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New York

Not From Concentrate crashed the alt-rock scene with their ska-grunge synthesis, You & I

Posted on 5 August 2024

Not From Concentrate promises the freshest sound in the NYC ska scene and the misft powerhouse definitively delivered with the release of their latest ska grunge hybrid, You & I, which showcases the group’s ability to blend fierce pop-punk bursts with tender, vulnerable harmonies, inviting listeners to experience every shade of emotion

For anyone who has ever let their walls down only to allow regret to build them again, this queer punk anthem is the ultimate consolation. Just as the artist’s moniker would lead you to believe, there’s nothing artificial about their sound; the visceral emotions mainlined into You & I are straight from the source.

By synthesising the sludge of grunge with the infectiously uplifting staccato chops of Ska, the Staten Island-hailing trio which is deeply entrenched in the NYC scene delivered a sonic revolution which shimmers with authenticity and raw power. Rounded off with a pioneeringly innovative guitar riff, You & I is a testament to their rightful place in the queer musical pantheon.

You & I was officially released on July 19; stream the single on Spotify now.

Review by Amelia Vandergast

Gregory Lee Pickard’s ‘Home’ is a reverent nod to roots and rebellion

Posted on 2 August 2024
Gregory Lee Pickard

In his seminal, soon-to-be-released, solo single, ‘Home‘, the illustriously revered Gregory Lee Pickard, whose career has spanned three decades and spawned countless accolades, distilled a soundscape with the culmination of his extensive experience and his ability to conjure more than sound through his panoramic vignettes.

The single melds country rock rhythms with gruff vocals, which will undoubtedly appeal strongly to fans of Dogs D’amour and The Quireboys. This cultivated ode to the concept of “home”—whatever that may signify for the listener—allows Pickard’s authenticity to shine iridescently.

The country twangs within the proto-punk-esque production allows Gregory Lee Pickard to soar above the mediocrity of artists who debase their discographies with assimilation; this is authenticity at its core. Just one hit of the single will leave you desperate to explore the treasure chest of rough-cut gems which throwback to the 70s NYC punk scene but firmly roots itself in contemporary resonance.

Gregory Lee Pickard, a storied songwriter, singer, and performer continues to lead and shape the sound of his current band, Not Las Vegas, while his foundational work with The Revelons has seen him headline venues from CBGB to the Bowery Ballroom. His broad discography spans influential releases and collaborations that touch everything from indie films to major motion pictures, cementing his place in the annals of music history.

For those who cherish musical integrity and the resonant tales of life’s wanderings, ‘Home’ by Gregory Lee Pickard offers more than just a listening experience—it invites a profound connection to the very essence of personal and musical exploration.

For more information about Gregory Lee Pickard, head to his official website.

Review by Amelia Vandergast

Aaron Thip is fortified with fortitude in the prophetic beats of his latest rap track, I Ain’t Scared

Posted on 27 July 2024

Aaron Thip’s prophetic presence when he steps to the mic was exemplified in his latest fortified-with-fortitude single, I Aint Scared.

Aaron Thip, a seasoned lyricist rooted in the vibrantly gritty underground of NYC hip-hop, grips attention with vice-like intensity from the outset of his latest release which allows you to instantly register the Brooklyn-born, Harlem-raised artist, previously known as Tha Coach, as a conduit of enlightened introspective gold.

His commanding vocal presence over the beats testifies to how he belongs to a league of his own as he revisits the path he walked down to achieve mental clarity and sanctity. Yet, this track is far more than an introduction to Thip’s psyche. He fearlessly tackles the challenge of maintaining peace of mind and resilience as society’s global fabric crumbles into disarray.

In times when many struggle to find solace, optimism and faith amid endless tragedies, Thip emerges as the ultimate role model. His vibe-heavy hit marries mellow, old-school instrumentals with his potent lyrics, delivering sonic salvation for anyone in search of melodic consolation.

Stream I Ain’t Scared on Apple Music and YouTube now.

Review by Amelia Vandergast

Get into an intimate RnB groove with ILL PHIL’s seminal single, Abo(U)T [Cinnamon]

Posted on 25 July 2024
THE MEMOIR by ILL PHIL PRODUCTIONS

The lead single, Abo(U)T [Cinnamon], from ILL PHIL’s EP, THE MEMOIR, which dropped on July 8th, is locked and loaded with vibe-heavy vulnerability. The track opens with an aphrodisiacal R&B intro that instantly locks you into a melodious groove that will leave you out of the proverbial palm of this illustrious artist’s hand.

The candour within the ode to a soul he doesn’t feel worthy of filling invites you to live vicariously through the passion that mused the mellow declaration of unflinching affection. The lush and laidback production that allows hints of hip-hop roots to pull through the soul-swathed melodies is a testament to the dynamic artist’s ability to use his own worldview to create vignettes which reflect wider emotional phenomena. Anyone who has ever felt the inflection of inferiority in the presence of someone who appears to be rendered in perfection will find visceral resonance in every honeyed vocal note in Abo(U)T [Cinnamon].

