As she fearlessly transitions from making a living in the performing arts and theater landscape to now being an independent musician, Anna Winthrop is absolutely excellent on ‘All Of Me‘.
Anna Winthrop is a New York City-based indie Alt-Jazz solo musician, composer, pianist, actress, vocal coach, Mom and formerly a classically trained dancer.
”All of Me’ speaks to the inner challenges faced on this journey with a vulnerable and intimate message.” ~ Anna Winthrop
You feel like this is a really special effort – with an admirably focused multi-creative with the wind at her sails – as she lets us into the story about the expectations which she has set for herself. She realizes that this is exactly where she needs to be at this stage of her life, as the trust to do what is best, overrides all other emotions.
”After performing live at some of Manhattan’s most iconic clubs, Anna Winthrop has written and self-recorded her ambitious debut album titled ‘Coming Home’. ‘All of Me’ is the first in a long rollout of singles leading to the album’s release and provides an initial glimpse into her distinct voice as a songwriter.” ~ Anna Winthrop
‘All Of Me‘ from the sumptuously elegant and multi-talented NYC solo indie Alt-Jazz artist and former classical dancer Anna Winthrop, shows us a courageous woman who has decided to reinvent herself and gives her all on such a glorious song. With a peaceful ambiance, an honest tone, crisp vocals and a heightened motivation to be the best she can be – this is a nostalgic single that will have you closing your eyes – and truly embracing the magnificent beauty intertwined.
Hear this wonderfully classy new release on Spotify and find out more about this truly world class artist via her IG.
There is seemingly no end to the Brighton-based experimental artist 8udDha bl0od’s versatility; in his discography, you’ll find it all, from drone electronica to Alt indie 90s rock to 70s psych. With his latest release, he has bestowed upon the airwaves a stunning fusion of Jazz and Blues that carries the same stylish cinematic air as a neo-noir classic.
With Fr33 jA2234 5UPeRm00n, 8udDha bl0od proved that Jazz is as accessible as the other genres he virtuosically dabbles in; those complex time signatures quickly start to feel like home when they are up against blues scales and guitar chords that work a little indie garage rock accordance into the mix.
You can check out 8udDha bl0od’s latest single by heading over to SoundCloud.
Kicking in with some proper old style TR808 drum sounds before a set of mildly discordant piano and brass chords, ‘Cosmos’ by Dion Kerr is nine minutes of jazzy instrumental, a series of repeating motifs, moving through arrangements and phrases, alternating saxophone and experimental guitar courtesy of collaborator Jeff Parker.
Here using an original composition from his days at the Manhattan School Of Music, Kerr deconstructs and recasts the piece into an improvisational modern big band arrangement, marrying old school drum machine beats, cassette tape saturation, and experimental modern jazz.
‘Cosmos’ is from Kerr’s new album ‘Ivy’, available to preorder from his Bandcamp page.
Starting off with a subtle piano-and-drum part before the pulled back distorted vocals and mellow saxophone kick in, Yoni Mayraz’s ‘I used to think about God’ is a chilled-out, jazzy deep-cuts style wander through anger and acceptance, a cry to revisit a simpler, more peaceful time when the beauty of home and comfort had yet to be superseded by the fear and confusion of the last few months.
Noam Darvish’s vocal is pulled masterfully back in the mix, the track carried instead by Matan Vardi’s freeform jazzy sax, a three-minute paean to love and acceptance, the lead single from Mayraz’s new ‘Rough Cuts’ EP.
We found it all too easy to become enamoured by Big Soda’s latest Psych Jazz Pop single Open Wound. It wouldn’t be out of place in a David Lynch soundtrack. But abstract ingenuity isn’t the only incentive to hit play. Big Soda makes it impossible not to be endeared by the effervescent charm which has been instilled into the mix.
The dreamy, melodic, genre-mashing progressions in Open Wound paired with Big Soda’s playfully soulful crooning allowed the track to unfold with a sublime soul-fizzing adorable appeal.
The track may not have been orchestrated with adorability in mind. Yet, that’s just what gives Open Wound its organic adorable magnetism. Expect a sure enough serving of improvised aural catharsis when you hit play.
You can check out Open Wound along with earlier releases from Big Soda for yourselves by heading over to Spotify.
Up and coming LA artist Wade C. Long’s mesmeric blend of RnB, Jazz, House, and Gospel has made him one of the most distinctive artists we’ve heard in quite some time.
Their recently released single “Norm’s Place” is arcanely stunning. Yet rather than just offering a pleasant aural delight to lose yourself within, you’ll be hooked into each progression as you come to appreciate the ingenuity of Wade C. Long’s improvisational style. He found the perfect balance between chaos and catharsis in Norm’s Place. Dare I say David Lynch wouldn’t be able to orchestrate a soundscape as mind-melting as this?
With the usual time signatures safely out of the window, the jarring stabbing notes cut through the concordance of the lucid instrumental harmonies and efficaciously invite you into an aurally altered state.
You can check out Wade C. Long’s single for yourselves by heading over to SoundCloud now.
If you’re not compelled to hit play on up and coming Jazz & Blues artist Joey Rodriguez’s latest release “Loathsome Blues” for the melancholically intriguing name alone, there are plenty of added incentives infused into the soundscape itself.
The first being the sheer talent of Joey Rodriguez as an instrumentalist, it’s not just about the technical ability possessed to create such absorbing riffs, but it’s their ability to lace each note with resonant emotion. With the percussion and bass setting a solid backbone of the track, Joey Rodriguez’s Bluesy riffs are free to soar above the rest of the arrangement. And that’s all before the archaically inspired vocals kick in. Even though Joey Rodriguez may have borrowed a few dulcet tones from decades past to create Loathsome Blues, through the production there’s still a modern, sleek feel to the track.
Jazz and Blues may not be commonly found in the UK top 40, but it is tracks such as Loathsome Blues which make the genre more accessible than ever.
You can check out Joey Rodriguez’s Hendrix-style riffs and Blues Pop vocals for yourselves by heading over to SoundCloud now.