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Even though there are plenty of hip hop purists that want to separate trap from rap, they will always be connected as trap is a sub-genre of rap. Trap music started to gain traction in the early 90s in Southern America; the signifiers of the trap style became an aggressive sound, and equally as aggressive lyrics which primarily focused on drug dealing and drug use.

Instrumentally, trap separated itself from hip hop with heavier basslines, faster time signatures, prominent 808s, layered synths, and for the more experimental trap artists, cinematic strings. Lyrically, trap artists were even more visceral in their rap bars about the inescapable gang and drug lifestyles (hence, trap) than the original gangster rappers. Atlanta became the capital of trap, while Ghetto Mafia, Goodie Mob, Outkast, Dungeon Family and Cool Breeze became the pioneers.

A decade after the inception of trap, artists such as Gucci Mane, 2 Chainz, Triple 6 Mafia and Young Jeezy started pushing the genre even further and allowing it to branch out into the diverse scene that it is today. Producers also had a pivotal role in the evolution of trap; the likes of Drumma Boy, Shawty Redd and Mike WiLL contributed to the contemporary trap sound that incorporates a dark atmosphere, street culture and a hard-hitting high-octane sound. At the turn of the century, trap not only dominated the airwaves, but it also became commonplace in strip clubs in the south too.

The first wave of trap broke into the mainstream in 2003 with the release of T.I.’s second studio album; it sold over 2 million copies and T.I. received a sync deal with EA sports. After his success, T.I. explained the motivation behind his career; to help people understand the actions of people that come from a less privileged side of life. A similar ethos is carried by the new generation of trap artists who are often misbranded as brash or crass when really, their music is reflective of their lives. In 2005, Young Jeezy entered the US Billboard Charts at number 2 after selling 172,000 copies of his album, Let’s Get It: Thug Motivation 101, in the week after its release. It later became a platinum record.

Fast forward to 2012; the trap scene started to merge with the EDM scene as producers and DJs started to weave trap styles into their dance mixes. Many are under the false impression that this was the beginning for trap, and it came along as some new millennial trend, but this is far from the case. In 2021, there are multiple trap sub-genres, even ones as far-reaching as trap metal. The most promising trappers to watch include the likes of Rico Nasty, Nayana Iz, Lil Uzi Vert and Waka Flaka Flame.

Interview: Warlet on Authenticity, Neurodivergence, and Finding Strength in Vulnerability

Posted on 8 February 2025

Warlet doesn’t hold back when it comes to honesty in her music. The Brazilian-born, Nova Scotia-based artist uses her platform to explore deep emotions, societal expectations, and the realities of being a neurodivergent Latin immigrant in the music industry. Inspired by artists like Twenty One Pilots and NF, she aims to offer listeners the same sense of understanding and comfort that once guided her through difficult times. With a sound shaped by emo, trap, pop rap, and RnB, her music carries both weight and intensity, reflecting her passion for raw expression. In this interview, she discusses her approach to songwriting, the intersection of her creative skills, and how she balances vulnerability with the energy of live performance.

Warlet, welcome to A&R Factory, it’s a pleasure to have you with us to discuss your backstory, achievements and ambitions. To give our readers an idea of your ethos; what does it mean to you to be an artist? 

Thank you guys for having me! It’s a pleasure! To me, being an artist means using one of the most amazing things human beings can do, which is to create, and give it back to people by making something meaningful in any form. I always say that I love making music because I want to make people feel something, whatever that is. Emotions are so beautiful and art is an outlet to explore that on us.

You never shy away from vulnerability in your songwriting; how does it feel to be so candid in your tracks? 

I don’t think I could ever be any other way. Being sincere about my feelings is my natural instinct with everything in life, maybe because of my autism, I don’t know really… But to me, vulnerability is powerful and being your true self should always be encouraged in society even though it really isn’t… Talking about the hard things once in a while is just as important as being entertained! I wish we all reminded ourselves of that more often.

What motivates you to speak so openly about these issues?

I think I was heavily inspired by Twenty One Pilots and NF on this one. In different moments of my life, these two artists literally helped me organize my own thoughts and feelings when I needed the most, which led me a moment where I thought to myself, “that’s exactly what I want my music to do to people”. I am motivated by the idea that there is someone out there listening to my song and relating to the lyrics, and that this brings them comfort, just like one day somebody’s music changed my life as well.

What has your experience of the music industry been as a neurodivergent Latin immigrant? 

