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Melancholia spills into the cosmos with Sub Caesar’s melodically progressive tech house cocktail Into the Oblast (When Will You Be Home) ft Brunetti

Posted on 4 November 2023

Some EDM anthems drop, others make a collision that will make an ever-lasting impression; Sub Caesar’s latest orchestration, Into the Oblast (When Will You Be Home) ft Brunetti, is luxe enough in meaningful momentum to scorch the airwaves on its arrival.

The dark and melancholic anthem, which is drenched in enough yearning and desperation for security and sanctity that it spills pensiveness into the cosmos, pulls together with a cohesion that makes it impossible not to surrender to the mellifluous instrumental layering and the searing soul in Brunetti’s glassy vocal lines. If her timbre sounds familiar, you may have heard her in her tracks featured on Netflix shows, including Selling Sunset, Love is Blind, and The Circle.

By exploring the most elemental trappings of melodic house & techno and progressive house, Sub Caesar produced an evocatively energising Tour De Force, which should necessitate the removal of the ‘sub’ affix from his moniker.

The independent Dutch producer, Sub Caesar, said:

“The inspiration for this track came from one of these heart-breaking clips of soldiers returning home, hugging their children. Amongst all the terrible news and images of war and war victims, his clip touched me deeply. A strong emotion is a good basis for music! The word ‘Oblast’ means region or province in Ukraine. In this track, it stands for any harm a loved one could be in while also being far away from home and the anxiety and special kind of longing that this causes. Having said that, yes, you can hear the actual Kiev air siren in there, pitched down a semitone to match the musical scale.”

Into the Oblast will officially be released on November 3rd; hear it on Spotify.

Review by Amelia Vandergast

The genre alchemist James Urquhart is set to unleash his progressively prodigious hit, The Tearz and the Pain

Posted on 4 November 2023

The genre alchemist and one of the top producers in the UK, James Urquhart, drifted through a melodic menagerie of style in his latest single, The Tearz and the Pain, which is locked, loaded, and ready to drop an atom bomb of ingenuity onto the airwaves.

With all the hooky body-rocking flavour of 90s boyband pop in the deliciously infectious vein of the hit that announced Backstreet’s Back after a mellow 80s RnB opening sequence that Seal fans will give the seal of approval, Tearz and the Pain reaches its high-octane peak in a euphoric intersection of drum n bass before winding the track right down again.

The progressive prodigy left us arrested with every aural transgression and convinced us that labels will be hammering down the door to his professional studio, which he uses to produce his and other people’s hits. Previously, his music has been distributed by Hed Kandi and Let There Be House; there’s no telling who will pick him up next.

Follow James Urquhart on SoundCloud and Instagram to be the first to know when The Tearz and the Pain drops; with the soul it sonically unleashes, it is more than worth the wait.

Review by Amelia Vandergast

Klary runs hedonistically hot in her EDM house anthem, Feel You

Posted on 29 October 2023

There’s only room for one supreme in London’s EDM scene; Klary dominated that space with the drop of her EDM house anthem, Feel You. Forget making a dancefloor move; Feel You is the kind of track that will inspire dancefloor inhabitants to MAKE the move.

With her siren-timbered vocal lines dripping luxe demure decadence over the ensnaring dark bass-drenched beats in the production, which pulls together meticulously well, knowing just when to intersect the euphoric swells and enticing drops, becoming anything less than infatuated with this track isn’t an option.

Since 2009, The Germany-born, Italy-raised artist has proven her determination to become one of the hottest names in the EDM scene. After a plethora of collaborative projects, she came into her own as a solo artist with the release of her debut single, Love Again, in 2021. For her latest release which lyrically and rhythmically locks into temptation and sin, she collaborated with the East-London producer and DJ Romello, who composed and penned the release, to a Grammy-worthy standard.

Feel You shook up the airwaves on October 20; use it to inject some fire into your Spotify playlists.

