Browsing Tag

acoustic

Simon Ewing serenaded through the eras in his acoustic indie folk triumph LULLABY

Simon Ewing’s latest single, LULLABY, artfully blends a spectrum of musical epochs with a mastery of guitar play that fans of folk and beyond will find irresistibly compelling. The track is a confluence of lo-fi charm and intricate guitar work that nods to The Maccabees’ Toothpaste Kisses while embedding a distinctly Americana vibe interlaced with blues’ soulful essence.

LULLABY won’t sing you to sleep; instead, it vibrates with life, signifying the Bristol-based troubadour’s knack for weaving narratives that affirm the sensibility of the soul. The song’s architectural simplicity in structure belies a complex, layered emotional resonance that hooks the listener from the first chord.

Ewing’s ability to synthesise swathes of genres into a seamless, flowing piece shows not just versatility but a deep reverence for the roots of each genre. Each note reflects a rhythmic exploration that feels both classic and innovative, making LULLABY a testament to Ewing’s ability to transcend traditional storytelling through music.

If Elliott Smith’s songs had veered away from melancholy towards this vein of succinct sweetness, they might have touched the same bright corners of the soul that Ewing reaches with this track.

Stream LULLABY on SoundCloud and YouTube.

Review by Amelia Vandergast

The Seattle Sound Came Back Around in The Grunge Father’s Acoustic Single, Introvert

The Grunge Father embodied the aura of the 90s Seattle sound in his debut LP, Demons (Unplugged). The standout single, Introvert, is diaphanous in one breath, cacophonously ensnaring in the next to echo the raw, unadorned spirit of the genre.

Fans of Nirvana’s iconic MTV Unplugged in New York session will find a familiar refuge in Introvert, where the Grunge Father channels the same rugged, scorned magnetism that defined a generation.

His vocal performance and instrumental work are a study in contrast as they find a rare equilibrium between melodic harmony and a deliberate, volition-fuelled discord as the lyrics reflect the weariness of introversion in an extrovert’s world. Despite being an introvert by his own admission, The Grunge Father emerges larger than life in this track, his voice a slice of vindication for those who find strength in introspection.

It’s safe to say that The Grunge Father cemented his place in the grunge pantheon with his debut LP. While other artists are busy leading the post-grunge revolution, this superlatively talented one-man powerhouse is proving that there is so much potential left to discover in the roots of the genre.

Stream The Grunge Father’s LP Demons (Unplugged) on Spotify now.

Review by Amelia Vandergast

brx – Not Sorry!: An Acoustic Punk Anthem for the Disenchanted

Brooks Oliver, known musically as brx, has carved a niche in the punk rock scene with his latest single, ‘Not Sorry!‘. This track, a standout from his upcoming home studio album “It’s Pronounced Brooks“, is set to resonate with fans of The Quireboys and the Dogs D’amour, while also appealing to a broader audience of rock enthusiasts.

‘Not Sorry!’ is a raw, unapologetic anthem that captures the essence of punk. The gruff, punk-pierced vocal lines, laid over simple acoustic guitar chord structures, reach the epitome of the genre.

Lyrically, brx delves into themes of nihilistic misanthropy, articulating a sentiment of frustration and defiance that’s palpable in every line. It’s more than just a cathartic release; it’s a potent source of vindication for anyone tired of suffering under the weight of societal expectations and the frustration of the balance of inauthentic and idiotic interactions.

Stream Not Sorry! on Spotify now.

Review by Amelia Vandergast

Blake Baker is captivating in his wistfully listless single, Mind the Gap

The up-and-coming genre-fluid singer-songwriter Blake Baker became the ultimate raconteur of relatable melancholy while simultaneously delivering sonic sanctuary with his latest acoustic single, Mind the Gap.

The profound and beautifully crafted introspective piece resonates with the soulful narrative strength of classic folk songwriting; Baker’s skill in blending this traditional foundation with an Americana blues essence results in a song that is both timeless and refreshingly original.

Lyrically, Mind the Gap paints a vivid, cinematic portrait of a protagonist who feels overlooked and invisible amidst the bustling society around him. This theme of alienation and longing for connection speaks directly to anyone who has struggled to find their place in the world. Baker’s ability to capture this sentiment in his eloquently compassionate lyricism is beyond compare as the track anchors around his rich, sonorous voice which can carry the low timbres as well as the highs he maintains resonant depth.

Mind the Gap is now available to stream on Spotify.

Review by Amelia Vandergast

Explore the world on Iago Banet’s fretboard in his seminal composition, Iago’s Guitar

Iago Banet orchestrated the antithesis of While My Guitar Gently Weeps with the vivacious vibrance in ‘Iago’s Guitar’, taken from his critically acclaimed album, TRES. The musical piece is a journey through Banet’s extraordinary skill, creativity, and mind-bending rhythmic command which remains captivatingly authentic as a constant. Each strum and pluck of the acoustic guitar strings resonates with intention and artistry.

There’s a cheeky, spirited nature to Banet’s acoustic composition skills that subvert all expectations. Rather than solely melody-making, he’s weaving stories which allow you to travel around the world on his fretboard which explores a smorgasbord of cultural styles. Iago’s Guitar is just one of the testaments to Banet’s ability to blend gypsy jazz, blues, Americana, country, Dixieland, swing, pop, and folk into a harmonious and exhilarating experience.

