Browsing Category

Punk

The devil is in the debauched detail of Too Late To Run’s seminal alt-rock hit, Diablo

Posted on 3 December 2024

In their debut EP, Fake News, the outfit fated to become Sweden’s latest alt-rock powerhouse, Too Late To Run (TLTR), takes on the hypocrisy of world leaders and puppet news media with gritty distorted guitars and a subtle voice of sarcasm.

The standout single, Diablo, is a down-and-dirty cocktail of funk, scuzz, and playful punk panache that blasts past pastiche while harking back to acts like Eagles of Death Metal and Mike Patton, who avert cliché with their humorous and avant-garde spins on rock ‘n’ roll tropes. For a while, it has felt like rock has become a parody of itself—a trend perpetuated by artists with scarce awareness of how they’re weak effigies of their idols. But with Too Late To Run, you lock into the rolling rhythms and devil-may-care debauchery, instantly assured that every sonic sermon will leave you wanting to kneel at their eccentrically electric altar.

Born in the UK, songwriter, producer, lead vocalist, and band founder LEA says of the album, “Many people are feeling powerless right now, and these songs are the best way I know to get my own voice heard and try to make a difference.”

Diablo is now available to stream and download via Bandcamp.

Review by Amelia Vandergast

Commüne pierced the punk-rock veil with their vignette of ennui-soaked suffering ‘Alive, ok’

Posted on 30 November 2024

Slick with ennui-soaked suffering, the latest single, ‘Alive, ok’, from the Athens, Georgia powerhouse, Commüne, leads you into a vortex of existentially scuzzy philosophical enquiry.

If you think the lyric, “And we’re alive, and I know that it’s fine and I’ll tell you that’s great but what about the pain?”, hits hard, brace yourself for the impact of the hypersonic punk rock hooks which, when paired with the Kathleen Hanna-esque bratty vocal delivery, is hard enough to bruise.

Commüne pulled all of the punches with this kaleidoscope of dissonance, which efficaciously depicts the intensity of emotion when you attempt to find tangible reasons to endeavour through relentless chapters of comfortless anhedonia.

With guitar strings, which may as well be live electrical wires burning white hot buzzsaw riffs into the track over the frenetic pulse of the percussion against the ferociously honeyed harmonies, ‘Alive, ok’ is so much more than a testament to the fire-branded power of Commüne; it’s a monolithic monument standing in the punk rock pantheon.

Stream the official music video for ‘Alive, ok’ on YouTube now.

Review by Amelia Vandergast

Head Wound annihilated the airwaves with their electro-punk hit, D.B.V.T.Y

Posted on 24 November 2024

On November 15^th, Head Wound stormed the alt-punk scene with their joint EP with the local act Soft Exit. Head Wound’s contribution to the Split EP will undoubtedly cause plenty of people to check if Mike Patton has spawned another moniker.

The frenetically electric opening track, D.B.V.T.Y, is a rollercoaster of transgressions, from the seductive electronic opening salvo which throws back to the salacious appeal of Alec Empire to the prowling basslines that echo Eighties Matchbox B-Line Disaster to the Fantomas-esque outburst of sheer insanity which chews up typical time signatures and spits them out as relentless attacks of glitchy garage punk.

As the ferocious synthesis of punk, post-hardcore and math rock veers to its outro, you realise you never knew the true definition of aural intensity until you witnessed the juggernautical power of Head Wound. The Kuwait-based powerhouse isn’t just pushing boundaries, they’re launching an all-out assault on them until they’re bruised, broken and barely distinguishable.

Stream D.B.V.T.Y as part of Head Wound’s debut LP on all major platforms, including Spotify, Bandcamp and Apple Music.

Review by Amelia Vandergast

Folk meets prog-punk in Whate’s orchestrally cinematic composition By Torchietto

Posted on 18 November 2024

Where fire meets finesse, whate’s composition ‘By Torchietto’ ignites a fervent blaze that’s set to endure. At its core, the UK-based progressive alt-punk outfit harnesses a storm of eclectic influences, melding the raw energy of punk with the intricate layers of orchestral folk and progressive music. From the stings of violins reminiscent of classical giants like Hans Zimmer and Ennio Morricone to riotous chords, the band’s standout single, ‘By Torchietto’, is an incendiary declaration.

