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Canada

Kentucky penned a patriotic rock-licked love letter with ‘America, The Beautiful’

Kentucky’s latest single, America, The Beautiful, is a soul-imbued tribute to the multifaceted allure of the United States, delivered with a rock ‘n’ roll heart that pulses with a distinct Americana twang.

The love letter captures the sweeping landscapes and rich cultural tapestry of the USA, offering listeners a sonic road trip across its vast expanse with pop culture pitstops along the way. With an approach that will resonate with fans of Bruce Springsteen and Guns n Roses alike, Kentucky weaves a narrative rich with patriotic pride, crafting a soundtrack that is both a celebration and a reflection.

The production melds classic rock influences with a nuanced Americana style, making it an essential addition for those who adorn their playlists with heartland rock. Despite the stripped and simplistic instrumental arrangement, there is no lack of depth. Each acoustic guitar-led progression strikes a resonant chord, echoing with rich, cathartic timbres under Kentucky’s gravelly vocal delivery that resonates with an aura of sincerity.

America, The Beautiful invites listeners to feel the pride and beauty of the American spirit. Its release, which stirred enough emotion to briefly face a ban on TikTok, underscores its impactful message and the poignant exploration of American identity that Kentucky so masterfully encapsulates in this acoustic rock anthem.

America, The Beautiful was officially released on April 1st; stream the single on SoundCloud.

Review by Amelia Vandergast

Deully – This Long Road: A Resilient Journey Through Rock and Recovery

Deully, the solo project of the independent Canadian rock virtuoso, Darren Sawrenko, has added to his accoladed discography by releasing his eagerly-awaited latest LP, This Long Road, and this time, his stellar songwriting stripes are bolstered by a lyrical intensity which provides a candour-fuelled exposition on his ongoing battle with mental health and recovery.

Each of the singles on the LP is a reflection of his psyche at the time of writing. The title single is entrenched in the agony and the glimpses of hope of acknowledging that the road to recovery necessitates fortitude and endurance. You can hear every ounce of the resilience mustered to stay on the long road, which is reflected as much through the fiery vocal performance as the visceral rock instrumentals.

The guitars don’t play; they battle cry through the monolithic hard rock production, giving everyone else walking the same, often lonely, road a sense of kinship and determination to keep moving towards the destination of redemption.

With This Long Road LP, Deully isn’t solely battling his own demons, he’s rebelling against the expectations and rock n roll cliches that lead so many down a toxically glamourised self-destructive path. In our book, he couldn’t be more of a rock icon.

This Long Road was officially released on April 12th; stream the single on Spotify.

Review by Amelia Vandergast

Strange Tides chartered a voyage into indie ingenuity with ‘Out of Deep Waters’

Out of Deep Waters by Strange Tides, extracted from their Differentiation EP, is a striking illustration of indie music’s boundless potential. This multifaceted single is a masterful fusion of Grandaddy-esque synth melodies, crunchy grungy guitars, and an air of theatrical piano pop. It embodies the instrumental grandiosity of a rock opera while maintaining the intimacy of a bedroom indie pop track, presenting a revelation in experimentalism.

Kirsten Bale, the principal architect behind Strange Tides, based in Vancouver, BC, demonstrates her expansive musical vision and her folkish poetic eloquence in this sweetly sentimental track. Her role as both a songwriter and a producer, alongside sound engineer Dan Ponich, is evident in the meticulous crafting of this piece.

Bale’s relentless pursuit of new musical territories, experimenting with instruments, chord patterns, and genres, ensures a constantly engaging and fresh listening experience. For fans of Mitski and Lucy Dacus, Out of Deep Waters is an irresistible draw. The track exudes a sense of joy and creative liberation, evident in its playful composition style that knows no bounds. It’s an aural elixir, inviting listeners to savour its unique blend of sounds time after time. As for the lyricism, it could leave any of the great romantics weak at the knees.

Out of Deep Waters was officially released on February 15th; stream and purchase the single on all major platforms via this link.

Review by Amelia Vandergast

Parker Kay – The Grey: a refreshingly intimate RnB exposition of affection in the age of the iPhone

If artists got to the top of the charts based on the relatability of their lyrics alone, Vancouver’s Parker Kay’s latest single, The Grey, would have shot right to the top of the RnB charts. In a genre that gives Hollywood a run for its money when it comes to setting unrealistic expectations, this definitively modern love story is a refreshingly intimate exposition of affection in the age of the iPhone and awareness of idiosyncratic attachment styles.