Honestly, the music scene where I live in Nova Scotia is pretty opened and welcoming. These factors do affect my daily experiences in other areas more often than I would like, but at least the music world I am currently in, is one of those safe spaces away from all of this. I know once my horizons open up to the bigger world of music, it will be different, as this is a smaller community, but at least I have a good base to start building on.

What initially drew you to synthesising emo, trap, pop rap and RnB into your sonic signature? 

My passion for all these genres! The interesting thing is I think all these genres speak about deep topics whether on a social context or an emotional place, which is probably what drew me into these types of music more. I’m also very attached to heavier sounds overall, I’m passionate about heavier sounding beats, stronger vocals and any impactful sound on a song.

With your background as a beatboxer and visual artist, in what ways do these creative skills intersect when you write and perform your songs?

I always try to do at least a small beatbox showcase every time I perform! Eventually, I want to make some of my music being fully organic – with “mouth” sounds only, per say, it’s a plan for the future. I’m as well always drawing and designing my own cover arts and concepts for my music, so it’s quite helpful to mix all these worlds together!

Having just released your debut EP, which track do you feel best captures your reality, and what inspired its creation?

That’s hard to say, since the whole idea behind this EP was to be as genuine and raw with my emotions as I could, so in a way, all of them could fall into this category of capturing my life perfectly, but in different aspects. I do feel like “SOCIALMASKS” will always be that song that describes the struggles of being an autistic woman the best and more precisely though, if I had to point out one of them.

When it comes to your touring plans, how do you intend to connect with audiences on an emotional level during live performances?

I want to be real with every performance. Yes, I want to make people hyped and willing to dance as well, but I am hoping my passion for my own lyrical process comes through when I am singing on stage.

How do you balance the rawness of your personal backstory with the polished demands of performing on stage?

It is actually quite challenging – and funny. I feel like I am extremely awkward inside, but I did in the past take classes with my mother, who is a performance coach, and I just try to embody her lessons on my whole body in order to be a good performer. I have a lot to work on though, and I’m slowly trying to find ways to feel comfortable moving on stage regardless of my disability that kind of makes me a little terrified of being perceived! It’s the big irony of my life. I love to be an artist and show true myself just as much as  I’m scared of being seen. It’s a work in progress for sure!

Looking ahead, what role do you see touring playing in the evolution of your music career, and how might it influence your future projects?

I’m still very underground and frankly, just want to put my music out there in the world and form my own community of people that enjoy what I do. Making connections with people is what makes this whole music thing stronger, and I look forward to what other opportunities this project will open up for me. These are the first steps of what will eventually become a bigger achievement but I want to enjoy and appreciate every detail of the journey.

Stream Warlet’s discography on Spotify and stay up to date with all her latest aural antics on Instagram and TikTok.

Interview by Amelia Vandergast

Brino blasted ahead of the curve with his vibe-steady alt-hip-hop earworm, ‘Out the Way’

Posted on 8 February 2025

Brino isn’t here to play by anyone else’s rulebook, and Out the Way, the standout single from his latest LP, achievemephobia*, proves exactly that. The Chicago Land-based artist has been honing his craft since 2016, and this latest release is a testament to his refusal to lock into any formula. Going beyond the archetypal rattle of 808s, he delivers a slick fusion of electronica and hip-hop, all while letting his dynamic vocals dictate the flow with a cadence that cuts through with precision.

The earworm is a vibe-steady statement of unflinching resilience, which sees Brino drench the instrumentals with soul through the bars he spits, embodying the luxe style of contemporary RnB while swerving predictable territory.

There’s no forced inspiration here, no preaching, just raw introspection spun into lyrical gold. He waxes lyrical with feverish autonomy like he’s got nothing to lose, as his lyrics narrate just that in an exhibition of what it truly means to blur genre boundaries.

Out the Way is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Stay on Your Grind with ScarFace Dior’s trap track, Cash Fever

Posted on 4 February 2025

ScarFace Dior wastes no time making an impression with the opening track of his seminal EP, DIOR SZN. While the artist prefers to keep an enigmatic profile, his seminal single, Cash Fever reveals everything you need to know about his calibre as a lyricist.

As his intricate bars glide over atmospheric trap beats infused with the seductive twang of Latin guitars, it becomes clear that ScarFace Dior is more than a wordsmith; he’s a rapper unafraid to balance raw conviction with intimate vulnerability.

