Texan electronic rock artist, Voyce Memos, is set to release their sophomore album ‘Chronology’. We’ve been lucky enough to get a sneak peek of the dizzyingly eclectic standout track, ‘West Girl’.
With popping Post-Punk & New Wave-tinged guitar melodies and Voyce Memos’ soulfully enrapturing vocal timbre, West Girl is a consciousness-consuming exhibition of how transfixing Indie Rock can be when orchestrated under dynamic vision.
The matured high-vibe Indie hit incorporates elements of Post Rock, Synth Rock and Psych. As it runs through, you’ll be hit by aural curveballs from every direction. Even more pertinently, you’ll be inclined to be taken on the rhythmically psychotropic journey time and time again. It isn’t your archetypal Indie Pop earworm, it’s something far more infectious which leaves you inclined to get repeat hits of the euphoria which you’ll easily squeeze out of the melodic hooks.
From funky syncopated guitars to mesmeric garage rock frenetic thrashing, West Girl doesn’t just paint across the tonal palette, it ravenously claws at influences spanning through the decades to create a timeless hit.
West Girl will be available to stream from February 5th along with the rest of Voyce Memos’ forthcoming album ‘Chronology’. In the meantime, you can head over to Spotify to check out their earlier releases.
When you look at the real impact which 2020 has had on music, you’ll have to look far past the absence of live music and look to how artists, such as Datsnell, have stripped back facades to deliver raw and honest intimate emotion, understanding that connection, unity and strength found through music can never be overvalued.
His latest Alt-Rock single, Imperfections, reminds the listener that our obsession with perfection is imperfect within itself and that a few cracks in the surface don’t have to make you feel worthless.
With his inventive sampling of Charlie Chaplin’s The Great Dictator speech falling around Datsnell’s haunted reverberant spoken word bars and piercingly light keys kicking up stunning interludes, the stunning track gently nudges towards optimism while validating the fear, uncertainty and nihilism which we’ve found throughout 2020. Even if you can’t find optimism straight away, you’re sure to find some solace within this deeply compassionate feat of Alt-Rock which melds elements from Hip Hop, Trap, Rock and Electronica.
You can check out Datsnell’s single Imperfections for yourselves by heading over to SoundCloud.
New Year (I’m Counting on You) is a euphoric slice of Indie Pop Rock from up and coming artist Kerrin Connolly. The energy, soul and resilience contained in the anthemic hit may be the antidote to 2020 apathy which we’ve all been looking for.
The grounded optimism contained in New Year is potent enough to transfer into your own hopes for the new year. With the year we’ve all had in 2020, I don’t really need to tell you how invaluable this track is to the airwaves. The nuanced lyrics don’t serve salty reminders of the year just left behind, instead, they invite you to see the opportunity for reinvention and to cut the ties which bound us before the clock struck 12.
Kerrin Connolly’s latest single is available to stream via SoundCloud.
If it has been a while since you’ve heard a truly authentic voice, fall into Detroit singer-songwriter and multi-instrumentalist, Brian Perrone’s, moody alt-indie folk sophomore release, ‘Be This Way’.
If you could imagine the vocal stylings of Morrisey, Peter Murphy, Chris Isaacs and Elvis all melding over a piano-led art-rock instrumental arrangement, you’ll get an idea of what is in store when you hit play on this evocatively potent release.
The slight vocal vibrato ensures that the single resonates with as much raw emotion as it does with resolving aural comfort while the atypical progressions will leave you utterly transfixed. Quite honestly, Be This Way is up there with Elton John’s ‘Rocket Man’ and Cat Stevens’ ‘Wild World’ in terms of tracks which can leave you in a catatonic stupor with the sheer soul-driven power.
You can check out Be This Way for yourselves by heading over to SoundCloud now.
If prizes were handed out for the most conceptually evocative release of 2020, it would go to Croatian Experimental Post Rock artist, heyiloveyou, for their 2-track EP ‘Everybody’s Got 2 Sides’.
It’s a nuanced nod to the multi-faceted nature of our personalities with Side One a depiction of melancholy-tinged contemplation and side two an experimental electronic rock traversing of intensely urgent despair. When I say ‘experimental’, I mean Fantomas-level experimental with caustic noise replacing lyrics but saying all that there is to say all the same.
