Browsing Tag

Classic Rock

‘Judgement Day’ is upon us in Danny Vash’s seminal rock hit.

Posted on 28 May 2022
Danny Vash

With enough filth in his guitar licks and enough vitriol in his vocal lines, the US rock artist, Danny Vash has exactly what it takes to draw in fans of Black Sabbath, Led Zeppelin and Metallica with his standout single, Judgement Day.

The multi-award-winning single delivers exactly the kind of life-affirming vindication that rock and metal fans can only ascertain through sonic means. Yet, this is no average vintage rock revival. Danny Vash’s signature intellectual lyrics instantly broadside you with their resonance as they reflect on the inescapable nature of our mortal coil, which will inevitably lead us all to judgement day. We may scrutinise ourselves every day, giving little thought to our capacity for redemption, but if any track can empower you through your own free will while you still have sand to spare, it’s Judgement Day.

Judgement Day is now available to stream via Reverb Nation.

Review by Amelia Vandergast

ACISS have released their scuzz-slicked rock EP, Wild Ride

Posted on 17 March 2022

New York’s prodigal sons in the making, ACISS, laid the scuzz on thick with their driving rock and roll debut EP, Wild Ride. The promising debut is a whisky and gasoline swathed anthem that carries similar hooks to what you will find in AC/DC, Guns N Roses and White Snake classics.

Yet, with ACCIS’ tendency to pull its roots from the 70s to the 90s, you’ve never come across sonic pallets akin to the overdriven tones that tease classic rock nostalgia before subverting the raucously electric anthems into brand-new territory. The title single is the perfect introduction to ACISS’ devil-may-care demeanour and instrumentals that can sonically take you down the Sunset Strip at 100mph.

ACISS’ debut EP is now available to stream on Spotify.

Review by Amelia Vandergast

LUXTHEREAL bring in the new wave of classic rock with their ethereal hit, I Got You

Posted on 13 January 2022

After an entrancing synth-driven prelude, the Phoenix-based alt-rock outfit LUXTHEREAL’s standout single, I Got You, grips you with the alchemy that pours from the cinematic cocktail of classic rock, new wave, and post-punk.

The dreamy and ethereal instrumental interludes wrap around the robust vocal timbre of Rachel Guilbault and the increments of classic rock that pull you back to the 80s while simultaneously immersing you in a brand-new sonic world, defined by its emotive gravitas and atmospheric magnetism. Any fans of Christian Death will undoubtedly want to make LUXTHEREAL a firm fixture of their playlists.

I Got You is available to on YouTube and on Spotify.

Review by Amelia Vandergast

Lunarcode cut their classic rock energy with an infectiously catchy pop edge in Cuttin’ the Cord.

Posted on 2 January 2022

Lunarcode gave classic rock an infectiously catchy pop edge in their latest release. Cuttin’ the Cord. While the swaggering basslines ooze sex appeal and reminiscence to Arctic Monkeys, the guitars earn Cuttin’ the Cord its rock n roll stripes.

Only a vocalist as dynamic as Vincenzo Carubia could pull the endlessly progressive track together so tightly. From the laceratingly sharp pop vocal hooks to pedal to the metal raucous rock passion, he delivered it all with a devilishly magnetic attitude that makes getting hyped about this powerhouse outfit non-optional.

They may have only been around since the summer of 2020, but they’re already proving that if anyone’s set to take the rock scene by storm in 2022, it is them.

Cuttin’ the Cord is now available to stream on Spotify.

Review by Amelia Vandergast

Mainline introduce us to ‘The Unholy Idol’ through the barbarous furore in their debut album.

Posted on 1 October 2021

On October 1st, 2021, the New York-hailing four-piece Mainline delivered the psyched up classic rock revival album of the year, The Unholy Idol. Right from the first single, Sanctum, the vintage tones pull you into the grip of their unassimilated anthemic rock prowess.

You will soon see how they came about their moniker with their ability to make you feel like you’ve just mainlined adrenaline through track two, Out of the Shadows. The 10-track album is almost wall to wall with anthems, but they still found space to exhibit their dynamism as alt-rock alchemists. Standout singles include the grunge influenced title-single, The Unholy Idol, and the bitter-sweet serenade, A Distant Memory. The concluding single, No Warnings, No Signs, is where Mainline prove that they can rip through solos just as well as any of the accoladed guitar heroes and seal a place in your memory.

Any fans of Metallica, Iron Maiden, White Snake and Black Sabbath won’t want to sleep on this release. Classic rock revivals are in no short supply on either side of the pond, but when we say that Mainline are reminiscent of Metallica, that extends beyond sonic appeal and runs through to their ability to leave you enlivened. With Mainline, you get the sense that creating energising anthems that can easily become party rock hits comes naturally.

