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As the trends in music evolve, as does the definition of pop music. Pop started as an abbreviation for popular; since the mid-20th-century, it has become the go-to term to define the music currently holding the most favour with the public. The evolving nature of pop makes it hard to pinpoint the pioneers; some say it all started when performers needed a catchy and memorable song in the Victorian area, while others say that pop began with the original crooners in the 30s.

The introduction of the pop music charts in 1952 allowed a cultural shift to form around music. It was at this point in history that teenagers became a massive target for the media. Before this new social reconstruction, there had been no in-between for children and adults. Just as it is now in the TikTok age, where teenagers can make an unknown artist go viral in minutes, teenagers effectively ran the music industry in the 50s too!

After Elvis Presley reigned supreme in the late 50s and early 60s, the Beatles dominated the charts for eight years until they disbanded in 1970. Throughout the 80s, synthpop took the pop limelight until the Boy Band era was born in the 90s. The selling power of East 17, Take That, Backstreet Boys and ‘N Sync gave Bob and Chris Herbert the idea to manufacture the world’s ultimate girl group; with the Spice Girls, they discernibly succeeded. After the Spice Girls topped the charts, more manufactured pop acts, such as Britney and Mariah Carey, started to surface. Manufacturing is still a massive part of the pop industry, but more and more pop artists are becoming brave enough to break the mould (think Billie Eilish, St. Vincent and Lorde).

Even though the pop charts are more diverse than ever, with Ed Sheeran sitting next to the Weeknd and Dua Lipa next to Tom Grennan, there are still common factors in their pop tracks. Today, most songs that fall into the pop category follow the extensively tried and tested pop formula. Generally speaking, pop tracks are 3 – 5 minutes in duration, use just one key, contains melodically lyrical soundbites that include the title, have a repeating chorus and keep to 4/4 time signatures. Repetition is quite literally key.

Unless it is a ballad or a stripped back acoustic number, pop tracks usually unfold to danceable tempos and rhythms to complement the lyrical hooks. Elements from every genre can be pulled into pop, the main ones being rock, RnB, hip hop, country, Latin and dance. Indie pop was a force to be reckoned with at the start of the millennium, but two decades in, it has lost its foothold to hip hop and RnB, which have become pop genres in of themselves.

Spotlight Feature: Indie Pop Meets Folk Symphony: The Dynamic Contrasts of Woodstone’s ‘Touch of Adrenaline’

Woodstone

Woodstone, a rising indie pop singer-songwriter from New Jersey, offers an emotive glimpse into his forthcoming fourth LP with the release of ‘Touch of Adrenaline.’ The track captures the essence of early 2000s indie pop while throwing back a little further to 90s Britpop, evoking memories of Plain White T’s and stoking the nostalgia of Oasis while infusing his own raw, heartfelt style.

This intricately crafted track intertwines folk elements with chamber pop strings, allowing contrasting layers of ornate orchestration and winding folk guitar lines to showcase Woodstone’s skill in bending and blending texture and tone into affecting aural contours. Reflecting on the ephemeral nature of intense feelings, Woodstone demonstrates a sophisticated approach to scintillating the senses of his growing fanbase.

Woodstone Said:

“Touch of Adrenaline is about a relationship with an end date, with both parties knowing it will end, and the last fleeting moments being marked by intensified emotion. 

The single explores what it really means to truly feel and be present with someone you love for the last time while conveying an image of romance in the midst of a dystopian world. 

Like all songs on the upcoming concept album, it was inspired by a relationship that could have worked but wasn’t the right time, and life forced us to drift apart.”

Touch of Adrenaline will be available to stream on all major platforms, including Spotify, from December 13th, with Woodstone’s fourth album, Glass Skin, set to follow in early 2025.

Follow Woodstone on Instagram to stay up to date with all of his latest releases and news.

Review by Amelia Vandergast

Meet Sbassbear in the epicentre of the cultural zeitgeist with their viral-worthy alt-comedy-pop earworm ‘Doggystyle’

Sbassbear, the Worcester, Massachusetts-based comedy duo who first found fame remixing The Game Grumps’ impromptu antics, prove their staying power in the alt-music world with Doggystyle, a standout track from their sprawling 77-track album, Fever Dream Radio.

While the title teases something risqué, the duo leads listeners down a playful intersection of influences from The Beastie Boys and The Kiffness, where hip-pop beats collide with twee lyrics and vocals which epitomise our increasingly digital popular culture.

With their 2024 release, Sbassbear defied the novelty label often slapped on comedy music. Doggystyle is an exemplary showcase of their ability to weave feel-good energy into intricate, genre-bending production. For their 65k+ monthly listeners, the duo deliver far more than cheap laughs; they’ve built a space where absurdity meets authenticity, and you might never want to leave!