Starting with a confession of how he pretends not to light up just as much as his screen when seeing a message and bides his time to give the illusion he’s busy, you can’t help but lyrically lock into the hit as the indie RnB grooves pop in the instrumental arrangement.

The single only becomes more addictive from there on out as Parker Kay bares his romantic scars over the synthesis of electronic synthetics, trap beats, pop hooks, RnB melodies, and soulfully magnetic vocal lines that keep an even-keel while the lyricism drifts from the ache of agony to the dream-like state of infatuation.

The Grey has a fair way to go before it racks up as many streams as Parker Kay’s viral hit, sorry, I like you too, which was created in collaboration with Burbank and garnered over 5 million streams on Spotify alone, but it is more than worthy.

The Grey was officially released on January 26th. Stream the single on Spotify.

Review by Amelia Vandergast

Put Material Reality in the Rearview Mirror with Zac Zhan’s Alt-Pop Ear Unicorn, Fantasy Fantasy

Zac Zhan is in his euphoric element in Fantasy Fantasy, a track that defies convention and carries you to a new realm by taking you on a vibrational voyage that you’ll want to embark on time after time. If you want to be transported beyond the confines of the ordinary and the chaos of reality, hit play on the mesmerising blend of dance-pop, alt-pop, house and hip-hop, which pulsates with infectiously kinetic energy.

The artist and producer meticulously crafted Fantasy Fantasy from its lyrically intimate inception to its exhilarant production climax. It’s a hyper-pop masterpiece that not only showcases Zac’s vibrant approach to music but also cements his commitment to providing a haven for an ever-expanding fanbase.

The track’s 8bit-esque instrumentals weave a captivating fantasyscape, engulfing the listener from the outset. Zac’s vocals, both electrifying and eccentric, enhance the track’s wildly exhilarating aura with a sense of playful, unbridled enthusiasm. For those who find solace in the sounds of Charli XCX, Grimes, or Carly Rae Jepsen, Zac Zhan’s Fantasy Fantasy is a must-listen and a vibrant echo of freedom in the realm of hyper-pop.

Zac Zhan said:  

“To create Fantasy Fantasy, I embarked on a deeply personal and introspective journey, one that mirrors the complexities of the human condition and the perennial quest for solace in a world brimming with chaos. The lyrics, steeped in vivid imagery and raw emotion express a universal longing for escape, a utopia amidst the trials of life.

I wanted to invite listeners to envision a world where they are the architects of their happiness. It’s a call to embrace the beauty of creation and the freedom that comes from releasing the burdens of the past.”

Fantasy Fantasy was officially released on January 18th; stream the single on Spotify.

Stay up to date with all the latest releases from Zac Zhan via Facebook and Instagram.

Review by Amelia Vandergast

Midnite Gossip illuminated the airwaves with the darkwave indietronica alchemy in ‘Streetlights’

Midnite Gossip, the Calgary-based indie-pop duo, has once again demonstrated their unique flair for blending genres with their nocturnal odyssey, Streetlights. The synthesis of moody pop, darkwave, industrial, and electronic post-punk elements come together to create a soundscape as enigmatic as the night itself.

From the first caustic beat, the tone is set for a journey through the urban night. The twilight of the synth lines glimmers beneath Nicky Markin’s vocals, providing a haunting backdrop to the siren-esque vocal harmonies to draw you deeper into an entrancing mix that lingers in your subconscious, echoing long after the outro.

The fusion of 90’s industrial synth wave with modern club anthem vibes creates a sound that is both ‘pretty but gritty’, a hallmark of Midnite Gossip’s style, which is influenced by The XX, Phantogram and St. Vincent. With their upcoming debut EP eagerly anticipated, Midnite Gossip is clearly a duo on the rise. Their performance at the Satellite Music + Arts Festival, alongside artists like Felix Cartel and Ruby Waters, has already cemented their status as one to watch.

Check out the new official music video for the Mickey Valenz Remix of Streetlights which premiered on December 21 via YouTube.

Review by Amelia Vandergast

Martina Stokes emancipated her listeners from self-degradation through the empowerment within her pop hit, Lose My Breath

Martina Stokes, a Canadian pop sensation in the making, has made an indelible mark on the music scene with her latest hit, Lose My Breath. Born into a musical family and raised on a diet of soul and powerhouse classics, Martina’s journey from a classical pianist to a pop icon is as inspiring as her music. Her latest offering is a clarion call to a generation, showcasing her as an unstoppable force in the contemporary pop era.

