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The term ‘indie’ in the music industry has become so ambiguous it has practically become as subjective as the meaning of life. Whichever way it is defined, it is still a massive part of the music industry in the UK and across the globe.

Originally, indie referred to how an artist distributed their music. Over the decades, it became a catch-all term for artists sharing the same sonic off-kilter edge; and, of course, the same moody yet inexplicably cool aesthetic. Indie, as a genre, only came around as the result of experimental artists in the 70s wanting to bring a new sound to the airwaves; instead of solely hoping for commercial success after appeasing one of the major record labels.

Indie artists adopted punk ethos they started to push the boundaries of pop. Instead of commercialising their sound, they pushed it into post-punk, shoegaze, synthpop, Britpop, avant-garde, noise rock and dream pop arenas. For all that separates bands such as Sonic Youth, the Cure, The Smiths, The Stone Roses, Joy Division, Elliott Smith and Radiohead, there is still so much that ties them together, namely their attitudes and the loud discordant style.

Along with the bands, iconic venues such as the 100 Club in London, the Hacienda in Manchester, and King Tut’s Wah Wah Hut in Glasgow had a pivotal part to play in the traction of independent artists and music. New Indie labels, such as Rough Trade and Factory Records, were amongst the first record labels to truly embrace and encourage experimentalism and authenticity in the artists they scouted and signed – taking New Order and Joy Division as a prime example.

It may have been a while since there was an indie breakthrough act as successful as the Arctic Monkeys, but indie music has far from lost its resonance. Besides, Monkeys won over 42 awards and sold over 20 million records, so that’s going to take some beating, and they’re certainly not the only indie artists currently thriving.

The Welsh indie rock icons, the Manic Street Preachers, celebrated their first number 1 album in 23 years with the release of Ultra Vivid Lament in 2021. The Tarantino-Esque Liverpool outfit, Red Rum Club, released their debut album in 2019, and got to number 14 in the official album sales chart with their album, How to Steal the World, in 2021. Perhaps most impressively, the world’s first CryptoPunk rapper, Spottie Wifi, made just under $200k in album NFT sales in 90 seconds this year.

What You Gonna Do: PH Mazza cuts through the false heroes with ease on Fake Artists

Uniting art rock and glam rock references and self-producing every droplet of this eye-opening track made with revolutionary powers, PH Mazza sees through the false narratives that can break many dreams on Fake Artists.

PH Mazza aka Pedro Henrique Souza Boaventura is a classically trained Rio de Janeiro, Brazil-based indie alternative artist and music producer who has ravenous vampiric qualities to eat through anything which isn’t real.

If anyone has what it takes to dethrone Nick Cave, it is PH Mazza” – Amelia Vandergast

Delving deeper into an important topic which is often forgotten about or merely shrugged over, PH Mazza is an example for us all. Fearlessly opening up a sensitive topic which has the power to find out the real amongst the posers, Fake Artists is the honest letter we all need to open.

Fake Artists from Brazil-based indie alternative artist and music producer PH Mazza is a stunning single which should awaken many sleepy souls who haven’t noticed how counterfeit society has become. Performed with a heightened intensity which will stir many veins into feeling something actually meaningful, on a razor-sharp track to slice greedily into.

See the music video on YouTube.

Reviewed by Llewelyn Screen

Tom Seth Johnson projected adoration through indie rock anthemics in Anywhere in the World Right Now

If indie rock n roll has a soul, it resounds in the magnetic sincerity of the latest single, Anywhere in the World Right Now, from Oxford’s prodigal son, Tom Seth Johnson.

With only an edge of 90s Britpop, there’s plenty of room for an Americana tinge that poured in the same foot-stompin’ vein as The Black Keys. So many postcards get sent to Britpop, but Johnson put his own swaggering stamp on his. Especially, through the sweeter-than-sugar line, “I’ve finally found a reason to play my guitar, ‘cos usually I’m down in Dixies midnight bar”. I legitimately shed a tear.

The rock n roll lifestyle is subject to prolific glamourisation; Johnson put that toxicity to bed and wrapped it up in soulful anthemics to prove all the vacuous sex and drugs in the world can’t parallel the high of coming home when it is a person that defines home instead of four walls.

Anywhere in the World Right Now is now available to stream on Spotify.

Review by Amelia Vandergast

Timothy and the Apocalypse pushed the boundaries of apocalyptic perception with his ambient trip-hop LP, All Busted Up 

Since 2021, the Australian artist and producer Timothy and the Apocalypse has been taking over the ambient trip-hop scene; the cinematically lush layers in his downtempo discography soundtrack society as we cling to the precipice of our destruction. In his fourth album, All Busted Up, written between the dystopian motifs are memorandums of what it means to be human on the edge of blind capitalist collective masochism. 

