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Top Music Blog & Promoters In The USA

Cormac is a conduit of pure poetic longing in his Broadway-esque cover of ‘Days Like These’

Cormac’s cover of ‘Days Like These’ sounds as though it has been simultaneously torn from a Broadway musical and a heart-wrenching 80s blockbuster. Adding to the dynamic appeal of the poetically meditative release are the tinges of alt-country, which wind their way into the scintillating production through guitars that wrap around Cormac’s arcanely pure harmonies.

As a conduit of poetic longing, there are few artists who can arrest your psyche with as much intimacy as Cormac. There’s also no escaping the festive nuances, made tangible through the twinkling glimmers in the single; it is as though the progressions are guided by a north star.

As the youngest singer ever to sign with the global label Decca four years ago, Cormac Thompson has continued to be one to watch. Having forged his path as an independent artist, he won ‘Artist of the Year’ (Young Adult) at Nashville’s Josie Music Awards in 2023, and he’s nominated again for 2024. Cormac has continued to enthral audiences, releasing two albums, amassing over 2.2 million Spotify streams, and racking up over 8 million views on YouTube.

Days Like These is now available to stream on all major streaming platforms, including Spotify

Review by Amelia Vandergast

Transcendent Discord: Ficus Unveils Psychedelic Alchemy in ‘Resonation Room’

Warp your rhythmic pulses with Ficus’ double A-side release, Resonation Room. After dialling the mystic beguile up to 11 with angular Eastern guitars, the title single unravels as a progressive hybrid of psychedelia and sludgy stoner rock that electrifies the senses with intense reverberations of distortion which swallow the heavy riffs.

Setting themselves apart from your average raconteurs of kaleidoscopic rancour the Michigan-hailing powerhouse wraps an aura of transcendence around the discordance, building an arcane monument of aural alchemy that any psych rock fans will want to kneel at the altar of. With harmonies which carry as much mysticism as the grooves and pockets of ambience in their instrumental arrangement, the Ficus effect is visceral on every conceivable level.

After touring with the likes of Levitation Room, Chirp, Desmond Jones, Triptides, Consider the Source and North by North, Ficus have become renowned for their live performances which light the way to tonal nirvana. Equally as entrancing on record, it is only a matter of time before Ficus is internationally recognised as a premier psych rock ensemble.

Resonation Room is now available to stream on Spotify.

Review by Amelia Vandergast

Honey Made stirred the spirit of soul with ‘Pass Me By’

Honey Made

Honey Made, hailing from Austin, has yet again lived up to their moniker with their latest single, ‘Pass Me By’. The track, which taps into the aura of retro soul with a fusion of silky smooth RnB, jazz and blues, is an aphrodisiac for the rhythmic pulses.

Drawing inspiration from legendary figures such as James Brown, Sly and the Family Stone, and Earth, Wind & Fire, Honey Made may revisit the past, but based on the creative synergy within Pass Me By, the only place this ensemble is going is forward.

The band’s connection to their RnB roots is evident in every note, offering an easy listening session that is both tantalisingly paced and deliciously seductive. With mellifluous melodies that the oceans could envy, slipping into the groove of this track is as effortless as it is inevitable. Honey Made distinguishes themselves as one of the few remaining RnB powerhouses capable of serenading the heart, mind, and soul with just their instrumental arrangements.

With the crescendo of the track which escalates with an intensity poised to leave a lasting impact paired with the graceful vocals, Pass Me By is nothing short of cinematic.

As an official 2022 SXSW showcasing artist and acclaimed as one of the best live bands in Austin, Honey Made has a reputation that precedes them. Their performances not only capture the raw energy of their music but also amplify their commitment to reviving and expanding the audience for classic soul sounds. Join their revolution of retro soul today.

Pass Me By was officially released on November 8th; stream the single on SoundCloud now.

Review by Amelia Vandergast

Turquoise Willie brought the Southern rock funk in ‘Gonna Make It Alright’

Turquoise Willie funked up Southern soul-rock in a way that sets them apart from every other vintage-toned entity gracing our speakers. ‘Gonna Make It Alright’ is a freewheeling escape into euphoria. With sonics to repair the soul, it’s hard to think of anything that this track couldn’t remedy.

From an intro that echoes the legendary vibes of the Stone Roses or Happy Mondays, the single explodes into a Southern soul-rock groove that’s nothing short of infectious. The track testifies to the power of feel-good rock ‘n’ roll, doing exactly what its title promises. Turquoise Willie riffs with an unholy amount of talent, aiming solely to deliver sonic serotonin to rock enthusiasts everywhere. Embed this timelessly gasoline-soaked hit in your playlists and say goodbye to your dark days for good.

