Browsing Tag

90s Pop

Dance-pop rock star Max Matthew went in heavy on the 90s nostalgia in ‘Want 2B Wanted’

What Peter Andre was to the 90s, Max Matthew is to 2023 in his oceanic funk-popped debut hit, Want 2B Wanted. Rather than just getting you in the mood, the bluesy guitars will flood your soul as the salacious serenade effortlessly establishes Max Matthew as one to watch, hit the dance floor to, and fall in love to.

With his nostalgic for the 90s debut on the airwaves, they’re smoother than ever and primed to accommodate more hits from the future rock star of dance-pop. Keep him on your radar.

Want 2B Wanted hit the airwaves on February 13th, soak in the euphoria by heading over to Spotify.

Review by Amelia Vandergast

Simona-Valentina compels her listeners to follow their dreams in her confessionally quaint country pop-rock single, Head Outta Washing Machine

London-based singer-songwriter and guitarist, Simona-Valentina, gave her listeners an intimate view into how her creative life began with her country-tinged pop-rock single, Head Outta Washing Machine, which officially released on October 22nd and spilt 90s nostalgia onto the airwaves.

With a similar snappy melody to Avril Lavinge’s game-changing earworm, Complicated, in the intro, along with a few nods to the 90s, Head Outta Washing Machine is an immersive unravelling of the singer-songwriter’s humble and adorable beginnings as a singer-songwriter. You only have to hit play to see how far she has come as an expressive advocator of following your dreams.

Head Outta Washing Machine is the 12th single released by Simona-Valentina after she made her debut with her single, Unspoken Love, in 2019. She’s also one-half of the acoustic duo SVRPoole, who are melodically enlivening the London music scene.

Here’s what Simona-Valentina had to say about her latest release:

“I used to sing with my head in the washing machine when I was around six years old. This is my genuine and retrospectively funny music story, and what I am basically confessing with this new song.

I was shy and introverted at that age, lacking the confidence and courage to sing in front of people; hence, the darkness and intimacy of singing with my head inside the washing machine appealed to me greatly.”

Listen to Head Outta Washing Machine on Spotify.

Follow Simona-Valentina on Facebook and Instagram

Review by Amelia Vandergast

Ruby Sue resisted the silence of alienation in her coming-of-age alt-rock debut album, The Need

https://open.spotify.com/album/0GTsIwcpwdU4RC7IYIlyKx?si=qNQdALpoR2OeVPaPraq6LQ

The Riot Grrrl attitude is living vicariously through Ruby Sue’s debut album, The Need, but make no mistake, she is an icon of her own making. The true definition of punk is a little hazy these days, but if it doesn’t encompass an artist bringing classical strings into a visceral protest of alienation, what is even the point?

Usually, there is little resonance to be found in coming-of-age albums for anyone that isn’t… coming of age, but The Need extends a sense of compassion for the unheard that can stretch across the generations. Even at 32 years old, the singles, especially the title single, struck a raw note within me.

The sweet melodious temperament of Taylor Swift, the nostalgic comfort of Brandi Carlile and the protestive grungy furore of Courtney Love all fuse together to make The Need an LP that is as cathartic as it is anarchically emboldening. The Minneapolis singer-songwriter and multi-instrumentalist clearly has a natural talent when it comes to consoling expression with her lyricism that lays it all bare in true rock star fashion.

With some of the singles, such as the mostly instrumental Let Me Out, the violin and viola strings bring an extra edge of cutting emotion, ensuring that there’s no getting to the end of this LP until you’ve felt an unholy amount of empathy for anyone enduring the process of growing into adulthood in these times that can send you off-kilter in a single heartbeat.

In her own words, here is what Ruby Sue had to say about her debut album:

“During my gap year between high school and college last year, I was feeling lost and trying to find myself; I found music. I’ve always been a musician, but music was the only thing that felt right when everything else felt off. The lyrics and melodies rushed out of me like a burst dam.

The Need tells a true story of needing to be seen, heard and experience life. Growing up isn’t easy; it can feel daunting and lonely; the ultimate message is that if you feel the need to be seen, you are not alone.”

The Need is now available to stream on Spotify.

Follow Ruby Sue on Instagram and TikTok.

Review by Amelia Vandergast

Texan trio, Tough on Fridays take us through a tender transition in their indie pop track, Growing Pains

With hints of the Cranberries and other iconic 90s pop contemporaries, Tough on Fridays delivered nostalgia with a cinematic edge that could make their latest single, Growing Pains, the highlight of the OST for the next coming-of-age Hollywood blockbuster.

The momentously oceanic single is definitive proof that the Texan trio has come a long way from where they started five years ago as an angst-driven duo. Lauded for their energetic performances and acclaimed in their home state, it is only a matter of time before Tough on Fridays reach the heights they are destined for. Growing Pains is undoubtedly one of the finest testaments to their songwriting tenacity to date; getting carried away with the simple yet efficaciously magnetic chords is pretty much non-optional.

Tough on Fridays’ latest single, Growing Pains, is now available to stream on SoundCloud.

Review by Amelia Vandergast

Lucy Chan is soulfully cinematic in her latest single, Love Motion Picture

Lucy Chan shared a college fever dream in her latest soulfully cinematic pop track, Love Motion Picture, which runs with escapist references to 90s rom coms, hints of 80s synth pop and a modernist twist to the romanticism.