After track one, Speed of Life, which mournfully ponders how much sand stands between our demise, inspired by the loss of his mother, the LP slams into the sexier than The Deftones groove-driven piece, The Reckoner. The angularly harbingering guitars and fervid breakbeats cloaked under reverb definitively prove that visceralism isn’t out of the producer’s remit. 

Track three, When You Dream, lays the barely lucid psychedelia on thick as the Lynchian soundscape drifts through its arrestingly jarring progressions that distort jazzy timbres and soul-soaked ethereal female vocals. In all sincerity, it is enough to make Portishead sound pedestrian.

Track four, Driving Me Crazy, lends itself well to the titular illusion; the dreamy descent into surrealism drifts through subversively glitchy progressions in the extended piece, which keeps you hooked into the artfully experimental beguile. If any soundscape on the LP will make a meal of your rhythmic pulses while vindicating your own insanity, it is this sonic gem. 

Track five, Saved, introduces some darker ambient industrial tones while still scribing the sonic signature that the preceding singles have allowed you to become accustomed to before Beautiful Chaos melodically exhibits the relenting capacity of awe in times of mass disillusion. With nuanced Eastern flavour worked into the kaleidoscopic rhythms, Timothy and The Apocalypse broke the monocultural mould to deliver his staunch fanbase from entropy.

Dreaming When You Hold Me could only be described as a leftfield electronica dream for the way the transcendence binds with the experimental gravitas permitted by the strobing synths, a sonic theme which continues through to track eight, Only You; the deliciously distorted soundscape is a meditation in tranquil obscurity. 

By closing the LP on Nothing Forever, Timothy and the Apocalypse sealed the album’s fate, allowing it to resonate as one of the most seminal ambient electronica records of the year. It’s the ultimate audial space for reflection on all the instrumental introspection that preceded it. If you want to push the boundaries of your apocalyptic perception, take a dive – you won’t regret it. 

All Busted Up will officially release on April 14th; catch it on Spotify & SoundCloud.

Review by Amelia Vandergast 

 

Show Me: Nick Pritchard is losing his mind on Baby One More Time

With a new version of the Britney Spears single from 1998, Nick Pritchard feels the tension and looks for the sign which will change everything on Baby One More Time.

Nick Pritchard is a 25-year-old British jazz singer who has emerged as one of the UK’s best-known swing musicians and has performed at some of the most prestigious venues in the world.

Nick is currently filming a Christmas movie alongside Tom Jones, Robbie Williams and Dame Shirley Bassey, in which he sings a solo number. He is looking forward to expanding his career in film and TV.” ~ Nick Pritchard

Educated at The University of Exeter, Nick Pritchard delights all listeners with his supreme vocal capabilities and powerfully impressive tone. He sings with meaning and leaves us in no doubt of his magnetically astute superpowers.

Baby One More Time by much-loved British jazz singer Nick Pritchard is a reminder of a song from the heydays that has been enhanced by a majestic creative at the top of his game. Pulsating with a likeable aura and sending shivers down our spine, we find a must-listen waiting for us to embrace.

Listen up on Spotify.

Reviewed by Llewelyn Screen

You don’t feel the Same: JXKR sends our emotions soaring on Stardust (feat. Dani)

Waiting for the moment when a 2nd epicentre connects with so naturally, JXKR wants so much more but senses that it will have to wait for another time on the stunning new single Stardust (feat. Dani).

JXKR is an Ottawa, Ontario-based indie Haitian-Canadian musician/producer who is currently working on the upcoming EP which will be released in the fall.

My goal is to work with local artists and be a part of the R&B industry in the community.” ~ JXKR

After the underground love given to the debut single Rendez-Vous in 2022, JXKR opens up our feelings for a 2nd time and goodness me, this is special. Vocally tranquil and with unpretentious lyrics about how complicated romance can be sometimes, we find a song to hold hands with when there might not be another sweet kiss.

Stardust (feat. Dani) from Haitian-Canadian musician/producer JXKR is a tale that so many of us have sadly felt before when more is wanted, in a relationship which promised no strings at first. Layed in beauty and soaring with a revealing look into the love life which could have had it all, this is a sterling display from a single with true meaning.

Sometimes, it’s just not meant to be if another heart isn’t quite ready.

Turn this up loud on Spotify.

Reviewed by Llewelyn Screen

Puts You At Ease: Bessie Deakin loves the freshness of the Magic Man

Inspired fully by Kate Bush and Stevie Nicks, Bessie Deakin enters our hearts in the best way imaginable with her sultry ways which are so genuinely sweet on Magic Man.

Bessie Deakin is a fast-rising London, UK-based indie jazz singer-songwriter and creative who performs with love so pure and caring.

Reenergized from her show at the legendary Troubadour on the 12th of April 2023, we are thrilled to the core by a sensational talent who is an angelic wonder in an often cruel world. Bessie Deakin is terrific here and projects her voice above the noise and seems to unwrap the plastic covering our lungs to let us breathe better again.

