Browsing Tag

dance

‘sssnake’: r/ginola’s Venomous Dive into the Electronic Spectrum

With sssnake, the up-and-coming artist and producer, r/ginola, strikes again, delivering a sonic venom that bites hard and fast. Forgoing the usual slow-burn build-ups, the track hooks instantly, plunging listeners into a speaker-slamming anthem that meshes bass-heavy EDM with hyper-pop chaos. The glitchy techno interjections and euphoric house swells create a kaleidoscope of sound that refuses to play by the rules, colouring far beyond the conventional lines of electronica.

Building on the foundation of his first official release, Edgar Allen Poe, a genre-defying electrotrap banger, r/ginola continues to scribe his unique sonic signature across uncharted auditory territory. While his chaotic approach to production lands firmly in the remit of modern trends, his distinctive style carves out a space that’s entirely his own.

sssnake not only showcases r/ginola’s adventurous approach to sound design but also hints at his potential to become a trailblazer in the EDM scene. With a tighter structure and a little more polish to his sound, he could be poised to dominate the electronic frontier.

sssnake was officially released on January 17th; stream the single on SoundCloud and Spotify now.

Review by Amelia Vandergast

NI-RAVE earned a PhD in rhythmic anatomy with his techno anthem ‘Play Right’

With ‘Play Right’, NI-RAVE proves himself as a sonic architect capable of building euphoric tension and releasing it in ways that defy expectation. Hailing from Mumbai, NI-RAVE (Nirav Advani) has crafted a reputation for his versatility and profound understanding of techno’s rhythmic anatomy, synthesising electronic textures with an innate sense of pacing.

After cutting his teeth as an electronica artist at just 14, NI-RAVE has evolved from small, intimate events to prestigious international stages, with global releases on labels like YHV Records and Trippy Code Records.

‘Play Right’, a standout from his 3-track EP, Karma, featuring collaborations with techno heavyweight Datlow, pulses with kinetic energy. NI-RAVE’s meticulous progressions lead the listener into a sense-seducing frenzy of anticipation for the drops which he teases with tantalising precision, ensuring the build is just as exhilarating. His ability to subvert rhythmic expectations pushes the boundaries of the genre without losing its intrinsic dancefloor appeal.

The track’s hypnotic and subtly transformative textures echo NI-RAVE’s philosophy that techno offers a healing escape.  Having shared stages with artists like Stereo Express and Almost Human, NI-RAVE is shaping the rave scene’s future with his innovative touch.

Play Right was officially released on January 3rd and is now available to stream on all major platforms, including Spotify, as part of NI-RAVE’s 3-track EP, Karma.

Review by Amelia Vandergast

Becky Raisman started a ‘Love Revolution’ with her latest EDM anthem

It’s rare for authenticity to seep through the polished veneer of an EDM mix, but Becky Raisman dismantles expectations with her standout single, ‘Love Revolution’. Nestled within her ‘Peace, Love and Harmony’ three-track single, it’s more than just an earworm—it’s a pulse of pure, unadulterated euphoria.

Raisman’s approach to production stands apart from the formulaic tropes of the genre. Her infectiously twee, endlessly endearing vocals glide effortlessly over beats tinged with nostalgic nods to 80s pop aesthetics. Instead of homogenising her harmonies with autotune, she allows their charming idiosyncrasies to take centre stage, proving that imperfection can be just as impactful as polished attempts at ‘perfection.

The anthemic rhythm invites you to lose yourself in a soundscape built for communal elation. Flanked by the equally impressive tracks ‘Feeling Groovy’ and ‘Harmony Blooms’, ‘Love Revolution’ amplifies the ethos of its parent project: unity through sonic bliss.

Raisman’s beats may be meticulously crafted, but it’s her knack for threading emotional resonance into every loop and drop that puts her in a league of her own. With ‘Love Revolution’, she cements herself as far more than a beat maker—she’s a curator of moments that resonate far beyond the confines of a setlist.

Love Revolution was officially released on December 3rd; stream the single on all major platforms, including Spotify.