Founded in Italy by Dave Dreamer—lead singer, guitarist, composer, and violinist—whate crafts sound-transcending spectacles. With each member’s diverse background, ranging from blues to prog rock, the band forges a style baptised as “progressive punk”. This sophisticated, new sound is a cocktail of revolutionary ideas, blending Dreamer’s love for classical with punk’s unapologetic rebellion.

‘By Torchietto’ itself is a profound alchemy, balancing tender orchestration against striking, fiery energy, pulling listeners into a cinematic sweep of emotion and rhythm. Much like the rest of the artist’s discography, the single embodies the band’s unflinchingly urgent cry for societal transformation and personal awakening, all while demonstrating their ability to channel their inner tumult into a coherent call to action.

whate’s trajectory, from their debut ‘Can’t Breathe Anymore’ to their current partnership with Rexius Records, signifies a band soaring on their own terms. With ‘By Torchietto’, whate stands poised on a pedestal of their own crafting, unlikely to ever cascade from the pinnacle they’ve reached.

By Torchietto was officially released on November 8^th and is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Flying Hearts reached the epitome of affecting with their acoustic punk outpour of grief, Bury Me in England

Posted on 9 November 2024

The UK duo Flying Hearts reached the epitome of affecting with their acoustic punk single, Bury Me in England, which puts Frank Turner to shame when it comes to rendering visceralism into an acoustically accompanied narrative.

The tenderness of the indie-tinged melodies juxtaposes the urgency within the vocal delivery, which mourns the loss of singer-songwriter Joe Wenman’s best friend. There are few greater tragedies than a life lost too soon, and that rings deafeningly true through this fitting tribute to the connection shared. The elucidation of the pain that’s left behind will resonate with everyone who knows how it feels to be left with everything-wrenching emotion and find themselves at a loss with how to contend with it.

With lyricism which pierces the psyche with an exposition on the fragility of life and everything we can so easily take for granted and Flying Hearts acting as a beacon for the disenfranchised, the duo will undoubtedly break major ground with this release given the disillusionment-imparting times we are all enduring in our own way.

Bury Me in England was officially released on November 8^th and is now available to stream on all major platforms. Find your preferred way to listen via Flying Hearts’ official website.

Review by Amelia Vandergast

Feel the fevered pulse of The Sonic Redemption in their hedonistic riot of a hit, I Got a Fever (and I think I like it)

Posted on 6 November 2024

The Sonic Redemption stormed back onto the rock scene with their latest single, ‘I Got a Fever (and I think I like It)’. The track is a riot of rock-reverent chaos, with the band taking a few tempo cues from Motorhead and channelling hook-driven euphoria reminiscent of Rancid’s …And Out Come the Wolves LP.

The anthem burns a blazing trail of aural adrenaline, leaving your speakers hyped as the whiskey-soaked vocals snarl over the dynamic tight as a straitjacket instrumentals.

Fronted by the iconic Dominique De Vos, previously of Southern Voodoo and Motorcity Angels, and joined by Jelle De Vos on guitar and Bram Decrock on drums, The Sonic Redemption continues to deliver unbridled power and unpolished rock ‘n’ roll.

Dominique De Vos describes the new single as embodying the band’s core identity: “unrestrained, fast, and uncompromising.” It’s a song about the exhilarating freedom and energy that floods through you when you’re completely caught up in the music—a fever that’s genuinely infectious.

The Sonic Redemption doesn’t just revisit the glamour and depravity of the Sunset Strip in the 80s; they reimagine it, spreading it with authenticity and intensity across the globe. The track is an unfiltered tribute to the soul of rock ‘n’ roll, showcasing a band that not only pays homage to this timeless genre but also defines it for a new era. Prepare yourself before you roll with the juggernautical punches of this hit.

I Got a Fever (and I think I like it) dropped on October 26^th; stream the single on Spotify now.

Review by Amelia Vandergast

You Dirty Blue revived vintage blues rock with their renegade of a hit, Humming

Posted on 5 November 2024

‘Humming’ by You Dirty Blue thrashed into the blues rock scene with a rare ferocity that barrels through the annals of music history. This single reverberates with the raw, unrefined essence of 70s rock, encapsulated by fuzzy guitar riffs and raucous vocals that snarl with renegade charm. It’s a rhythmically infectious track that knocks polished modern rock productions off their pedestals and replaces them with something that resonates with the spirit of old-school rock.