His delivery connects through the grounded sincerity in his cadence that pulls listeners into his narrative, which takes aim at breaking the mould of typical hustler hip-hop. The track pulses with resilience as Dior delivers his cry for individuality and determination to be recognised as the two pillars of authenticity and success. His lyrics underline the importance of staying true to yourself, weaving inspiration into every line without ever crossing into cliché. ScarFace Dior’s sharp wit and ability to inject emotional depth into his bars will undoubtedly put him on the contemporary map of hip-hop icons.

While Cash Fever celebrates ambition and fortitude, it also warns against distraction and complacency, reminding listeners that sticking to your lane isn’t just a mindset but a means of reaching your destination.

With Cash Fever, ScarFace Dior proves that even in a saturated hip-hop scene, there’s always room for innovation when style and substance go hand in hand.

Stream DIOR SZN on Spotify and Apple Music now.

Review by Amelia Vandergast

Breaking the Mould: An Interview with r/ginola on Bold Soundscapes and a New L

Posted on 18 January 2025
r/ginola

With an unmistakable knack for pushing boundaries and weaving intensity into every track, r/ginola is a genre-defying artist carving his own path from the unlikely backdrop of Connecticut. Having honed his craft through years of experimentation and evolution, his music is an unapologetic blend of moody cadences, raw emotion, and influences as diverse as shoegaze, nu-metal, and modern trap. In this candid interview, r/ginola opens up about his tumultuous artistic journey, the deeply personal themes behind his forthcoming 8-track LP, and his unrelenting commitment to authenticity in an industry often criticised for its uniformity. From his creative process to his take on vulnerability, this conversation offers a glimpse into the mind of an artist determined to leave a mark.

r/ginola, welcome to A&R Factory! It’s a pleasure to sit down with you and discuss the release of your upcoming LP. Before we get into the music, we’d love to get a better understanding of who you are as an artist. How did you get started and where has your music taken you so far?

I started about 4 years ago as more of a way to vent my feelings and frustrations that I had at the time. I showed friends the stuff I was making during a smoke sesh and they really encouraged me to get in a proper studio and take it seriously. That period was very dark but I’m glad I went through it. It allowed me to fully express things but also find myself as an artist and really made me open to new ideas or sounds.

Fast forward to now, after 3 rebrands in terms of name & genre, and over 100 songs, I feel I’ve really grown as an artist, and I am currently making my best stuff. The old stuff was cool (a lot of it is deleted) but the new stuff is basically a blend of what I was making previously.

What’s the most satisfying/challenging aspect of your craft?

Hmm.. the most satisfying to me is creating songs. I enjoy the writing bit, coming up with different flows and then putting it all together. The most challenging bit is mixing/mastering. I’m not the greatest at it but I normally try to tweak it to how I would like it and how it would sound in my car

Can you describe the unique elements that define your sound?

My sound to me is different from anything you hear currently. It’s hard nowadays for artists to really stand out because there is a lot of copy and paste but with my sound, I worked hard to make it different.

My delivery/cadence is very moody, and I think that comes from my time making shoegaze/nu-metal music. The lyrics are very sexual or aggressive at times, which is basically my usual nature.

What’s the story behind your 8-track release?

Whenever I drop a project, I always try to paint a picture. The picture is created by expressing everything I have dealt with in my life through relationships, friendships and miscellaneous things. This project, in particular, is about me falling in and out of love with an ex. I don’t wanna dive too deep into it, but you get the gist. I should also add that when it comes to the story/lyrics of each song, I leave it up to the listener to interpret it however they see fit.

How would you say the release reflects your identity as an artist?

This release is me. From the lyrics to the story to the energy to the sound, this project embodies everything I set out to be when I initially started.

How do you balance vulnerability and creativity?

When it comes to writing I pretty much lock myself in a certain period of time in my life and remember what it felt like. The more vulnerable I am the better the lyrics I believe. I try to keep it from sounding like I’m whining and keep it very fun so people are able to connect with it better. Sappy love songs just aren’t for me. I like to make mine sick and twisted, very dark at times.

You’ve cited influences ranging from Deftones and Static Dress to Yeat and Young Thug. How do these varied inspirations manifest in your music, and are there any nods to these artists on this record?

Jeez, I could talk about each of these artist for days! And there are loads more, LOADS! But these have been very prominent in my artistry. I’d say Deftones for sure has played the biggest role, Chino Moreno for me is god (I’m glazing heavily and I don’t care haha), I love that guy dearly! From songwriting to singing to energy to just about everything, he heavily influences my music. I love Static Dress for their visuals as well as their sick storylines, Oli is very cool!

Going by the standout single, sssnake, you’re clearly one to push the boundaries of sound design, where did that boldness as an artist come from?