The track’s infectious rhythm sits alongside a sharp self-awareness of its place in modern culture. Sbassbear understands the chaos of contemporary attention spans and leans into it with their TikTok video-length tracks. Fever Dream Radio is so much more than a concept album—it’s a reflection of the ADHD-driven creativity that makes Sbassbear so unique, effortlessly flipping through moods and styles like radio stations in a surreal alternate reality.

Get stuck into all 77 tracks from Sbassbear’s latest LP, Fever Dream Radio, via Spotify.

Review by Amelia Vandergast

Ava Valianti’s ‘Wishing Well’ is a Diaphanous Dive into Lost Innocence

At just 15, Ava Valianti has already mastered the art of weaving raw emotion into new-wave indie pop. With her latest single, ‘Wishing Well’, the Massachusetts singer-songwriter delivers a reverie-rich production that captures the ache of growing up and the bittersweet nostalgia for the innocence of youth.

Inspired by childhood memories, Ava channels her reflections on the fading simplicity of youth into soaring harmonies and sweeping melodies. Thematically, ‘Wishing Well’ resounds with longing and hope, its diaphanous textures sonically illustrating the vulnerability of clinging to the magic of belief. Ava’s lyrical candour doesn’t just invite listeners into her world; it offers them a mirror to their own experiences of inevitable change and loss. Her ability to find clarity in bittersweet moments transforms each note into a visceral connection.

Standing alongside her earlier singles—‘Bubble Wrap’, ‘Middle Ground’, and ‘January’—this track showcases her ability to fuse introspective lyrics with literally and figuratively haunting melodies. With comparisons to indie luminaries like Mitski and First Aid Kit easily and rightfully drawn, her trajectory has been meteoric, already earning her 10k monthly listeners, a nomination for the New England Music Awards’ “Pop Act of the Year,” and praise from over 60 radio stations across the US.

Ava’s music is a force propelling her into the heart of indie supremacy, and ‘Wishing Well’ solidifies her place as an artist who creates vessels of unfiltered soul, poised to resonate with listeners across generations.

Wishing Well was officially released on November 22nd; stream the single on Spotify now.

Review by Amelia Vandergast

Thalia Jailene spun emotion into rhythmic gold with her standout single, Sueñitos

Thalia Jailene’s latest single, Sueñitos, weaves hypnotic rhythms straight into the soul. From the opening notes, choppy staccato reggae guitars tease the senses, making way for warm flamenco licks that unravel through the vibrant sonic fabric. Thalia’s smooth, serotonin-laced vocals glide effortlessly over the textured layers, delivering an exotic and arcane soundscape that feels as seraphic as it is unique.

The Latina singer-songwriter, multi-instrumentalist, producer, and music educator, now based in North Carolina, demonstrates her ability to blend her eclectic influences—from Paramore and No Doubt to Amy Winehouse and Bob Marley—into a sound that transcends genres. Her self-described “music alchemy” transforms raw emotions into an intoxicating mix of pop, rock, and reggae, with Sueñitos embodying her commitment to organic euphoria while the rest of her discography attests to how she never shies away from darker themes.

Hi play and prepare for full immersion as your senses are flooded with colour.

Sueñitos is available to stream on all major platforms via this link.

Review by Amelia Vandergast

Francesca Pichierri painted an Avant-Garde pop prism of the absurdity of reality in ‘Io Sto Bene’

After a beguiling fusion of style, soul and spirituality in her sophomore single, Francesca Pichierri has evolved into an alt-pop Avant-Gardist with her third single, Io Sto Bene. The infectiously obscure piano-driven earworm inches cabaret pop further into the mainstream with the playful panache in Pichierri’s vocals bringing equal amounts of energy as the upbeat staccato piano notes before the mid-way mark hits and sinks the listener into a kaleidoscope of baroque pop experimentalism.

Io Sto Bene pulls you into a rabbit hole of mental disquietness, efficaciously depicting how it feels to try and find stability while everything in your external and internal world feels off-kilter.  Like a rush of acceptance, the outro is a luminous visualisation of ephemeral transcendence away from the tumult of turmoil.

The independent singer-songwriter penned Io Sto Bene inspired by a bitter-sweet memory of her mother waking up from her first ovarian cancer treatment to reassure the family that ‘everything is fine’, and the epiphany of how paradoxical it is to be determined to appear fine in the midst of chaos. This is so much more than art imitating life; the single is a painful prism of the absurdity of reality.

Io Sto Bene was officially released on November 29th; stream the single on Spotify now.

Review by Amelia Vandergast

Jessa Verone became the new queen of coquette pop with ‘My Mind’

Jessa Verone

With My Mind, Sydney-based singer-songwriter Jessa Verone ushered listeners into a lush kaleidoscopic of colour, where dream pop, R&B, synth-pop, and classic pop converge in elegant harmony. Her ethereal vocals, delicately laced with emotive power, serve as a luminous guide through the lush arrangement.

