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James Austin Melton Strips Jazz to Its Core and Rebuilds It with ‘Adaptive Fiction’

James Austin Melton

James Austin Melton may still be breaking ground in the jazz scene, but Adaptive Fiction proves he’s set to shake the foundations. His intricate, classically influenced guitar style intertwines seamlessly with a cinematically smoky brass section, creating a deeply rooted and refreshingly unrestrained sonic signature.

The single is catharsis in melodic motion. As the Latin-esque guitars set the groove, the energy only intensifies with the arrival of Melton’s soul-imbued vocals, soaring above the instrumentation with effortless conviction. The production strips jazz to its core and rearranges it with a vision that few would dare to share, yet every note remains as accessible as it is sanctifying.

A musician, educator, and writer, Melton approaches his craft with the kind of thoughtfulness that turns compositions into experiences. His discography is quickly shaping into a sanctuary of sound, offering respite from the noise with arrangements that challenge convention without ever alienating the listener.

With Adaptive Fiction, Melton reaffirms that jazz isn’t just alive—it’s still evolving in ways that demand attention.

Adaptive Fiction is now available to stream on all major streaming platforms, including Spotify.

Review by Amelia Vandergast

JNDJ Spun Reflections of Liberation into a Riff-Charged Pop Rock Anthem with ‘Mirrors’

JNDJ’s latest single Mirrors throws open the windows to let the light in while ripping through the airwaves with an unmistakable alt-90s edge. The track eases in with a dreamy jangle pop melody before slamming into full riff-charged momentum, intensifying the (literally and figuratively) reflective lyricism. The mix of heavy rock energy and Latin pop spirit adds an anthemic, emotionally raw quality, making every note hit with intention.

With its emancipating, bolstered with lyrical gold, Mirrors is the ultimate pick-me-up, freeing listeners from the toxic ties of negative perception. The bilingual vocals carve another layer into the liberating single, reinforcing its message of resilience and clarity.

For Julissa and Jesse Girardi, music has been a lifelong pursuit—one that led them through the highs of industry success before disillusionment pushed them to seek deeper meaning. After rediscovering their purpose, JNDJ returned with a sound that leans into their ability to create music that resonates far beyond surface-level appeal. Mirrors proves that when they step up to the mic, they ignite something transformative.

If JNDJ had risen alongside Garbage, Texas, and The Cranberries, they’d already be in the same breath of recognition. If you’re looking for a band that knows how to pull you from the depths and shake you back to life, this is the one to follow.

Stream the official video for Mirrors on YouTube now.

Review by Amelia Vandergast

David Seymour Offers Sonic Solace with His Jazz EP, Shelter

David Seymour’s What a Life, the anchor track from his Shelter EP, figuratively and titularly delivers sanctuary to jazz fans. This smooth resistance against the monocultural mould allows the instrumentals to speak a universal language through their warm timbres and lushly arranged intricate time signatures. Meanwhile, the dreamy reverie within the female vocals seduces listeners further into the all-encompassing soundscape, letting the textural bliss sprawl around them like a tender aural caress.

The North London songwriter and composer draws from a well-travelled life that has seen him immersed in the musical traditions of North America, Mexico, and Europe before settling in London to collaborate with African and South American musicians. The broad palette of influences—including Afro-Latin rhythms, Celtic folk, classical compositions, and 70s icons like Coltrane and Monk—finds its voice in Seymour’s work, but it’s jazz that serves as his creative compass.

While What a Life offers a singularly rich experience, the Shelter EP as a whole invites listeners to explore Seymour’s versatility and skill as he channels his deft, succinct, and sonorous touch into various forms of jazz. For the full catharsis fix, stream the 5-track EP in its entirety and allow the lush arrangements and intricately embellished instrumentation to envelop you. Whether through the warmth of its timbres or the universal resonance of its message, Shelter succeeds in delivering on its promise of musical sanctuary.

Stream Shelter in full via Spotify.

