Browsing Tag


Louise Aubrie has released her soul-filling hook-laden indie rock earworm, ‘Last’.

If it has been a while since you encountered a truly authentic indie rock artist, hit play on the latest single from London and New York-residing artist Louise Aubrie.

The pop choruses make an earworm out of Last as the definitively jangle-pop guitars earn Last its indie rock stripes. It has all of the soul-filling appeal of Umberto Tozzi’s ‘Gloria’ track paired with the enliveningly energetic progressions found in the not-so-morose hits by the Smiths.

Blondie references are easy to make, but discernibly, Louise Aubrie has her own authentic voice; it just happens to exude the same ability to leave you utterly captivated by the imagery in the lyrics.

So far in her career, she’s pulled in acclaim from BBC 6 Music, recorded in Abbey Road Studios, played in multiple big-stage-venues in New York and London and worked with some of the biggest names in Indie Rock including Andy Woodward, Tom Edwards, James Knight, and Dave Collins. We’re fairly sure that the accolades won’t end there.

Whichever side of the pond you’re on, you’ll want Aubrie on your radar for her live performances. You can follow her via Facebook.

You can check out the official video to Last by heading over to YouTube.

Review by Amelia Vandergast


Swipe right on Coupdekat’s latest synth-pop single, ‘Love Online’.

UK-based singer-songwriter Coupdeka brought narrative pop to the next level with her latest single, Love Online, which optimistically captures the potential for love during Covid times, even if it has to be digital.

Under the influence of 80s indie icons such as Mazzy Star, The Slits and Blondie, Coupdekat brought a comforting feeling of familiarity to the track as she runs through the dystopic pitfalls of dating in 2021; if you know, you know. And if you know, you’ll undoubtedly find plenty of resonance in lyrics such as “we only make love online”.

Any fans of The Yeah Yeah Yeahs, Shiny Toy Guns will appreciate Coupdekat’s indie approach to contemporary pop with Love Online.

You can hear Coupdekat via SoundCloud.

Review by Amelia Vandergast

Stranger Girl show us their ‘Bad Side’ on their glorious new single.

Stranger Girl

Last year’s trio of singles from South East-based indie darlings Stranger Girl saw them, amongst other accolades, hitting BBC Introducing’s Track of the Week. Now, despite Covid, lockdown, and the dearth of gig opportunities currently threatening the music scene across the UK, they’re back with 3’10” of gorgeous, glittering alt-pop in the form of new single ‘Bad Side’.

Take a large portion of Sleeper and Elastica and a little of an imaginary female-fronted Candyskins, mix them up in a huge Britpop cauldron with a liberal helping of Blondie and The Strokes, and add in some ‘21st Century’ flavouring for good measure, and you’ve pretty much got the recipe for ‘Bad Side’. It’s sublime, an absolutely perfect slice of classic, chart-ready indie-pop. Singer Melissa sounds like Louise Wener with a side-order of Saffron from Republika and a little of the obvious Debbie Harry, the guitars shimmer and sparkle, and the sparse-but-snappy rhythm section powers and bounces the track along. There’s rawness but humour in the lyrical storytelling, but amidst the melancholy and geekiness there’s a hook that sticks in your head alongside the shouty gang vocal chorus. It’s upbeat, poppy, and just a little bit fantastic.

Check out Stranger Girl on Facebook and Instagram.

Review by Alex Holmes

Approaching music in a fashion key: Emily Daccarett drops her new single Growin’ Addiction

Up and coming artist Emily Daccarett has dropped her new single Growin’ Addiction.

If Blondie had revisited her own music in a 2020 fashion key, she would be totally what Emily Daccarett sounds like. To her likes, Growin’ Addiction is an avant-garde experimentation of synth-pop that shapes out of an outright artistic creativity, proper of someone who’s grown into art.

Not a coincidence, Emily Daccarett graduated from Istituto Marangoni in Paris and Ecole De la Chambre Syndicale de La Couture Parisienne where she studied the French techniques of draping, and later the Musicians Institude in Los Angeles. This academic background allowed her to combine music with fashion in a powerful synergic effort, where her style is knitted out of shapes, textiles and sounds; her main tools to handcraft riveting storytelling through an innovative sound.

If you’re eager to follow where this artistic process will lead her, do not wait to listen to Growin’ Addiction on Spotify.

Review by Jim Esposito.