The 19-year-old singer-songwriter has been a hit with teen pop fans ever since her 2021 single, I Wonder, and her acclaim grows with every subsequent release. Taylor Swift would want to eat her heart out to the dreamy innocent melodicism of Love Motion Picture, We can’t wait to hear what the Australian artist resolvingly releases next.

Love Motion Picture is now available to stream via Spotify.

Review by Amelia Vandergast

Madam Who? invited you to ‘Reclaim Your Power’ with her 90s nostalgic pop-rock debut LP

The Eastern Shore, MD, USA-residing pop rock singer-songwriter Madam Who’s debut album, Reclaim Your Power, will undoubtedly be a soul-saver for anyone it catches in a vulnerable or transformative time.

With the rock reverence of Joan Jett, the zaniness of The B52s and the urban edge of Lizzo, the LP starts with the powerful title single, before You Are Not Alone brings in the 70s rock vibes and Goddess in Our Midst brings a little neo-soul into the mix.

Undoubtedly, one of the sweetest spots on the LP has to be Strange & Beautiful. The progressively enrapturing track hooks you in through an acoustic intro before building into an anthemic ballad which allows you to embrace your autonomy, idiosyncrasies and all.

Rarely do records hit the compassionate spot with the same efficacy as this LP. Madam Who? is a pop-rock diamond in the rough; there are few accolades she doesn’t deserve due to her overpowering sincerity and motivation to heal wounds that most women will experience in their lifetime.

Madam Who?’s notes on the album

“I wrote these songs as a form of therapy after I hit the most difficult time in my life – even more challenging than going through brain cancer. After being emotionally abused and abruptly discarded, I had to start my live over with little knowledge of who I was anymore. Before this destructive relationship, I pursued a music career, naturally, when it was over, I started writing again, with a focus on empowerment, not my life’s antagonists. The overall message is to be kind and love yourself.”

The Reclaim Your Power LP is now available to stream on Spotify.

Follow Madam Who? on Facebook & Instagram.

Review by Amelia Vandergast

Kuya! Gave Indie RnB Pop a Fresh Lick of Soul with ‘What I Gotta Do’

The Floridian genre fusionist and 90s & 00s nostalgia peddler, Kuya! Is fresh from the release of his third single, What I Gotta Do, which takes you back to the bliss of old school while showing you the future of indie soul-pop. The unapologetically loved-up track would be exceptionally placed on playlists of fans of The Neptunes, Nelly and Gwen Stefani.

Through the Niles Roger-Esque guitars, Daft Punk dancey disco grooves, Kuya!’s effortlessly soulful creative charisma and the sonic curveballs with the rap verses, What I Gotta Do is an earworm that keeps on giving. It’s the fresh lick of soul that the airwaves have been crying out for. We can’t wait to eek the dopamine out of what follows.

What I Gotta Do is now available to stream on Spotify.

Review by Amelia Vandergast

Aberdeenshire’s most promising singer-songwriter, AJ Mclovely shared her luminous optimism in ‘Hold On’

AJ Mclovely proved how she came about her moniker in her intimately heartfelt alt-pop single, Hold On, which tackles the very real problem of our tendency to convince ourselves that misery is forever and happiness is fleeting.

Hold On soulfully narrates that our experience of reality is all just a matter of perspective as AJ Mclovely’s 90s pop-inspired vocals compassionately breeze over the folky pop guitars. The lockdown created single is just one of the reasons that the Aberdeenshire-based singer-songwriter and mental health advocate has developed a staunch fan base. So many pop artists have got into the habit of creating from the ego. Yet, with Hold On, there’s a real sense that it was created to resonate with souls that are lacking the light that is by the smorgasbord in this simple yet powerfully otherworldly single.

The official video to Hold On is available to stream on YouTube. And you can connect with AJ Mclovely via Facebook.

Review by Amelia Vandergast

Until the End of the World gave pop a noir twist in their latest single, Easy Come, Easy Go

For their latest single, Easy Come, Easy Go, the lockdown-born outfit, Until the End of the World, gave pop a noir twist. With the 90s-style pop harmonies that will throw you right back to the days when Say You’ll Be There was dominating the airwaves while simultaneously captivating you with the same haunting mystique as Mazzy Star, Easy Come, Easy Go couldn’t be more beguiling.

Until the End of the World consists of the Nashville-based singer-songwriter Meg Olden and the English ex-pat, Ian Webber; their sound is equally as international as their formation. There are obvious hints of Americana in the deserty guitar tones, with nods to the likes of the English singer-songwriter Richard Hawley in the melodies. It isn’t every day that you stumble across an artist as authentic as this. Until the End of the World definitely isn’t an outfit to underestimate.

Easy Come, Easy Go is due for official release on February 21st; check it out for yourselves via SoundCloud.

Review by Amelia Vandergast

Abi Mia shares her infectious optimism in her latest single, Can’t Stop Won’t Stop.

The London-based breakthrough alt-pop artist Abi Mia ended 2021 with the ultimate up-vibe bop, Can’t Stop Won’t Stop. With the funk in the melodies and the fire in her vocals, the resilience in the 90s influenced triumph of a track is infectious from the first hit. And if we’re all being honest with ourselves, that’s exactly what we need right now.

In the verses and pre-choruses, she extends compassion and understanding to anyone feeling the apathy before proving how sweet it is to throw pessimism by the wayside and embrace a brighter perspective in the choruses. If you’re looking for a definitive definition of a perennial pop earworm, just hit play.

Can’t Stop Won’t Stop is now available to stream on Spotify.

Review by Amelia Vandergast