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New York

Find out why the city never sleeps in snailosaur’s indie rock vignette, Apartment Boxes (nyc poem)

Forget what you know about New York from the over-romanticised depictions and acquaint yourself with the true nature of the cityscape, which juxtaposes grit and grime with the monolithic architecture and the egregious egos of Wall Street wolves. snailosaur’s standout single, ‘Apartment Boxes (nyc poem)’, taken from their indie rock LP, Talk Therapy, paints a fond vignette of the infamous city over the luminous tonality of their angular guitar lines, which weave elements of new wave into the nostalgia-kissed release.

While the upbeat melodies embed the single with a light and dreamy air as they cruise through the Pavement-esque progressions, the vocals act in contrast with their nonchalant drawls, adding depth to the track as they allude to the sins and cultural salvation of the city that never sleeps – and now, thanks to snailosaur, we know why; the working class are confined to coffins as they live and breathe. Yet, suffocation is a small price to pay to walk the streets that become portals in time, if you know which avenues to take.

Apartment Boxes (nyc poem) is now available to stream on Spotify.

Review by Amelia Vandergast

Ilustrado painted in love’s luminous tones in his latest soul single, Incognito

Illustrado became a conduit of soul as he tapped into the tendency of cupid’s arrows to bathe your world in luminous colour in his latest release, Incognito; every note resonates with the genre’s rich heritage. Slip into the single and find yourself in a world where gratitude is as tangible as the air you breathe and the coffee which slips past your lips.

Incognito is a masterful blend of classic soul and contemporary flair; Illustrado’s roots in opera and musical theatre shine through, lending a unique depth and sophistication to the track which subtly evolves by bringing in staccato guitar chords, reminiscent of Nile Rodgers’ iconic funk, to create a rhythm that pulsates with life. By the time the outro rolls around, the vocal harmonies reach skyward to touch the sweet spot and lift the listener to new emotional heights.

Even though the world may be more divided than ever, this personal narrative speaks to the universally transformative power of love and inspiration, resonating across borders and cultures. As Illustrado continues to chart his course in the realms of rock, soul, and dance, one thing is certain: his future is as bright as the melodies he crafts.

Stream Incognito on Spotify.

Review by Amelia Vandergast

Kaiza used sophistication as a vulnerable mode of volition in her cinematic pop hit, Dead or Alive

Kaiza’s latest single, Dead or Alive, is a striking testament to her evolving artistry in the realm of cinematic pop. Following the success of Girl in Red, which garnered over 160k streams on Spotify, this new release is a narrative woven with the threads of raw emotion and musical sophistication; prepare to be ensnared by the vulnerable mode of volition.

Kaiza, a classically trained pianist and vocalist, who once graced the prestigious stage of Carnegie Hall, brings a depth to her music that is both rare and enchanting. Dead or Alive is a showcase of her songwriting prowess, where each note and lyric is meticulously crafted to resonate with maximum impact. The harmonies in this track do not just play; they linger in the melodic air, creating an atmosphere that is elevated, but not to such a degree that inhibits accessibility. Expect to be hanging off every word as the track finds a unique middle ground between the artfulness of Tori Amos and the indomitable spirit of Lady Gaga.

As you crank up the volume, Dead or Alive envelops you in its world and prickles the skin with the presence of goosebumps; a physical manifestation of the song’s emotional depth. Kaiza’s belief in living a life full of stories worth telling is palpable in her lyrics, each line a brushstroke in a larger, more vivid picture.

Stream Dead or Alive on all major streaming platforms including Spotify.

Review by Amelia Vandergast

Todd Michael Chapman’s latest melodic rock hit, Mesmerized, is enlivened through heart-on-riff soul appeal.

Romance isn’t dead; it was raucously revived through Todd Michael Chapman’s latest single, Mesmerized, which gives all the heart-in-throat electricity of Aerosmith’s I Don’t Want to Miss a Thing while channelling a fervid authenticity that stays true to the singer-songwriter’s rustbelt inspired melodic rock edge.

