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Mondegreen Melodised Nu Metal in Their Annhilative Revival, Are You Sure

With their debut single, Are You Sure, Oxford’s Mondegreen did more than just throw their hat in the Nu Metal revival ring; the expansive annihilative aural aesthetic in the cataclysmic hit allowed the five-piece to stand at the vanguard of the movement and tear down the constructs that constrain the genre.

By feeding the juggernautical grows of the basslines, the cacophonous percussion and the sirening guitars in an ethereally intense atmosphere injected with Metalcore increments of electronica, nostalgia for Mushroomhead, and melodic vocal hooks, Mondegreen scribed a thunderously distinctive sonic signature that has the capacity to write the future of the genre.

After forming in 2023, the outfit is on a mission to deliver heartfelt lyricism through hard-hitting riffs and shake up the status quo, after Are You Sure obliterated my speakers, I can safely say they’re on the right trajectory and they’re one of the most promising new names on the UK metal scene.

Are You Sure is now available to stream on all major platforms including Spotify and YouTube.

Review by Amelia Vandergast

Yodashe is a spectral siren in her avant-garde electronica track, EASTER

Yodashe, an avant-garde firebrand will leave you eating out of the tones of her spectral vocal presence as she weaves a tapestry of sound that transcends the ordinary in her single EASTER.

She didn’t need any further testaments to her ingenuity at this stage in her rapidly ascending career, but in EASTER, she became an undeniable contender for the accolade of one of the most prodigal names in electronica. While others are content riding on the coattails of Trip-Hop pioneers, Yodashe uses glitchy elements as one facet in her richly layered sonic synthesis.

In EASTER, Yodashe’s production skills shine through the complex blend of massive beats, trance-esque phasers and indietronica trappings, creating a hauntingly panoramic soundscape. Her introspective vocals weave through the music, creating a sense of intimacy that contrasts with the grandeur of the electronic backdrop. This juxtaposition is the heart of the track, a dance between the colossal and the vulnerable.

As the less-than-archetypal rhythmic progressions storm through you, playing havoc with your rhythmic pulses, until you are left wantonly desperate for the next hook to ensnare you into the ebb and flow this production that is as disorientating as it is exhilarating.

For those seeking a track that defies convention and delivers a profound sonic experience, EASTER by the London-based artist, producer, and Redbull Music Academy alumni is an essential listen.

Stream the EASTER EP on Spotify now.

Review by Amelia Vandergast

As Was sold indie alt-country sanctuary in his latest single, Borrowed, featuring Joshua McBride

Off the back of his successful sophomore LP, Open Container, the LA native singer-songwriter As Was (AKA Kosta Stanisavljevic) collaborated with Joshua McBride on his latest single, Borrowed, and exhibited his freshly honed alt-country meets indie sonic signature.

Following the gentle finger-picked notes of the guitar strings, ethereal with melancholy vocals drift into the simple yet stirringly profound production as the lyrics unravel as a narrative of ennui from someone who only finds comfort in isolation.

Haunting enough to rival Tom Odell and Elliott Smith, arcane enough in its alt-country atmosphere to stir in the same vein as Kurt Vile and San Ilios, As Was effortlessly succeeded in sonically visualising the aching emotions which inspired Borrowed, which explores the anxiety-fraught sensation of feeling like you’re living on borrowed time, relentlessly seeking reasons to keep hanging on.

Part of the affecting intimacy of As Was can be attributed to his stint away from listening to other artists as he was cutting his teeth as a singer-songwriter. He felt the influence of other artists diminished his own ability to achieve sincerity at a time when he truly tried to find himself. Now he’s a well-established artist, he continues to ground himself deeper in his distinction, and his discography is all the more deeply felt for it.

Borrowed was officially released on February 29th; stream the single on Spotify.

Review by Amelia Vandergast

The Show Goes On in Jesse Agan’s Broadway-Esque Pop-Rock Debut, Home

Jesse Agan’s debut single, Home, arrests with the same intensity of a Broadway tune, all of the lyrical affection of naturalism you would expect from a Vermont native, and guitar riffs that cut through the timelines to take you back to the rock-licked eras of the 60s, 70s and 80s.