Review by Amelia Vandergast

The Avant-Garde Alt-Pop Sensation Mitchell Zia Struck Again with His Jekyll and Hyde Hit, ‘accelerating’

With almost 80k monthly listeners behind him on Spotify and 157.4k followers on TikTok, the Avant-Garde Dark Electronic Pop sensation Mitchell Zia’s trajectory through the industry since his official debut in 2019 is the definition of a modern success story.

His standout single, accelerating, uses a baroque cabaret pop prelude as an opening salvo before introducing his vocals, which send tremors of deep, dark reverberations throughout the entire mix, easily overpowering the thrum of the basslines and the trappy beat. Weaving light back into the mix, the swanky piano keys ephemerally reintroduce themselves as Zia’s vocal lines chameleonically transform into an infectious pop timbre.

The way the single continues to switch in tone is enough to whip up a schizophrenic frenzy in the single which never allows you to feel complacent within the helter-skelter production. It’s enough to leave you with no room to wonder why Mitchell Zia is dominating the contemporary pop scene.

Accelerating is available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Jonathan Jaynes – Angels & Devils: An Ethereal EDM Dance of Duality

Jonathan Jaynes’ new single, ‘Angels & Devils (Club Version)‘, hits with big beats and a honed-to-the-nines production, enveloping listeners in a vulnerably immersive slice of etherealism. The melancholy embedded within the track is its strongest magnetic pull, drawing you into the 8-bit dreamy textures, while the rhythmic punctuations turn the earworm into an installation of danceable kinetic momentum.

‘Angels & Devils’ is a devilishly arcane invitation to lose yourself within a cinematic sonic sphere, reminding you that you are never alone in the moves you make even when it feels like the ache of disconnection is all-consuming. Even if you don’t subscribe to any particular faith, it is impossible not to find comfort in the lyrical mantras that light up the track, which is one of the most affecting exhibitions of Jaynes’ ‘happysad’ signature sound that lays catchy melodies over melancholic confessions.

This club version of ‘Angels & Devils’, originally a sad self-destructive ballad about leaving a relationship to save oneself from getting hurt, marks a new direction in his career, pursuing an EDM legacy that won’t easily be lost to history.

Stream the Club Version of Angels & Devils on SoundCloud now.

Review by Amelia Vandergast

Sink into the hypersonic synergy of Subbwell and Flowdan’s Grimey DnB track, Welcome to London

For his latest release, Subbwell, the indomitable Estonian drum and bass producer, teamed up with London’s own grime juggernaut, Flowdan, to drop their massive sonic attack, ‘Welcome to London’.

The hit is a deep dive into the city’s gritty vibe, delivered with a raw edge and polished with a high-quality production to juxtapose the dark, grimey bars that snarl over a backdrop of hypersonic drum and bass. The beats are savage—slamming, distorting, and warping under the weight of Flowdan’s delivery. He weaves through the track with a melodic flow that hits hard, perfectly synched with the wild, adrenalising energy of the builds and drops.

As for the video, think London’s streets through a Grand Theft Auto lens. It’s a cinematic piece that flips the script on how we see the city, as the camera tears through the streets, the good, the bad, and the ugly filter into the vignette that will resonate with the realities of many Londoners.

With ‘Welcome to London’, Subbwell and Flowdan throw us into the middle of London’s pulse through an unapologetic, in-your-face celebration of all things raw and real about London’s underground scene.

Stream the official music video for Welcome to London on YouTube now.

Review by Amelia Vandergast

Spyndycyt existentially unravelled over a four-to-the-floor Avant-Garde beat in ‘I Don’t Wanna Do This Anymore’

Spyndycyt’s latest single, ‘I Don’t Wanna Do This Anymore,’ amps up the sonic signature scribed through his prior releases, giving the electrifying track a pulse of EBM while keeping true to his erratically eccentric vocal style as he unravels over a narrative of existentialism and frayed with chaos strobing synth lines.

As quirky and kinetically rhythmic as Neuroticfish and The Gothsicles, as experimental as, well, it’s pretty hard to draw a comparison in that domain, this latest single from Spyndycyt proves how succinctly he can command a four-to-the-floor beat that injects symphonic elements of the 90s rave scene.

