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Caleb X

Unveiling ‘Dreams of Rodeo’: An Interview with Caleb X on Aspiration and Artistry

Caleb X, an emerging artist hailing from Atlanta, joins us to discuss his latest album, Dreams of Rodeo. Inspired by personal experiences and the influence of artists like Travis Scott, Caleb delves into the stories behind his music, the obstacles he overcame during its creation, and his growth as an artist. He opens up about emotionally charged tracks like “Quiet” and shares his perspective on balancing life’s challenges while staying true to his creative vision. We also explore his future projects and his passion for fashion. Read on to discover more about Caleb’s artistry and what the future holds for him.

Caleb X, thanks for sitting down with us again to discuss your latest album, Dreams of Rodeo. It clearly holds a lot of artistic merit and visceral emotion; what’s the story behind the album? 

The idea of the album name comes from me being a younger aspiring artist wanting to take it to the next level from Atlanta to the LA scene, but as I began working on the album, the meaning went from “Rodeo” being the place I wanted to be to me making it be anything I wanted in life whether it was making a better life for me & my family or having peace of mind with the creativity and making that my “Rodeo” no matter where I am at the moment.

I also grew into my artistry by studying artists like Travis Scott & his come-up from Days Before Rodeo really inspired the album when it comes to the drive & hunger he had to get where he is now. So I took that hunger & applied it to making the album. Out of that inspiration, it made me come up with songs like “90210!” As a homage to Trav song off “Rodeo”. After making that song everything else started flowing & the next thing I knew I had a good number of songs that coincided with each other which helped me come up with the sonic direction of the whole project.

What were the most challenging and rewarding aspects of writing and creating the album? 

I would have to say the most challenging was writing the outro “Quiet”. That song is a sensitive one for me to this day since I’m talking about a story about someone I actually know along with the story of someone very close to me dealing with alcoholism & I feel the responsibility of keeping everything together but it’s only so much I can do so I had to dig up the strength & vulnerability to talk about it on a record to just put it out to the universe as therapy for myself & anybody else that might be dealing with a similar situation.

Sometimes we just need a moment of quietness to tune out unnecessary things & focus on what’s really important. It’s hard for me to even listen to that song. Last time I cried was writing that song so it’s tough for real. But at the same time it’s rewarding because after making that song, the stress I had before went away & after letting my family hear it, things seemed to smooth out all from me just putting those words out there. The tongue is powerful for sure.

What is it like to hit roadblocks along the way while sitting on an album before its release? 

Roadblocks are my biggest enemy, it would seem. It was over 2 years since I dropped a new project or track, so I was really itching to release something, but I couldn’t because things just weren’t ready because I had other priorities, which caused a hold-up with the creative process.

I was supposed to drop the album in December of 2023, but life hit like an 18-wheeler. Instead of getting discouraged I just kept working at it & writing to different beats & tapped back into the studio to make even more music until I felt I was completely done with the album. Just happy I was able to drop this year after promising my supporters a new project this year. I can’t even stand the word roadblock I swear. I can’t lie, I also have some women problems going on when I’m deep into creating & I let it get in the way sometimes although it also gives me new things to talk about hahaha.

I always say life imitates art so it is what it is. Can’t be too mad at it. It comes with being creative, honestly. You have to roll with the punches, whether it’s life’s responsibilities or women. You just have to manoeuvre your way through it & use it to your advantage while being patient with the process.

How do you feel now it is out in the world? 

I feel like a big weight lifted off me once it was out. I felt more free than I’ve ever been. Especially after getting people’s feedback about how much they like the project & hearing what song is their favorite, it really caused me to appreciate every second that went into recording it & gave me an even clearer idea of what to do next.

I’m always searching for a new way of creating in the studio after dropping a project. It’s an addiction at this point. I may feel free after a release, but then after a while, I’m not satisfied anymore. Always trying to work on something even better. But again, I really appreciate the feedback & love that I have been getting so far. Can’t wait to see who else it reaches.

A lot of independent artists struggle with the pressure to stay on the perpetual hamster wheel of pushing out new content, is that something you can relate to now you’re writing new tracks while ensuring Dreams of Rodeo gets the attention it deserves? 

That’s for sure a true statement for most artists but with me, I don’t let the pressure affect my consistency because my creative flow is something that never goes flat. Once I’m knocking out songs, I can’t stop so I’m always sitting on some type of music, it’s just a matter of finding a way to release it in a strategic way for me that turns into a constant battle.

The music will always speak for itself if you put in the time & effort into it. Once one person rocks with it it’s going to be a whole wave of people that will love it so I don’t really feel the pressure of needing to flood music. I take it one project at a time & let the people spread it to others. Every new listener is hearing it for the first time so why flood music? Maybe that’s just me though.

