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Rachel Burns beat the odds in her theatrical retro-soul track, I Did It

Slip into the retro soul of Rachel Burns’ latest pop single, I Did It, which spins a tale of triumph over trauma and adversity. The journey from surviving to overcoming to thriving is scarcely pretty; the Washington, DC-based singer-songwriter brought a profound amount of grace to the subject matter regardless.

The Gospel-Esque backing vocals take Burns’ soul-awakening vocal timbre to mind-blowingly celestial heights. When she stretches for those stridently high vocal notes, you’ll get a first-hand account of her resilience and the resilience that most of us have to muster to piece ourselves back together.

Inspired by Amy Winehouse, Nina Simone, Aretha Franklin and Tina Turner, Rachel Burns has exactly what it takes to become a legend in her own right with the theatrical twists to her signature sound, which plays with nuances of blues, country and jazz.

I Did It will officially release on September 30th. Check it out on SoundCloud.

Review by Amelia Vandergast

Femi Jaye poured soul into seduction with his UK Afrobeat RnB release, Love Language, featuring Mulako

For his latest feat of seductive Afrobeat RnB, Love Language, the up-and-coming Essex, UK-based artist, Femi Jaye, collaborated with Mulako to create a tropically lustful earworm that embraces the euphoria of love.

There’s no feeling like surrendering to love. And there’s no soundscape quite as flavoursome as this groove-led melodic triumph, which accurately reflects the beauty of intimacy through its mellifluous progressions and kicking percussion. Love Language brings the right energy to tease salaciousness while keeping the vibe incandescently pure.

Love Language is just one of the singles to feature on the upcoming LP, Gardener, which defies the premise that men can’t be in touch with their emotions. Speaking on his new LP, here’s what Femi Jaye had to say:

“With the recent “Andrew Tate” era of toxic masculinity gaining traction, the concept that men can be vulnerable and in touch with their feelings presents an opposing view and is one of the main overarching themes of the album.”

Love Language will officially release on September 23rd; check it out on SoundCloud.

Review by Amelia Vandergast

Slip into the sonorous soul of Jamie Toomey’s latest single, My Love is Real, featuring Syauqi Destanika

Taken from the sophomore album, Second Sunlight, from the eclectic Irish musician Jamie Toomey, the ambient jazzy RnB single, which comes laced with loungey folky instrumentation, My Love is Real, featuring Syauqi Destanika is a mesmeric offering of sincerity.

The tenderness to the uniquely uplifting melodies amplifies the luxe Gospel-Esque vocal timbre of the Indonesian vocalist, Syauqi Destanika, to the nth degree in the stripped-back soundscape which makes minimal demands on your attention but tugs on your heartstrings all the more viscerally for it.

You can delve into My Love is Real for yourselves from September 23rd by heading over to SoundCloud.

Review by Amelia Vandergast

Shelia Moore- Piper exudes untaintedly pure uplifting soul in Single Lady, featuring rapper Tyrik Tell.

For her standout track, Single Lady, the multi-award-winning Houston-hailing Christian soul artist, Shelia Moore- Piper collaborated with one of the smoothest rappers in the game, Tyrik Tell to speak to the fairer sex through a classy empowering RnB earworm, which proves just how visceral feminine power can be.

With Piper’s harmonic pitch-perfection mixed with Tell’s luxe rap verses, the seductive magnetism of the pure untainted soul is strong enough to pull you right into the centre of the epiphanous jazzy mix, produced by the BDM Upgroove Music brand.

Single Lady, part of The Love/Soul Session Vol. 1 Ep, is now available to stream on Spotify.

Review by Amelia Vandergast

Spotlight Feature: Laura Loh put optimism in the vision of her listener’s future with her indie-pop single, Running

Hampshire, UK-based singer-songwriter Laura Loh came into her production stride with her latest indie pop single, Running, featuring the angularly upbeat guitar licks from the featuring artist Harry Baker.

Just as eloquent as London Grammar’s debut release, Laura Loh has exactly what it takes to make contemporary trends bend around her vision and stylistic grace if she keeps releasing singles in the same vein as Running.

Running is often depicted as a momentum-driven form of escaping the past, which is impossible to do; Laura Loh switched the narrative and created an upbeat track to put optimism in the vision of her listener’s future. As the cherry on the cake, the lush piano chords are just as sweet as the lyrics.

Here’s what Laura Loh had to say about her latest single:

“When I wrote “Running”, I hadn’t started producing my own music yet, so it was just piano and vocal. I could already hear it in my head as a full production, but I didn’t know I would be the one to bring that vision to life.