Hailing from Brooklyn, New York, ILL PHIL is a seasoned producer and artist with over a decade of experience in the hip-hop and R&B scenes. Known for his versatility, ILL PHIL excels in producing, songwriting, beat making, mixing, and mastering, crafting high-quality tracks that resound with creative authenticity. Abo(U)T [Cinnamon] is the ultimate example of how ILL PHIL is holding dominion over the NYC RnB scene.

Abo(U)T [Cinnamon] is available to stream on Apple Music and Bandcamp.

Follow ILL PHIL on Instagram.

Review by Amelia Vandergast

Jayne Sugg – Belief is Hard: A Soulful 60s Sojourn Through Secular Spirituality

Posted on 21 July 2024

With her standout single, Belief is Hard, the NYC Indie singer-songwriter, Jayne Sugg, unveiled a strikingly soulful testament to the tribulations that transpire from spiritual metamorphosis. The title track of her forthcoming LP unspools a rich kaleidoscope of introspection, filtered through the soulful echoes of the ‘60s, creating a profound space for Sugg to narrate her wrestle with the ethereal and material reality.

The refraining lyric, “Why should I bring myself to pray if I can’t even find faith”, speaks volumes of her transformation following a deeply religious upbringing in which she was constantly brushing against the billboard legends of her parent’s generation.

Initially confined within the walls of religious music, Sugg deconstructed the constraints to unleash herself from creative stagnation. This transformation is the soul of her crowdfunded album, Belief is Hard, a collection that traverses her shifting perspectives, resonating with a love for soulful, nostalgic sounds that nod respectfully towards icons like Bonnie Raitt and Joni Mitchell. The instrumental backdrop in the title single, a subtle homage to the 60s soul, envelops her lyrics in a cocoon of warmth and organic richness, ensuring the listener feels every vibration of her vocal tremors.

The Good Shepherd Music Collective, a sanctuary for artists exploring deconstructed spiritual themes, finds its spirit woven into the album’s fabric. This collective, and by extension the album, sings of peace, love, and acceptance, echoing Sugg’s liberated spiritual and creative stance.

Recorded in the hallowed halls of Sonic Ranch and Dreamland Studios, featuring the performances of musicians like Tim Lefebvre and Terrence Clark, the lush and layered single is a gateway to catharsis.

Stream Belief is Hard on Spotify now.

Review by Amelia Vandergast

Vice Club is a red-hot new flame in the alt-rock fire with their seminal single, Call It What You Want

Posted on 7 July 2024

From the underbelly of New York’s gritty music scene, the NYC icons of innovative immorality, Vice Club have unleashed ‘Call It What You Want’; a track that’s drenched in the raw, visceral energy of grunge, infused with the kinetic seduction of Deftones’ breakdowns, and tinged with the raw emotionality of Silverchair and Thrice.

Rather than play it safe with the vocal performance, Vice Club transgressed expectation with the chameleonic execution by experimenting with pseudo-trap cadences and pop hooks around the gruff deliverances of ennui, creating an alchemically dynamic track with swathes of cross-over appeal. The soaring, intuitively technical guitar solo assures that even rock traditionalists can take something from the evocatively heightened anthem.

Every motif and progression is a testament to Vice Club’s determination to become the architects of a brand-new alt-rock wave and ensure their sound goes untainted by anyone else’s touch. Their DIY philosophy extended from the writing into the recording and production; swathing every aspect in their unique soundprint that will undoubtedly leave an army of alt music fans kneeling at their hedonic altar.

Call It What You Want was officially released on May 31; stream the single on YouTube.

Review by Amelia Vandergast

Stella. paid ode to the intricacies of love and loss with his A Study in Balance EP

Posted on 25 June 2024

After hearing the title single from Stella.’s 6-track EP, A Study in Balance, the proverbial bar couldn’t have been set higher. The reflectively visionary composition style established the NYC-born-and-raised singer-songwriter as an artist who lures you into philosophical inquiry while conjuring imagination-sparking imagery with tenderly meditative poetry that could only have been prised from a soul of gold.

The opening single, Dreaming, in which he shares imposter syndrome with God before blurring the lines between mind cinema and reality, is a prime example of his eloquently originated wordplay. Immersing yourself in Stella.’s world is akin to sinking into a Murakami novel; there’s so much written between the lines, you’re submerged in a labyrinth of meta musings,

After opening on an exuberant note with Dreaming where Stella. wears his Paolo Nutini influence on his infectious hooks, the EP takes a more intimate and confessional turn with Something About You, as he softly verses directly to the unspoken name ceaselessly reverberating around his mind. With little more than reverb spilling from keys under his honeyed and honed vocals, the stripped-back rumination efficaciously captures the torment of self-doubt within relationships.