Is your new track, Butterfly Effect a continuation or a departure from Dreams of Rodeo? 

It’s from the Dreams of Rodeo sessions. It was supposed to be the intro for the album but then the direction I wanted to go changed so it stayed in the vault until now. I’m done holding back songs I make so I wanted to give people a single before the year ends as a gift of appreciation for the continued support before I release more new music which will have a different sound than Dreams of Rodeo.

Are there any other ventures or projects in the works that your fans can look forward to? 

As most people know I’m big on fashion & even got my own clothing brand going so I plan on eventually being a full-time creative director in the fashion lane which coincides with music so I’m looking forward to how far I go in that lane but until then I’m in the early stages of starting a new project titled “Still Shining”.

It’s a sequel to the first project I released titled “Shine”. It’s something that I can’t wait to bring to life & shift my sound once again. I just love trying new things & proving to myself I’m really like that. So much is in the works for my supporters from the music to music visuals to the fashion. It’s all on the way.

Stream Dreams of Rodeo on Spotify now.

Interview by Amelia Vandergast

Caleb X ticked all the right dream trap boxes in ‘Ricky Hoodie’

Caleb X’s standout single, Ricky Hoodie, drawn from his third LP, Dreams of Rodeo, introduces listeners to a dreamscape where the trap genre isn’t just revisited; it’s reinvented. The track embodies a dreamy trap aesthetic that could lift the heaviest souls to ethereal heights with its light, transcendent tonality. The instrumental work is nothing short of entrancing, setting a cloud-like stage for Caleb X’s vocals.

His verses meld the sticky sweetness of pop harmonies with the sharp cadence of hip-hop, demonstrating his unique flair for bridging genres. It’s a polyphonic exploration that promises to peel back layers of the mundane and add a fresh sound to any vibe-out playlist. Ricky Hoodie ticks every proverbial box for what dream trap can aspire to be—polyphonic, innovative, and utterly mesmerising without resorting to cliché.

Caleb X, hailing from Atlanta, continually defies the ordinary, shaping sounds that refuse to be shackled by the conventional boundaries of trap music. With each new release, he distinguishes himself from his contemporaries by bending sonic boundaries towards his creative will.

Stream and purchase the 3rd LP from Caleb X on Apple Music and Spotify.

Review by Amelia Vandergast

Ride the waves in Caleb X’s latest flood of experimentalism, Kick Start ft Zay-OH

Since blasting off his career with his 2019 debut single, Space, the Atlanta-born, Virginia-based rapper Caleb X has honed his sonic signature to become one of the most authentic names in the hip-hop domain. His latest single, Kick Start, featuring Zay-OH takes motivational hip-hop to the next inspirational level while epitomising his ethos to ensure his music is as versatile as his own identity. Sonically spitting in the face of conventional constraints, Kick Start is a declaration of his ability to transplant humanism within catchy distinction.

By grounding the lyrics and bars in realism and the relatability of ennui with the era we’re all enduring and allowing the kaleidoscopically spacy instrumentals to ebb and flow in trippy trap-esque waves, Kick Start is a cohesively convictive juxtaposition that exhibits Caleb X as a promising luminary who has exactly what it takes to become one of the biggest new urban experimentalists.

Kick Start was officially released on January 26th; stream the single on Spotify and follow Caleb X on Instagram.

Review by Amelia Vandergast

Interview: Atlanta’s Caleb X shows us the new sound on Double Back

We had the pleasure of chatting with Caleb X recently and this was one of the books. After starting with a MacBook Air, we find out what feeling freedom in music really feels like and the creative process behind Double Back.

We appreciate you taking time out of your busy day for us. Firstly, please tell us how you got into the game and where you are currently based.

I first got into music at the age of 16 when I decided to not just write poems and lyrics in a notebook and to put it on songs instead of starting out on just my MacBook Air. Before then, I always used to watch my cousin Laure Pen make music in her room as a kid and ever since those days I’ve just been inspired to make my own path in music. After moving from Georgia, I’m now based in Virginia.

Double Back is your latest track. Please guide us through the creative process and who you worked with on it.

Double Back came about while coming up with a new sound for a collaboration project I’ve been working on with a talented artist featured on the song named Zay-Oh along with the production by Mike Lakes. I’ve been having great chemistry with both so it was about that time to put something together and showcase our talents and just create something great. Originally Double Back started with just the melody while going through some beats and once I heard one of Mike Lake’s beats everything started to click and I went on from there. Definitely one of the most fun creative processes I’ve had so far.

Which local music venues in your area should we check out?