After producing a few songs, I came back to “Running” and produced it. Making this song was a turning point for me as an artist; it felt like I found my sound. Musically, I wanted it to feel like running to amplify the yearning in the lyrics and have sustained upbeat energy.”

Running will officially release on September 23rd. Catch it on SoundCloud, Spotify & Bandcamp.

Follow Laura Loh on Instagram, Twitter, Facebook and TikTok.

Review by Amelia Vandergast

Meet the 21st-century’s smoothest operator in Alan Dreezer’s latest 80s electro-pop single, BUTTERFLY

Picking up where George Michael left off, Alan Dreezer’s smooth 80s RnB pop hit, BUTTERFLY, is a sensuously aphrodisiacal proclamation of lust that takes no prisoners when pulling you into the intensity of the passion.

Between the layers of lush reverb, the funk-soaked basslines roll around the choppy guitars under Alan Dreezer’s vocal timbre that will teach you the meaning of affection as the soul effortlessly drips.

BUTTERFLY is the first single to hit the airwaves from the East Sussex electro-pop singer-songwriter’s third album, Nothing Changes if Nothing Changes. On the basis of the single alone, there will be no getting in the way of Alan Dreezer’s domination of the airwaves.

BUTTERFLY is due for official release on September 22nd. Check it out for yourselves on SoundCloud.

Review by Amelia Vandergast

Spener blurred the lines between indie-rock and neo-soul in his compassion-driven single, Dial Away

North of England-born, Barcelona-based artist Spener blurred the lines between indie-rock and jazzy neo-soul in his slickly smooth seminal single, Dial Away.

I’m not entirely sure what is more enamouring in Dial Away, the euphonically consoling soundscape or the lyrical compassion that extends a sense of unconditional empathy that is scarcely found elsewhere to the listener.

While the mainstream media leaves us inclined to believe that artists like Amy Winehouse only come around once in a generation, Spener blows that notion out of the water with the sheer visceralism of his down-to-earth candour that can easily become addictive through his hook-laden vocal lines.

Dial Away is now available to stream on Spotify.

Review by Amelia Vandergast

Laeeqa verses a lesson in mindful moderation in her stylistic neo-soul single, BALANCE

Leeds-born, Manchester-based musician and model, Laeeqa, taught a lesson in mindful moderation in her latest blend of neo-soul, RnB, jazz and reggae, BALANCE. Always an advocate for mental health, the artist that effortlessly embodies femininity in her soulful vocal flows makes it easy to see why so many have connected with her sound, which is just as vibrantly arresting as the image she puts before the world.

With her vocals intricately in sync with the mellifluous instrumentals which mesmerizingly spill trippy yet tranquil RnB emboldening ambience, BALANCE is one hell of a luxe aural aesthetic.

Along with playing in some of Manchester’s most iconic venues, Laeeqa’s music has also been in heavy rotation with BBC Introducing and 1Xtra; if you’re sleeping on her at this point, you may as well be in a coma.

Check out the video for BALANCE by heading over to YouTube.

Review by Amelia Vandergast

Ella Hayes sold soul-pop sanctuary in her debut single, Recovery

Essex soul-pop singer-songwriter Ella Hayes paraded her vanquished skeletons and shared her growing pains in her debut EP, Colour Me In, which follows her through her journey of addiction, awakening and expressive creativity.

The standout single, Recovery, was a means of catharsis for the artist, which she extended to the airwaves as a powerfully inspiring affirmation that addiction doesn’t have to be a life sentence. The pop-rock orchestral layers set the perfect tone for her candour, which leaves few stones unturned around the epiphanous lyrics, which resolvingly prove that sanctuary is always in reach, despite how low your rock bottom feels.

“All my life I’ve been terrorised by the lies my head tells me” is one hell of an opening lyric; one that sets the bar she continually transcends throughout Recovery.

Recovery is now available to stream on Spotify

Review by Amelia Vandergast


Divina Blackson made the most promising pop debut of the year with her single, Twisted Fantasy

In her debut single, Twisted Fantasy, the artful soul-pop sensation Divina Blackson explored the depraved depths that lust and love can take us to in a completely candid exposition of affectionate insanity. We’ve all been there; if you haven’t, you haven’t lived.

After an intro of dream pop guitars, her sonorous vocal timbre lulls you into a state of transfixion as the compelling lyrical narrative unfurls; evading every trite cliché along the way as it traverses poetic metaphors to make the ultimate first impression.

She is well and truly one in a million; from the very first vocal note in Twisted Fantasy, the emotional weight of the release slams into your psyche. We can’t wait to hear what follows.

Twisted Fantasy is now available to stream on Spotify.

Review by Amelia Vandergast