The confessional lyricism narrated through the strident vocal lines that will stir your soul as the bluesy rock hooks feed infectious appeal in the sublimely produced record ensured that the New York-born and-raised raconteur delivered a timeless hit that will resonate through the ages. With a touch of R.E.M.’s college radio rock nostalgic appeal laced with Chapman’s ability to make the old feel brand new, Mesmerized will leave you exactly what it says on the tin.

After hearing it once, I know it will be a sonic landscape I return to time and time again to be enlivened by the uninhibited heart-on-riff soul appeal.

Mesmerized was officially released on January 5th; stream it on Spotify.

Review by Amelia Vandergast

Leah Nawy has unleashed her iconic indie pop rock playlist staple, Friend of Mine

We’ve been obsessed with the NYC pop rock pioneer Leah Nawy ever since sinking into her lusciously groove-pocketed debut single, NUISANCE, which has racked up over 46k streams on Spotify alone since its release in 2023. In the opening verses of her sophomore single, Friend of Mine, the singer-songwriter, producer, and multi-instrumentalist exhibited a softer and more vulnerable side in her confessional release which alludes to how opening yourself up to people is only priming for the scars that will be left when you inevitably part ways.

When there’s little to separate realism and pessimism after life experiences have taught you that optimism is the outlook of the naïve, sentiments which unravel with the same pensive sting as the lyrics in Friend of Mine are inevitable. Yet, by the time the track reaches the midway mark, it transcends into a soulful power ballad before metamorphosising into an indie rock anthem for the disenfranchised but tenacious despite the bruises masses.

By bursting the bubblegum pop bubble with spikes of cultivated indie rock, the melancholy within Friend of Mine adopted a brand-new ferocity as an attestation to how you can reflect on your shortcomings without falling into a trap of self-pity. With a voice as indomitable as Lady Gaga fused with a cutting-edge indie pop rock signature sound, she’s a rare artist whose work merits her being referred to as an icon. We can’t wait to hear what follows.

Friend of Mine was officially released on December 22. Stream it on Spotify.

Review by Amelia Vandergast

Horizons lose all meaning in the ennui of Hello London’s indie rock reinvention of pop-punk, Garden

Patterns by Hello London

How infectious can melancholy be? Hit play on the latest standout single, Garden, from the Buffalo-hailing indie songwriter Hello London (James Froese) and feel the earworm burying into your psyche.

Embodying the same lamenting energy that made I Miss You by Blink-182 a cult phenomenon while experimenting with a fusion of pop punk, power pop, jangle pop and 00s indie ensured that Garden is a modernised sonic sign of the disenfranchised times.

As we all mourn that the landscapes of our lives appear the same but no longer bring us the same sense of meaning, we can all find ourselves in the resonance of the work of the solo artist, who has remained prolific since his 2021 debut.

3 EPs, an LP and a series of shows across the Northeast opening for the likes of Crimson Riot, Sincere Engineer and Covey down, the only way is up for Hello London and his command over nostalgically reinvented melodic lines. With a new LP in the works and ready for release in 2024, everyone who never fully grew out of their emo phase will want to save a space for Hello London on their radar.

Garden is now available to stream and purchase on Bandcamp as part of the Patterns EP.

Review by Amelia Vandergast

igor fused rhythmic ferocity and tender vulnerability in his alt-rock hit, My Own Way

Self-reservation cascaded away when igor stridently proclaimed, “The rumors are true – I just went insane”, in the opening lyric of his latest strident and evocatively raw single, My Own Way.

If people still held their lighters in the air, there are few better calls for an inferno of flame than this reclamation of the 00s alt-rock sound. After a short and sweet prelude, which could easily have given way to a Springsteen anthem, pop-punk signatures sink their teeth into the anthemic production that takes you on a cataclysmic ride through a confessional vignette of how much we give away to meet the expectations of someone that was inching away from us the entire time.

With guitar hooks as viscerally sharp as My Chemical Romance’s under igor’s engrossingly distinctive vocal lines, which refuse to forego authenticity for assimilation, My Own Way is a testament to the Ukraine-born, Russia-raised, NY-residing singer-songwriter and his determination to wear his heart on his sleeve.

While earworms that delve deep into scarred psyches to expose the commonalities of agony are a rarity, igor achieved all of that and more in the symbiosis of rhythmic ferocity and tender vulnerability in My Own Way.

