Ironically the band Hope for the Future does just that for its genre with their debut hit Loaded Gun.
A Hope for The Future are a futuristic collective of musician’s which hail from Stockholm, Sweden with their effervescent Alternative Dream Pop Sound. Their New track Loaded Gun alludes to their musical influences. The female lead vocalist has all of the powerful synergy of fellow singers from The Cardigans, and The XX whilst the minimalist in part, monstrous in others is a slight nod to other contemporary Alternative artist such as M83 and Arcade fire.
They create an enriched harmony throughout the track through the effect of the jingling guitar which rattles charismatically all through the track to lead it up to an explosive sound in the chorus. A Hope For The Future have definitely created an anthem through Loaded Gun that wouldn’t be out of place on a Made In Chelsea soundtrack.
The collective have created a universally lovable sound with their relatable and resonant styling that shines with euphoric charisma.
You can check out Loaded Gun, and their other new single Friend on the links below!
Mórtola is a passionate singer and songwriter with a deep fascination for new wave textures, electronic music punch and plain pop appeal. Her music is rich and really lavish, yet very personal and direct – obviously stemming from the artist’s great dedication to her craft.
“Alive” perfectly portrays the artist’s instinctive and personal songwriting style. Although the sound is big and powerful, it is also very intimate with only a few, yet well-focused elements that embrace a “less is more” philosophy, blending old-school and new school tonal ideas.
One one end, the track echoes back to the principles of classic songwriting. On the other end, however the sound is modern and impactful, featuring powerful drum samples and tight beats with a gritty feel. The rhythm section offers a perfect musical backbone to the excellent synth melodies and far-reaching lyrics. It’s always fascinating to me to hear how artists are able to turn a simple riff or even a simple rhythmic idea into a full-fledge song with a powerful sound.
This is definitely the case of Mórtola;s new single. This talented artist can seamlessly start from a relatively simple concept and build up the foundation to an inspiring and direct tone, which deeply connect with listeners of all walks of life.
Original Swimming Party joined forces with Moonchild Sanelly in order to create a lush, unique and fascinating single titled “Biggest Curse”.
The song is immediately striking for its stunning production value and accomplished arrangements. The rhythm section, in particular, is pretty edgy. The kick and snare lock in perfectly, creating a really crisp, yet hypnotic groove. The beautiful thing about the drum arrangement is that it is very dynamic: not just a loop over the song, but a really fluid structure that seems to follow the melodies like a roller coaster – it grows in intensity when needed, but it also knows when to take a step back and allowing other elements in the mix to truly stand out.
The bass locks in with the beats perfectly, creating a really outstanding backdrop for the many layers of synths to truly stand out. The melodic textures are lush and direct, serving the vocal melodies perfectly. Moonchild Sanelly really offers a powerful vocal performance that adds a lot of groove and spontaneity to this track. The vocals are far-reaching, direct and spontaneous, drenched in stunning effects and warm reverb tones that add space and depth to the lead vocal tracks and harmonies alike.
The vocal bridge before the song’s outro is also really remarkable, with great pitch-shifting effects and multi-layered vocals that add a dream-like vibe to this song. The ending is really unexpected, as the song keeps picking up pace and speed, just like a wild rollercoaster ride.
Clocking in at slightly over the 4-minute mark, Biggest Curse feels like a rich, in-depth and extremely textural song with lots of details. A couple of listening sessions in, and you start to notice details you might have missing previously, such as additional layers of drones and melodic synths, bass riffs or harmonized vocal hooks.
Original Swimming Party truly managed to impress me with their incredible blend of dream pop vibes, ambient and afro-beat grooves.
Original Swimming Party
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If musical genres such as shoegaze and dream-pop can sometimes be seen as elitist areas defended by earnest, serious music fans looking down their noses at pop music’s more transient and throwaway nature, then Lady Katherine is the bridge that connects the two camps. Harmony is the perfect blend of lush soundscaping and addictive pop; it has all the beat and sass of the latter but also the lush, shimmering trappings of the former.
Harmony is as concerned with textures as it is structures and it is this meeting of sonic beauty and pop groove that has created this wonderful reconciliation between the two musical worlds. I don’t think anyone was expecting that!
Joy Downer is the new project from Joy Bishop and Jeff Downer, a married duo out of Los Angeles, CA. Inspired by duality; themes of light and dark, man and woman, mind and matter collide to set the backdrop of the sound.
Their danceable debut single, “Caught In Your Spell,” is a jangle pop love song that opens with a shimmery, dreamwave synth and is anchored by buoyant drums and groovy rhythms. All the while Bishop’s saccharine voice sings a story of obsessive intentions ending with triumphant blasts of trumpet.