Review by Amelia Vandergast

Georgina White gave us a shot of Europop euphoria with her empowering anthem, Not Your Baby

Posted on 24 October 2023

Reminding us that it has been 24 years since the launch of Don’t Call Me Baby by the Australian house duo Madison Avenue, Georgina White’s latest floor-filling Tour De Force, Not Your Baby, is a groove-embellished anthem that strikes hammer blows of nostalgia with every bass-drenched beat in the exhilarant Europop hit.

With a little bit of disco and tropic funk flavours to drip vibrance into the tonal palette, Not Your Baby simultaneously feeds empowerment and euphoria as Georgina White powerfully projects the liberating lyrics which are the ultimate cure to breakup scorn. It is the perfect testament to the fact that there’s nothing sweeter than emotional freedom after letting go of the hands that have held you down.

Not Your Baby, produced by John Carr, is now available to stream on Spotify.

Review by Amelia Vandergast

Spotlight Feature: The Bermuda House Icon Korie Minors is Infectiously Euphoric in His Latest Hit, The Way We Used to Be, ft. JaySoulO

Posted on 20 October 2023

For his latest polished to the nth degree progressive Afro-house production, The Way We Used to Be, the Bermuda-born, internationally-raised DJ and producer Korie Minors collaborated with JaySoulO to deliver the ultimate hit of tropic indie pop reminiscence.

There are few things as bitter-sweet as taking a retrospective view of someone you never wanted to leave in the rearview mirror. The smooth crescendos in The Way We Used to Be, which runs with a flood of tenderly hued euphoria in the pulsating basslines and indie guitar hooks, will efficaciously take the edge off as the sun-bleached melodicism proves that even when love is lost, that’s no excuse to let optimism fade into obscurity. If you want to supplement your EDM playlists with sonic serotonin, you know where to turn.

Korie Minors said: 

“For The Way We Used to Be, I wanted to create something that exudes cross-over radio-ready appeal while never letting go of what makes my sound unique; the incorporation of my house influences and infusion of guitar melodies and afro percussion into a solid song structure enabled me to fulfil that goal.

The single communicates that sometimes you have to let relationships go for you to grow, regardless of how much it may hurt to make that decision and leave someone behind.”

Korie Minors started his DJ career in the UK while studying architecture, when taking his academic work to Istanbul and Hong Kong, he also shared his gift of making crowds move. In 2015, he became a full-time DJ in Bermuda and was voted Bermuda’s best DJ in 2019. When COVID put the brakes on his DJ career, he started to hone his production skills, which has seen him working with internationally revered artists and filmmakers and affiliated with brands, including Bacardi and Louis Vuitton.

The Way We Used to Be was officially released on September 22; stream it on Spotify.

Review by Amelia Vandergast

Riley Rex took her staunch fanbase to ‘The Shadowy Place’ in her hyper-pop Halloween floor-filler

Posted on 6 October 2023

The dance-pop icon Riley Rex asserted her claim to the LA pop crown with her infectiously flawless Halloween hit, The Shadowy Place. It may just be the biggest Halloween hit since Kernkraft 400 delivered Zombie Nation in 1999. It at least stands up to the debauched decadence in Emerge by Fischerspooner while incorporating the contemporary magnetism of Dua Lipa, Ava Max, and Charli XCX.

By contrasting the dark lyrical themes with the hypersonic textures and upbeat pace in the polished production, Rex extended euphoria to those who need it most with The Shadowy Place, which breaks EDM pop boundaries in definitively sensuous style.

The single, which was written while she was enrolled on a course with One Republic’s Ryan Tedder, is a narration of the escapist ideation which consumes you when you’re stuck in a pit of anxiety and depression. The bass-driven electro-pop hit may not have what it takes to cure mental illness, but you couldn’t ask for a more potent sonic serotonin source.

The Shadowy Place hit the airwaves on October 6; stream it on SoundCloud.

Review by Amelia Vandergast

Timothy and the Apocalypse took his listeners to alt-electro ‘Nirvana’ with his latest release

Posted on 15 September 2023

The Australian alt-electronica augmenter Timothy and the Apocalypse took his sound to new celestial heights with the release of his latest single, Nirvana; the merit of it is almost enough to dissipate the synonymousness between Kurt Cobain and the track title.

