Browsing Tag

Amigo the Devil

The Narcissist Cookbook is the ultimate artisan of raw acoustic punk spoken word poetry in ‘The Library at the Very Bottom of This Place’

MYTH: Side Two by The Narcissist Cookbook

On The Library at the Very Bottom of This Place, from MYTH: Side Two, the Stirling-hailing troubadour of raw rancour, The Narcissist Cookbook (Matt Johnston) delivered an acoustic punk sermon that cuts right to the core.

Opening with ragged, chopped guitar chords, the track clears a barren stage for Johnston’s raw spoken-word poetry to take centre stage. Each word furls like smoke above the sparse instrumentation, leaving space for the jagged lyricism to pierce through and embed itself in the listener’s psyche.

Marked with defiance and rage, Johnston’s delivery ensures every ounce of sentiment lands with weight, echoing the poetic intensity of Neutral Milk Hotel, Amigo the Devil, and ROAR. Stripped back to its raw bones, the track’s minimalist instrumentation heightens the visceral connection, proving that less can be infinitely more when the narrative is this evocative.

Johnston may have only developed their histrionic half-spoken vocal style after losing their singing voice, but even away from traditional semblances of harmony, the track leaves nothing to be desired in the way of euphony.

With nearly 100 sold-out headline tour dates across the US and Europe, 30 million+ streams, and acclaim as one of Scotland’s most successful cult artists, Johnston’s ability to create art that defies expectation is unparalleled.

Stream and purchase The Library at the Very Bottom of This Place on Bandcamp now.

Review by Amelia Vandergast

James Jarmusch – Rattlesnake Road

James Jarmusch

James Jarmusch’s unreleased single, Rattlesnake Road, presents a deep, narrative-driven journey wrapped in the gritty textures of blues and acoustic indie folk; there isn’t an epoch this single could reverberate through and sound out of place, affirming the singer-songwriter’s ability to rhythmically cradle modernism and traditionalism without tipping the balance either way.

Reminiscent of the evocative darkness found in Amigo the Devil’s murder folk sound print and the expressive depth characteristic of Kurt Vile, Rattlesnake Road seamlessly layers raw blues folk undertones with dark Americana-twanged vocals to forge a soundscape that transcends immersive. The melodies sonically transport you to the lawlessly enticing destination where the enigmatic singer-songwriter found his muse.

The track, which will shortly be available to stream, serves as an undeniable showcase of Jarmusch’s unique adeptness in painting vivid portraits with rhythmic brushstrokes; his devilishly magnetic command over tone and atmosphere presents him as a true folk troubadour.

Review by Amelia Vandergast

Beggars Canyon serenaded the reaper with their Americana Folk musing on the human condition, Silver Lining

With the macabre murder folk proclivities of Amigo the Devil and the soul-affirming warmth of Tejon Street Corner Thieves, the Portland, Oregon-hailing band of Americana raconteurs, Beggars Canyon, breathed life into the existential reality of the human condition with their latest single, Silver Lining.

By staring mortality in the face and serenading the reaper with their arcanely uplifting vocal harmonies and authentic Americana Folk arrangement of folky strings, banjos, and guitars that insinuate that the devil made a pitstop in Portland before he went down to Georgia, Beggars Canyon extracted the pensive sting from the human experience with their endearing approach to song crafting which has allowed them to build a cult-like following and amass 13,000 monthly Spotify listeners.

Silver Lining was an all-too promising precursor to Beggars Canyon’s sophomore LP, Vol. II, which was released via Flail Records and is now available to stream and purchase.

Stream Silver Lining on Spotify and become part of the Beggars Canyon community via Facebook or Instagram.

Review by Amelia Vandergast

The indie raconteur Zarko let it flow in his acoustic expedition to ‘River Town’

If you still revere Closing Time by Tom Waits as one of the best albums of all time, you’ll find the latest single, River Town, from the Serbian indie folk raconteur Zarko just as resolving in its acoustic rapture.

The instrumentals may be minimal, but that didn’t get in the way of the up-and-coming singer-songwriter when he put his masterful mind to painting a panoramic picture of barflies in a town which used to conjure brighter emotions. I’m sure we can all relate to the alienating sense of dejection that ebbs away at our ability to feel anything but numb. With River Town on the airwaves, the sensation feels infinitely less lonely.

On the basis of River Town alone, Zarko should be celebrating the same success as Amigo the Devil with his delectable brand of folk blues. For your own sake, pay the hit song a visit.

River Town was officially released on September 2nd; stream it on Spotify.

Review by Amelia Vandergast

Mariele Jankowski sang ‘The Long Song of Mary Green’ in her folky feat of beguile

https://soundcloud.com/mariele-jankowski/sets/the-long-song-of-mary-green-radio-edit/s-OdOKTKKMffi?si=6275f7fbaf144e95a35971da75ba80b0&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The latest single, The Long Song of Mary Green, from the London-based singer-songwriter Mariele Jankowski keeps the true storytelling roots of folk blossoming in blissfully melodic beguile.

Around the vivid imagery that spills over the acoustic guitars, which rhythmically guide you through the release beneath Mariele Jankowski’s timelessly mesmeric vocal timbre that lends itself well to distinction, is a compelling tale that is worth heeding.

As we all embark on endless quests for eternal happiness, and we fail to account for the world’s tendency to throw us curveballs as it turns, upending the promise of eternal bliss. Mariele Jankowski delivers the soulfully resonant reminder that for any real shot of happiness, we need to master the art of letting go and enjoying the journey instead of fixating on the destination.

I can honestly say I haven’t been this taken with a folk artist since discovering Amigo the Devil, and that isn’t an accolade I part with easily. Yet, the euphorically euphonic outro is one that I will delve into this extended release time and time again for.

The Long Song of Mary Green will be available to stream from March 3rd on SoundCloud.

Review by Amelia Vandergast

Chris Sunfield has the femme fatale fear in his latest single, Don’t Kill Me.

Don’t Kill Me is the latest single from Chris Sunfield, an artist quickly becoming renowned for his conceptual explorations of classic pop idioms to the tune of snaking, swampy blues-rock that isn’t afraid to go Baroque through symphonic styling.

His radio-ready psychobilly single is probably the most accurate femme fatale depiction I’ve ever heard; what Single White Female is to cinema, Don’t Kill Me is to the airwaves. Any fans of the Cramps, the Brains, Amigo the Devil, Nick Cave, or Mad Sin will find plenty to love about Sunfield.

Don’t Kill Me is now available to stream on Spotify.

Review by Amelia Vandergast