Described by BBC Radio 3’s Sean Rafferty as “a master of the guitar” and as ‘nothing short of phenomenal’ by R’n’R Magazine, Banet’s talent is undeniable. His third album, TRES, has been a sensation, with multiple sell-out shows and sensational receptions across the UK. Iago Banet’s journey, from discovering a classical guitar as a teenager to becoming ‘The Galician King of Acoustic Guitar’, is not just a story of musical proficiency but also of passion and dedication. We can’t wait to see what accolades await him in his destined to be illustrious career.

Stream TRES in full via Spotify.

Review by Amelia Vandergast

Lou Reed meets Tom Waits in the tender warmth of Lance La Breche’s latest seminal piano score, One Last Dance

Killing The Pistanthrophobe by Lance LaBreche

With vocal lines as arresting as the plaintive harmonies drenching Tom Wait’s Closing Time LP with soulfully spirited melancholy, the standout single, One Last Dance, from Lance La Breche’s upcoming album, Killing the Pisanthrophobe, is a piano-led score you’ll want to surrender to time after time.

The Lou Reed-esque keys also play a heavy hand in allowing you to succumb to the impassioned gravity within the single orchestrated by the Raleigh, NC residing self-taught singer-songwriter, who photographs architecture in the daylight and renders resolving melodies by the shroud of night.

The bluesy sepia-tinged tones and the endlessly compelling yearning for perfect nights to last forever won’t fail to fill you with the same tender warmth which flows through the score which abandons inhibition for vulnerability, to superlatively stunning effect.

Stream and purchase One Last Dance on Bandcamp, and keep Lance La Breche on your radar for the release of his forthcoming LP, which is set to drop on December 15.

Review by Amelia Vandergast

Jeff Jepson has released his haunting hymnal gem, The Good-Night Song

The critically acclaimed singer-songwriter, multi-instrumentalist, and producer Jeff Jepson is set to garner a fresh wave of impassioned reverence with his Christmas-tinged EP, Sparkle. If this is your first acquaintance with the artist who rose to fame in Liverpool and has recently replanted his musical roots in the Isle of Man, the standout single, The Good-Night Song, is the perfect introduction to the master of poignant melody.

Whether it was the finiteness in the lyricism or the way the acoustic guitar’s euphonic rings intensified the affecting sting within the captivating vocal delivery in the arrangement which visualises the sparseness of winter branches, I couldn’t help but shed a tear as Jepson’s evocatively honeyed timbres quivered in the frost of the hymnal gem which will haunt you long past the outro.

The Sparkle EP illuminated the airwaves on November 10th; kindle your affinity with the 4-track release via Spotify.

Review by Amelia Vandergast

Settle in for a ‘Long Hard Winter’ with Ben Brooks’ Americana Folk single, ft EG Vines

If you can already feel Seasonal Affective Disorder kicking in, sink into the latest single, Long Hard Winter, by the Americana folk raconteur Ben Brooks.

Created in collaboration with EG Vines, the meta single cleverly runs in the parallels between the winter phases of our lifetimes and the bitterly cold season which leaves serotonin in short supply; both of which leave us yearning for the spring and summer of youth and the warmth that allows the trees to blossom.

With a sonic style as arrestingly affecting as Bob Dylan and Neil Young, Ben Brooks, who has recently found his voice and inspiration again post-Covid, is perceptibly back in his stride. This bitter-sweet earworm will undoubtedly become a great source of comfort for many as the leaf litter thickens and days darken. Even though it was written during the hardest winter during the pandemic, it’s a smorgasbord of sun-toned soul.

Stream Long Hard Winter on all major platforms via this link.

Review by Amelia Vandergast

The indie raconteur Zarko let it flow in his acoustic expedition to ‘River Town’

If you still revere Closing Time by Tom Waits as one of the best albums of all time, you’ll find the latest single, River Town, from the Serbian indie folk raconteur Zarko just as resolving in its acoustic rapture.

The instrumentals may be minimal, but that didn’t get in the way of the up-and-coming singer-songwriter when he put his masterful mind to painting a panoramic picture of barflies in a town which used to conjure brighter emotions. I’m sure we can all relate to the alienating sense of dejection that ebbs away at our ability to feel anything but numb. With River Town on the airwaves, the sensation feels infinitely less lonely.

On the basis of River Town alone, Zarko should be celebrating the same success as Amigo the Devil with his delectable brand of folk blues. For your own sake, pay the hit song a visit.

River Town was officially released on September 2nd; stream it on Spotify.

Review by Amelia Vandergast

It’s ‘Gemini’ season in the latest blues folk single by Goldschatz

Genres are defied and the soul transcends in the latest dual-harmony-driven single, Gemini, from the duo Goldschatz. Despite Timothy Jaromir and Rykka hailing from Switzerland and Canada, respectively, nothing was lost in translation in the spiritually spirited acoustic blues-folk release, which teases the soul-affirming singles to come in the upcoming EP, TWIN FLAME.

Even if Father John Misty and Stevie Nicks joined melodic forces in a euphonic portal back to 70s blues, the alchemy wouldn’t sound as sweet as the synergy that breathes through the power couple’s sound, which has seen them become one of the hottest breakthrough artists in Switzerland.

Whether they’re gracing the airwaves or live music venues, Goldschatz never fails to make an impression when they share their poetic introspection over their timelessly enrapturing antidotes to ennui. If you need to reinvigorate your lust for life by exposing yourself to the potential magic of it, delve into their rich discography of soul-rendered singles.

Gemini officially released on September 1st; stream it on Spotify.

Review by Amelia Vandergast