With the opening vocals resounding with a spiritually ceremonial timbre across the lush layers of reverb, the artist and producer set the bar transcendently high from the intro, and still managed to rise above it with the shoegazey dream-pop guitars which bring introduce the solid backbeat that affixes a strong gravitational pull to the ever-ascending melodic lines.

Midway through the track comes a euphoric uplift, which defies all expectations of Timothy and the Apocalypse. Since 2021, he’s held dominion over the ambient trip-hop scene and dominated the associated playlists. With Nirvana, he broke new ground by progressing his new release into a track that could fill a floor and rhythmically drive it into fervour. Amalgams of IDM and deep house don’t come much more electrifying than this.

Stream Nirvana and the THOLEMOD Remix, which hit the airwaves on September 8th via Spotify.

Review by Amelia Vandergast

Goshok explored the pleasure-pain parallel in his visceral EDM single, Reach You, ft Otto Palmborg

Posted on 3 September 2023

For his latest single, Reach You, the independent Czech music producer, DJ, and songwriter Goshok teamed up with Otto Palmborg to reach the pinnacle of electronica fervour.

Ironically, we couldn’t get his last single, On My Mind, off ours; if Reach You is anything to go by, his talents in infusing his momentous Kygo-inspired tracks with visceral emotions have become superlatively honed. Once you hit play, you’ll be immersed in a bitter-sweet hit that errs on the side of affectionate rapture. If you know how it feels to be caught in the middle of a relationship that forces you to explore the pleasure-pain parallel, the resonance in Reach You will be phenomenal.

By pulling in elements from across the EDM spectrum to enliven his tropical house edge and augment his pop hooks until they’re ensnaringly sharp, Goshok created a hit that could facilitate his dream to become the first producer from Czechia to feature on the line-ups at Tomorrowland, Coachella, and Balaton Sound.

Reach You hit the airwaves on August 25; stream it on Spotify.

Review by Amelia Vandergast

Gee Beanie spoke in fluent ‘Body Language’ in his Reggaetronic debut single.

Posted on 2 September 2023

The pan-African singer-songwriter Gee Beanie sent the sensuality in the EDM genre through the roof with his cultural tapestry of a Reggaetronic debut single, Body Language, which dropped on August 25.

With his soulfully smooth vocal lines adding a sultry veneer over kicking and vibrant house-meets-afro-pop beats that bolster the intricate indie staccato melodies, Body Language is intoxicating and arrests the rhythmic pulses as well as a track with such a title should.

His ability to infuse his laid-back attitude into an exhilarating yet intimately enticing production that could enliven any dancefloor is sure to seal his successful fate in the industry.

It isn’t every day that an artist who can revolutionise a genre comes around. Save a spot on your radar for the pioneering song crafter; we have no doubts that even bigger beats are in the pipeline, especially with the promise of his debut LP, Be My Alibi?, which will be released in Spring 2024.

Stream Body Language on Spotify.

Review by Amelia Vandergast

Wrap yourself up in nasir mf.’s latest exhilaratingly illusory single, twine

Posted on 31 August 2023

After contorting genres to his creative whim and distorting soundscapes beyond previously conceived limits while still maintaining exhilarating earworm appeal, the Brooklyn-based independent artist and DJ, nasir mf., arrived at the epiphany that music is as boundless as the artist orchestrating it. His latest single, twine, is the ultimate manifestation of his limitlessness.

By evading the hallmarks of the perfect pop track and arriving at a far more decadently illusory sonic place via his experimentalism, nasir mf. created a portal of hyper-surreal escapism with twine. The chiptune-EDM-pop amalgam twists with every progressive turn to ensure your senses are electrifyingly heightened while you’re experiencing the ambient melodicism evolve into hardstyle momentum.

This is far from the first time we’ve found ourselves obsessed about the Brooklyn icon’s ingenuity, and something tells us he’s got plenty left in the tank to arrest us with.

twine hit the airwaves on August 22; stream it on Spotify.

Review by Amelia Vandergast