The sense of soul in the release is effortless to surrender to, exhibiting a sure sign of Agan’s charisma and command; you instantly feel safe in his aural presence, knowing that whichever avenue his progressive revelation of a debut single leads you down, you’ll be enveloped in the sanctifying alchemy of the retro arrangements filtered through modern production. Ironically, with Home, he delivered all the sanctuary of home, whatever that means for you.

Agan’s ethos of creating hook-centric and vocally forward releases after finding a scintillatingly stirring and passionate formula for his releases is sure to see him go far in the music industry that is crying out for authentic talent and artists unafraid to take audaciously vulnerable leaps with their music.

Home was officially released on March 14th; stream the single on Spotify.

Review by Amelia Vandergast

JMP tore through the façade of fallacy with their latest rap track, Don’t Lie, featuring Zinc and Sofia Kafas

https://spotify.link/QgiVqnqW0Hb

JMP’s latest feat of genre-fluid alchemy, “Don’t Lie,” featuring Zinc and Sofia Kafas, seamlessly fuses trap beats into a melodiously mellow atmosphere. As the lush reverb ebbs and flows, it envelops the listener in a rhythmic embrace, guided by the unique chemistry each vocalist brings to the track.

Sofia Kafas’s soulful voice adds a layer of depth and emotion, contrasting with the grit of the grime-y bars. Their harmonies paint a vivid picture of the narrative at the heart of the song – the detriments of deception. What truly sets “Don’t Lie” apart is its cultural richness; the bilingual verses shatter the monocultural mould, adding an exotic twist to the RnB lyrical rhythms.

Don’t Lie was unveiled as one of JMP’s most dynamic releases to date. The trio of contributors, each with their distinct style, unite under the theme of sincerity and truth. The result is a compelling track that resonates on multiple levels and is a reminder of rap’s capacity for storytelling and emotional depth, making it a standout release in JMP’s repertoire.

Don’t Lie was officially released on February 26th; stream the single on Spotify.

Review by Amelia Vandergast

Lynden. – Change: A Melodic Indie Folk Pop Embrace of Vulnerability and Hope

Evoking resonance by versing on our tendency to chase distraction to outrun negative pervasive thoughts and feelings of loneliness, Lynden.’s latest single, Change, melodically thrives on an emotive confluence of indie, pop, and folk and renders your heartstrings raw through the candour.

The deep emotional themes which traverse the trappings of anxiety and depression go beyond touching on the darkness that finds a way of leaving a shadow over all of our lives. Lynden. used the opportunity to advocate for the vulnerability of honesty and to extend hope to people who need to hear that world views are malleable. In short, If this world is just illusion, choose one that fulfils you.

Starting with simple acoustic guitar chords and evolving into an intimately all-encompassing production which echoes the appeal of Violent Femmes and The Maccabees’ more melancholic work, the Burnley-based singer-songwriter and multi-instrumentalist orchestrated a soundscape which sonically visualises the tenderness of the lyrical narrative, while injecting enough rhythmic zeal to give Change an all-too efficacious uplifting energy.

After receiving critical acclaim and over 24k streams for his last single, You, Lynden. is leaving his affectingly intimate mark on the indie landscape; we can’t think of a more worthy breakthrough artist in 2024.

Change was officially released on March 15. Stream the single on all major platforms via this link.

Review by Amelia Vandergast

Nick Cave Meets the National in Harry White’s Latest Feat of Melancholic Liberation, A Way to Go

Harry White’s single, A Way to Go, extracted from his seminal LP Elvera, released on February 23rd, is a profound exploration of introspective lyricism and eclectic soundscapes.

The London-based artist embarked on a new musical chapter with his third album. A Way To Go, in particular, stands out as a vivid illustration of White’s artistic evolution. The influence of Nick Cave permeates through the keys and the gravelly drama of the vocal lines, while the introspective and intimate lyrics carry the magnetic flair of Leonard Cohen.

White’s venture into a more eclectic sound palette is evident in the fusion of electronic effects and the inclusion of a scratchily turbulent backbeat, hinting at The National’s influence. This backdrop is more than just a sonic layer; it’s a canvas for White’s philosophy that the world’s end is inevitable, regardless of individual actions. This theme, rather than being oppressive, is presented with a liberating twist, making A Way to Go a paradoxically uplifting anthem of melancholy.