Collaborating with Sydney producer OkayOnly, Verone’s artistry shines as she scribes with a sonic signature far from any other pop artist’s turf. The fleeting familiarity within the track’s layers quickly dissipates as you are drawn deeper into the multi-faceted production.

My Mind toys with its listeners, unravelling themes of love and affection while encouraging a sense of grace and empowerment. Unlike typical lovelorn ballads, Verone’s approach is exploratory and transformative, inspiring listeners to embrace their own coquette aesthetic and let it seep into their worldview. The introspective depth of the lyrics finds perfect synergy with the textured instrumentation, making My Mind an experience of self-discovery as much as it is an indulgence in seraphic sonics.

As a follow-up to her debut single, Blue Moon, the sophomore release proves Verone’s trajectory is only going to pick up more momentum. Her ability to offer such an intimate glimpse into her world through a baroque yet accessible lens sets her apart in the contemporary pop landscape, marking My Mind as a moment of innovation rather than replication.

My Mind will be available to stream on all major platforms, including SoundCloud, on December 6th.

For more ways to listen and connect with the artist, visit Jessa Verone’s official website.

Review by Amelia Vandergast

JANAYAH – Sober: From the Bottom of the Bottle to Pop Supremacy

Artistry and addiction have been hand in toxic hand since the dawn of the music industry, yet few artists have been so candid about their relationship with the bottom of the bottle as JANAYAH in her latest single, Sober.

By revealing the myriad of reasons behind her desire to numb herself in the days of her misspent youth in the pop hit through her signature high-octane soul harmonies, JANAYAH exposed how the substance is rarely the problem for those struggling with addiction while acting as a conduit of consolation for anyone struggling to come to terms with their own tendency to hit the self-destruct button.

The balance of 80s pop aesthetics and pinches of contemporary pop ensures Sober stands as a timeless power pop ballad amongst the throwaway pop tracks which litter the airwaves.

As one of the most affecting icons of pop, the London-based artist is well on her way to scaling the charts with her ability to project pitch-perfect emotion through her vocal melodies while wearing her heart on her harmonies.

Sober was officially released on November 15th; stream the single on all major platforms, including Spotify, now.

Review by Amelia Vandergast

‘!! Stand’ by RoBB!EMAC: Reinventing Pop with Y2K Nostalgia and Emotional Cadence

The prolific pop prodigy, RoBB!EMAC, may have only made his official debut in 2023 with the drop of his LP, The Anecdotes of Mr. Songsmith, but he’s already delivered his fifth album, Howling at the Moon, proving that there’s no end to the flow of his creativity or his ability to find fresh alt-pop intersections to explore.

The standout single from his expansive 16-track anthology of pop-hooked vulnerability, ‘!! Stand’ kicks into rhythm through a melodic piano-driven prelude followed by a mash of pseudo-trap, Y2K nostalgia and the twang of alt-country pop; a synthesis which orchestrates a dreamy sense of reverie to drift within as you lock into the vocal cadence which sinks into synergy with the solid backbeats.

If anyone can bring back the trend of putting lighters in the air instead of iPhone cameras, it’s RoBB!EMAC, with his sound that leans into nostalgia while illuminating the path to the pop pantheon which is ready and waiting for his arrival.

RoBB!EMAC, the New Jersey-Hailing, Dallas-based innovator, is far from your average genre-fusionist; he’s mastered the art of ensuring every aesthetic at his disposal lends itself to the mood and meaning of his sound. In ‘!! Stand’, the singer-songwriter strips back all sense of pretence to outpour a vignette that assures the listener that, as we all make our way through the disillusionments of life, we’re all a work in progress, regardless of how perfect our facades appear to be.

Stream RoBB!EMAC’s Howling at the Moon LP on all major platforms, including Spotify.

Review by Amelia Vandergast

Melody Key: The Virtual Girl Group Taking Pop to Rapturous Heights – An Exclusive Interview

With infectious energy and a mission to uplift, Melody Key is redefining what it means to be a modern girl group. Formed virtually in 2022 by Katy “Kitty” Kunberger and Lashnate “Shanti” Johnson, the trio has already made waves with their viral TikTok videos, empowering anthems like Girls Rule, and a dynamic collaboration with UK rapper 0milicu0us. In this interview, they discuss their songwriting journey, their forthcoming debut EP, and their vision for spreading positivity in a pop landscape often focused on despair.

Melody Key, thanks for sitting down with us to discuss your discography and burgeoning pop career. We’d love to know what initially brought you together in 2022. 