You Dirty Blue, a powerhouse duo from Tamworth, have been igniting venues across the UK with their explosive live shows. Their music is steeped in the DIY ethos of grunge and blues, infused with a punchy punk twist that makes each performance unforgettable. Humming is a new chapter in the duo’s legacy with its heady rush of rock’s golden era aesthetics and modern ferocity. If you’ve been pining for the days of raw, unapologetic rock music, get your kicks that are guaranteed to leave a lasting mark.

Humming was officially released on November 1^st; stream the single on SoundCloud now.

Review by Amelia Vandergast

Punk Fury and Bruised Egos: Itz Namo Lets Loose in ‘SCREAMING’

Posted on 26 October 2024

At just 20, Itz Namo from Grand Rapids, Michigan, has already carved his niche in the pop-punk rock scene by blending garagey grit with earworm-worthy hooks. What started as a musical joke during his high school years has now catapulted him into the alt-pop-punk spotlight with his latest single, ‘SCREAMING’.

Echoing the antagonised energy of Fidlar, Itz Namo exhibits a deft hand in weaving augmented instrumentals around razor-sharp hooks in the visceral confession of the humiliation that comes when you shoot your shot with someone way out of your league, only to be knocked back to reality. The track is a cathartic middle finger to rejection, and with any luck, it’ll be the anthem to blast in the ears of incels who sulk in frustration and lash out with contempt when it turns out feelings aren’t mutual.

Namo’s high-octane energy and raw delivery make the track an infectiously bouncy amalgamation of alt-pop punk chaos. Beneath the brash riffs and brimming aggression, there’s a deeper emotional core for anyone who has ever found themselves on the receiving end of romantic disappointment.

With ‘SCREAMING’, Itz Namo proves that his knack for blending personal confessions with high-energy punk is a goldmine for the genre. It’s only a matter of time before more people start tuning into the infectious chaos he’s bringing to the scene.

SCREAMING is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

The Knottie Boys are on unhallowed ground with their horror punk hit, Monster Man

Posted on 21 October 2024

The Knottie Boys came through just in time for Halloween with their horror punk LP, The Weeping of Los Alamos, featuring the ferocious sonic juggernaut, Monster Man.

With The Creepshow-esque vocals, odes to The Misfits’ iconically infectious sonic signature and ska-reminiscent brass for good measure, Knottie Boys haunted the middle ground between psychobilly and horror punk with a tumultuous anthem that sweeps you up in its adrenalised riptide of frenetic energy.

As the third album from the Long Island-hailing alt-punk powerhouse who borrow influences from all across the punk spectrum, The Weeping of Los Alamos is set to skyrocket The Knottie Boys to even greater heights. Their ability to ensure their influences never outshine their ingenuity is on full display in the 15-part installation of cultivated chaos.

The Stream Knottie Boys’ LP, The Weeping of Los Alamos in full via Spotify.

Review by Amelia Vandergast

The Miki Doras soundtracked the soul of NYC with their debut release, Uptown, Downtown…

Posted on 19 October 2024

As a band who lives, breathes, and riffs right through the grit of the NYC rock n roll underground, The Miki Doras, who have been cutting their teeth in dive bars across the city, on rooftops in Brooklyn, warehouses in Williamsburg and house parties in Bushwick, have finally unleashed their debut single, Uptown, Downtown…

The debut may have been 15 years in the making, but the hit just goes to show how syntheses of proto-punk, garage rock and power-pop will always be timeless. The filthy-with-distortion guitars cross the borderlands from unholy into pornographic terrain while the percussive pulse of the track feeds frenetic (teenage) kicks into the stellar slice of songwriting which affirms New York City has a new hit-making powerhouse in its underbelly.

If it’s been a while since you got caught up in the raucous euphoria of a rock chorus; hit play and see how high you can get with Uptown, Downtown… The chameleonic vocals never allow you to feel comfortable in the release; between the unchained snarls and the Blue Oyster Cult-esque harmonies, you’ll be thrown all across the emotional spectrum.

Uptown, Downtown… was officially released as the title single from The Miki Doras’ debut EP on August 28^th, and there’s plenty more brashy rock n roll glamour in store with the band’s debut LP, …On a New York Night, in the pipeline. Stream the debut single on Spotify now.

Review by Amelia Vandergas

Older Posts