I’ve always been bold. Maybe too bold at times but I like being this way. You can’t be afraid to take risks or try new things, you just gotta go for it and stick with it. Will it get you in trouble sometimes? Sure, but who cares! Be different, enjoy yourself!

How has your location shaped your artistic journey?

Umm I mean I feel like it kind of blessing but also a hindrance. I’m from Connecticut, so not too many people know of the state or where it is. There aren’t many artists or any artists for that matter that have made it out. But I also feel like that’s because everyone is trying to sound like everyone, and since Connecticut is unknown, no one wants to hear their story. They’d rather listen to someone from California, Florida or New York if the story is similar. For me, I’m in my own lane; there is no one making this kind of music here. And I love that!

What does 2025 have in store for you?

We will see together hahah I’m hoping to tick some boxes off the things I’ve been manifesting but I won’t be disappointed if things don’t go as planned. End goal is to just continue putting out great music and enjoy every second of it!

–

Stream r/ginola’s new 2025 LP on SoundCloud now.

Interview by Amelia Vandergast

LZee Walks the Razor’s Edge with Brutal Honesty in ‘3 am on LSD’

Posted on 16 January 2025

At just 16, Chicago-based rapper LZee proves he’s already a lyrical force to be reckoned with on 3 am on LSD. The brutally honest track exhibits the emotional turbulence of living on the edge as a coping mechanism. While many up-and-coming rappers lean on bravado, LZee flips the script with visceral candour, exposing raw vulnerability that resonates far beyond the surface.

The juxtaposition of the warm Latin guitar melody against the hard-hitting rattle of the 808s creates a magnetic dynamic, softening the blow of the heavy-hitting bars while keeping the track grounded in its gritty realism. LZee’s flow is flawless, with every syllable delivered in perfect rhythmic precision, amplifying the weight of his introspection.

Taken from his 2025 LP, Anti, 3 am on LSD demonstrates a prodigious level of polish in both its beats and lyricism, making it clear that LZee is not just another voice in the crowd. His ability to balance emotional depth with technical chops marks him as a standout in the hip-hop scene.

With his versatility and sharp wordplay, LZee is poised to climb to the heights his talent demands. If the industry has any sense, this single will be the spark that sets LZee’s career ablaze.

3 am on LSD is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Lil Dom reigned as trap royalty in his emotively heavy hit, ‘emo prince’

Posted on 8 January 2025

Lil Dom has staked his claim as emo trap royalty with emo prince, a dark, immersive plunge into raw vulnerability. The track’s opening minor-key Latin guitar strings set a deceptively tranquil tone before the instrumentals dissipate into wavy obscurity, amplifying the emotional weight carried by his confessional lyricism. Every beat and verse swells with unfiltered emotion, creating a soundscape where ennui and exhaustion echo with haunting relatability.

Known for reshaping contemporary music’s edges with his blend of emo rap, cloud rap, and hyperpop, Lil Dom’s artistry pushes boundaries without losing sight of raw authenticity. emo prince exemplifies his ability to bridge the sonic gap between introspective lyricism and cutting-edge production. The track’s cathartic undercurrent doesn’t just narrate the tortured psyche—it invites listeners to sit in its midst, offering a shared solace for those wrestling with the weight of burnout.

As the song builds, its brooding atmosphere fractures with the bite of a raw rock riff, giving a powerful, climactic release that anchors the listener within its emotive grasp.

emo prince dropped on December 27; stream the single on all major platforms, including Spotify.

Review by Amelia Vandergast

KiDD Crash hit hard with his hyper-trap earworm, Fuck with Some Bitches ft Res YaxX

Posted on 6 January 2025

KIDD Crash’s seminal alt-rap track, ‘Fuck with Some Bitches’, featuring Res YaxX, obliterates genre boundaries. This high-octane track from the 2024 LP Partycrasher strikes like a sonic wrecking ball, merging hyper-trap tempos, polyphonic production, and silky vocal lines that tether the chaos. In a frenetic mix teetering on the edge of over-facing, the melody pulls through like a lifeline, steering listeners through the trippy, neon-lit, 8-bit-adjacent soundscape.

Hailing from Cleveland but shaped by Toronto, Ohio, and Florida influences, KIDD Crash (Jamelle Lillard) proves he’s no ordinary upstart. Armed with an honours degree in music production and a grind-hardened work ethic honed since his 2015 debut, Crash fuses raw ambition with the technical chops to rival his idols—Drake, The Weeknd, Kendrick Lamar, and J Cole.