Magic Man from London, UK-based indie jazz singer-songwriter Bessie Deakin is an ear-warmer of note to ward off that unconscious, lonely romantic-less feeling. Sung with comforting energy which feels so good on our brittle bones, this is an angelic release from a kind soul who makes music to heal all weary spirits.

Listen up closer on SoundCloud.

Reviewed by Llewelyn Screen

The formidable queen of orchestral indie, Tabitha Booth, set a baroque score in her single, Silent Lucidity

Coming to you live from Cocoon Studios, Tabitha Booth set a baroque score in her evocatively artful cover of Queensrÿche’s hit 90s song, Silent Lucidity. The chamber strings carve through the indie artist’s neo-classic class, which effortlessly resonates through her Tori Amos-ESQUE vocal lines and the tension-fraught arrangements that stands as a testament to her ability to weave an intricate and picturesque narrative.

Amanda Palmer may be the ‘Girl Anachronism’, but Tabitha Booth established herself as the formidable queen of orchestral indie after unveiling the disquiet alchemy in Silent Lucidity. We are stoked to see her back on the airwaves after the reprieve that followed her 2020 single, Curiosity. Here’s to hoping that there’s plenty more poignantly pensive alchemy lingering in the pipeline.

The live recording of Silent Lucidity is now available to stream on Spotify.

Review by Amelia Vandergast

KASIA is spellbindingly subversive in her jazzy RnB pop single, Isn’t Love Strange

KASIA

With her hair-raising vocal lines pooling into the ethereal atmosphere of her latest indie alt-pop single that pulls in jazzy RnB motifs, KASIA is spellbinding in Isn’t Love Strange.

Love is lyrically depicted as many things, but strange is far from up there as one of the most common archetypes. Plateauing far above the tired tropes, KASIA tunes into the blurred lines of affection, alluding to how conflicting the transpiring emotions can be. Communicating how fear is often an uninvited guest on the honeymoon of new relationships, KASIA artfully illustrated how much we put on the line when we put our vulnerability in someone else’s hands.

If Isn’t Love Strange was the 1000th song the singer-songwriter had penned, you could colour us impressed; yet it was only the second song written by the natural-born songstress who effortlessly has what it takes to leave the airwaves at her command.

Isn’t Love Strange will officially release on April 17; catch it on on all major platforms.

Review by Amelia Vandergast

Found Dead: PhantomTex drops frosty-to-the-core chilly classic Cold (prod. Evasion2k)

https://soundcloud.com/phantom-tex/cold-prod-ev4sion2k-mastered-10?si=33d405b84b144535bb15e260ab1eda75&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Leading us into the warning and detailing the escape from hell, PhantomTex got a grip on life and asks for the world to join him on this hardcore journey through the corpses on Cold (prod. Evasion2k).

PhantomTex is a 25-year-old German indie underground rapper who thunders in with a sterling blend of intense music which will alert many to a better sound.

Tremendously assertive and propelling an ominous song into our brittle bones, PhantomTex slices through a massive single into our awaiting veins. This is must-listen stuff from a flourishing soul who does things his own way and shall remain away from the fake flash which tricks too many.

Cold (prod. Evasion2k) from German indie underground rapper PhantomTex is a heavy experience which might break windows and certainly crack some earlobes. Sizzling in with a bite like a lion and a shiver like a shadow, this is a mind-bending new track to mesmerize millions.

Lace-up the day on SoundCloud.

Reviewed by Llewelyn Screen

Washing Up: Stirred by Life drops stunning debut single Fallen

Washed up in the sea and looking to find the shore again to surge through the troubled waters, Stirred by Life sings with so much tenderness and strength which shall inspire many to find the extra step to live happier on Fallen.

Stirred by Life is a self-taught UK-based music creator who started with electronic creations and has since moved into an authentic pop blend served with innovative juices.

A very emotive song expressing fragility, anguish and shame when moving through very dark and challenging times. The delicate and moving acoustic guitar arrangement and vocals are supported by beautiful violin and orchestral arrangements as the emotions in the song grow stronger. Fallen will be the first track on a concept EP intended to take us on a touching journey from despair, through starting to trust in life again (2nd track), to celebrating newly found love (3rd track) and beyond (4th track).” ~ Stirred by Life

A debut to remember from Stirred by Life awaits all curious ears and eyes. With an incredibly thoughtful melody and vocals to marvel at, this is a special performance to treasure.

Fallen from the superb UK-based indie pop singer-songwriter Stirred by Life is a rather emotional song which has been made with delightful care and intrinsic strength. Showing us the way to finding a dry place to lift up again, this is a sure-fire heart-beating soundtrack to show us where the hope is.

Projected so beautifully and with genuine visuals to guide us through the cold, we find a wonderful debut.

Listen up on YouTube.

Reviewed by Llewelyn Screen