The Unholy Idol is now available to stream on Spotify.

Review by Amelia Vandergast

Feel the frustration in Left of the Slash’s latest hard-rock hit, The Time is Now

Posted on 11 September 2021
Left of the Slash

Left of the Slash are the harbingers of doom in their latest single, The Time is Now, which uses screeching sleaze rock solos around the trepidation-laden rhythm section. In the vocals, you’ll find a sense of urgency for awakening that becomes infectious throughout the high-octane hard-rock hit.

Left of the Slash is easily one of the most promising alt-rock outfits to have fallen on our radar this year. Their expansive array of influence covers everyone from TOOL to The Yeah Yeah Yeahs to Black Sabbath to Pixies; which gives you an idea of how they came to cultivate such a dynamic sound that is unpredictable from one release to the next.

You can check out Left of the Slash on YouTube, Facebook and Instagram.

Review by Amelia Vandergast

Jon Fritz pulls back the façade with ‘Love Ain’t What it Seems’.

Posted on 4 September 2021

Washington DC singer-songwriter, Jon Fritz, pulled back love’s façade with his single, Love Ain’t What it Seems’. It strips away the romantic ideation implanted in minds from a young age (thanks, Disney) and gives you a far more realistic account of the role of love in our vast and chaotic world.

Love Ain’t What It Seems resonates on such a deep level it almost makes every love song that made your soul fizz seem superficial with lyrics such as “follow your heart, follow your dreams, take all of your memories and don’t ever think of me because love ain’t what it seems”.

The unforgettable acoustic pop-rock ballad is enough to leave you reaching for the tissues and for your lighter to hold in the air. Which might be pretty hard to do simultaneously.

Love Ain’t What it Seems is now available to stream on YouTube.

Review by Amelia Vandergast

Billy Sinclair has released his relatable retro rock track, ‘Gotta Get Away’.

Posted on 20 April 2021

Glasgow hailing solo artist Billy Sinclair shared a sentiment that we have all felt over the winter with his latest single Gotta Get Away. His retro rock vibes emanate the same rhythmic prowess as Springsteen, The Eagles and Generation Terrorists-era Manics; through the simplicity of his soulful sound, you will catch his folk influences that bleed through his intimate vocals and driving guitar riffs.

The clever repetition of the line ‘gotta get away’ increases the sense of desperation for escape, in the same way that the Doors’ single, People Are Strange, hammers home the sense of alienation.

Rarely do you encounter a single that is intimate and sonically powerful. But thanks to Billy Sinclair’s eclectic array of influence and non-assimilative approach to production and instrumentation, he’s offering something that no one else is; his unapologetic self.

Gotta Get Away is now available to stream via Spotify.

Follow Billy Sinclair via Facebook.

Review by Amelia Vandergast

 

Orson’s Well delivered a smoky stormer with ‘Serve the Verve’.

Posted on 15 April 2021

Rather than serving up yet another archetypal slice of Sunset strip sleaze, USA’s Orson’s Well brought modernism to their raunchy grooves with their latest single, ‘Serve the Verve’.

With Blues weaving its way into the anthemic stormer, Serve the Verve comes with a guarantee that you’ll find yourself mesmerised by the scuzzy yet soaring guitar solos that affirm Orson’s Well are bringing the pinnacle of modern rock.

Serve the Verve is rooted in the past, but it taps into that contemporary need for abrasive smoky rock n roll orchestrated for the discerning rock fan in 2021. For any fans of Guns n’ Roses and Aerosmith, Orson’s Well is definitely worth a spot on your radar.

You can check out the official video to Serve the Verve via YouTube.

Review by Amelia Vandergast

80s post-punk meets classic rock in Jimi Hemp’s debut EP ‘The Lockdown Tapes’

Posted on 12 March 2021
Jimi Hemp

80s post-punk coalesces with classic rock in the lead track, ‘Gods Run’ from Jimi Hemp’s debut EP, ‘The Lockdown Tapes’. Driving angular guitars amp up the energy within the anthemically atmospheric release while the rock vocals are sweet enough with their despondency to leave you placated as you listen to the passion-fuelled release run through.

If Echo and the Bunny Men collaborated with Bryan Adams, I’m fairly certain that the aural result wouldn’t be all too far from what is contained in the viscerally captivating single.

Recently, I’ve found gratitude for a great number of things, Jimi Hemp finishing their tracks which have been on the shelf for decades to make their debut is definitely up there. In a time when ennui is hard to break through, their EP has plenty of feelings to spare.

The Lockdown Tapes is available to stream on all major platforms via this link.

Review by Amelia Vandergast