The track is a compelling blend of styles, reminiscent of the transcendent zeal of ELO, yet amplified with a gothic romanticism unique to White. As the singer-songwriter gears up for live performances, A Way to Go solidifies his position as a seminal artist on the London circuit.

Stream A Way to Go on Spotify now.

Review by Amelia Vandergast

Sam Phillips serenaded urban desolation into melody with his seminal pop single, In the City

Sam Phillips, a 21-year-old Nashville-based talent, has struck a resonant chord with his debut LP, ‘Hide ‘n Seek’, particularly with the single ‘In the City‘. This track stands out as a testament to his burgeoning artistry, showcasing a maturity that seems far beyond his years and harmonies so light they defy gravity in the predominantly acoustic number.

It’s a song that cuts to the core of the emotional themes explored while demonstrating that there’s immense power in simplicity when delivered with authenticity and profound understanding.

The lyrics paint a vivid picture of moving into the city, a journey from comfort to regret. Phillips taps into a universal sentiment, especially poignant in today’s world of widespread isolation. The bustling metropolis, often seen as a place of connection, is instead portrayed as a landscape of solitude. This theme will undoubtedly resonate with many, echoing the feelings of disconnection prevalent in our times.

Artistically, ‘In the City’ is both sublime and mellow, using its sonic narratives to great effect. The electric guitar solo towards the outro is particularly striking, cutting through the synthetic backdrop which symbolises a turbulent disconnection from sanctity.

For fans of pop looking for a track that combines lyrical depth with melodic beauty, ‘In the City’ is a must-add to your playlist. It’s a song that not only entertains but also invites reflection, making Sam Phillips an artist to watch in the contemporary music scene.

Sam Phillips’ LP, Hide ‘n Seek, was officially released on February 16; stream the album on Spotify now.

Review by Amelia Vandergast

Nim – Avalon: An Expansively Intimate Exploration of Dystopic Ennui

Nim’s latest single, ‘Avalon’, is a testament to his evolution as a multi-instrumentalist and sound designer. From the outset, the track immerses listeners in a world where ambient electronica melds seamlessly with a cinematic synthesis of post-rock and trip-hop. The minor key arrangement, rich in ambient textures, sets an ethereal yet intensely emotive tone to maintain a melancholic undercurrent without becoming overwrought.

The lush reverb sugars the pill of the dystopic ennui, while the desolation in the vocals is so laden with solitude they feel as if they are reaching out from the vastness of space, seeking connection in their isolation.

Nim’s background as a pianist and singer is evident in the meticulous construction of ‘Avalon’. The track defies easy categorisation, drifting through the realms of post-rock, trip-hop, and ambient IDM with a fluidity that speaks to his versatility. The introduction of a trappy backbeat, both solid and glitchy, adds an unexpected yet mellifluous twist, intensifying the track’s introspective mood.

Hit play and journey through Nim’s dystopian vision, where the feel of the music takes precedence and the haunting exploration of malaise resonates long after the last note fades.

Stream Avalon on Spotify now.

Review by Amelia Vandergast

Victorrio came in hot & heavy with his alt-RnB debut, I Would Never

Victorrio’s debut single, I Would Never, marks a compelling entrance into the alt-RnB scene. He came in hot and heavy with the narrative journey which bares his battle scars and weaves through the complexities of romantic turmoil with a finesse that belies his newcomer status.

It’s a genre-defying piece, effortlessly melding elements of stylised soul with a trappy backbeat and pop-inflected production. The brooding effects that add layers of depth and intrigue will undoubtedly resonate with fans of The Weeknd, yet Victorrio carved out his own niche within this familiar territory while exploring the darker side of love. If you’ve ever been burned in ways that leave you perplexed by a romantic partner’s capacity for ruthless malevolence, I Would Never is the ultimate aural salve for heartless iniquity.

To make I Would Never even more affecting, his voice, smooth yet commanding, delivers each line with an alchemic mix of vulnerability and strength and each verse unravels as an intimate vignette. By using his experimentalism as a narrative device which mirrors the track’s tormented thematic elements, I Would Never became haunting and alluring, innovative and introspective in equal measure. Naturally, we can’t wait to hear what follows.

I Would Never was officially released on February 9th; stream the single on Spotify.

Review by Amelia Vandergast