My Own Way was officially released on December 1st; stream it on Spotify.

Review by Amelia Vandergast

Abeni embarked on a soulful journey between past and present with her seminal single, Better Days

Abeni tapped into the collective distaste for the present through the heartfelt expression in her single, Better Days, from the debut EP, Lesson Learned. The track is a poignant narrative that encapsulates the essence of nostalgia, introspection, and the deeply human tendency to yearn for days gone by.

Abeni, whose journey from a shy, music-averse child to a multifaceted artist, infuses Better Days with a depth that is both personal and universally relatable. The song is a lament on the present, a reflection of fear towards an uncertain future, and a longing to recapture the bliss of the past.

Sonically, Better Days is a masterful blend of genres. Abeni’s background, spanning from classical to jazz and pop, is evident in the way she weaves these influences into a soulful tapestry. The track is underpinned by grooves reminiscent of 90s R&B, yet it feels utterly contemporary. Her voice, rich and emotive, acts as a guiding light through the layers of sound, ensuring that the listener feels every ounce of the song’s emotional weight.

The song traverses the personal and the universal, touching on the collective desire to find solace in the past as we navigate an often-tumultuous present. It’s a testament to her skill as a songwriter and her sensitivity as an artist.

Abeni Mason-Draffen is not just a singer; she’s a storyteller, and her stories need to be heard. As she continues on her musical journey, one thing is certain: the future is bright for this talented artist.

Stream Abeni’s debut EP on Spotify now.

Review by Amelia Vandergast

Robert John Hanson is affectingly arcane in his latest single, Blown Away, ft Stephanie Lottridge

Tissues at the ready for Robert John Hanson’s new single, Blown Away, which melodically unravels as a poignant and intricately crafted piece that resonates with depth of emotion and musical sophistication.

Born in the same city that birthed The Beatles, Hanson’s British roots are palpable in this track, which is tinged with the intimate storytelling reminiscent of Cat Stevens’ Father and Son and magnetised by the melodic allure of ABBA, all wrapped in an 80s-inspired production. Blown Away is a masterful blend of influences, carrying the arcane charm of Fleetwood Mac while maintaining a unique identity.

The mournful thematic elements of the song are delivered with a raw honesty that strikes a chord with the listener. Stephanie Lottridge’s rich and emotive vocals weave through the melody, capturing the melancholy and introspection of the lyrics which contend with the loss of dreams and monotony of reality. This depth is a hallmark of Hanson’s work, as seen in his previous album, The Bitter Suite, and continues to be a compelling aspect of his music.

As we anticipate his upcoming album, Sessions, this single stands as a powerful preview of what’s to come from the talented artist.

Blown Away breezed onto the airwaves on the 20th of October. Stream it on Spotify.

Review by Amelia Vandergast

Tim Miscavage ethereally distorted grungy indie rock in his latest standout single, All the Work

Tim Miscavage’s latest single, All the Work, is an intoxicating foray into the realm of introspective rock, where Miscavage not only writes and performs every element but also infuses his music with a raw, authentic energy.

The single begins with a hauntingly ethereal distortion which brings swathes of quiescence to Korn’s iconic Freak on a Leash basslines. However, Miscavage takes this inspiration and transforms it, weaving ambience and contemplation into the song’s fabric. The result is a piece that is both reflective and lamenting, yet undeniably gripping.

What sets All the Work apart is its ability to gently persuade the listener, drawing them into its depths without overwhelming force. This subtlety is the antithesis of the rock tracks that have evidently inspired Miscavage, yet it’s this very contrast that makes the song so affecting. The track doesn’t just play; it breathes and evolves, taking the listener through its layered composition.

His vocals, too, are a standout feature. They convey a sense of earnestness and vulnerability that is rare in today’s music scene, further enhancing the introspective nature of the track. The production is equally commendable. It strikes a perfect balance between clarity and distortion, allowing each element to be appreciated without losing the raw, unpolished edge that gives the track its character.

All the Work was officially released on December 5th; stream it on SoundCloud.

Review by Amelia Vandergast