Browsing Tag

90s Pop

Hannah Johnson pioneered a new path through 90s nostalgia-wrapped alt-pop with her sophomore release, Mine

Hannah Johnson’s sophomore hit ‘Mine‘ blew all expectations out of the water following her 2023 debut, ‘Slow Motion‘. Mine is a kaleidoscope of sound that catapults listeners into the past and the promising future of pop music. The masterclass in genre fusion blends the rhythmic bounce of funk, the raw edge of pop-punk, and the lush textures of R&B into a compelling pop synthesis.

From the outset, ‘Mine’ pulses with a life of its own, driven by Johnson’s rich vibrato that dances over layers of funky guitar riffs and a solid dance-y backbeat. The production, with its lo-fi charm, accentuates the authenticity of her musical exploration, allowing her distinctive voice to guide the narrative through this densely woven sonic landscape.

Johnson’s journey from the quiet suburbs of Coppell, Texas, to an emerging pop sensation is reflected in her music’s ambitious reach. With her roots in diverse musical disciplines, from drum beats to lyrical piano melodies, Johnson channels this extensive background into a sound that recontextualises the sonic past and builds the future of pop.

With ‘Mine’, she not only secures her spot as a trailblazer in the pop genre but also invites her growing audience of nearly 30,000 monthly Spotify listeners to join her in a vibrant exploration of musical boundaries. This single is less a step and more a stride towards the zenith of pop charts, promising that Hannah Johnson’s trajectory in the music world will be as intriguing as the melodies she creates.

Mine was officially released on March 15th; stream the single on Spotify.  

Review by Amelia Vandergast

Lizzie Hill put all her emotions on the line in ‘Dirty Laundry’

If you never got over t.A.T.u.’s hit single, All the Things She Said, Lizzie Hill’s latest single, Dirty Laundry, which uses oscillating synth lines and delicately evocative vocals in the same vein, has all the makings of your new favourite perennial pop earworm.

Blending the etherealism of dream pop with the hooks of a synthpop anthem, Dirty Laundry lays it all out on the line in the intimately electrifying production, which proves that the Cornwall-residing singer-songwriter and multi-instrumentalist’s talents belie her years.

As the lyrics relay a relatable vignette of how friendships can turn sour in a sequence of imbittering progressions, Lizzie Hill projects swathes of morose emotion in her perfectly pitched vocal lines while ensuring Dirty Laundry remains a soulfully euphonic anthem of liberation from the toxic ties that bind you to people determined to diminish your self-worth.

It’s a stunningly creative and affectingly cathartic release through and through and a clear sign that the singer-songwriter has exactly what it takes to dominate the pop domain in 2024.

Dirty Laundry will be officially released on March 1st; stream the single on all major platforms via this link.

Review by Amelia Vandergast

Parker Kay – The Grey: a refreshingly intimate RnB exposition of affection in the age of the iPhone

If artists got to the top of the charts based on the relatability of their lyrics alone, Vancouver’s Parker Kay’s latest single, The Grey, would have shot right to the top of the RnB charts. In a genre that gives Hollywood a run for its money when it comes to setting unrealistic expectations, this definitively modern love story is a refreshingly intimate exposition of affection in the age of the iPhone and awareness of idiosyncratic attachment styles.

Starting with a confession of how he pretends not to light up just as much as his screen when seeing a message and bides his time to give the illusion he’s busy, you can’t help but lyrically lock into the hit as the indie RnB grooves pop in the instrumental arrangement.

The single only becomes more addictive from there on out as Parker Kay bares his romantic scars over the synthesis of electronic synthetics, trap beats, pop hooks, RnB melodies, and soulfully magnetic vocal lines that keep an even-keel while the lyricism drifts from the ache of agony to the dream-like state of infatuation.

The Grey has a fair way to go before it racks up as many streams as Parker Kay’s viral hit, sorry, I like you too, which was created in collaboration with Burbank and garnered over 5 million streams on Spotify alone, but it is more than worthy.

The Grey was officially released on January 26th. Stream the single on Spotify.