Review by Amelia Vandergast

Interview with Michael Cristiano: A Journey Through Decades of Mastery

Renowned as a singer-songwriter, producer, composer, and performer, Michael Cristiano has built a remarkable career steeped in versatility and creativity. In this exclusive interview, we touch on his beginnings, inspired by Elvis Presley’s electrifying performances, and his evolution into a globally respected music director and producer. With decades of experience, including his pivotal role with The Seekers and his recent all-Italian album, Michael opens up about the personal significance of his projects, the artistry behind music production, and the thrill of live performance. From crafting multi-platinum albums to exploring new frontiers in Latin music, his dedication to his craft remains unwavering. Whether sharing his advice for aspiring artists or reflecting on the defining moments of his career, Michael Cristiano offers an inspiring look into his world.

Michael Cristiano, welcome to A&R Factory! Thanks for taking the time to sit down with us and discuss your storied and accoladed career as a singer-songwriter, producer, composer and performer. Before we cover your achievements, we’d love to hear how you discovered and honed your skills.

I remember watching Elvis Presley in “Viva Las Vegas” on TV one night with my grandmother. I couldn’t have been more than three or four years old. Elvis was playing the guitar, singing and dancing with Ann Margaret. I was entranced. Not long after that, I watched the ’68 Comeback Special, which featured classic footage of Elvis playing the guitar and singing in black leather. I knew then – that’s what I wanted to do. I became obsessed with the guitar and started classical guitar lessons at the age of six delving into further studies in jazz, rock, composition and arrangement in my early teens.

You’ve been the Music Director and Producer for The Seekers since 1992 and joined The Original Seekers as the fourth voice in 2019. How has your experience with such iconic groups shaped your approach to music production and performance?

I am blessed to have worked with some of the greatest artists in the world throughout my career, but The Seekers were perhaps the most influential. They trusted me with producing their “sound”, and Judith Durham often said that I was the only producer since Tom Springfield (their original producer) who could re-create the magic that was The Seekers. Working with the group opened many doors for me professionally, and I am forever indebted to them for their trust and friendship. Being asked to be the ‘fourth voice’ in ‘The Original Seekers’ was the icing on the cake, and I’m thrilled and honoured to be part of Australian music history now.

Your all-Italian album, released on November 1, 2024, showcases your versatility as a singer, musician, and producer. What inspired you to explore this particular project, and what does it mean to you personally? 

I have always wanted to record an all-Italian album of original songs as I have been a fan of Italian pop music since I was a child. My father bought me a vinyl single of Italian singer/songwriter Nicola Di Bari’s hit “Chitarra Suona Più Piano” and I was hooked from my first listen.

I enjoyed every minute of recording all the songs on the album. I played all the instruments, sang all the vocals and produced the entire project. To see it resonate so strongly with international audiences is a dream come true.

You’ve produced multi-platinum albums for legends like The Seekers, Russell Morris, and Mirusia. How does your approach differ when producing for other artists versus working on your own music?

When producing my own music, I’m free to explore different styles and musical genres, whether jazz, blues or classical. When producing other artists, staying true to their style and identity is crucial. A producer’s job in that situation is to bring the artist’s vision to life and make them and their songs sound as good as possible.

What do you enjoy most about being on stage, and how does it compare to the creative process in the studio?

I love working in the studio, but nothing beats the feeling of playing in front of a live audience. That is what music is really about – performing, communicating with an audience live, in the moment. That’s one of the most special feelings there are.

With your latest album being added to international radio, how does it feel to have your solo work resonate with such a wide audience?

I’m thrilled with the reaction the album is getting around the world. I knew there was something special about this album when I first started recording the songs and seeing audiences worldwide react so positively to the music was wonderful.

Your career spans decades, and you’ve excelled as a singer-songwriter, producer, composer, and performer. What moments stand out as the most defining or pivotal in your musical journey?

