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New York

FLIPPIN’ GOTHIC FABP unleashed urban surrealism with ‘JUST HOW OPEN MIC’

FLIPPIN’ GOTHIC FABP’s latest single, ‘JUST HOW OPEN MIC‘, is a feat of unorthodox brilliance. Hailing from, New York, this artist, formerly known as Fabp aka Fabpz the Freelancer, makes a habit of defying convention by merging the gritty essence of urban life with surreal, almost otherworldly dimensions.

The track is an audacious leap into the avant-garde, where spacey, experimental beats collide with a hypnotic rap cadence. FLIPPIN’ GOTHIC FABP’s lyrical prowess is akin to a cosmic navigator, guiding listeners through a sci-fi cinematic universe, yet firmly rooted in the raw, undiluted essence that has been his hallmark. His voice, a blend of rhythmic precision and melodic undertones, weaves through the beats with an almost ethereal quality.

This is not your typical hip-hop fare. ‘JUST HOW OPEN MIC’ challenges the listener, demanding attention and contemplation. It’s a bold statement from an artist who has worked over 2,000 tracks into his discography; a testament to his relentless creativity and dedication to his craft.

Watch the official music video for JUST HOW OPEN MIC by heading over to YouTube.

Review by Amelia Vandergast

Isla de Luca redefined the femme fatale archetype in her provocatively liberating alt-pop hit, I Already Am One

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Isla de Luca riotously fucked the gender binary with the launch of her debut alt-pop single, I Already Am One. With the rock licks augmenting the pop hooks and injecting them with adrenaline, the NYC icon staked a serious claim in the pop domain. After ensnaring just about everyone who crosses her on TikTok and Instagram, she’s more than ready to demurely dominate the airwaves with her scintillating synthesis of electronica, pop and rock.

While trad wives are falling over themselves to appease the male gaze as their sole aim in life, Isla de Luca has asserted herself as an indomitable queer pop icon with the refrain “I don’t need a rich man, I already am one”. It’s a subversive twist to die for and to live for. Through her mission to rip up the exploitative tropes around desire and empower others to embrace their provocative power, she stands just as tall as Kathleen Hanna in the feminist landscape.

If you thought femme fatales were all about seduction, feel the vindication cascading from Isla de Luca’s flawlessly electrifying vocal lines and realise the liberation of living as the archetype in their villain era.

For fans of MARINA, Paramore and Sophie, this single isn’t one you want to sleep on.

I Already Am One will be available to stream from February 16. Stream it and follow Isla de Luca on all major platforms via this link.

Review by Amelia Vandergast

We Were Blank – Blame: The Emo Antidote to the Influx of Valentine’s Day Sonic Banality

Every Valentine’s Day sees a flood of trite sentiments cloyingly affix themselves to the airwaves; if you’re looking for a scathingly antithetical antidote, look no further than We Were Blank’s latest installation of pop-punk rancour, Blame.

With hints of Tom DeLonge in the vox before they burst into Rise Against-reminiscent outpours of visceralism, Blame ticks all the right vocal emo boxes as We Were Blank throws a barrage of aggravated instrumental curveballs to keep you on the edge of your proverbial seat (or in the middle of the pit if you’re catching them live). And what emo hit would be complete without a slam poetry elucidation that captures the essence of the single towards the outro to make you want to relive the experience and make your heart rise to your throat again?

The Craigslist-born, basement in Buffalo-raised fourpiece banded together with the ethos of writing with their heartstrings and letting their bodies visualise the torment; Blame is the ultimate testament to their vulnerable expressionism. They’ve got the precision, the volition, and the unflinching dedication to raw lyrical candour to hold dominion over the emo domain in 2024.

Blame will be available to stream on all major streaming platforms from February 14th; check it out on all major platforms via this link.

Review by Amelia Vandergast

Ana & Gene scribed a modern love story with retro tones in their power-pop hit, Narcissistic You

Ana & Gene, the dynamic duo behind the fresh and invigorating EP, Uh-Oh Who Do You Love, have struck gold with their single Narcissistic You. The earworm is an infectious paradox through its synthesis of sticky-sweet retro power-pop and modern fusionist and lyrical touches.