Review by Amelia Vandergast

Buddy John synthesised retro pop aesthetics with contemporary EDM magnetism in his debut release, Don’t You Give Up on Me

Buddy John’s debut single, ‘Don’t You Give Up on Me’, is a vibrant testament to the enduring spirit of retro pop, infused with the pulsating energy of Euro dance beats, and wrapped in the luxurious fabric of contemporary pop production.

Hailing from Nampa, Idaho, Buddy John has crafted a sound that revives the nostalgic pulse of the 90s and 2000s dance clubs, while injecting the bold energy of 80s synth and rock/electronic rhythms. His declaration of romantic resilience bridges the gap between eras, appealing to both devotees of classic pop and the new generation of EDM pop fans.

The track’s snappy grooves and luxe production are a nod to the likes of RuPaul, yet Buddy John carves out his own niche in the pop landscape. His strident vocal lines don’t just complement the instrumentals; they command attention, oozing fervour and proving that passion is the driving force behind his artistry and everything he does.

‘Don’t You Give Up on Me’ is more than a mere homage to the past; it’s a synthesis of retro aesthetics and contemporary commercial appeal. Buddy John understands the power of nostalgia, yet he doesn’t rely on it. Instead, he uses it as a springboard to launch into a soundscape that will speak to your soul as much as much as your rhythmic pulses. We can’t wait for the sophomore release.

Don’t You Give Up on Me is available to stream on Spotify and Apple Music.

Review by Amelia Vandergast

Someone Famous has made a transcendent debut with their ambient deep house/90s Euro dance mash-up, This is a Pleasure

Someone Famous’ moniker is going to become a self-fulfilling prophecy if they continue to produce tracks in the same future-defining vein as their blister of electronic euphoria, This is a Pleasure.

The debut single was right on the titular money for the way the transcendentally bright tones and luminous textures scintillate through the progressions as they juxtapose the depth of the basslines which bolster the track with rhythmic prowess. With melodic elements of ambient deep house fused with a 90s Euro dance energy and captivating vocal lines which effortlessly embody the soulful catharsis within the meticulously layered and produced instrumentals, This is a Pleasure couldn’t be closer to what it says on the tin.

With new releases locked, loaded and ready to infuse the airwaves with refreshing syntheses of innovation, Someone Famous is an artist to keep on your radar through 2024. It’s only a matter of time before the Brighton-based artist gets offers from reputable labels for their ability to fuse nostalgia with intuitive ingenuity.

This is a Pleasure was officially released on November 25; stream it on Spotify.

Review by Amelia Vandergast

Gain the permission to live autonomously free with The Close’s 90s pop-rock single, Living It Right

With a nostalgically 90s pop-rock edge which cuts as deep as the hits from Jewel, Sheryl Crow, and Alanis Morrisette, The Close came close to perfect with the standout single, Living It Right, from their debut album, Orbit.

The debut LP pushed the introspective genre-bending outfit’s monthly listeners up to impressive heights. Now, over 36k listeners are repetitively tuning into their intricately airy melodies which transcend expectation and effortlessly share effervescent transcendence.

You’ll be torn between attempting to match the flawlessly magnetic timbres in the vocal delivery as they verse the virtues of living autonomously free and leaning into the mellifluous interplay of the ethereal synergy within the instrumental arrangements and harmonies.

Aside from the very obvious superlative song crafting which sets The Close apart, the outfit also finds distinction by employing each member as a lyricist, musician and lead vocalist, resulting in a dynamic discography, which dabbles in everything from Americana to contemporary folk to country. A commercial pop sensibility is one of the few constants within their euphonically unshackling collection of lyrically intimate releases.

Living It Right was officially released on October 27; stream it on Spotify with the rest of the Orbit LP.

Review by Amelia Vandergast  

Emilie Thorsby drenched her latest single ‘Ocean’ in a sea of artful tranquillity

Emilie Thorsby

Capturing the calmingly vast natural beauty of the ocean which allows us to feel part of something bigger than ourselves within a soundscape couldn’t have been an easy feat, but the Danish singer-songwriter, Emilie Thorsby, resoundingly succeeded in her artfully alternative single, Ocean.