Jason Young and Chris Schiltz, the dynamic duo behind Turquoise Willie, formed in 2015 after a long journey as studio and touring musicians, including stints with the legendary Steve Azar. They found their synergy in a shared passion for keeping vintage roots rock not just alive, but amplified. The result is music that reverberates across the vast expanse of roots music with unwavering authenticity.

Gonna Make It Alright was officially released on November 22; stream the single on all major platforms, including Spotify.

Review by Amelia Vandergast

Sylvie’s Songs & Bryon Harris stir the soul with strings and sympathy in their affecting folk symphony, Heart Break Like Mine

‘Heart Break Like Mine’ by Sylvie’s Songs feat. Bryon Harris enmeshes animal activism with affecting artistry. Dedicated to the 1.7 billion animals confined in factory farms each year, the single urges listeners to become more ethical consumers, and to part with their dollars through empathy.

From the first pull of the classical strings and the opening lyric, “I want your heart to break like mine,” the track makes no bones about pulling all the evocative punches. In the same vein as The Smiths’ ‘Meat is Murder’, this classical folk ballad grounds you in the atrocities we often turn a blind eye to; it’s an aching reminder of the suffering we perpetuate.

Sylvie, a highly accomplished musician and songwriter with a deep passion for folk and Americana music, brings her wealth of experience and accolades—including Gold Medals for Best Lyrics and Best Songwriting from the Global Music Awards—to this powerful piece. Her classical guitar training from the prestigious Hartt School of Music and the New England Conservatory shines through her intricate playing. Having performed at esteemed venues and festivals throughout New England, Sylvie’s dedication to her craft is unmistakable.

Bryon Harris complements the track with his emotive depth, exemplifying his commitment to using music as a medium for awareness and change. With a background in classical music, Harris adds a rich authenticity to the song. Now based in Austin, Texas, he is at the forefront of a new wave of protest music addressing issues like factory farming and climate change.

Together, they have crafted a fervent call to action and catapulted a catalyst for change onto the airwaves which demands your conscience.

The official lyric video for Heart Break Like Mine is now available to stream on YouTube.

Review by Amelia Vandergast

Unveiling ‘Dreams of Rodeo’: An Interview with Caleb X on Aspiration and Artistry

Caleb X, an emerging artist hailing from Atlanta, joins us to discuss his latest album, Dreams of Rodeo. Inspired by personal experiences and the influence of artists like Travis Scott, Caleb delves into the stories behind his music, the obstacles he overcame during its creation, and his growth as an artist. He opens up about emotionally charged tracks like “Quiet” and shares his perspective on balancing life’s challenges while staying true to his creative vision. We also explore his future projects and his passion for fashion. Read on to discover more about Caleb’s artistry and what the future holds for him.

Caleb X, thanks for sitting down with us again to discuss your latest album, Dreams of Rodeo. It clearly holds a lot of artistic merit and visceral emotion; what’s the story behind the album? 

The idea of the album name comes from me being a younger aspiring artist wanting to take it to the next level from Atlanta to the LA scene, but as I began working on the album, the meaning went from “Rodeo” being the place I wanted to be to me making it be anything I wanted in life whether it was making a better life for me & my family or having peace of mind with the creativity and making that my “Rodeo” no matter where I am at the moment.

I also grew into my artistry by studying artists like Travis Scott & his come-up from Days Before Rodeo really inspired the album when it comes to the drive & hunger he had to get where he is now. So I took that hunger & applied it to making the album. Out of that inspiration, it made me come up with songs like “90210!” As a homage to Trav song off “Rodeo”. After making that song everything else started flowing & the next thing I knew I had a good number of songs that coincided with each other which helped me come up with the sonic direction of the whole project.

What were the most challenging and rewarding aspects of writing and creating the album? 

I would have to say the most challenging was writing the outro “Quiet”. That song is a sensitive one for me to this day since I’m talking about a story about someone I actually know along with the story of someone very close to me dealing with alcoholism & I feel the responsibility of keeping everything together but it’s only so much I can do so I had to dig up the strength & vulnerability to talk about it on a record to just put it out to the universe as therapy for myself & anybody else that might be dealing with a similar situation.

Sometimes we just need a moment of quietness to tune out unnecessary things & focus on what’s really important. It’s hard for me to even listen to that song. Last time I cried was writing that song so it’s tough for real. But at the same time it’s rewarding because after making that song, the stress I had before went away & after letting my family hear it, things seemed to smooth out all from me just putting those words out there. The tongue is powerful for sure.

What is it like to hit roadblocks along the way while sitting on an album before its release? 

Roadblocks are my biggest enemy, it would seem. It was over 2 years since I dropped a new project or track, so I was really itching to release something, but I couldn’t because things just weren’t ready because I had other priorities, which caused a hold-up with the creative process.

