Browsing Tag

Alt Jazz

Suedejazz Collective broke jazz-fusion boundaries with ‘Spinal Chord’, ft Louie Le Vack & LEYLAH

Suedejazz Collective assembled once more to create their sophomore single, Spinal Chord and brought Louie Le Vack & LEYLAH into the fold to orchestrate an unflinching foray into the darker side of contemporary jazz-fusion.

The intro sees piano keys sway against the rigorous drum fills and fervid horns before sultry RnB vocal lines, perfectly pitched by LEYLA, become a demure anchor in the track, but it isn’t long before there’s another seamless yet breakneck transition in the exhilarant feat of genre fusion. Hip-hop often borrows timbres from jazz, but Suedejazz Collective reverse-engineered the fusion by bringing in Louis Le Vack’s rap bars that bite down hard on the psyche over the synthesis of electronica fervour to effortlessly complement the ensnaring alchemy which grooves through the release.

There aren’t many jazz-inclined outfits that can transcend the fusionist flair of Melt Yourself Down and Acoustic Ladyland, but the energy and attitude which charges through Spinal Chord is set to seal the London-based multicultural collective’s fate as unrivalled conduits of experimentalism. The uniqueness of their sonic blueprint goes beyond edgy pretension. It opens up viscerally constructive arenas of sound that you’ll want to feel the heat of time after time. Forget the smoky jazz you’ve inhaled before. Spinal Chord is a wildfire in the form of a riptide.

Stream Spinal Chord on all major platforms via this link.

Review by Amelia Vandergast

Marlon Bianco Dials Major Tom in His Psychy Jazz-Funk Feat of Sonic Dystopia, Planet Coronet

https://soundcloud.com/user-277095369/planet-coronet/s-9FqWUOnhS3h?si=51dc22e2904242f797dc135424286ab8&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

With a tonal palette spacey enough it wouldn’t be out of place spinning on a turntable in the TARDIS in a vintage Dr Who episode, Marlon Bianco’s take on psychedelic jazz-funk in his latest release, Planet Coronet, will have you transcending into outer space from the first synthy oscillating note.

Bianco took care of every instrumental, bar the reverently jazzy sax lines laid down by Jonny Chung, who well and truly embodies the spirit of jazz to bring you back down from the astral plane the synthetics have transported you to.

Unlike many of the lockdown-born projects, the solo endeavour from the North London-based songwriter and multi-instrumentalist, which started by laying a few chords down on a Roland keyboard, Bianco is an artist the airwaves would cry out for if silence should fall around his ingenuity.

His dystopia-encompassing sounds are reminiscent of the alien times we find ourselves insulated within, but it’s hard to shed a tear when the end sounds so euphonically sweet.

Planet Coronet will officially release via Other Planet Records on March 17th. Catch it on Soundcloud.

Review by Amelia Vandergast

 

Velvet Lune spares us of our ‘Gloom’ in their riotously explosive alt jazz infusion

Southern California’s most explosive jazz fusion outfit, Velvet Lune, has released their sultriest Avant-Garde single to date with Gloom. With jazz-punk sax riffs that would give Pete Wareham (Nadine Shah, Acoustic Ladyland, Melt Yourself Down) a run for his money and the cinematically debonair crooned vocal lines wrestling for dominance in the jazz fusion track that is just as volatile as anything off Glenn Branca’s the Ascension, Gloom is anything but what it says on the tin. Any fans of Mr Bungle will undoubtedly want to pay attention.

The official music video, which premiered on February 14th, has already racked up over 28k streams. You can check out the video for yourselves via YouTube.

Review by Amelia Vandergast

My Self-Expectation: Anna Winthrop sings with her whole heart on the beautiful ‘All Of Me’

As she fearlessly transitions from making a living in the performing arts and theater landscape to now being an independent musician, Anna Winthrop is absolutely excellent on ‘All Of Me‘.

Anna Winthrop is a New York City-based indie Alt-Jazz solo musician, composer, pianist, actress, vocal coach, Mom and formerly a classically trained dancer.

All of Me’ speaks to the inner challenges faced on this journey with a vulnerable and intimate message.” ~ Anna Winthrop

You feel like this is a really special effort – with an admirably focused multi-creative with the wind at her sails – as she lets us into the story about the expectations which she has set for herself. She realizes that this is exactly where she needs to be at this stage of her life, as the trust to do what is best, overrides all other emotions.

After performing live at some of Manhattan’s most iconic clubs, Anna Winthrop has written and self-recorded her ambitious debut album titled ‘Coming Home’. ‘All of Me’ is the first in a long rollout of singles leading to the album’s release and provides an initial glimpse into her distinct voice as a songwriter.” ~ Anna Winthrop

All Of Me‘ from the sumptuously elegant and multi-talented NYC solo indie Alt-Jazz artist and former classical dancer Anna Winthrop, shows us a courageous woman who has decided to reinvent herself and gives her all on such a glorious song. With a peaceful ambiance, an honest tone, crisp vocals and a heightened motivation to be the best she can be – this is a nostalgic single that will have you closing your eyes – and truly embracing the magnificent beauty intertwined.

Hear this wonderfully classy new release on Spotify and find out more about this truly world class artist via her IG.

Reviewed by Llewelyn Screen

8udDha bl0od gives us the indie jazz blues with his single, ‘Fr33 jA2234 5UPeRm00n’.

