Browsing Tag

Art Rock

Koyama gave classic art rock a modern psychedelic twist in ‘Desolation of America’

Posted on 24 October 2022

The Desolation of America is the second album from the multi-instrumentalist and singer-songwriter Koyama, who fuses classic art rock tones with modernist sound designs. The Radiohead influence is tangible through the complexity of the percussion and the ebbing and flowing vocals that drift in and out of focus around the psychedelic synthetics, especially in the politically melancholic single, Desolation of America.

If Koyama is this talented at 18, he has an exceptionally bright future ahead of him. Especially with his gift of lyrically gnawing away at socio-political themes while psychedelically stripping the dismay from the equation with his artful vocal pitches that complement the colourfully kaleidoscopic chords and droning keys. It’s almost impossible to believe that Koyama only started to write and produce songs in his bedroom during the pandemic. He is definitely one to watch.

Desolation of America is now available to stream on Spotify.

Review by Amelia Vandergast

Ember Rev has unveiled their grungy art-rock shanty, Dives & Lazarus

Posted on 11 July 2022

The synthy, innocent playfulness of Grandaddy meets the indie country twang of Modest Mouse in the latest spacey feat of experimentalism from Ember Rev, Dives & Lazarus.

After the synthesised shanty vibes, towards the outro, the Alt 90s Seattle sound seeps into the kaleidoscopic off-kilter production that also starts to pick up reminiscences to Queens of the Stone Age. Similarities to iconic sonic palettes aside Ember Rev is evidently a trailblazer in their own right.

With their new album, Isophilia, due to be released in July, it is well worth saving a spot for the self-proclaimed “nervous and neurotic accordion-driven” art-rock UK-hailing outfit. I knew there was a reason why the obscurity of Dives & Lazarus was so enamouring in its resonance.

Check out Ember Rev’s latest release by heading over to YouTube.

Review by Amelia Vandergast

Spotlight Feature: Andy Hobson brought ascending melodicism to sonic meditation with his latest single, Rise

Posted on 8 July 2022
https://soundcloud.com/andyhobsonmusic/rise/s-P1ghFdxlrW2?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The London, UK-based singer-songwriter, multi-instrumentalist, producer and spiritual teacher Andy Hobson is so much more than a diamond in the rough. With his latest single, Rise, he is the calm in the ever-calamitous storm that can’t seem to break away from our shores.

From the outro, you will feel some Nick Drake nostalgia. From there on out, the ethereal orchestral strings under the vibrantly ascending acoustic strings deliver heightened emotion exclusive to Hobson’s meditatively inventive take on alt-rock.

If you merged the plaintive sting of The Verve, the unrelenting compassionate tenacity of Nada Surf in their Let Go era with Radiohead-style gravitas and a burning sense of responsibility to spill the equanimity, the end result wouldn’t be too far away from the profound alchemy in Rise.

Here is what Andy Hobson had to say on his latest single:

“This is a bittersweet song about the passing of time and seeing the ups and downs of life as the same thing. Both can lead to new adventures. The song started as a dance track with big drums and a groovy bass line, but the emotion of the melody and lyrics didn’t really fit, so I stripped it back to acoustic guitar and wrote a haunting string section to give a final lift in the outro.”

Save a spot on your radar, as Hobson’s debut LP is due for release in 2023.

Rise, which was mastered by Stefano Ferracin and features Tom Meadows (Kylie/Will Young) on drums, is due for official release on July 8th, 2022. Check it out on Spotify & SoundCloud.

Review by Amelia Vandergast

 

Spotlight Feature: KAIS is artfully transcendent in his new EP, Hot Air Balloon

Posted on 6 July 2022

The alt-90s are definitively alive in the latest EP from the multifacetedly talented artist and songwriter KAIS. From his studio in Cyprus, the award-winning and BBC-favourite artist delivered three melodic singles that toe the line between artful ingenuity and meditative transcendence.

The opening single, Horizon, carries reminiscences of BETA BAND, but via a 25-year wormhole with its languid guitar licks, groovy trip-hoppy drums and blissful boyband-style vocals.