Martina’s voice, powerful enough to slice through the static of superficial pop, places her at the pinnacle of her generation’s pop artists. The track itself is a departure from the typical narratives of vulnerable love and heartbreak. Instead, Martina channels her emboldened energy into this fiery hit, delivering a message of self-worth and empowerment that resonates deeply.

The polished-to-perfection bold rejection of the stereotypical doe-eyed pop protagonist is a proclamation of the power you unchain when you assert your own value in love and life. The theme of emancipation from self-degradation is amplified by the track’s robust, bass-heavy beat, which perfectly complements her vindicating vocal lines. Drawing inspiration from legends like Mariah Carey and Whitney Houston, Martina’s influence is evident in her vocal delivery and the soulful depth of her music.

Martina Stokes, with her unyielding dedication to her craft and her ability to weave powerful narratives through her music, is a visionary reshaping the landscape of modern pop music. Lose My Breath is a clear indication that Martina’s future in the music industry is not just promising; it’s luminous.

Stream Lose My Breath on Spotify now.

Review by Amelia Vandergast

Folarin & Keziah harmonised chapter and verse on the presence and power of God with their 2023 EP, Greatest

On November 1st, the award-winning Canadian worship music duo Folarin & Keziah delivered their ‘Greatest’ EP, which stands as a testament to their mission of forging a cutting-edge intersection across the convergence of Christian and contemporary gospel genres.

By weaving cinematically striking elements of rock, RnB, soul, funk, blues, and pop around the impassionedly upraising lyricism which taps into the salvation of faith and emanates the assurance of unfaltering hope, Folarin & Keziah orchestrated one of the most seminal devotional records of the decade.

If you’re looking to be liberated from fear and to vanquish semblances of incertitude, just hit play on the duo which has been repetitively celebrated by the Gospel Music Association and hear them harmonise on their strident reverence for the presence and power of God.

Stream the Greatest EP on Spotify or purchase the 6-track release via Bandcamp.

Review by Amelia Vandergast

LOOK ALIVE quaked the Calgary metalcore scene with the visceral vehemence in their single, Scum

https://www.youtube.com/watch?v=ePZqf-mHKso

LOOK ALIVE ripped up the roots of hardcore and implanted them within their latest behemoth of a single, Scum, which is set to put them at the vanguard of the Calgary metalcore movement. Savage and intricately intelligent, the powerhouse efficaciously succeeded in its strive for a distinct sound that shatters the confines of hardcore.

From the first blisteringly tumultuous beats and savagely cataclysmic guitar licks, LOOK ALIVE drags you into their adrenalized-with-aggression realm; expect to collide with a universe drenched in wild hues and intricate layers and Jeremy Richardson’s raw, unmatched vocal prowess.

Before the scummy protagonists in your life lead you to a breakdown, embrace the cathartic vehemence in the gnarled breakdowns and put Scum in your sonic arsenal. Crafting every tune, visual, and concept off the back of their own visceral volition, LOOK ALIVE emerges as an outfit few should dare to rival.

The official video for Scum premiered on October 27; stream it on YouTube.

Review by Amelia Vandergast

Trip out with the unearthly beguile in Deadbeat Superheroes’ latest release, By the Side of the Road (redux), ft HORNETS!

After becoming unequivocally obsessed with the seminal single, By the Side of the Road, by Deadbeat Superheroes, we were stoked to be given another opportunity to trip out with the redux remix of the single, featuring HORNETS!

Julie Sun Lee’s PJ Harvey-esque deliciously distorted vocals are the piece de resistance within the Lynchian soundscape which shimmers with trepidation, scintillation, and a potent dose of unearthly beguile. It’s trip-hop striking enough to make your heart skip a beat as your rhythmic pulses move in line with the glitchy syncopated beats that stab through the texturally sublime oscillation.

If you’re looking for more ethereal escapism from the Canadian five-piece outfit, you won’t have long to wait; their Edmonton (Redux) EP is lingering in the pipelines awaiting its release on November 1. We’ve been promised that each track stands on its own; given the success of the original EP, we’re thoroughly inclined to believe the icons of Avant Garde electronica.

By the Side of the Road (redux), ft HORNETS! dropped on October 23rd; stream it on Spotify.

Review by Amelia Vandergast