Slip into the retro soul of Rachel Burns’ latest pop single, I Did It, which spins a tale of triumph over trauma and adversity. The journey from surviving to overcoming to thriving is scarcely pretty; the Washington, DC-based singer-songwriter brought a profound amount of grace to the subject matter regardless.
The Gospel-Esque backing vocals take Burns’ soul-awakening vocal timbre to mind-blowingly celestial heights. When she stretches for those stridently high vocal notes, you’ll get a first-hand account of her resilience and the resilience that most of us have to muster to piece ourselves back together.
Inspired by Amy Winehouse, Nina Simone, Aretha Franklin and Tina Turner, Rachel Burns has exactly what it takes to become a legend in her own right with the theatrical twists to her signature sound, which plays with nuances of blues, country and jazz.
I Did It will officially release on September 30th. Check it out on SoundCloud.
In a bid to pour modernism into the rock arena, the Phoenix, AZ-hailing multi-instrumentalist and singer-songwriter, JRtheBand, has launched his latest folk-rock anthem, Lit Boy, and decidedly succeeded.
The complex guitar work entwines the warm timbre of swampy acoustic guitar strings with the sonic overdrive of electric guitar riffs, while the vocals match the powerful instrumental arrangement. Fans of The Levellers will easily get caught up in the rugged anthemics of this narratively powerful release which draws you right into the visceral centre of the expression, which stridently proclaims resilience in a time that premeditates weakness. If you ever needed affirmation that life goes on after tribulation, it is neatly packaged in this vibrant celebration of fortitude.
As JRtheBand will be releasing a song every three months going forward, we highly recommend saving space on your radar.
For her standout track, Single Lady, the multi-award-winning Houston-hailing Christian soul artist, Shelia Moore- Piper collaborated with one of the smoothest rappers in the game, Tyrik Tell to speak to the fairer sex through a classy empowering RnB earworm, which proves just how visceral feminine power can be.
With Piper’s harmonic pitch-perfection mixed with Tell’s luxe rap verses, the seductive magnetism of the pure untainted soul is strong enough to pull you right into the centre of the epiphanous jazzy mix, produced by the BDM Upgroove Music brand.
Single Lady, part of The Love/Soul Session Vol. 1 Ep, is now available to stream on Spotify.
Splicing ancient spirituality with dance-pop, the London-based experimental artist, I, Harappan. describes his upcoming debut album, The Harappan & The Devil, as a genre-bending epic, combining cosmic horror storytelling with funk, disco pop and RnB.
The celestial single, THE FREE ONES, is an unforgettable introduction to his strident mystique, which uses traditional progressive house structures around a folkish sense of beguile, which resonates through the soulfully beckoning lyrics and the profound command of his vocal timbre which scarcely seems of this century. While the beats appeal to your rhythmic pulses, the lyricism unshackles you from the illusory chains that keep us all grounded in antipathy. It is a sonic awakening like no other.
Here’s what I, Harappan had to say on his debut release:
“A long ago, in the forgotten city of Harappa, in the land of river and stone, there was a child forged of bronze. The tribe of the Unicorn lived amidst the broken and beautiful Himalayas, birthing fortress worlds of twisted screens and dead white light; though lost to time, their stories live on.
Free Ones is the first release from my debut album, “The Harappan & The Devil”, an uplifting cosmic pop experience about never giving up, inspired by ancient mysticism, Tolkien & Diana Ross.”
THE FREE ONES is now available to stream on SoundCloud.
Taken from his seminal album, Open Roads,Warick Pond’s standout single, The Wreckage, carries the solemnity of Tom Waits, the contemporary Americana edge of Kurt Vile, and the mellow melancholy of the Verve.
Reminiscences aside, the American singer-songwriter puts his own authentic beauty into aching soul through the resounding quiescence of his guitars, which match the gentle outpour of visceral emotion through his Americana-tinted vocal timbre.
When an artist can create such a profoundly emotional soundscape with minimal production and understatedly passionate vocals, you know that you’ve just come across a one-in-a-million entity. Enduring the agony of hopeless romanticism fleetingly became worth it through the resonance extended by Open Roads, which captures the enduring loneliness of the human condition and how tightly we cling to connections which can turn to past tense in the blink of an eye.