There is seemingly no end to the Brighton-based experimental artist 8udDha bl0od’s versatility; in his discography, you’ll find it all, from drone electronica to Alt indie 90s rock to 70s psych. With his latest release, he has bestowed upon the airwaves a stunning fusion of Jazz and Blues that carries the same stylish cinematic air as a neo-noir classic.

With Fr33 jA2234 5UPeRm00n, 8udDha bl0od proved that Jazz is as accessible as the other genres he virtuosically dabbles in; those complex time signatures quickly start to feel like home when they are up against blues scales and guitar chords that work a little indie garage rock accordance into the mix.

You can check out 8udDha bl0od’s latest single by heading over to SoundCloud.

Review by Amelia Vandergast

Dion Kerr showcases their experimentalism with “Cosmos”

https://bacerecords.bandcamp.com/track/cosmos

Kicking in with some proper old style TR808 drum sounds before a set of mildly discordant piano and brass chords, ‘Cosmos’ by Dion Kerr is nine minutes of jazzy instrumental, a series of repeating motifs, moving through arrangements and phrases, alternating saxophone and experimental guitar courtesy of collaborator Jeff Parker.

Here using an original composition from his days at the Manhattan School Of Music, Kerr deconstructs and recasts the piece into an improvisational modern big band arrangement, marrying old school drum machine beats, cassette tape saturation, and experimental modern jazz.

‘Cosmos’ is from Kerr’s new album ‘Ivy’, available to preorder from his Bandcamp page.

Review by Alex Holmes.

Yoni Mayraz – I used to think about God

Starting off with a subtle piano-and-drum part before the pulled back distorted vocals and mellow saxophone kick in, Yoni Mayraz’s ‘I used to think about God’ is a chilled-out, jazzy deep-cuts style wander through anger and acceptance, a cry to revisit a simpler, more peaceful time when the beauty of home and comfort had yet to be superseded by the fear and confusion of the last few months.

Noam Darvish’s vocal is pulled masterfully back in the mix, the track carried instead by Matan Vardi’s freeform jazzy sax, a three-minute paean to love and acceptance, the lead single from Mayraz’s new ‘Rough Cuts’ EP.

You can hear the full EP on YouTube.

Review by Alex Holmes

Big Soda – Open Wound: Soul-Fizzingly Sweet Psych Jazz Pop

We found it all too easy to become enamoured by Big Soda’s latest Psych Jazz Pop single Open Wound. It wouldn’t be out of place in a David Lynch soundtrack. But abstract ingenuity isn’t the only incentive to hit play. Big Soda makes it impossible not to be endeared by the effervescent charm which has been instilled into the mix.

The dreamy, melodic, genre-mashing progressions in Open Wound paired with Big Soda’s playfully soulful crooning allowed the track to unfold with a sublime soul-fizzing adorable appeal.

The track may not have been orchestrated with adorability in mind. Yet, that’s just what gives Open Wound its organic adorable magnetism. Expect a sure enough serving of improvised aural catharsis when you hit play.

You can check out Open Wound along with earlier releases from Big Soda for yourselves by heading over to Spotify.

Review by Amelia Vandergast

Wade C. Long – Norm’s Place: Arcanely Constructed Alt Jazz

https://soundcloud.com/wade-long/norms-place

Up and coming LA artist Wade C. Long’s mesmeric blend of RnB, Jazz, House, and Gospel has made him one of the most distinctive artists we’ve heard in quite some time.

Their recently released single “Norm’s Place” is arcanely stunning. Yet rather than just offering a pleasant aural delight to lose yourself within, you’ll be hooked into each progression as you come to appreciate the ingenuity of Wade C. Long’s improvisational style. He found the perfect balance between chaos and catharsis in Norm’s Place. Dare I say David Lynch wouldn’t be able to orchestrate a soundscape as mind-melting as this?

With the usual time signatures safely out of the window, the jarring stabbing notes cut through the concordance of the lucid instrumental harmonies and efficaciously invite you into an aurally altered state.

You can check out Wade C. Long’s single for yourselves by heading over to SoundCloud now.

Review by Amelia Vandergast

Joey Rodriguez – Loathsome Blues: Meet Your New Jazz Blues Guitar Hero

If you’re not compelled to hit play on up and coming Jazz & Blues artist Joey Rodriguez’s latest release “Loathsome Blues” for the melancholically intriguing name alone, there are plenty of added incentives infused into the soundscape itself.

The first being the sheer talent of Joey Rodriguez as an instrumentalist, it’s not just about the technical ability possessed to create such absorbing riffs, but it’s their ability to lace each note with resonant emotion. With the percussion and bass setting a solid backbone of the track, Joey Rodriguez’s Bluesy riffs are free to soar above the rest of the arrangement. And that’s all before the archaically inspired vocals kick in. Even though Joey Rodriguez may have borrowed a few dulcet tones from decades past to create Loathsome Blues, through the production there’s still a modern, sleek feel to the track.

Jazz and Blues may not be commonly found in the UK top 40, but it is tracks such as Loathsome Blues which make the genre more accessible than ever.

You can check out Joey Rodriguez’s Hendrix-style riffs and Blues Pop vocals for yourselves by heading over to SoundCloud now.

Review by Amelia Vandergast