Deidre Thornell has dropped her latest single ‘Keep on Loving Me’ a truly mesmerising piece with a heartfelt lyrical approach.
Infusing a contemporary country sound with the occasional pop twist, throughout this piece it’s extremely powerful and the emotion pours through each word sung. Having that brittle texture to the voice as Deidre pours her heart and soul into the music she produces and you can hear that every second.
Having that trusted companion of the acoustic guitar guiding the song along and combining alongside the vocals. That soft strum, nothing too drastic, keeping it simple and really letting her voice cut through and show just how well she can hit those high notes and how incredible the vocal ranges are.
A fantastic piece by Deidre, one that is filled with passion and positivity and one that needs to be added to your playlist.
Listen to Deidre Thornell’s ‘Keep on Loving Me’ by heading on over to Spotify now.
Summer may not be upon us yet, but up and coming artist Gloucester Road gave us plenty of time to fall in love with their Summer playlist staple “Summer Song”.
The intricately melodic acoustic Rock single will leave you endeared before you even get to the chorus. And just like every good Summer track should, Gloucester Road’s sublimely accordant single leaves you awash with nostalgia for summer’s past.
Their contemporary approach to Rock incorporates nuances of Alt Folk to add to the quintessential feel. While their epic solo would appease any Bruce Springsteen fans. Solos found in Acoustic Rock singles don’t come much more absorbing than the soaring notes you’ll hear in Summer Song. You can almost hear them reach a new plateau in the soundscape.
Summer Song is the first single to be released from the band’s third studio album. If Summer Song is anything to go by, you won’t want to miss out on the rest.
Irish indie rock band Rofi James released their new single ‘Everytime I Make You Hate Me’ on April 24th 2020, an alternative pop effort that follows the success of their previous debut singles ‘Fools For Your Love’ and ‘Open Eyes’.
‘Everytime I Make You Hate Me’ is a compelling combination of the best indie pop and indie rock influences of the last decade, with its melodies sounding original and fresh among the contemporary alternative scene.
The song presents a range of pads and rhythmic guitars that broaden the sound both in the verses and choruses, and grows even wider with the balanced pop drums resulting in a almost epic harmony. The little crunch in the vocals perfectly suits the sweetness of the overall song, a fantastic contrast that will immediately catch your ear.
Head over to Spotify and listen to ‘Everytime I Make You Hate Me’.
Artist Matthew W Charles has released his eight-track anthology ‘Love What You Do’, infusing the sound of Rock and Country intertwined.
Each track has its own uplifting energy pulsing through it, it’s a collection of songs that lift your spirits as you listen because of the amount of lively personality that flows through it. You have this mixture of two rather diverse genres, that sometimes may not always combine together in the best way, but this album proves just how superb it can really sound.
Using the harmonica to start off some pieces, to the strum on the electric guitar, the instrumentation reflects that Country style, but the way the vocals are approached gives off that Rock essence, they’re smooth but in places tending to have that more rough edge to them, having a rather loud tone to them, a really impressive album.
Listen to Matthew W Charles’s EP by heading on over to Spotify now.
Up and coming duo Badmind have dropped the Live Acoustic to their original piece ‘Work Me’ this Pop infused piece is one to check out.
Stripped back, hearing the vocal as they’re without all the added in effects, giving the listeners that real live atmosphere. The vocals are insane, the way it’s sung is done so effortlessly, it’s just the way the voice comes out and instantly flows in such a mesmerising way, having that adenoidal style to the tone. It’s sung at such a low-pitched slow pace, adding in so much variety to the way the voice sounds.
The instrumentation is pretty simple, using the catchy essence of the clasp on the electric guitar riffs to give it that little bit of edginess. Hearing just how well the vocals and the guitar intertwine together is so intriguing to listen too.
Be sure to check out the original piece as well as their other track Badmind, you won’t want to miss out on these two!
Listen to Badmind Work Me (Live Session) by heading over to YouTube now.
Indie Folk band Sea of Fog has released three-track EP ‘Michael Collins Observes the First Moonwalk from the Columbia Module’.
The first single named after the EP, is a very soothing and calming piece of music, it’s always at such a slow pace and uses classical orchestration to light up the background. The vocal ranges go together in such a beautiful way, Thomas Powers comes in with his deep and soothing vocals and goes alongside Jordy Cheney who comes in with her high-pitched sweet vocals.
A clasp of the guitar strings, starting gentle then the strum begins to get louder. In each track the guitar really does stand out, it’s perfectly timed, it has this smooth tune to it. Plucking at the guitar strings, to strumming loudly on them when the vocals begin to get higher and the pitch is taken up a notch.
Sea of Fog have created a collection of Indie Folk songs that are so calming to listen to and really show just how good a guitar can really sound alongside some incredible vocal ranges.
Check out Sea of Fog’s The Wanderer and the Outcast, Michael Collins Observes the First Moonwalk from the Columbia Module and Child of the South by heading over to Spotify now.
The Boy from the South recently released two new singles ‘’Home Sweet Home’’ and ‘’We Are All’’. Each going in different directions of sound.