I was supposed to drop the album in December of 2023, but life hit like an 18-wheeler. Instead of getting discouraged I just kept working at it & writing to different beats & tapped back into the studio to make even more music until I felt I was completely done with the album. Just happy I was able to drop this year after promising my supporters a new project this year. I can’t even stand the word roadblock I swear. I can’t lie, I also have some women problems going on when I’m deep into creating & I let it get in the way sometimes although it also gives me new things to talk about hahaha.

I always say life imitates art so it is what it is. Can’t be too mad at it. It comes with being creative, honestly. You have to roll with the punches, whether it’s life’s responsibilities or women. You just have to manoeuvre your way through it & use it to your advantage while being patient with the process.

How do you feel now it is out in the world? 

I feel like a big weight lifted off me once it was out. I felt more free than I’ve ever been. Especially after getting people’s feedback about how much they like the project & hearing what song is their favorite, it really caused me to appreciate every second that went into recording it & gave me an even clearer idea of what to do next.

I’m always searching for a new way of creating in the studio after dropping a project. It’s an addiction at this point. I may feel free after a release, but then after a while, I’m not satisfied anymore. Always trying to work on something even better. But again, I really appreciate the feedback & love that I have been getting so far. Can’t wait to see who else it reaches.

A lot of independent artists struggle with the pressure to stay on the perpetual hamster wheel of pushing out new content, is that something you can relate to now you’re writing new tracks while ensuring Dreams of Rodeo gets the attention it deserves? 

That’s for sure a true statement for most artists but with me, I don’t let the pressure affect my consistency because my creative flow is something that never goes flat. Once I’m knocking out songs, I can’t stop so I’m always sitting on some type of music, it’s just a matter of finding a way to release it in a strategic way for me that turns into a constant battle.

The music will always speak for itself if you put in the time & effort into it. Once one person rocks with it it’s going to be a whole wave of people that will love it so I don’t really feel the pressure of needing to flood music. I take it one project at a time & let the people spread it to others. Every new listener is hearing it for the first time so why flood music? Maybe that’s just me though.

Is your new track, Butterfly Effect a continuation or a departure from Dreams of Rodeo? 

It’s from the Dreams of Rodeo sessions. It was supposed to be the intro for the album but then the direction I wanted to go changed so it stayed in the vault until now. I’m done holding back songs I make so I wanted to give people a single before the year ends as a gift of appreciation for the continued support before I release more new music which will have a different sound than Dreams of Rodeo.

Are there any other ventures or projects in the works that your fans can look forward to? 

As most people know I’m big on fashion & even got my own clothing brand going so I plan on eventually being a full-time creative director in the fashion lane which coincides with music so I’m looking forward to how far I go in that lane but until then I’m in the early stages of starting a new project titled “Still Shining”.

It’s a sequel to the first project I released titled “Shine”. It’s something that I can’t wait to bring to life & shift my sound once again. I just love trying new things & proving to myself I’m really like that. So much is in the works for my supporters from the music to music visuals to the fashion. It’s all on the way.

Stream Dreams of Rodeo on Spotify now.

Interview by Amelia Vandergast

Music Video Review: Alana Monteiro’s RnB pop aesthetic in ‘High’ is a lesson in Voguish seduction

Three weeks after releasing the official music video for her first hit single, High, the NYC singer-songwriter, world-renowned supermodel, writer and actress Alana Monteiro. shot past the 1 million stream mark, creating a new addiction to her sound that harnesses more style than a copy of Harper’s Bazaar.

The cinematically shot 4k official music video is an extension of the sleek sophistication which envelops the track, establishing Alana Monteiro as so much more than just a serious contender in the RnB pop scene, but an icon in the making of her own Vogueish image. Blazing in no one but her own trail, Alana Monteiro’s scintillatingly seraphic sonic signature knows nothing of assimilation, it scribes nothing but the Alana Monteiro aura which is taking the industry by storm.

With the outtakes following the final note of the track, the growing army of Alana Monteiro fans get a glimpse of the girl next door behind the glamorous façade, giving the seductively aphrodisiacal sonics even more relatable weight.

High was officially released on November 1st; stream the official music video on YouTube now.

Review by Amelia Vandergast

FRNZY reverberates apathy through his wavy alt RnB release, you don’t excite me

FRNZY’s seminal alt-RnB single, you don’t excite me, marks a stratospheric stride forward for the genre, deftly weaving soulfully tender melodies with the stark contrast of its titular message. Instead of aiming to run in parallel with contemporary icons in the vein of Frank Ocean and The Weeknd, the independent artist overtakes predecessors, driven by daring his daring sense of authentic modernity.

