Folk-punk became an infinitely more enamouring genre with the release of Swedish-born singer-songwriter T.C. Tumbleweed’s latest EP, ‘Out of Tune’, with old school blues thrown in for good measure, plenty of timeless tones are revived, but through this humble exhibition of their amiable talent, it may as well be your first time cruising through upraising bluesy rhythms with shimmering organ wails bringing a touch of the celestial.
The standout track, ‘Louise (Love is Only a Day) is set to enamour fans of 70s era Stones, Bob Dylan, Frank Turner and Gogol Bordello alike. If you could imagine what Nick Cave would sound like if he had a soul, you’ll get an idea of what is in store when you hit play on the instantly enrapturing track which is impossible to pick apart. It becomes so much more than the sum of all parts with the swathes of emotion delivered in equal measure through the soulfully compelling vocals and the instrumentals which exhibit a level of prowess which affirms that T.C. Tumbleweed definitely deserves a spot on your radar. He’ll probably reserve a spot in your soul by the time you hit the first chorus.
You can check out T.C. Tumbleweed’s EP for yourselves by heading over to Spotify.
When the prelude to a previously unheard track demands maximum volume, you know you’ve just stumbled across a gem, which is exactly what happened when we dove into the cataclysmically superlative single ‘Ghost Trap’ by Alt-Rock artist Quentel the Cryptid.
Fans of the darker side of the Alt 90s sound will definitely want to indulge in Ghost Trap which offers the same atmospheric effects as Cradle of Filth, the same progressive momentum as Porcupine Tree and vocals carrying the cutting reminiscence of Brian Molko. But that isn’t where the dynamism ends, the heavy use of psychedelically-laced synths allowed Quentel the Cryptid to well and truly stamp down their ensnaring sonic signature sound in Ghost Track.
It’s an obsession worthy track from the first hit.
You can check out the official video to Ghost Trap for yourselves by heading over to YouTube.
Lockdown 2020 has generated a LOT of frustration and anxiety, and for most people – eye-test trips to Barnard Castle aside – have found that most of their interactions and experiences this year have come via social media. Now Drop Down Smiling are here, blinking and squinting in post-hibernation sunlight, to point out just how self-destructive those filtered ‘rose-tinted glasses’ choreographed lifestyles on Facebook and Instagram can actually be, with their red hot new single ‘The Fear Of Missing Out’. And it’s an absolute scorcher.
Launching with a subtle, melodic distorted guitar line before kicking in full overdrive-and-reverb style, ‘The Fear Of Missing Out’ is a slab of cracking alt-rock, a tasteful mix of B.M.T.H. and Biffy Clyro, with maybe a little Stone Sour or Architects and a dash of Interpol on the echoey picked guitar line. It’s a perfect blend of noise and melodic space, the dynamics in the track adding to the energy. It’s a powerful track, with some proper rock n’ roll groove in there, just enough electronica mixed in with the rock guitars and punchy drums to appeal to the radio crowd as well as the out-and-out rock fans.
‘The Fear Of Missing Out’ is out on the 8th January; check it out via Spotify, and follow Drop Down Smiling, via Facebook and Instagram.
‘Reflect’ is the latest entrancingly deep single from up and coming artist, comeover, which proves the necessity of vulnerability in music and affirms that it is raw unfiltered honesty which creates a connectable release; it scarcely matters who is behind the mixing desk.
Even though the prelude prepares you to brace for the emotion which the moody electro alt-pop soundscape has in store, you’ll still be caught broadsided by this resoundingly superlative DIY single.
The steady absorbing beats layer the mix with atmospheric energy as they run through their rhythmically transfixing progressions, but ultimately, they serve as a platform for comeover’s distinctive-beyond-measure vocals which don’t let emotion hide behind harmony. Instead, comeover’s spiky soulful timbre cruises through the lush reverb to hypnotic effect.
Give your Portishead records a rest and delve into the ethereal tones in Alt Electronic Rock artist, apatternimperfect’s, standout single ‘Entrance’.
With a Post-Punk style prelude, Entrance starts to unravel to the tune of cavernously haunted vocals and trepidation-laden beats. The deftly-placed static amplifies the disquiet energy of the release as it builds to a climax of jarring buzzsaw riffs to mesmerisingly hypnotic effect.
apatternimperfect is the latest creative project by English producer, composer and songwriter, Rob Wacey. After honing-in on his talent in a myriad of successful bands, he put his accumulated talent to work, orchestrating deeply emotional tracks which offer a cathartic formula of ambience, pulsating rhythms and haunting vocals.
You can check out apatternimperfect’s single Entrance for yourselves by heading over to YouTube.
Electronica artists generally fall into two categories, the assimilators, and those who throw their authentic expression into their projects to create mind-blowing feats of indulgent insanity, ‘Jabberwocky’ from Zachary James’ 2020 album ‘Call Out’, definitely falls into the latter camp.