“Have you ever met someone that made you dance the fine line of being a stalker and letting that person know you’re interested?,” says Bishop about ‘Caught In Your Spell.’
The song is off their debut EP, Radio Dreamer, which was recorded and produced by Rob Kolar (of He’s My Brother, She’s My Sister and KOLARS) at his home studio in Echo Park.
Website – http://joydowner.com
Facebook – https://www.facebook.com/joydownermusic/
Twitter – https://twitter.com/joyydowner
Soundcloud – https://soundcloud.com/joydowner
The Sunset Kids are a unique Canadian Electro Folk/Dream pop music duo created in early 2013 by Josh Palmer (Guitar, Synths, Vocals) and Ally-V (Synths, Vocals). . Beyond providing energetic performances throughout the country, they share their enthusiasm and passion for music and film. Nominated for best Independent Music Video at the 2016 HMMA’s ( Hollywood Music in Media Awards). Their merits as artists also extend internationally, all their main official videos have been produced in California in collaboration with videographers and other crew members from the TV series Breaking Bad.
Ally V , grew in post Soviet /post Berlin wall Siberia, with no money and political unrest for years. She later immigrated to Saskatchewan Canada and her cinematic eye and musical ears were inspired by her journey to Canada. Her other worldly experiences bring a uniqueness to the Sunset Kids music and videos that’s all their own. The Kids make exciting Electro Folk music and also Cinematic music videos and short films. For their live show they combine this cinematic eye for a multimedia experience with video projection.
The Sunset Kids have become well known for implementing visual art during their performances. This comes in the form of original videos that capture the attention of their audience by mimicking the essence and mood of their music. To date, The Sunset Kids have played nearly 100 shows, including local, national, and international venues. The Sunset kids are heavily influenced by the New-Wave and Synthesized Sounds of the 80’s and folk pop of today. Their music represents a blend of many genres, from folk to synth electronic and indie.
Other than the most recent Music Video Nomination, one of their exciting milestone was the release of their first EP Seventh Sky on March 23, 2014 in front of a Los Angeles audience at the famous and Historic, House of Blues HOB on Sunset BLVD. Thanks to the overwhelming crowd response. In fact one of the last performances their before the legendary club closed down.
Find out more here
Villiers are a deliciously dark synth pop/ new wave four piece from the north of England. Forming in 2011, originally as a three piece, they released first single ‘The Dancer’ on Jack to Phono records to rave reviews and airplaya acorss the world from BBC Radios 2’s Janice Long and Jonathan Leigh Rosen’s ‘Lopsided world of L’.
New single ‘Wandering’ encapsulates many of the iconic sounds of which the band have been influenced by such as New Order, Bronksi Beat and Depeche Mode creating a dreamy yet dramatic pop track that’s sure to get those bodies on the indie dancefloor. The track tells a tale of love and angst set against a dark, drug fuelled club scene.
The band are brother Ben and Daniel Earnshaw, Daniel Buckle and Mike Bradford.
May 29th – Darwen Live (Mainstage)
June 17th – Night and Day, Manchester (Supporting Avec Sans)
July 6th – SummerDays Festival, Clitheroe Castle
Melbourne two-piece Zone Out have emerged with a second taste of their forthcoming LP ‘Transience’.
New single ‘Breakdown’ employs much the same approach that saw their debut release ‘Inside’ so well received (and already rubbing shoulders on-stage with the likes of Homeshake, Sonny & the Sunsets and Lost Animal, despite their relatively recent conception).
Masterfully blending elements of new-wave, dream-pop and electronica, ‘Breakdown’ basks in it’s own rich, broody soundscape, bringing to mind ‘80s synth-pop syndicate Berlin.
Originally forming in 2012, the Melbourne-based ex-shoegazers dispersed in 2014 following a string of critically acclaimed independent releases.
2015 has seen one-half of the band’s original lineup in Ashley Bundang (Totally Mild, Sui Zhen, Ciggie Witch) and Dove Bailey (Scotdrakula) re-assemble with a new direction, though very much the same manifesto.
Despite boasting a brighter, more pop-inflected sound, Zone Out are no less fittingly titled. The new-look outfit released their debut 7” single ‘Inside’ late last year, chanelling ʻdream-popʼ at its slow-burning best – fragile in nature, yet full-bodied in sound. Each strum of the guitar and croon of the voice simply drips with reverb and bursts with charm.
Bundang’s lilting vocals paired with Bailey’s jangly guitar-interplay on ‘So Bright’ recall Teen Dream era Beach House , whilst a syncopated beat and swirling synth pad draw stronger comparisons to their more electronica-influenced neighbours, Yumi Zouma .