Many moments stand out to me, first playing my first ‘paying gig’ when I was just twelve years old. Two years later, I started my first band, ‘Rebel’, with friends from school, later known as ‘7th Avenue’. I joined the show band ‘Koco’ in my late teens and backed many of the biggest international acts of the day that toured Australia. Following this, I played with The Seekers in 1988, became their Musical Director in 1990, and Record Producer in 1992. Producing my first platinum-selling album, ‘The Seekers – The 25 Year Reunion Celebration’ is another definite highlight.

Can you share more about the direction you’re heading with your upcoming projects?

I’m about to record two songs from my Italian album “Mai Finirà” with Spanish lyrics, and I’m very excited about releasing new material for the Latin music market. There’s also a new album in the works, so stay tuned, folks.

Reflecting on your extensive career, what advice would you offer to aspiring musicians and producers hoping to make their mark in the industry?

The best advice I can offer to up-and-coming musicians is to work with as many different musicians as possible. Make an effort to work with musicians that are better than you. Listen and learn as much as you can. Never, ever give up. Most importantly, practice. Work at your craft, always. It doesn’t matter what you have to say as a musician, a singer, a songwriter or a record producer if you haven’t developed the skills to express your ideas – oh, and practice, practice, practice.

Discover Michael Cristiano’s work on Spotify and his official website.

Interview by Amelia Vandergast

Thalia Jailene spun emotion into rhythmic gold with her standout single, Sueñitos

Thalia Jailene’s latest single, Sueñitos, weaves hypnotic rhythms straight into the soul. From the opening notes, choppy staccato reggae guitars tease the senses, making way for warm flamenco licks that unravel through the vibrant sonic fabric. Thalia’s smooth, serotonin-laced vocals glide effortlessly over the textured layers, delivering an exotic and arcane soundscape that feels as seraphic as it is unique.

The Latina singer-songwriter, multi-instrumentalist, producer, and music educator, now based in North Carolina, demonstrates her ability to blend her eclectic influences—from Paramore and No Doubt to Amy Winehouse and Bob Marley—into a sound that transcends genres. Her self-described “music alchemy” transforms raw emotions into an intoxicating mix of pop, rock, and reggae, with Sueñitos embodying her commitment to organic euphoria while the rest of her discography attests to how she never shies away from darker themes.

Hi play and prepare for full immersion as your senses are flooded with colour.

Sueñitos is available to stream on all major platforms via this link.

Review by Amelia Vandergast

Tom Waits Meets Ricky Martin in THE Astrolabe’s pop mood elevator,  Lovers

THE Astrolabe became the superlative king of cosmic pop sex appeal with his latest single, Lovers. If you thought Ricky Martin’s Livin la vida loca was sonically seductive, brace yourself for the affectingly aphrodisiacal energy of Lovers, which alchemises Latino rhythms with Bowie-esque space dust and jazzy grooves, creating a genre-fluid tour de force that sweeps through the soul with maximum volition.

Following a prelude that nods to Kraftwerk, the Athens-hailing innovator’s vocals croon into the mix, allowing you to imagine how Waits’ discography would have unfolded if he was just as adept at wrapping his gruff timbres around pop hooks. In the choruses, the peerless singer-songwriter proves he’s equally comfortable in a more harmonic register as his vocal notes soar with the brass section.

We are officially obsessed with THE Astrolabe and his endlessly uplifting cultivated sound that goes beyond setting a tone; his ability to command your entire mood is second to none. For your own sake, get him on your radar.

Lovers started serenading the airwaves on October 3rd; get hot under the collar with it by heading over to Spotify.

Review by Amelia Vandergast

Catch the fever of euphoria in Bekah Wilbourn’s sophomore single, Lost in Colombia

Bekah Wilbourn took the Latino Pop scene by storm with her cinematically melancholic debut single, Go Numb. On the 19th of July, the airwaves witnessed a different side to the songstress with the unveiling of her sophomore single, Lost in Colombia. Orchestrated as a celebration of multiculturalism viewed through the lens of a one-in-a-lifetime love affair, Lost in Colombia is an instantly infectious fever of euphoria.