The song is a masterclass in blending genres, contorting classic rock riffs into pop hooks without losing an ounce of their retro charm. Ana & Gene’s commitment to live elements in their recording process shines through, promising an electric replication of this energy in their live performances.

What sets ‘Narcissistic You’ apart is its playful yet piercing commentary on the modern lexicon and societal shifts. The lyrics cleverly weave in the increasing awareness of narcissism, striking a chord with contemporary listeners. The dual harmonies between Anastacia Bella and Gene Roberts are nothing short of magnetic. Their voices intertwine with a natural chemistry, elevating the song’s playful, tongue-in-cheek nature.

The track is a testament to Ana & Gene’s ability to craft music that appeals across generations. Their aim to reach audiences through radio, TV, commercials, film, and social media is not just ambitious but achievable with such a universally appealing sound.

Stream Narcissistic You with the rest of Ana & Gene’s 4-track EP, Uh-Oh Who Do You Love on Spotify.

Review by Amelia Vandergast

NY’s Cindy Rees turned on the ‘Effervescent Light’ in her latest EDM pop release

Cindy Rees’ standout single, ‘Effervescent Light’, is a vibrant testament to the power of healing in music. Clocking in at just under two minutes, this New York-based singer and dancer turns every second into a pulsating celebration of sound and spirit. Rees, who found her voice in the bustling cityscape of NYC, channelled her passion for dance and songwriting into a track that radiates positivity and energy.

The song is a kaleidoscope of genres, seamlessly blending elements of trance and house with pop sensibilities. It’s a bold move, but Rees navigates this eclectic mix with the ease of a seasoned artist. The beats are snappy, creating a rhythmic pulse that forms the backbone of the track. It’s this foundation that allows the rest of the musical elements to shine.

Rees’ Bollywood-esque vocal range is nothing short of phenomenal as she harmonises over the commanding bass-swathed beats. Her voice doesn’t just traverse different pitches; it explores a spectrum of emotions.

With some honing to her production style, she has some serious promise in the music industry.

Effervescent Light was officially released on January 5th; stream the single on SoundCloud.

Review by Amelia Vandergast

Rosso Rosso echoed the paradox of euphoria and ennui through their tender Tour De Force, Niamh

The Brooklyn-based fourpiece, Rosso Rosso’s discography could only be described as mercurially eclectic. When they’re not extending the legacy of NY punk, they’re enchanting the airwaves with their sticky-sweet evocations of melodic classic rock and conjuring aurally affecting alchemy in the same vein of the Kinks, Big Star, and ELO.

With their latest release, Niamh, the band that has been honing its sound as a collective since 2022, debuted a release that will tie your heartstrings in knots while allowing your soul to transcend with the endlessly ascending melodies that will be a hit with fans of the Beatles, Grandaddy and Elliott Smith alike.

With multi-layered vocal harmonies which give the Beach Boys a run for their money and lyricism that proves how deeply Rosso Rosso delves into the phenomena they explore, Niamh is a tender Tour De Force that will pull you back and forth between the brink of tears and the cusp of euphoria.

With the promise of more releases to follow in 2024, Rosso Rosso is more than worth a spot on your radar. Even if they can manipulate your emotions as efficaciously as a Patrick Bateman-esque narcissist.

Niamh is now available to stream on Spotify.

Review by Amelia Vandergast

IGOR created a harmonic ode to connection with Alana Diaz in his pop-rock ballad, In This City

The Ukrainian-born, NY-hailing pop-rock chameleonic enigma IGOR closed 2023 with a pop-punk hit that viscerally advocated autonomy. Instead of starting 2024 with a bang, he exhibited the softer side of his talent by unleashing the pop-rock piano ballad, In This City, which sees his evocative range amplified through harmonies shared with Alana Diaz.

Atop the minor piano keys and gentle string crescendos, a panoramic narrative unfolds, inviting you into a world of unfaltering connection. The sense of security depicted in the narrative synchronously painted between IGOR and Diaz as they portray two lonely figures in an inhospitable city is profound enough to deliver consolation to anyone who traverses our imperfectly isolating earth without someone to dispel the disconnection. Woven into the ornately strident release is the affirmation that blood doesn’t always run thicker than water; you can find your family in the soul of whoever is capable of salving the ache of alienation.