Track two, Turning to Gold, is enough to throw you right back to the not-too-distant nostalgia of Doves’ There Goes the Fear with its lush, laid-back, bluesy laments and heartbreaking swoonsome melodies.

The final and eponymous track, Hot Air Balloon, boasts a more dynamic, choppy funk, which echoes The Bends era Radiohead via Red Hot Chilli Peppers’ more melodic syncopations.

Putting the context behind his singles, KAIS said

“Horizon is a Citizen Cope / David Gilmor-esque inspired ode to tapping into one’s inherent free spirit, which commonly unearths in the lovers’ bond. It paints an image of a man that once swam with his beloved in the magic of a summer night’s sea and attempts to reconnect with the ubiquitous “baby how’s your day?”

Turning to Gold is a hymn of lovers as they traverse life’s highs and lows. It reaches into metaphysical spheres while weighing on the fact that bliss cannot be found when one is merely dreaming.

Hot Air Balloon is a metaphor for pregnancy. As the process unfolds, whereby a spirit permeates and rises into the boundless world, a Hot Air Balloon rises into the ether (where our thoughts drift and amalgamate).”

If any contemporary can unwrite all the false premises of capitalist romanticism and affirm that the beauty of love and life lies in the simplest of moments, it is KAIS. He knows just how to bring his epiphanous concepts to life so that the sonic end result is just as mind-bending as his laureate-like revelations.

The Hot Air Balloon EP is now available to stream on Spotify, Bandcamp and YouTube.

Follow KAIS on Facebook & Instagram

Review by Amelia Vandergast

Unwanted Guest morbidly went for baroque in their debut album, Grave Metallum

Posted on 28 March 2022

With an intro consisting of news broadcasters announcing the deaths Cobain and Winehouse, Unwanted Guest certainly knew how to make an instant impression with the title single to their debut album, Grave Metallum.

The morbidly carnivalesque hard rock hit puts a baroque spin on grunge while carrying reminiscences to Fable Cry and Abney Park around percussion that would make Mudhoney dizzy, the frenetic bounce of the basslines and doom-harbingering guitars.

Yet, the true beauty in the title lies in the nuanced way Unwanted Guest present our ‘icons’ as the line-up in a freakshow that we voyeuristically watch in the hope we see their rise AND fall. With the media frenzy that whipped around Taylor Hawkins this month, Unwanted Guest was definitely onto something.

Grave Metallum was officially released on March 21st. It is now available to stream on Spotify.

Review by Amelia Vandergast

Weimar started an art-rock riot in their off-kilter ode to the glamour of the American Dream in ‘The Girls of LA’

Posted on 27 March 2022

Manchester’s most Avant-Garde art-rock collective, Weimar, came in with all glamorous guns blazing in their latest single, The Girls of LA, which increased the anticipation of the things to come in their eagerly awaited debut album, Dancing on a Volcano.

With a shift from their usual baroque post-punk style, The Girls of LA is a departure from what the airwaves acquiesced to before but Weimar knew exactly what they were doing by bringing this riotous bop-worthy track to the aural table in turbulent times. Sonic escapism doesn’t come much sweeter than when its off the back of the sunset strip.

The energy parallels that of the most enlivening tracks by the Ramones but with their signature artful gravitas, its proto-punk as you’ve never known it before. As the lyrics reflect on the high-class American dream, the endlessly off-kilter instruments drive up the discord into infectious heights. It has all the makings of an alt-rock earworm paired with the finesse of a muso’s Achilles heel.

Girls of LA will officially release on March 25th; you can check it out by heading to SoundCloud and Weimar’s official website.

Review by Amelia Vandergast

Oxford act Shaven Primates decimates those dark demons with inspiring single, ‘Answers’

Posted on 10 February 2022

After searching for help to rid the halls of those scary ghosts that can clutch onto you like poisonous sludge in the river, Shaven Primates join forces within and aim to heal from those mental scars which need to be remedied on ‘Answers‘.

