Browsing Tag

Bruce Springsteen

The indomitable indie rock powerhouse, Sam Scherdel, rose-tinted bitter-sweet euphoria in his latest single, R.E.T.R.O.

 After a phenomenally successful year which has seen Sam Scherdel secure support slots for Two Door Cinema Club and receive critical acclaim from across the board, Sheffield’s indie rock spearhead has delivered another hit of exhilarant romanticism with his latest single, R.E.T.R.O. If the waves Scherdel makes with his ear for euphoric earworms get any bigger, we’ll all need to seek higher ground.

The retrospective take on gratitude is a stunning attestation to our proclivity towards tenderly holding the past while struggling to amass sentimentality for the present. The sepia hues of nostalgia will always bring rose-tinted light in our darkest hours, but as much as we want to re-manifest the past, as Scherdel did so sonically consummately with the shimmering new wave pop nuances atop his signature Springsteen-esque indie rock grooves, us mere mortals are confined to the present.

“R.E.T.R.O. was written in 2021 after the initial lockdowns. It’s a bittersweet pop record which contains the message to appreciate what you have whilst you have it, as the moment it’s gone is the moment it hurts.”

With producer Gavin Monaghan (Editors, Robert Plant, Paolo Nutini), the singer-songwriter who always knows exactly which melodically electrifying buttons to press to evoke deep emotion, demonstrated his versatility without watering down the authentic alchemy barely contained in his previous releases.

R.E.T.R.O. turned back the airwaves on October 6; stream it on Spotify.

Review by Amelia Vandergast

Alex Coz looked ‘Between the Lines’ in his romantically rugged Americana pop-rock debut

Keeping the timeless romanticism of Bob Dylan, Paul Simon, and David Gray alive, the Nova Scotia-hailing singer-songwriter Alex Coz’s debut single, Between the Lines, will stir souls as cogently as a tornado ripping through a neighbourhood.

With whiskey-soaked poetry that will win over any Bukowski fans against the orchestrally-cut piano pop-rock ballad, Coz knew exactly where to implement nostalgia between the striking minor piano keys and orchestral crescendos to subjugate his audience into affectionate submission.

As far as debut releases go, you would be hard-pressed to find one as evocatively rich as this sonic feat of beat poetry. We’re officially stoked to hear what the singer-songwriter delivers next. If we still gave artists the opportunity to reach the same heights as Springsteen, Coz would have sealed his fate in the hall of fame with his debut 3-track single.

Between the Lines was officially released on February 7th. Hear it on Spotify.

Review by Amelia Vandergast

Joe Astley sings the everyman blues in his world-class single, Suburbia

Joe Astley

Drawing parallels between Bitter Sweet Symphony, sans the bitterness, Joe Astley’s orchestral feat of folkish rock, Suburbia, taken from his forthcoming debut album, is for anyone who has ever felt the gravity of their hometown dragging them down more insidiously than anywhere else.

The opening lyric, “this city’s got it in for me, there’s a thousand other places that I wish to be”, delivered through harmonic lines that soak the record with sepia-tinged lament as they resound over the rugged acoustic guitar chords, orchestral strings and soaring electric guitar notes as they wind old school Americana into the release starts the single on a sombre note.

The profoundly uplifting release seamlessly progresses into a defiantly strident score through the refusal to fade away into the misery that soaks the streets of working-class towns and cities across the UK. The Wigan-based professional singer-songwriter and instrumentalist sonically attested to the bleakness scribed in Orwell’s The Road to Wigan Pier while simultaneously pulling beauty from the destitution that his accoladed career is pulling him from.

As some artists bemoan the current climate of the music industry, Joe Astley is thriving as definitive proof that with the right balance of tenacious songwriting, insurmountable talent and effortless charisma that immerses you into the emotional states he orchestrates, success is still in the sightline.

Between his residency at the Cavern Club, SKY TV streaming the live run-through of Suburbia, his debut EP on the shelves in HMV, and all his singles charting in the iTunes top ten, it’s impossible not to feel giddy when anticipating his next move.

The launch of his debut album, Twenty-First Century Times, on January 20th, 2023 will undoubtedly open up even more roads for Astley as he takes his boy-next-door resonance wherever he goes.

Purchase Suburbia on Apple Music or add it to your Spotify playlists.

Follow Joe Astley on Facebook & Instagram.

Review by Amelia Vandergast

Frontier Station’s latest folk-rock single is ‘Mediocre’ in title alone

Frontier Station

Frontier Station wove a masterfully enticing tapestry with the close-knit boy-girl harmonies in their latest single, Mediocre, taken from their upcoming debut album, The Birds, The Stars & The Chimney Sweeps, which is due for release on January 20th.

The London-based folk-rock six-piece married Americana rock swagger with the roots of Irish folk and modernised the soundscape with The National-Esque production on the cascading guitars – to awe-inspiring effect.

With Frontier Station, there is the promise that every song tells a tale; with Mediocre, they put a swoonsome romantic epic into melodic motion as they set a scene in a mining town in Thatcher’s England. That name may make everyone with a semblance of empathy cringe, but her cursed capitalist legacy doesn’t stand a chance against the soul impassionedly poured into Mediocre.

Mediocre will officially release on October 28th. Check it out on Spotify.

Review by Amelia Vandergast

The Rochester roots-rock renegade Brian Lindsay has delivered the ultimate riff-licked ‘Revival’

Ahead of his fourth album, Revival, the NYC roots-rocker, Brian Lindsay, teased the modernity-weary, whiskey-soaked soul within it by giving us a sneak peek of the title single, which throws you right back to the time when lighters were held in the air instead of iPhones.

