruised who still want to dance like their blood’s fizzing with battery acid and glitter.

Farren salaciously flirts with pop-punk energy without tainting the kinetic momentum of his signature EDM pop production. The frenetic pacing and sharp hooks carry theatrical cultivation—proof of his screenwriting roots and his penchant for making explosive statements in tight, punchy scenes. If I Were You hits like the opening title track of a late-night heartbreak film, full of technicolour vengeance and disco-tinted catharsis. LIVM’s feature adds extra bite, weaving in female perspective without softening the emotional volatility that makes the track so addictive.

Farren’s forthcoming album, POP CINEMA, is set to drop on October 24th, and based on the standout single, it’s bound to be a brash, emotionally-charged collection that lets high-gloss production and raw honesty coexist. After clocking up over 350k streams and drawing in a fast-growing fanbase with his theatrical style, Farren is launching a cinematic multiverse where heartbreak hits hard and hooks bite even harder.

If I Were You is now available on all major streaming platforms, including Spotify.

Review by Amelia Vandergast

Pop Culture’s Powder Keg: Maeve Riley Lights the Fuse with her EDM Pop Anthem, ‘Oops’

Posted on 11 April 2025

After a year where pop icons have openly paraded the imperfect and the unruly, Maeve Riley set the dancefloor on fire with Oops—a decadent pop explosion that anthemises digressions with no intention of cleaning up the mess. From the first hit of the tropic house kicks and 80s polyphonic motifs, Riley slams the accelerator on sonic excess, riding a disco groove fuelled by one of the rawest rock riffs ever dropped into a pop production.

The hedonism only intensifies around Riley’s meteorically magnetic vocal lines, which invite you to shed shame, strip away your inhibitions, and groove to the realisation that few things in life are as pristine as idealism, so get lit to the rapture of chaos. Every beat is a rebellion, every lyric a permission slip to abandon composure in the name of unapologetic pleasure.

Born in Rancho Cucamonga and now entrenched in LA’s music circuit, Riley sharpened her performance edge at UCLA’s School of Theatre, Film, and Television before becoming a fixture in the entertainment world. With 200K+ followers across TikTok and Instagram, she’s turned visibility into credibility without sacrificing authenticity.

Connect with Maeve Riley on Instagram and TikTok and wait for the drop of what will undoubtedly become one of the hottest tracks of the summer.

Review by Amelia Vandergast.

Whit2Boi’s Progressive House KPop Earworm, ‘Set the Vive’, Pulses Through the Cracks of Reality

Posted on 8 April 2025

Whit2Boi threw out the rulebook to make room for an innovative recalibration of electronic music with his KPop-laced house anthem Set the Vive, featuring the exhilarating vocal presence of Estelle. While Western EDM producers cling to worn-out formulas, Whit2Boi architects an entirely different experience—one that abstracts your senses from material reality and relocates you into the textural transcendence of his sound.

Set the Vive is a slamming EDM house release that hypersonically injects euphoria into every drop. The builds, however, are where Whit2Boi’s signature hits hardest. Meditative textures ripple through the structure with spiritual and naturalistic ambience, dialling back the intensity just long enough to let the anticipation simmer into something more divine than mechanical.

Where other artists are happy to build club tracks for disposable escapism, Set the Vive constructs a world beyond imagination and delivers you straight into it. This isn’t an anthem for losing yourself on the dancefloor. It’s full-body escapism from an artist who understands how to make the synthetic feel sentient.

Discover Whit2Boi on SoundCloud.

Review by Amelia Vandergast

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