Our girl group, Melody Key, was originally a virtual girl group that was founded on May 4, 2022, by me (Katy “Kitty” Kunberger and Lashnate “Shanti” Johnson). A couple of months earlier, I was posting an audition call for members who were interested in joining a girl group. However, I wanted to have a girl group since 2014 but kept it a secret but finally revealed it when I posted the audition call online.

Shanti was the third girl to audition for the girl group after two girls had told me that they could not stay nor continue with the girl group. Since then, we made songs and posted singing videos on social media. We have three members in Melody Key and hope to have one or two more members to make it a total of four or five members.

How does the songwriting and recording process play out between the two of you?

Shanti and I usually write original songs and all of us recorded songs on Bandlab. Bandlab is an app where we record our songs, even remotely. Although, we would like to meet together in person sometime next year whenever we are available to record songs at a studio.

How did it feel to go viral with your dance videos to your original music on TikTok? 

To be honest we felt very honored to have our TikTok videos go viral! It has been part of our dreams to have our TikTok videos go viral, let alone dancing to our original music.

How did you connect with the British rapper, 0milicu0us, for your official debut track, College Groove? 

We met 0milicu0us on Instagram last year! He discovered us and sent us a message requesting that he could rap in a song someday. We accepted his request to collaborate with our song, “College Groove” and then he recorded his rapping verse on Bandlab! We released the song this past January 12th!

Your latest single, Girls Rule, is an instantly iconic lo-fi hyper-pop anthem; what’s the story behind the single? 

The story behind “Girls Rule” is how girls could be anything they want to be, meaning girls could have professions that only boys had once upon a time. For instance, Mary Blair was a female animator back in the 1940s to early 1950s and she worked for Disney. It was not typical for women to be professional animators and often those who were employed took masculine names.

There’s an eclectic mash of aesthetics and genres in the mix, allowing the track to unravel as an infectiously upbeat celebration of feminine power; what do you hope your listeners take from it?

We hope that our listeners will be inspired by the positive message and the upbeat tempo of our songs. Our group has been somewhat dismayed by the numerous pop songs that focus on depressing themes of despair, We believe that life is full of joy and opportunity and we want to inspire young people, especially girls to seize opportunity and live life to the fullest.

Can you tell us a little about your upcoming debut EP? 

Our debut EP has six songs:

  1. Reach the Stars
  2. The Girls and I
  3. Take Me Back to the 90s
  4. Golden Age (Best Years)
  5. Lover Girl
  6. Bright

We do not exactly have a title for our debut EP but we are planning to release the EP this coming May. “Golden Age” is my personal favorite song, but “The Girls and I” will hopefully be our most popular song in our EP and we would like to have our own music video for the song, “The Girls and I”. The mock instrumentals are already made but needed their official remakes. This is our golden opportunity to travel to Los Angeles, California and meet up there in person in order to record our EP and do our music videos whenever we are available.

How does your forthcoming EP fit into your broader ambitions as an artist?

In our forthcoming EP, other members in Melody Key other than myself wrote some of our songs such as “Lover Girl” and “Reach the Stars”. Additionally, all six of our songs have different themes and stories behind them. “Reach the Stars”‘s theme is Zodiacs and Astrology. Whereas, “Golden Age”‘s story about how great and optimistic vintage culture is unlike modern-time media that can cause anxiety and melancholy.

Stream Melody Key on Spotify.

Follow the artist on TikTok.

Interview by Amelia Vandergast

The Music Architect unchained their originality in their alt-pop tour de force, MINE

The lead title track from The Music Architect’s double A-side release, MINE, pulsates with organic originality through a myriad of transgressions in aural aesthetics, making the earworm impossible to pigeonhole.

Attempting to scribe the artist’s sonic signature in words is no simple task; it’s all about the vibe; the vibe that allows you to sink into a seductively cinematic panorama of unfeigned emotion, painted with alt-electro pop motifs, rare lashings of funk flirtations, drips of disco, and the neon-lit synaesthesia of synthwave.

In a music landscape often saturated with formulaic compositions, The Music Architect blazes their own trail by favouring expression over commercial appeal yet manages to hit a home run in both ballparks. The palpable urgency in the vocal performance, which is as chameleonic as the instrumental arrangement, sweeps you up with the force of a riptide in its visceral embodiment of desire.

The 19-year-old New Zealand-based producer and artist has been crafting and releasing music since the age of 14. Their debut album, Depressed But Well Dressed, dropped on Spotify in 2022. Since then, they’ve explored a spectrum of genres—from the indie rock tones of Garden of Mind to the dance and RnB vibes of the 2023 album MetanoiaNow ephemerally nestled in the alt-pop arena with MINE, the Avant-Gardist is becoming increasingly harder to ignore.

Stream MINE on all major platforms, including Spotify.

Review by Amelia Vandergast