Formed by Mark Elphinstone, Shaven Primates is an Oxford, England-based 5-piece dark-wave, art-rock, post-punk band. After a 17 year hiatus from music, Mark decided that he needed to fully heal from all the trauma from his tough childhood and has used music for therapy purposes, with results that are quite bone-tingling.

”Our music is a narrative of human emotion and experience: fear, love and anger resonate through the orchestration, giving our audience a deeply cathartic release.” ~ Shaven Primates

Bringing us their vivid story to life while sending a groovy ear-booster with some aplomb, Shaven Primates show us that you can indeed retrain your mind and destroy all past memories that are holding you back from doing what you love in life.

‘Answers‘ from the Oxford, England-based band Shaven Primates, is a breaking-the-walls thunderbolt that gets your eyes to widen and your thoughts to break those rusty bars with your mind so you can regain control of your destiny. Blending in with dynamic forces that is almost superhero-like, this is a must-listen for all those who have suffered from disgraceful abuse growing up. Music heals if you join together with those who get it.

Hear this rocking new track on Soundcloud and see more via the IG music page.

Reviewed by Llewelyn Screen

Juliya – Power Lines: A high-vibe lo-fi alt-90s fever dream

Posted on 21 January 2022

With two EPs under their belt, the up and coming alt-indie sensation, Juliya, has unleashed their fever dream of a high-vibe low-fidelity track. Power Lines is as sonically boundary-less as Sonic Youth and Radiohead, and just as ruggedly sweet as Neutral Milk Hotel and Elliott Smith. And there is plenty of room for their garagey no-wave alchemy in between the reminiscences.

There’s scuzz by the smorgasbord, yet, that doesn’t get in the way of the grip of the angular indie guitar notes atop of all the discord. It may be a short and sweet track, but it’s also a sure-fire hit of serotonin in a sentimentally blissful alt-90s time capsule. With enough tracks in the same vein as Power Lines under their belt and the right attention, there is no reason Juilya couldn’t climb the indie charts with ease. Give them a hand on their ascent and stick them on your radar.

Power Lines is now available to stream on Spotify.

Review by Amelia Vandergast

Henry Friedman De Miguel takes us around the world with the standout single, ‘Ghost Orchid Has Many Pollinators’ on his debut LP

Posted on 15 January 2022

The 22-year-old Atlanta-based singer-songwriter, Henry Friedman De Miguel, has made his official debut with the release of his LP, The Witch’s Guide to Ecology & Other Times the Earth Has Impressed Me. That may not be the most memorable name for a debut album, but the album itself is sonically unforgettable.

In the jazzy standout single, Ghost Orchid Has Many Pollinators, there’s a touch of the Doors in the psychedelically kaleidoscopic textures and hints of Jim Morrison in the vocals. Yet reminiscences are always fleeting in the cinematic feat of world music that ends with Spanish guitars and art folk harmonies after delivering beguiling Eastern rhythms against tribal drums. If you could imagine what the sex and the city soundtrack would sound like if it pulled in culture from all corners of the world and was complemented by nature-celebrating lyrics, you’ll get an idea of what you’re in for here.

Ghost Orchid Has Many Pollinators is now available to stream on Spotify.

Review by Amelia Vandergast

Post-rock meets folk as Jess Porter connects the dots in his comeback single, Patterns.

Posted on 7 January 2022

After experimenting in other outfits, the Melbourne artist, Jess Porter, has made his first release since 2014. Right from the intro, Patterns hits you with its dynamic intensity. The simple folky melody running through in hyper-speed instantly immerses you in the post-rock alchemy.

Patterns moves past art rock into 65daysofstatic territory with the synths becoming equal to the guitars as they groove and glitch through the complex time signatures. The vocal effects are nothing short of ingenious for the way Porter harmonically proves that he doesn’t have a vocal timbre to hide before running it through enough distortion that it becomes as volatile as the instrumentals.

Patterns is now available to stream and purchase on all major platforms via this link.

Review by Amelia Vandergast