‘Jabberwocky’ is a theatrically enticing Sci-Fi laden hit which Zachary James created in collaboration with Rene Orth and Lewis Carroll. The progressive track runs through teasing melodic increments before crashing into tremulously bass-drenched Industrial electronica. It doesn’t matter which extreme the tempo is sitting at; you’ll be transfixed from start to finish in the mix which gives Jeff Wayne’s War of the Worlds a run for its money.
The multitalented artist’s experience as a Broadway actor discernibly fed into the monumental 7-minute visual single which becomes so much more than a soundscape as you embrace the chaos, imagination and cinematic style.
Jabberwocky is available to stream with the rest of the epic 25-tracker album via Spotify.
On Christmas Eve, the adept alchemists of Alt Rock, House of Weirdos, delivered the ultimate antidote to the claustrophobic restlessness with their Psychedelically-layered Garage Rock track ‘Climbing Up the Walls’.
If you could imagine what Queens of the Stone Age would sound like if they incorporated more absurdity, chaos and psychotropic synths into their sound, you might be able to get an idea of what is on offer. Yet, Climbing up the Walls could easily enamour fans of everyone from the Misfits to The Eighties Matchbox B-Line Disaster.
Climbing up the Walls is façade-less, it’s relentlessly ingenious, it’s a visceral invitation to shake off pretence and relinquish shame for the fact that 2020 did a number on your mental health.
The playfully despondent track was made even sweeter with the pairing of the music video which will fill you with gratitude for House of Weirdos, just one of the irreplaceable artists who looked into the stir-crazed frustration and found inspiration so we could be hit with that invaluable feeling of connection and resonance.
You can check out the official video to Climbing up the Walls by heading over to YouTube.
Escape the 21st-century and slip into the sepia-tinged tones in Detroit-based alt-indie rock luminaries’, ATMIG’s, latest release ‘Ah Hah’ which chorally attacks the nature of consumerism and unfolds as the indie alt-folk equivalent of John Carpenter’s ‘They Live’.
Any fans of Amanda Palmer, Neutral Milk Hotel, The Smiths, The Cure and Echo and the Bunnymen will undoubtedly want to delve to cigarette smoke-stained indulgent single which spills alchemy through the infusion of shoegaze, rockabilly, indie rock and traditional folk.
If Ah Hah was any more absolving, I’m pretty sure I’d be antimatter right now.
Ah Hah was released on December 31st, you can check it out for yourselves by heading over to SoundCloud.
Texan electronic rock artist, Voyce Memos, is set to release their sophomore album ‘Chronology’. We’ve been lucky enough to get a sneak peek of the dizzyingly eclectic standout track, ‘West Girl’.
With popping Post-Punk & New Wave-tinged guitar melodies and Voyce Memos’ soulfully enrapturing vocal timbre, West Girl is a consciousness-consuming exhibition of how transfixing Indie Rock can be when orchestrated under dynamic vision.
The matured high-vibe Indie hit incorporates elements of Post Rock, Synth Rock and Psych. As it runs through, you’ll be hit by aural curveballs from every direction. Even more pertinently, you’ll be inclined to be taken on the rhythmically psychotropic journey time and time again. It isn’t your archetypal Indie Pop earworm, it’s something far more infectious which leaves you inclined to get repeat hits of the euphoria which you’ll easily squeeze out of the melodic hooks.
From funky syncopated guitars to mesmeric garage rock frenetic thrashing, West Girl doesn’t just paint across the tonal palette, it ravenously claws at influences spanning through the decades to create a timeless hit.
West Girl will be available to stream from February 5th along with the rest of Voyce Memos’ forthcoming album ‘Chronology’. In the meantime, you can head over to Spotify to check out their earlier releases.
When you look at the real impact which 2020 has had on music, you’ll have to look far past the absence of live music and look to how artists, such as Datsnell, have stripped back facades to deliver raw and honest intimate emotion, understanding that connection, unity and strength found through music can never be overvalued.
His latest Alt-Rock single, Imperfections, reminds the listener that our obsession with perfection is imperfect within itself and that a few cracks in the surface don’t have to make you feel worthless.
With his inventive sampling of Charlie Chaplin’s The Great Dictator speech falling around Datsnell’s haunted reverberant spoken word bars and piercingly light keys kicking up stunning interludes, the stunning track gently nudges towards optimism while validating the fear, uncertainty and nihilism which we’ve found throughout 2020. Even if you can’t find optimism straight away, you’re sure to find some solace within this deeply compassionate feat of Alt-Rock which melds elements from Hip Hop, Trap, Rock and Electronica.
You can check out Datsnell’s single Imperfections for yourselves by heading over to SoundCloud.