His dedication has seen him crossing borders to film music videos in Negril and Toronto, yet his roots in Sanford, Florida, remain grounded. Having first recorded music in his stepfather’s home studio at age 10 and cut his teeth on an upright bass in his high school orchestra, Crash’s sonic evolution has been a lifetime in the making.

With its acerbic wit and blistering conviction, Fuck with Some Bitches doesn’t just slap; it commands attention. As we step into 2025, KIDD Crash may still be hustling for his chart-topping breakthrough as a criminally underrated artist, but if he keeps on producing hits in the same vein as Fuck with Some Bitches, justice will soon be served.

Fuck with Some Bitches is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

J.B.Z lay the blueprint for Birmingham’s trap takeover with their seminal hit, The Trap

Posted on 4 December 2024

With their debut EP, The Prelude, Birmingham’s J.B.Z make it clear they’re here to dominate the UK trap scene. It isn’t just the title of the EP which promises even bigger things to come; it is evident in how each member carries their distinct flow like a weapon, delivering darkly humorous and edgy street narratives that resonate with authentic grit.

Serving as the opening salvo, The Trap showcases the collective’s raw energy and fierce drill beats that perfectly complement their razor-sharp bars. Thriving on mood and meaning, beneath the intense, bass-heavy beats and shadowy atmosphere lies a track charged with social consciousness, proving that J.B.Z isn’t afraid to confront reality while spitting with a cadence that leaves nothing in the tank.

The Prelude is an unflinching statement that there’s as much trap mettle in Birmingham as across the Atlantic. So, if you’re searching for trap that balances darkness with clever wit and bone-shaking beats, The Trap is a stark reminder of who’s ready to put Birmingham on the global rap map.

The Trap hit all major streaming platforms, including SoundCloud on November 24th; stream the track now and follow J.B.Z on TikTok and X.

Review by Amelia Vandergast

Unveiling ‘Dreams of Rodeo’: An Interview with Caleb X on Aspiration and Artistry

Posted on 24 November 2024

Caleb X, an emerging artist hailing from Atlanta, joins us to discuss his latest album, Dreams of Rodeo. Inspired by personal experiences and the influence of artists like Travis Scott, Caleb delves into the stories behind his music, the obstacles he overcame during its creation, and his growth as an artist. He opens up about emotionally charged tracks like “Quiet” and shares his perspective on balancing life’s challenges while staying true to his creative vision. We also explore his future projects and his passion for fashion. Read on to discover more about Caleb’s artistry and what the future holds for him.

Caleb X, thanks for sitting down with us again to discuss your latest album, Dreams of Rodeo. It clearly holds a lot of artistic merit and visceral emotion; what’s the story behind the album? 

The idea of the album name comes from me being a younger aspiring artist wanting to take it to the next level from Atlanta to the LA scene, but as I began working on the album, the meaning went from “Rodeo” being the place I wanted to be to me making it be anything I wanted in life whether it was making a better life for me & my family or having peace of mind with the creativity and making that my “Rodeo” no matter where I am at the moment.

I also grew into my artistry by studying artists like Travis Scott & his come-up from Days Before Rodeo really inspired the album when it comes to the drive & hunger he had to get where he is now. So I took that hunger & applied it to making the album. Out of that inspiration, it made me come up with songs like “90210!” As a homage to Trav song off “Rodeo”. After making that song everything else started flowing & the next thing I knew I had a good number of songs that coincided with each other which helped me come up with the sonic direction of the whole project.

What were the most challenging and rewarding aspects of writing and creating the album? 

I would have to say the most challenging was writing the outro “Quiet”. That song is a sensitive one for me to this day since I’m talking about a story about someone I actually know along with the story of someone very close to me dealing with alcoholism & I feel the responsibility of keeping everything together but it’s only so much I can do so I had to dig up the strength & vulnerability to talk about it on a record to just put it out to the universe as therapy for myself & anybody else that might be dealing with a similar situation.

Sometimes we just need a moment of quietness to tune out unnecessary things & focus on what’s really important. It’s hard for me to even listen to that song. Last time I cried was writing that song so it’s tough for real. But at the same time it’s rewarding because after making that song, the stress I had before went away & after letting my family hear it, things seemed to smooth out all from me just putting those words out there. The tongue is powerful for sure.

What is it like to hit roadblocks along the way while sitting on an album before its release? 