Through saturated almost shoegaze-y guitars, an electronica arrangement that breaks down cultural barriers as fluidly as the ocean moves without constraint, and vocal lines that resound with a sense of serenity and spirituality, Emilie Thorsby lived up to the hype that her countless accolades signify.

After releasing six singles, Emilie Thorsby has been recognised by EGW Magazine, several of her singles have gone into rotation on US radio stations, including NBC, and she was also nominated as the female artist of the year in 2022. We can’t wait to see the strides she makes in 2024.

Ocean will be available to stream on Spotify from November 11; stream the scintillating single on Spotify.

Review by Amelia Vandergast

The genre alchemist James Urquhart is set to unleash his progressively prodigious hit, The Tearz and the Pain

The genre alchemist and one of the top producers in the UK, James Urquhart, drifted through a melodic menagerie of style in his latest single, The Tearz and the Pain, which is locked, loaded, and ready to drop an atom bomb of ingenuity onto the airwaves.

With all the hooky body-rocking flavour of 90s boyband pop in the deliciously infectious vein of the hit that announced Backstreet’s Back after a mellow 80s RnB opening sequence that Seal fans will give the seal of approval, Tearz and the Pain reaches its high-octane peak in a euphoric intersection of drum n bass before winding the track right down again.

The progressive prodigy left us arrested with every aural transgression and convinced us that labels will be hammering down the door to his professional studio, which he uses to produce his and other people’s hits. Previously, his music has been distributed by Hed Kandi and Let There Be House; there’s no telling who will pick him up next.

Follow James Urquhart on SoundCloud and Instagram to be the first to know when The Tearz and the Pain drops; with the soul it sonically unleashes, it is more than worth the wait.

Review by Amelia Vandergast

Spotlight Feature: Emilio Lanza embraced the moody future of pop while looking back in ‘Rearview Mirror’

For his latest single, Rearview Mirror, the Naples-born singer-songwriter Emilio Lanza darkened the doorstep of 90s boyband pop and weathered the torrid storm of heartbroken introspection.

With acoustic percussive fingerpicked guitar motifs scattered amongst the dark and reverberant moody pop sensibilities, Rearview Mirror is a triumph of evocative ingenuity for the way the light melodicism juxtaposes the harsher elements to sonically allude to the rollercoaster you’re forced onto when distance becomes definitive disconnection.

Careful to balance light and shade, Lanza, also instilled resilience into the release that will efficaciously embolden any hopeless romantics searching for hope; it is in Rearview Mirror by the visceral smorgasbord.

With over 2 million streams on Spotify and after receiving plaudits from the likes of Ed Sheeran and James Bay, Emilio Lanza has already conquered the world of pop; be a part of his legacy and delve into his latest elevated production.

Emilio Lanza Said:

“My song, Rearview Mirror, is a metaphor representing our past, nightmares, breakups or scary thoughts; it can be anything, but the message is positive, as reflected by the cover art depicting a sunset ahead and struggles in the rearview mirror. I wrote the song following the end of a six-year love story and other life hardships.”

Rearview Mirror will hit the airwaves on the 25th of August. Stream it on all major platforms via this link.

Review by Amelia Vandergast

Evie Lulu has launched her superlative sludge pop single, Adored

After earning her stripes as a music producer, the singer-songwriter, Evie Lulu, made her latest single, Adored, definitively her own. Beyond the similarities to Daughter and Warpaint, the lyrically-driven artist is exemplary in her determination to allow spilled ink to manifest as melodic triumphs that catch in your throat before they take up residence as a sludgy indie pop earworm you will always want to appease by giving her candidly kaleidoscopic soundscapes repeat attention.

Pop, rock, and grunge may be common ingredients in many modern-day amalgams, but the songstress who takes inspiration from Bon Iver, Kate Bush, The Sundays and Silverchair when orchestrating her reflectively uninhibited releases is in a league of her own. From the delicious distortion on the guitars to the vulnerability within the vibrato in the vocal lines, Adored is a bitter-sweet sonic dream, which is all too efficacious in its ability to hammer home the emotions expressed.

Adored hit the airwaves on March 1; hear it on Spotify.

Review by Amelia Vandergast