The Wreckage is now available to stream on Spotify.
Hampshire, UK-based singer-songwriter Laura Loh came into her production stride with her latest indie pop single, Running, featuring the angularly upbeat guitar licks from the featuring artist Harry Baker.
Just as eloquent as London Grammar’s debut release, Laura Loh has exactly what it takes to make contemporary trends bend around her vision and stylistic grace if she keeps releasing singles in the same vein as Running.
Running is often depicted as a momentum-driven form of escaping the past, which is impossible to do; Laura Loh switched the narrative and created an upbeat track to put optimism in the vision of her listener’s future. As the cherry on the cake, the lush piano chords are just as sweet as the lyrics.
Here’s what Laura Loh had to say about her latest single:
“When I wrote “Running”, I hadn’t started producing my own music yet, so it was just piano and vocal. I could already hear it in my head as a full production, but I didn’t know I would be the one to bring that vision to life.
After producing a few songs, I came back to “Running” and produced it. Making this song was a turning point for me as an artist; it felt like I found my sound. Musically, I wanted it to feel like running to amplify the yearning in the lyrics and have sustained upbeat energy.”
With his philosophy-laced rap flows, the UK alternative artist MUNBOI is becoming one that an increasing number of fans turn to for stoic poetry. Fresh from the release of his 12-track debut album, EUDAIMONIA, the producer, engineer, and artist is well on the way to the 1-million streams club.
The standout single, Memory Ln. unfurls as an intricate organic amalgam of hip hop, pop, RnB, and experimental sonic textures while MUNBOI looks to the past for answers in the present. His vocal energy truly becomes the epitome of stoicism as he twists common tropes to deliver lyrical sanctity through lines such as “I was sitting on the edge, I just needed a little push”, and “nothing really matters so we be risking it all now”. Update your chill indie playlists accordingly.
His debut album EUDAIMONIA is now available to stream in full on Spotify.
With all of the evocative gravitas of Eddie Vedder’s aching soul, Stu Daniels’ latest single, Enemies, compels you to surrender to the acoustic indie rock plaintiveness, which is all too easy to relate to from the first immersion. Beyond the sobering overtones of the emotionally crafted and reverbed guitars is a lyrical extension of salvation with the poignant and powerful reminder that enmities will always do their best to strip your power and use it for their gain.
The singer-songwriter and guitarist fronts the Adelaide band, Already Gone, but notably, standing alone, his sound is equally as sonorous. Watch this space for more compellingly tenacious expositions of the human condition.
Enemies was officially released on September 16th. Check it out for yourselves on Bandcamp.
North of England-born, Barcelona-based artist Spener blurred the lines between indie-rock and jazzy neo-soul in his slickly smooth seminal single, Dial Away.
I’m not entirely sure what is more enamouring in Dial Away, the euphonically consoling soundscape or the lyrical compassion that extends a sense of unconditional empathy that is scarcely found elsewhere to the listener.
While the mainstream media leaves us inclined to believe that artists like Amy Winehouse only come around once in a generation, Spener blows that notion out of the water with the sheer visceralism of his down-to-earth candour that can easily become addictive through his hook-laden vocal lines.
Leeds-born, Manchester-based musician and model, Laeeqa, taught a lesson in mindful moderation in her latest blend of neo-soul, RnB, jazz and reggae, BALANCE. Always an advocate for mental health, the artist that effortlessly embodies femininity in her soulful vocal flows makes it easy to see why so many have connected with her sound, which is just as vibrantly arresting as the image she puts before the world.
With her vocals intricately in sync with the mellifluous instrumentals which mesmerizingly spill trippy yet tranquil RnB emboldening ambience, BALANCE is one hell of a luxe aural aesthetic.
Along with playing in some of Manchester’s most iconic venues, Laeeqa’s music has also been in heavy rotation with BBC Introducing and 1Xtra; if you’re sleeping on her at this point, you may as well be in a coma.
Check out the video for BALANCE by heading over to YouTube.