A Study in Balance lifts the mood once more before the EP winds back down with Not Today; a raw nerve rousing release that reaches the epitome of vulnerable candour. Maladies of heartache are laid out as a smorgasbord of emotional atrophy over the downtempo 80s pop chord progressions. Cohen himself couldn’t have written a more striking testament to how much sanctity lies in love.

The only people who won’t find something to adore about Broken Hearts are the ones who paint themselves as perpetual victims. The euphonic score forces you to take accountability for the hurt you’ve inflicted in relationships while swallowing the bitter pill that broken hearts can’t love the same as naively unaffected lovers who show no inhibition when letting down their defences. The EP culminates in Everything, a solemnly sweet vow of unrestrained passion to juxtapose Broken Hearts and give diehard romantics a reason to fall on their sword again.

Capturing the intricate complexities of love, loss and longing within six singles would be an impossible feat for most, and still, Stella. succeeded through a synthesis of sincerity and articulately offbeat artistry.  Even though we’re in an epoch in which the most vapid music rises to the top of the charts, Stella. remains one of the most promising indie artists of 2024.

A Study in Balance was officially released on June 14; stream it in full on Spotify.

Follow Stella. on Instagram.

Review by Amelia Vandergast

Loud Monsta wrote a bold testament in the legacy of hip-hop with ‘THE SHHH’, ft $lims Casino

Posted on 4 June 2024

For their latest single, THE SHHH, the hip-hop kings of Queens, Loud Monsta, collaborated with $lims Casino to carve out their own monument in the future of hip-hop.

If it weren’t for the synergy between the polished-with-cinematic-finesse beats and the killer cadence of the bars that shoot to kill with mind-bending wordplay which unravels with superlative metric precision, the rough-with-grit vox and the evocatively affecting luxe production would be a complete juxtaposition. Yet, everything meticulously pulls together to exhibit PlatNum and Mick Manis as unreckonable juggernauts in the contemporary hip-hop scene; instead of leaving the enduring appeal of the old-school by the wayside, Loud Monsta infuses it into their edgy cuts.

It wouldn’t be surprising to see Loud Monsta in the rap duo hall of fame alongside Blackalicious, Run the Jewels, and Methodman & Red Man if they don’t let the momentum in their career slip.

After the official music video dropped in April, it has already racked up over 43k streams; be part of the THE SHHH hype by heading to YouTube and catching the rhythmic fever.

Review by Amelia Vandergast

NYC’s MG & the Orbs delivered a remedy for self-pity with their timelessly swanky jazz blues alchemy in HELP is What You’re Needin’

Posted on 31 May 2024

With Maria Giorgio at the helm, MG & the Orbs is a peerless ensemble, revered throughout the Big Apple and beyond for their soul-imbued brand of jazz blues. Their latest single, HELP is What You’re Needin’ is enough to make you want to turn back time to add them to your radar earlier.

The resolute rejection of an invitation to a pity party is the ultimate remedy for anyone who finds themselves perpetually employed to do other people’s emotional labour. The soulful defiance in the blues shuffle which Giorgio penned after a writer on a movie set she was working on started to sing his own relationship blues. After instantly finding the inspiration in the exchange, Giorgio enlisted her cultivated collective to breathe life into the upliftingly unreckonable single that proves just how dangerous it can be to bring out the hellcat in a conduit of soul.

MG & the Orbs don’t just believe in music as a healing force, they deliver the cure in their timelessly swanky jazz blues alchemy.

HELP is What You’re Needin’ was officially released on May 24; stream the single on YouTube.

Review by Amelia Vandergast

NYC’s Summer Fling put the soul in funk-rock with ‘Blissful Haze’

Posted on 25 May 2024

NYC’s Summer Fling broke their two-year spell of silence by conjuring an elemental force of feel-good furore in their single, Blissful Haze, which delivers exactly what it says on the titular tin.

Using high-energy funk-rock as the stylistic bedrock of the release and finding room to inject soul, blues, pop, and jazz, the seven-piece powerhouse ensured Blissful Haze transcends sound to visualise a state of mind you can enter simply by hitting play on the single which filters nostalgia through a modern indie pop lens.

Few vocalists could match the electrifying energy of the dynamic instrumental arrangement that layers shimmering organs over funk rhythms and hard-hitting horns, but Eddie Kam, an indomitable emissary of charisma, went supernova on the infectiously zealous soul.

With each member of Summer Fling a recently graduated jazz musician, you can rest assured that you’re in rhythmically safe hands as you get taken through the helter-skelter ride of rapture.

Blissful Haze was officially released on May 10th; stream the single on Spotify.

Review by Amelia Vandergast