It’s a broadsiding tour de force that is undoubtedly as effective at altering your brain chemistry as electroshock therapy. Bite down on this exploration of mistrust, betrayal, and the crushing, ever-growing suspicion that all your deepest and unspoken fears are true.

Contrasting the dark thematic undercurrents of being a terminal disappointment, the solo artist ensures that I Don’t Wanna Do This Anymore oscillates through euphorically rhythmic hedonism to sugar the pill you will want to swallow time and time again.

I Don’t Wanna Do This Anymore is now available to stream on SoundCloud.

Review by Amelia Vandergast

Get a Sonic Contact High from Bramley’s 80s House Anthem, You See Me?

Bramley is no stranger to invoking pure euphoria, and with You See Me?, he pushes the limits of retro-inspired house grooves, creating a track that feels like it was made for that 2 am peak in a sweat-soaked club when shirts are off and the energy is electric. The powerhouse vocals soar effortlessly over his disco-tinged beats, offering an instant mood lift as they project empowering reprises through the mix.

As an accomplished DJ, musician, and guitarist Bramley has a clear vision – to take his listeners on a sonic ride where live elements meet the pulse of electronic music. His knack for knowing exactly when to let the rhythm breathe before hitting hard with those infectious hooks shines through in every track he touches. You See Me? is an undeniable attestation to his mission to make rhythmic hedonism oscillate across dance floors.

The track oozes old-school house nostalgia while maintaining a fresh feel for today’s appetite for house hits. You See Me? hits so much harder than your average house cut; it’s a rush of retro bliss that reminds house music fans why Bramley is a kingpin in his genre.

You See Me? dropped on September 27; stream the single on all major platforms, including Spotify and SoundCloud.

Review by Amelia Vandergast

Radio-Activity haunted the dancefloor with their house anthem,  Ghost of You

Radio-Activity’s single ‘Ghost of You,’ may have been released this summer, but it is veritably one of the hottest Halloween EDM House drops of 2024. The anthem juxtaposes luminously lit euphoria with dark, moody, atmospheric chills that wrap around solid basslines, crafting a soundscape that haunts as much as it kinetically adrenalises.

Though initially known as a rock powerhouse, Radio-Activity has indisputably found their forte in the EDM house arena. The cleverly constructed track has allowed them to emerge as rock stars of the EDM genre. With ‘Ghost of You,’ they invite listeners to find the rhythmic rapture in being haunted by your own heart in the aftermath of a breakup.

Like The Prodigy, Die Antwoord, Skrillex, and Pendulum, who were welcomed into the rock community with open arms, we anticipate alt-music fans finding just as much favour in the fervour of this release. What genre they will dip into next is anyone’s guess, but with their chameleonic talent, it isn’t likely that they will go lower than the high bar set by ‘Ghost of You.’

Stream Ghost of You on all major platforms, including Spotify.

Review by Amelia Vandergast

Rafał Przewłocki & Dr Gin summoned a sonic djinn to the dancefloor with their dark techno anthem, Sila

Rafał Przewłocki and Dr Gin conjured a sonic storm with their dark techno anthem, Sila. Like the mythical djinn from which the track takes its name, the single possesses an otherworldly magnetism that commands every moment it occupies.

The deep pulsations and nuanced shifts in momentum drive listeners beyond the edge of euphoria, an experience fuelled by the high-octane energy manifested by the experimentally luminary producer. Yet, don’t mistake experimentalism for a lack of precision; Sila is a carefully orchestrated ride through a meticulously constructed soundscape.

The Middle Eastern influence permeates the production, as ethereal Eastern vocal lines and the melancholic hum of the duduk breeze through the relentless beats. These elements open a vast expanse within the track, creating a sense of depth that leaves plenty of room to sink into its electrifying power. While the rhythmic intensity of Sila will undoubtedly flood your senses through your home speakers, it’s on the dancefloor where the full weight of the track will possess and devour your senses.

There’s a seamless interplay between the feminine and the sinister in the single which submerges listeners into its darkly atmospheric world. And with every drop, every subtle shift in rhythm, Sila teeters on the edge of chaos, while retaining a scintillating sense of control.

The official music video for Sila premiered on August 31; join the 7.4k watchers who have already caught the hype by heading over to YouTube.

Review by Amelia Vandergast