Pierre Englebert cuts right to the surrealist core of absurdity with his latest single, Jesus Night at the Britestar, a psychedelically twisted rock vignette of satirical salvation which swells with the kaleidoscopic ingenuity of The Beatles, harmonises to the nines of The Beach Boys and swaggers into style with Pavement-esque woozy, off-kilter experimentalism.
Nothing in the fusionist approach to this instant soul-tugger compares to the meta cerebralism behind the orchestration. With far too much wry wit to resound as a novelty hit, Pierre Englebert practically creates a new form of comedy through honky gospel hues, reggae warmth and spacey cosmic sublimity, nodding to Eno in a way that proves his influence can spiral into the most unlikely forms.
Englebert’s double life as a Southern California professor of Comparative Politics and International Relations and prolific singer-songwriter only sharpens the track’s strange intelligence. Across seven albums since 2019, he has built a world of pop-rock, classical sensibility, singer-songwriter intimacy, comedy, storytelling and sophisticated chord turns, and Jesus Night at the Britestar sits among his most gloriously peculiar works. It visualises the kind of transcendence you feel after finding redemption somewhere strange, neon and spiritually sticky.
Whatever Pierre Englebert does next, we’re convinced it will show us another kind of light we’ve never witnessed before.
Jesus Night at the Britestar is now available to stream on all major platforms, including Spotify.
Review by Amelia Vandergast