Now, when it comes to Atlanta it’s so many to go to I can’t just name one but personally my favorites to check out are center stage and masquerade. You can always catch some dope shows there. Mainstream or underground it doesn’t matter. When it comes to where I’m based in now Virginia, the main one to check out is the Norva. Thats the go to venue here for real.

The Blue Moon. Please tell us more about your last project and what you’re currently working on.

The Blue Moon is my favorite project I’ve made so far. There’s so much that went into it creatively and just things that happened outside the process that makes that time period special to me. There were times I thought it would never get done or go the way I wanted it to but in the end things happened just how it should’ve in order to make the album what it is. I was going through writer’s block before finishing it and I just kept at it in the studio with my good friend Benzo who is featured on the album a couple times. He gave me that push when I needed it the most. he even help me get better at melodies and putting ideas together better. I even got into a bad accident that not too many people know about but that was a factor in kind of messing up my process but eventually I just used that as more motivation to keep going and prove to myself that nothing can stop me from creating. Also, while creating The Blue Moon, I finally connected with Mike Lakes. I happened to make a loose single that was originally part of the album but I ended up putting it on SoundCloud and sent him the track and he was blown away by it so ever since then we’ve been locked in and trying to make more songs and just strengthen our chemistry. The Blue Moon is definitely that project I’ll always love because it was the first time I didn’t rush the process and allowed myself to live in the moment and let ideas come to me slowly and really soak things in which is something I’ll continue to do.
I’m currently working on 2 projects actually. One is the collaboration project with Zay-oh which is titled Ultraviolet Radio and the other is a solo EP. Haven’t told anyone the title of the EP yet so you guys get the exclusive. It’s titled Dreams of Rodeo.

What was it like growing up in your area and how have your family impacted your career choice?

Growing up was interesting I would say. Started out on the East side of Cleveland, Ohio from birth til I was about 6. I would say it’s not the ideal place you would like to raise your children but it was out of my parents control but we were blessed enough to move to a more safe environment located in the city of Cleveland I guess you can say before we eventually moved to Georgia when I was 9. My dad bought me a karaoke machine when I was like 7 and I was the happiest kid ever. Always used to battle rap with my friends while using the mic and when it comes to family influence in music it’s like a never ending list. But my dad would always play the oldies like Marvin Gaye, Dazz Band, Ohio Players, you know all the classic artists of that time that I still listen to. My mom wasn’t too big on that music but she played a lot of Gospel and Whitney Houston when I was growing up so I would say hearing the mix of 70s music and gospel definitely made me fall in love with that type of sound along with melodies. The love of melody really hit me when my dad introduced me to Bone Thugs & Harmony music as a kid for the first time. Their sound hit me like a tsunami I swear. If it wasn’t for their music I truly don’t think I would have the type of love for music I have today. Also, I have a brother who rapped for a while and opened up a show for Bone thugs ironically and I have 2 nieces and a cousin who sing along with another cousin who produces and they all record their own music so it’s definitely always been a family thing. We didn’t go for the music, it came to us. That’s how I always looked at it. It’s something that will never leave us. It’s just part of our DNA.

Do you have any advice for new artists in the game and what are the best words of wisdom you’ve ever experienced?

As far as advice goes for new artists out there, I would say to stay true to yourself no matter what. Don’t let any outside noise take you away from the vision you have for your art. Not everyone is going to like you but there are some who will. Those are the ones that will take you further than you imagined. That’s something my dad always told me and I’ve been running with that advice ever since.

Last, what does making music mean to you?

To me, music means freedom. Music gives us artists the freedom to tell people who we are and what makes us tick. You don’t have to be the most lyrical person out there. We’re all telling our stories in our own way that connects with millions of people around the world. There’s people in different countries that don’t speak English at all and they still be vibing and trying their best to sing along to their favorite artists songs so that should show you how powerful music is. Music is the most powerful form of freedom in the world. You got to love it.

Hear more on Spotify.

Interview by Llewelyn Screen

Atlanta Hip Hop Pioneer Caleb X Illuminated the Way to Tranquillity with his Vibe-Heavy Hit, Peace

Cleveland, Ohio-born, Atlanta-based artist Caleb X started a flood of tranquil melodicism by bringing in the new wave of hip-hop with his latest single, Peace.

Even with the nostalgic samples implanted in the glossily smooth hit, which illuminates the path to catharsis and emotional sanctity, there is no denying the experimentally contemporary edge that effortlessly complements the authenticity within the bars.

Though he may be influenced by DMX and Tupac, Caleb X ripped up the hip-hop rulebook before creating this vibe-heavy hit that will spice any future-embracing hip-hop playlist up with its mellifluous soul and style.

Peace was officially released on January 20th. Hear it on Spotify.

Review by Amelia Vandergast