His virtuosic yet humble approach to songwriting is one of the best escapes from the 21st-century that you could possibly ask for. Between the deep yearning romanticism and the swoon-worthy soaring guitar licks, you get the affirmation that Brian Lindsay is the real revival deal. As much as he taps into Springsteen and Ryan Adams-Esque high energy melodicism, he leans into his signature rugged yet smooth intoxicating aural juxtaposition style.

Revival was officially released on May 20th. You can check it out for yourselves by heading over to Spotify or via his official website.

Review by Amelia Vandergast

Award-winning alt-folk artist Colin Clyne has released his latest single, ‘Within Hindsight’

Colin Clyne

Award-winning Scottish alt-folk singer-songwriter Colin Clyne’s latest single, Within Hindsight, takes you back to the time when ballads were tender and minimal instrumentation carried alchemically profound magnetism.

The tones in Within Hindsight are enough to evoke synaesthesia as you drink in the sepia colours weaved into the acoustic guitar progression and soft neo-classic-style meanderings of the piano. The gravelly whisky-soaked vocals hit the high notes with soaring ease, allowing Clyne to exhibit both his arresting vocal range and emotional range. They say that there are 34,000 possible human emotions, Within Hindsight resonates as capable of evoking most of them.

After spending ten years in California collecting accolades, including being a two-time winner of ‘The Best Acoustic Act’ at San Diego Music Awards, and featuring on a list of the best singer-songwriters curated by NBC that listed him alongside Tom Waits, it is safe to say that he made quite the impression. There is no reason why he can’t celebrate the same success on this side of the pond.

Within Hindsight is due for official release on June 25th.

You can check out Colin Clyne via his website, Facebook and Instagram.

Review by Amelia Vandergast

Mike Freund has unleashed his latest feat of humbly affable Americana ‘Crooked Teeth’

‘Crooked Teeth’ is the latest all-consuming offering of aural solace from New Jersey-born artist, Mike Freund: the progressively cinematic soundscape is transfixing from the first sepia-tinged mellifluous verse to the last.

The single runs you through stunningly delicate finger-picked acoustic guitar solos, organ notes hitting like celestial sunrays, and that gorgeously rare feeling of wanting to sing the lyrics before you have them fully memorised when the chorus hits.

The masterful soundscape exhibits the affable authenticity of Mike Freund with his blues licks which come with a meditative kick and his sonorous imagery-projecting vocals which will leave you seriously inclined to keep hitting play.

With their influences ranging from The Allman Brothers to Guns and Roses, Mike Freund is set to enamour fans of both and anything between.

You can check out Crooked Teeth via Spotify.

Review by Amelia Vandergast

Jangle Pop Meets Americana Rock in JimmyJimmy’s Latest Single ‘With You Soon’

US singer-songwriter JimmyJimmy released their latest single ‘With You Soon’ on November 24th, hit play, and you’ll appreciate Marr-Esque jangly upraising Indie intricate guitar licks which will lift you just as high as This Charming Man used to before Morrissey decided to make himself public enemy no.1.

The 80s New Wave Indie sound may radiate in With You Soon, but there are also rhythmic hints of Americana which make choruses as infectious as the reason we’ve all been deflated during 2020.

It’s no stretch to say that With You Soon is easily one of the most enrapturing Pop Rock singles we’ve heard this year. For your sanity’s sake, get him on your radar.

You can check out With You Soon for yourselves by heading over to YouTube.

Review by Amelia Vandergast

Get lost in the dreamy Americana Rock tones in Colm O’Mahony & The Hot Touches’ single “Preacher’s Daughter”

https://soundcloud.com/colmandthehottouches/03-colm-omahony-preachers-daughter-new-master

Sail away with the nostalgically lush tones in the standout release, “Preacher’s Daughter”, from Killarney, Ireland-based artist Colm O’Mahony & The Hot Touches.

Preacher’s Daughter is just one of the singles which features on the band’s debut album which borrows some stylistic elements from across the pond while keeping the folkish tones of Ireland still ringing in the euphoric aural pipe dream. The dreamy hazy melodicism combined with the soul-awakening vocal vibrato proves to be a powerful combination which will be a hit with any fans of Springsteen and the Heart Breakers.

You can check out Preacher’s Daughter for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast

Nate Wilkinson is set to release their resounding Alt Folk Rock single “Better Days”

Nate Wilkinson

We’ve been lucky enough to get a sneak preview of up and coming Alt Folk Rock artist Nate Wilkinson’s upcoming single “Better Days”. It’s safe to say that the airwaves are in for a potent infusion of sincerity when the passionately masterful soundscape drops.

With vocals and intricate guitar work which could give James Dean Bradfield a run for their money, Better Days is not only a deftly-crafted feat of Rock. The visceral intensity makes it so much more. I’m always of the opinion that lyricism should be striking and unapologetically honest, Better Days is one of the rare tracks which doesn’t disappoint.

By all definition, Better Days is a captivating hit. Whether you’re a Folk fan or have a penchant for the raucous licks in Rock, you’ll want Nate Wilkinson on your radar.

Better Days is due for release on July 10th. You’ll be able to check it out for yourselves via SoundCloud. In the meantime, you can check out Nate Wilkinson’s other optimism-inspiring tracks.

Review by Amelia Vandergast