Roadblocks are my biggest enemy, it would seem. It was over 2 years since I dropped a new project or track, so I was really itching to release something, but I couldn’t because things just weren’t ready because I had other priorities, which caused a hold-up with the creative process.

I was supposed to drop the album in December of 2023, but life hit like an 18-wheeler. Instead of getting discouraged I just kept working at it & writing to different beats & tapped back into the studio to make even more music until I felt I was completely done with the album. Just happy I was able to drop this year after promising my supporters a new project this year. I can’t even stand the word roadblock I swear. I can’t lie, I also have some women problems going on when I’m deep into creating & I let it get in the way sometimes although it also gives me new things to talk about hahaha.

I always say life imitates art so it is what it is. Can’t be too mad at it. It comes with being creative, honestly. You have to roll with the punches, whether it’s life’s responsibilities or women. You just have to manoeuvre your way through it & use it to your advantage while being patient with the process.

How do you feel now it is out in the world? 

I feel like a big weight lifted off me once it was out. I felt more free than I’ve ever been. Especially after getting people’s feedback about how much they like the project & hearing what song is their favorite, it really caused me to appreciate every second that went into recording it & gave me an even clearer idea of what to do next.

I’m always searching for a new way of creating in the studio after dropping a project. It’s an addiction at this point. I may feel free after a release, but then after a while, I’m not satisfied anymore. Always trying to work on something even better. But again, I really appreciate the feedback & love that I have been getting so far. Can’t wait to see who else it reaches.

A lot of independent artists struggle with the pressure to stay on the perpetual hamster wheel of pushing out new content, is that something you can relate to now you’re writing new tracks while ensuring Dreams of Rodeo gets the attention it deserves? 

That’s for sure a true statement for most artists but with me, I don’t let the pressure affect my consistency because my creative flow is something that never goes flat. Once I’m knocking out songs, I can’t stop so I’m always sitting on some type of music, it’s just a matter of finding a way to release it in a strategic way for me that turns into a constant battle.

The music will always speak for itself if you put in the time & effort into it. Once one person rocks with it it’s going to be a whole wave of people that will love it so I don’t really feel the pressure of needing to flood music. I take it one project at a time & let the people spread it to others. Every new listener is hearing it for the first time so why flood music? Maybe that’s just me though.

Is your new track, Butterfly Effect a continuation or a departure from Dreams of Rodeo? 

It’s from the Dreams of Rodeo sessions. It was supposed to be the intro for the album but then the direction I wanted to go changed so it stayed in the vault until now. I’m done holding back songs I make so I wanted to give people a single before the year ends as a gift of appreciation for the continued support before I release more new music which will have a different sound than Dreams of Rodeo.

Are there any other ventures or projects in the works that your fans can look forward to? 

As most people know I’m big on fashion & even got my own clothing brand going so I plan on eventually being a full-time creative director in the fashion lane which coincides with music so I’m looking forward to how far I go in that lane but until then I’m in the early stages of starting a new project titled “Still Shining”.

It’s a sequel to the first project I released titled “Shine”. It’s something that I can’t wait to bring to life & shift my sound once again. I just love trying new things & proving to myself I’m really like that. So much is in the works for my supporters from the music to music visuals to the fashion. It’s all on the way.

Stream Dreams of Rodeo on Spotify now.

Interview by Amelia Vandergast

Kilabear created a sonic sanctuary for the disillusioned with his dark trap stormer, leave me alone

Posted on 9 October 2024
Kilabear

In leave me alone, the alt-rap pioneer, Kilabear, stakes his claim as the dark sovereign of trap, invoking a prelude reminiscent of Sisters of Mercy, only to shatter the gothic serenity with a bass-heavy beat that propels us into his world of brooding introspection. The track is a raw confluence where the polished production of pop and the grit of trap music coalesce into an evocative vignette of how desperation for isolation can swarm the psyche.

Kilabear’s verses, laden with a poignant candour, penetrate relatable melancholy deep into the mix; his words don’t just hit close to the bone, they soak into the marrow as you’re confronted with unfeigned vulnerability, which acts as an olive branch to connect through one of life’s most solitary experiences. If you’ve ever wanted to withdraw into the recesses of your own spirit through disillusionment and scorn, consider leave me alone you’re new sonic sanctuary.

With his music, Kilabear addresses themes of heartbreak, substance abuse, and the everyday struggles that often go unspoken. leave me alone is a testament to his fearlessness in exposing unvarnished truth.

leave me alone will be available to stream on all major platforms from October 9th; check out the single on Spotify and Apple Music.

Review by Amelia Vandergast