In This City was officially released on January 19th; stream the single on Spotify.

Review by Amelia Vandergast

Ceaser Live Soul – Never Enough: A Hip-Hop Symphony of Tenacity and Soul

Pivot by Ceaser Live Soul

Ceaser Live Soul, hailing from Brooklyn, NY, didn’t stop at loading his latest single, Never Enough, with a series of mic drops. With the hit from his eagerly anticipated Pivot EP, he detonated lyrical dynamite while affirming that just because the next goalpost always seems greener, that doesn’t mean you will be any happier when you reach it.

The urban cautionary tale, versed through superlative lyrical dexterity, is a pathway through the labyrinth of contemporary hip-hop with 70s soul acting as a guide and unflinching intersections of 90s hip-hop bringing the momentum. Each syllable in Ceaser’s flow is felt as it dances over the soulful beat, bringing his poignant wordplay to life.

The refrain, “You can have it all but it’s never enough”, is more than a catchy hook; it’s the heartbeat of the song. It encapsulates Ceaser’s relentless pursuit of greatness, his unwavering tenacity, and the paradox of success – the constant yearning for more, even when you’ve seemingly reached the pinnacle. This theme resonates deeply, especially for those familiar with the relentless hustle of urban life.

Adding to the track’s allure is the soulfully strident backing vocals by Caribbean Pop sensation Hovlaine. Her voice adds a layer of depth and emotion, elevating the song to new heights. The collaboration is seamless, a testament to Ceaser’s skill as a producer and artist.

Stream and purchase the radio edit of Never Enough via Bandcamp.

Review by Amelia Vandergast

Embrace the Chaos of the Soul with Wayne Wei’s Instant RnB Classic, Out of Control

Wayne Wei’s single Out of Control is a timelessly engrossing neo-pop masterpiece. With its staccato chords that luminously shimmer and pop and the enrichment of Wei’s vocal lines which draw you into a world where romanticism and retro timbres coalesce, the track is a testament to Wei’s organic magnetism as a sonic expressionist. The bluesy waltzing melodies lift the spirit beyond any known construct, embodying the essence of Wei’s unique musical vision.

Each element of Out of Control contributes to its overarching allure. The song is a standout track from Wei’s debut EP Cloud Chaser, which encapsulates the beauty found in life’s chaotic moments. Wei’s role as a multi-instrumentalist and producer shines through in this self-produced triumph, highlighting his ability to craft a sound that is both intricate and emotionally resonant.

Describing Out of Control as perfect might seem like hyperbole, but its impact on the mind, soul, body, and rhythmic pulses is undeniable. It’s a track that transcends the boundaries of conventional music, leaving the listener in a state of awe and admiration. Wei’s skill in blending high-calibre production with organic musical elements results in a piece that resonates with the listener long after the final note has played.

Rich in texture and depth, Out of Control promises a bright future for the NY-based Chinese artist. His ability to stay true to his romanticism of retro sounds, while pushing the boundaries of contemporary music, makes this track a must-listen for anyone seeking a truly unique musical journey.

Stream Out of Control as part of the Cloud Chaser EP, which hit the airwaves on January 5th on Spotify.

Review by Amelia Vandergast

Find out why the city never sleeps in snailosaur’s indie rock vignette, Apartment Boxes (nyc poem)

Forget what you know about New York from the over-romanticised depictions and acquaint yourself with the true nature of the cityscape, which juxtaposes grit and grime with the monolithic architecture and the egregious egos of Wall Street wolves. snailosaur’s standout single, ‘Apartment Boxes (nyc poem)’, taken from their indie rock LP, Talk Therapy, paints a fond vignette of the infamous city over the luminous tonality of their angular guitar lines, which weave elements of new wave into the nostalgia-kissed release.

While the upbeat melodies embed the single with a light and dreamy air as they cruise through the Pavement-esque progressions, the vocals act in contrast with their nonchalant drawls, adding depth to the track as they allude to the sins and cultural salvation of the city that never sleeps – and now, thanks to snailosaur, we know why; the working class are confined to coffins as they live and breathe. Yet, suffocation is a small price to pay to walk the streets that become portals in time, if you know which avenues to take.

Apartment Boxes (nyc poem) is now available to stream on Spotify.

Review by Amelia Vandergast