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Orchestra

The award-winning orchestral rock composer Aldo has released his latest cinematic score, Stem the Tide.

There has been an influx of ambient and easy listening music on the airwaves in 2021; it took the talent of pianist, composer and songwriter, Aldo to prove what difference a prodigal touch to a soundscape can make.

His latest progressively orchestral, rock-tinged single, Stem the Tide, starts around ambient piano melodies and flourishes of Celtic culture; even when the momentum starts to build, the sublime tonal bliss goes untarnished. The Emmy award-winners scores have been on countless TV shows and documentaries. He has still found the time to release six albums, all of them containing the same panoramic flair that he is accoladed for in the film and TV music industry. If any artist has the ability to redefine your perception of talent, it is Aldo.

Stem the Tide is now available to stream on Spotify.

Review by Amelia Vandergast

OSLU sets a sophisticated cinematic score in Goodbye Old Friend.

Jazz fusionist and soundtrack composer OSLU released their latest album, Explaudere, on October 1st. By taking modern film scores and classical music as inspiration, the neo-blues pioneer orchestrates accessible soundscapes that tenderly bind you into the ease of the progressions and the cinematic flair.

The instrumental single, Goodbye Old Friend, uses clean-cut blues guitars, shimmering crescendos and nuanced rock elements to testify to OSLU’s ingenuity when it comes to creating orchestral catharsis. It would be no surprise to see OSLU’s name on a Blockbuster’s roll of end credits. The sheer talent is enough to allow you to question everything you heard on the radio today.

Listen to OSLU’s latest album on SoundCloud.

Review by Amelia Vandergast

 

Sonophonix have released their alternative orchestral bond theme, No Time To Die.

https://open.spotify.com/album/31VR73FtegSWrGevgmzEuC?si=LeP6IHtMSPaUcb_wnAgtmA&dl_branch=1

To correspond with the new 2021 Bond film, the breaking classical duo Sonophonix have release their ethereal spin on Billie Eilish’s theme song, No Time to Die.

With Eilish’s rendition becoming the most haunting Bond theme to have ever existed, it was hard to see how more intrinsic beauty could be pulled from the minimalist score. Yet, Sonophonix discernibly succeeded by amplifying the intensity of the soundtrack with far more prominent orchestral strings and a more cinematically sinister edge. I wouldn’t have raised an eyebrow if I was told the composition was Ramin Djawadi’s work.

You can stream No Time to Die for yourselves on Spotify.

Review by Amelia Vandergast

TIBIBI proves that romanticism still thrives in dystopic times through her celestial ballad, Aura

TIBIBI

‘Aura’ is the third confessionally passionate pop track from the alternative singer-songwriter, producer and engineer, TIBIBI. The dark and moody yet ethereally tender contemporary ballad spins a tale of loneliness and absolution through love. In a melodically powerful way, it reminds you that life is no fairy tale, but that doesn’t mean that you won’t wind up finding the salvation that you yearned for.

I can’t help admire how TIBIBI explored the fraught emotions as deeply as she delved into the euphoria of finally finding someone on your level. Aura is easily one of the sincerest songs that you will hear this year.

Aura is due for release on September 28th; you can check it out for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast

Abi Mia’s orchestral ballad, Shadow, resounds with empowerment

Abi Mia

Abi Mia’s latest piano pop ballad, Shadow, is easily one of the timeliest singles that we’ve heard this year; for the lyrics, she looked deep into the collective misery and burnout surrounding her, sonically, she constructed a compelling case for self-care that is impossible to ignore.

Our self-destructive need to work ourselves to exhaustion determination to be fine with everything our chaotic world throws at us is something that has been eating away at us since long before the lockdowns, but right now is the perfect time for a conversation. Abi Mia leads that dialogue with her soul-baring single that will quickly convince you to strip away your façade and allow the single to resonate with you on a deeper level.

The only question that the radio-ready orchestral ballad leaves you with is why isn’t she already a multi-platinum artist? It is only a matter of time before Abi Mia is scouted for her distinct vocals that only allow fleeting reminiscence while boasting the same robust propensities as Lady Gaga, Miley Cyrus and Adele.

Shadow is due for release on September 17th. Check it out for yourselves on SoundCloud.

Review by Amelia Vandergast

Orchestral composer Tony Manfredonia leaves us breathless with ‘Midnight’

Michigan-based composer and orchestrator Tony Manfredonia has released his Lost at Sea EP, featuring the modern masterpiece, Midnight. Even if you’re accustomed to listening to intense OSTs, Midnight is enough to leave you feeling like Alex in the infamous Clockwork Orange aversion therapy scene.

Tony Manfredonia spreads his talent between composing and orchestrating for video games, concert halls and the airwaves. His ability to command aural alchemy through colourful orchestration and emotionally charged narratives has allowed the artist to tour the globe with the Apollo Chamber Players, the Washington Metropolitan Gamer Symphony Orchestra and the University of Cambridge Concert Band.

Like all of his pieces, Midnight is enough to challenge your existing perception of talent. The sheer ethereal artistry pulsating through this orchestral piece is enough to trigger your emotional responses; when you throw in the expression of passion in this striking score, you’ll be left breathless.

Midnight is now available to stream via Spotify.

Review by Amelia Vandergast

Orchestral rock alchemist Kaby Burton has released her sophomore single, The Dance.

It is probably safe to assume that most millennial alt girls, myself included, found themselves fantasising about cultivating the same grippingly gracious talent as the likes of Nightwish; Kaby Burton made it a reality.

‘The Dance’ is the sophomore single from the solo artist who made her debut with her single, Hymn of the Sea, in 2020. Her debut set the bar high, but the atmosphere and intensity of emotion in her orchestral rock track, The Dance, is enough to leave the hairs on the back of your neck stand to attention. ‘Immersive’ almost feels like an understatement when it comes to the theatrically sublime ballad.

The Dance is now available to stream on Spotify.

Review by Amelia Vandergast