Home Sweet Home is one that is soothing to listen too, it all combines together in such a slow pace moving way. The vocals take that more mellow approach and has a rather gritty tone to them, as for the instrumentation at the start it begins with a travel announcement, quietly behind the vocals you can hear the sound of a train speeding along the tracks, it gives it this whole new meaning and feeling behind the story of going home.
We Are All is a Live Piano track, there’s so much power coming through in the vocals, so much more energy and feeling shining through. When something is live it gives it this completely different atmosphere as you can hear the artist for what they’re and it’s safe to say his vocal ranges are insane. The piano tune combined is so in tune and it all flows so well together. He has such an incredible voice to listen to and even live he still smashes it.
The Boy from the South surely knows how to sing, it’s intriguing to listen to how he adapts his voice to accentuate certain feelings and as a listener you can hear what words he wants to be heard more as the vocals get higher. We can’t wait to see what he has planned for the future.
Check out The Boy from the South’s new singles by heading over to Spotify now.
There will never be anything as beautiful as someone who has seen the dark bringing the light with their music. And that’s exactly what happened when Amigo the Devil graced Manchester with his amicably macabre approach to Folk.
Within the realms of Dark Folk, you’ll find plenty of dark and twisted lyricism. But Amigo the Devil (Danny Kiranos) goes beyond that. He digs up the storytelling roots of the genre and exposes the complexity of 21st-century sentience with the addition of humour which will touch even the staunchest of existentialists.
I hadn’t quite anticipated how emotional a live set would be. Yes, you can practically hear each drop as his soul pours out through his lyrics on his records. But seeing the stinging conviction behind each word amplified their veracious meaning in a way I could never have anticipated. Yet, every time I was moved to tears, I was forcibly shifted back to laughter with his quick humility-soaked wit.
The words “crowd participation” usually send shivers down my spine. Yet, with Amigo the Devil, it’s almost a knee-jerk reaction to get caught up in the experience and become part of it in solidarity with his candidly expressive bravery.
Given that there’s a fairly eclectic array of instrumentals on their recorded material, I was slightly dubious how he could recreate that live armed with just an acoustic or banjo. But his inventive request for the audience to help out with foot stamping and clapping percussion was infinitely more immersive than any backing band could have been. He’d instilled unity in the room quite early on in the set by reminding us that death is one of the only commonalities which we’re certain to share, that will probably only sound depressing if you’ve never been to an Amigo the Devil Show.
It’s all too evident why a cult-like fanbase surrounds him. I think I’ve been indoctrinated, and I couldn’t be happier. If you get a chance to see him live, take it.
"REVOLUTION POSTPONED" Written and Performed by Joe Astley***** - UK Songwriting Contest "As soon as I saw the video and heard the song, I had to have Joe on the show" - Mike Sweeney, BBC Radio Manchester"Revolution Postponed dutifully explores the current state of the world." - Michael Hall, Radio WarringtonProduced by Gareth Nuttall - The Lounge Recording Studio📷 Video by Ryan Connor
Slået op af Joe Astley i Fredag den 6. december 2019
With a debut album due to be released in 2020, there’s no better time to jump on the hype of the captivating sharpness found in Joe Astley’s nuanced Indie Folk Rock songwriting.
If anyone can be accurately referred to this generation’s Billy Bragg, it’s Joe Astley. It says a lot about the lack of societal progression that those lyrics could have been written 40 years ago. But the arrestive resonance in the aural mirror which is held up to our society could only have come from an artist writing in our 21st century bleakly unbalanced country.
With vocals which will crawl under your ribs and intensely rhythmic melodies, Revolution Postponed came together as a track which offered that rare unifying aural radicalism which we desperately need on the airwaves right now. Thankfully, I’m not the only one who appreciates the up and coming artist’s distinctive sound. He’s also been championed by BBC Radio Manchester’s Mike Sweeney, and Radio Warrington’s Michael Hall.
Morrissey may have let the North down, but Joe Astley is more than capable of picking up where he left off.
You can check Joe Astley’s performance of Revolution Postponed at the Lounge Recording Studio via Facebook. Or you can listen to the track via Spotify.
If Jack McKeever’s single “Here We Go Lifting” had been produced in the 70s, gained international acclaim and allowed plenty of time for nostalgic appeal to kick in, people would still be spinning the record today with the same enthusiasm they reserve for the likes of Leonard Cohen and Tom Waits.
Here We Go Lifting is a stark reminder that accolades are no indication of what a soundscape can offer. Jack McKeever’s ability to submerge you in the concordance of his unique aural creations is unparalleled. Through whiskey-soaked vocals and an ethereally light Indie Jazz-soaked Folk nuanced arrangement, Here We Go Lifting is captivating from start to finish.
There are also faint reminiscences of Nick Cave, Bowie and Elton John to be uncovered in the truly cathartic single. The warmth of the wistful tones will stay with you for long after the track has gently faded to a close.
You can check out Jack McKeever’s single for yourselves by heading over to SoundCloud now.