With Okay, the artist paid ode to the agony of being told that you no longer matter through silence instead of words. The experimentally ambient track drives you through the sweaty shaky trepidation of realising that the love which held you together is being withdrawn to the tune of voicemail answering messages.
Needless to say, we’re all too excited to hear what kind of subversive alchemy heyiloveyou serves up next.
You can check out the latest release from heyiloveyou by heading over to Bandcamp.
If you could imagine what it would sound like if Nick Cave and Johnny Cash aurally met in the middle, you’ll get a good idea of what is on offer in Finnish singer-songwriter, Mauri Dark’s, latest single ‘Poison Woman’ taken from their LP ‘Dreams of a Middle-Aged Man’.
With rhythms which will throw into a dark Western while sending a few postcards from 70s Folk, Poison Woman is an eclectic smorgasbord of familiarity, rearranged to offer undiluted ingenuity. It’s as immersive as any Tarantino film but easily eclipses them on an emotional level. The sonorously low vocal timbre coalesces with the baritone guitar, setting a dismally cinematic tone which draws you into the melancholic mindset the single was written with. But with the level of emotion on display, listening to Poison Woman is anything but an exercise in morosity.
Birmingham, UK Pop-Rock artist, Lyon Tide are set to make their debut on January 1st, 2021 with their entrancingly affectionate synth-led track ‘Closure’. If Lyon Tide set the precedent for music in 2021, it could prove to be the most exciting year for music since 1991.
The sensual-through-its-tenderness track serves a beautiful reminder that closure doesn’t have to come from the person you’ve parted ways with. It can come through the resolving lyrics, such as those penned for Closure, which affirms that our deeply personal pain and amorous tribulations are pretty much universal.
Any fans of Radiohead will undoubtedly appreciate the synthy reverb-laden throbs which create the arrestive heartbeat of the single which will remind you of your capacity to feel. If you’re not left an emotional wasteland of ennui after 2020, that is.
Kicking off with a delicately picked, reverb-soaked clean guitar part before launching into the full-on aural assault of distorted guitars, heavy drums, and thundering bass alongside twin, intertwined vocals, ‘Ephemeral’ from Texarkana duo Brett and Casey – a.k.a. Absideon – is a riotous storm of melodic metal which screams from the speakers and launches itself, bodily, at your earlobes.
There’s obvious comparisons with Linkin Park, System Of A Down, or Seether, but the melodic rock and clever timing shifts set ‘Ephemeral’ apart from the welter of generic sound-alike Nu-Metal wannabes; there’s some serious musicianship on show here, for sure, but the duo also clearly have talent in abundance around both vocal and production duties. ‘Ephemeral’ is the opening track from Absideon’s new-this-week six track EP ‘Reflections’, and on the basis of this it promises to be an absolute firestorm of a record.
Indie, Post Hardcore, Synth Rock, Pop Punk and Classic Anthemic Rock all resound in the debut EP ‘Daylight’ from New Hampshire, US-based freshly formed powerhouse All Who Wander. As you can imagine, the EP is a rip-roaring fest of Alternative culture.
Not many bands can establish themselves as the perfect festival band with their debut, but All Who Wander discernibly succeeded with their infectious choruses, vocals which viscerally fight against pessimism, inventive breakdowns and absorbingly virtuosic guitar riffs.
If you could imagine what it would sound like if Enter Shikari, the 1975, Slash and At the Drive In collaborated, you’ll get an idea of what is waiting for you when you hit play.
You can check out All Who Wander’s EP for yourselves by heading over to Spotify.
Switzerland-hailing solo blues-rock artist, The Bad Egg, has stayed true to their moniker and delivered an ominously enticing exhibition of their experimentalism, versatility and pure ingenuity with their latest release, ‘Set Me on Fire’.
By taking classic rock tones and swamping them with bendy, bluesy mesmerism, this Rock ballad unfolds like no other. Set Me on Fire may be on the darker side of blues-rock, but instead of using dark imagery to feed nihilism, The Bad Egg uses it to deliver an imaginatively romantic and vulnerable track which stays with you long after it has faded out.
I would label Set Me on Fire as an Alt-Rock earworm, but the track will implant something far more insidious and infectious in your ear. Head over to Spotify and become host the serpentine aural treat for yourselves.