The subtle autotune doesn’t mask the raw sentiment at the heart of the track as they bleed into the wavy atmosphere of you don’t excite me. Instead, the vocal treatment breeds a succinct synergy, amplifying the seamlessness of the progressions that will linger with you long after the outro.

The production layers lush textures that invite listeners into the catharsis of the release, showcasing FRNZY’s knack for balancing emotional depth with cutting-edge soundscapes. The track is the perfect introduction to the artist, who is clearly destined to shape the future contours of RnB.

FRNZY released you don’t excite me on November 15; stream the single on YouTube now.

Review by Amelia Vandergast

From Bronx Streets to Beats: An Interview with Sapuis

Sapuis, the Bronx-born artist known for his introspective lyrics and innovative production style, joins us at A&R Factory to uncover his creative origins and the evolving narrative of his sound. Sapuis discusses how the challenging environment of his upbringing wasn’t just a backdrop but a vital component in sparking his artistic flame. Throughout the interview, we explore the profound personal and cultural influences that shape his music, his straightforward approach to his artistry, and his aspirations to make a lasting impact on the music landscape.

Sapuis, welcome to A&R Factory! Thanks for sitting down with us to discuss your artistic origin story, identity, and where you’re heading with your sound. Was it easy to ignite your creative spark in the Bronx?

Hell Yeah! In the South Bronx, your only option is to get creative. Whether it’s the meal you make out of what’s in the house, the outfit you put together to not get your ass cut, or even coming up on some money you gotta get creative.

Look, all the way back to the music of hip hop, rap and its culture were birthed from the creativity Bronxites had. They used that creativity to escape hell on earth, through song and dance. You gotta get creative or you will end up dead in the Bronx, so waking up is the ignition. Whenever I’m in a creative rut I can just think of the Bronx; the good, the bad, and the ugly which I came from.

You’ve made a name for yourself with your introspective lyrics, genre-bending, and signature production style; which artists have had the most profound influences on your sonic fingerprint?

My sonic fingerprint is influenced by me.

How do you feel after introspectively pouring your heart and soul into your tracks? 

I feel relieved because I got to pour that out. Going back to naming the Album “Before I Die” you can now better understand the title. (which is entendre in itself) I had to get that all out before I die, too many people never get the chance to do something like this. Others are found after death, but not me I made sure this was released on my terms.

Which aspect of writing and production came easiest, and which did you have to work hard to hone?

The writing comes the easiest since my music is about my life, mixing and mastering was difficult at first. Anything you work on gets easier tho. I’m gonna be good no GREAT regardless.

You’re clearly determined to forge your own way through the hip-hop landscape and blaze your own trail; what are the main factors that are pushing you forward and putting momentum into your career? 

Coming from the South Bronx, Fox Street. Pushes me forward. Using that as the foundation of anything I do… gives me the momentum to complete, accomplish, and systemize anything I fucking want.

You’ve recently released your sophomore LP, Before I Die; what’s the story behind the album and how does it align with your broader career goals? 

This album came off the heels of completing the second year of my “song a week” campaign. Midway through that journey I noticed that there wasn’t a body of work to show the work I am putting in. So I needed to put this out. I have some goals in my career to release albums that change music history and this is the start of that.

If you had to elevator pitch Before I Die, how would you sell it? 

Listen to my album Before I Die.

What’s next for Sapuis?

I’m trying to go on tour so if u seeing this book me rn. I’ll take care of the logistics no matter where it is on Earth.

Stream Sapuis’ Before I Die LP on Spotify now.

Interview by Amelia Vandergast

JC Call lit up the airwaves with the neon RnB synthpop grooves in his single, confident

San Diego’s own JC Call is defining his space in the pop landscape with his fusions of synth-pop and RnB. At 19, the self-taught artist is already a force in music production, having immersed himself in EQs since he was just 12, making his latest track, all the more of an impressive feat.

‘confident’ is as much a manifesto of personal resilience as it is a musical innovation. With strobing neon synths and kinetic grooves, the track demands physical and emotional movement, tapping directly into the listener’s rhythmic pulses. His vivid blend of modernised synth-pop and soul-stirring R&B is both canvas and narrative, painting a vivid tableau of introspective vulnerability.

His voice, an instrument wielded with the precision of a seasoned storyteller, navigates through the emotional core of the track which reflects the desire for emotional safety, resonating with universal truth and echoing the sentiments of anyone who has faced turmoil in this tumultuous world while seeking sanctuary within an external soul.

As JC Call prepares to unveil his debut album by the year’s end, ‘confident’ stands as a bold prelude to his journey.

confident was officially released on November 13; check out the single on all major streaming platforms, including Apple Music and YouTube.

Review by Amelia Vandergast