As the strident horn stabs meet the mesmeric rhythm of the Latin percussion, a carnivalesque energy sweeps across the panoramic production which enshrines the El Paso-based artist’s expansively arrestive vocals that embody vitality.

In a time when it feels as though division is eroding connection, Bekah Wilbourn did so much more than simply contribute to the airwaves with Lost in Colombia, she served a reminder that, unlike prejudice, love knows nothing of borders.

In her own words,

“Lost in Colombia tells the heartfelt story of a journey driven by love and cultural immersion. The song’s narrative explores a deep, personal connection where the protagonist finds herself yearning to embrace the Colombian culture and lifestyle after meeting a lover in Colombia. The lyrics reflect her desire to step out of her comfort zone and fully integrate into his world, longing to be lost together in the enchanting and magical city of Colombia.”

Lost in Colombia is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

EmiTQM has made an ethereal debut with his installation of Latin indietronic pop, IGUAL Y ME PENSASTE

Latin pop sensation in the making, EmiTQM, has made an indelible mark on the Latin pop scene with his dreamy indietronica debut single, IGUAL Y ME PENSASTE, which arrests with ethereal melodic waves in the same vein as Cigarettes After Sex, and originates via tenderly warm and exploratively 8bit-adjacent sequences which envelop you in a sonic world of kaleidoscopic colour and soul.

Translating to ‘maybe you thought of me’, IGUAL Y ME PENSASTE is a reticently sweet embodiment of hope and yearning to reverberate around the mind of the person who ceaselessly occupies every waking thought.

The single is an affectingly unforgettable introduction to the Mexican pop singer-songwriter and producer’s unique style which has already seen him amass a loyal army of fans who relish in his ability to visualise universally resonant facets of the human condition.

The emotions that will flood through you as you follow EmiTQM’s lead through this future-forward earworm reach the pinnacle of visceralism. The hazy love-drunk hues translate with perfect articulation as the lines between reality and imagination blur.

One of the only things with more promise than his music career is that the sun will rise tomorrow. We are already stoked to hear what he has in store for his sophomore release.

IGUAL Y ME PENSASTE was officially released on June 27; stream the single on Spotify.

Review by Amelia Vandergast

Teff exhibited the exhilaration of being inside of love in her Latin Pop triumph, Suerte

Teff

Teff, the Latin Grammy-nominated sensation, has returned with a rhythmic explosion in her latest single, Suerte, which attests to the bliss of finding love in an ocean of 8 billion souls. Suerte, meaning ‘luck’, is a celebration of serendipitous romance that has the capacity to transform every moment into a fervent exhilaration.

The song’s production, co-helmed by the illustrious Bernardo Arzola, is a masterclass in blending quality and innovation. Martha Paredes’ percussion, Camilo Rodriguez’s guitar work, and Danny Thomas Gonzales’ bass provide a rich, soulful backdrop that captures the essence of Teff’s upbeat Latin pop style. The synergy between these artists creates a dynamic and infectious sound that radiates positivity and gratitude.

Teff, born in Caracas and raised in the United States, pours her heart into every beat and lyric of Suerte. Her voice, filled with a fiery passion, navigates the listener through the highs and lows of love, ultimately landing on the sweet realisation that true connection makes every bad moment fade into insignificance. The track’s upbeat tempo and quirky lyrics encapsulate this duality of luck, delivering an authentically heartfelt experience.

Every progression in Suerte is laid down with flourishing finesse, while the effervescence of the crystalline production attests to the transformative power of love. It’s a timeless piece that teaches the ultimate lesson in gratitude and showcases Teff at her most candid and uninhibited. For fans of Latin music, Suerte is an essential listen, capturing the vibrant, soul-rich colour that defines Teff’s unique musical journey.

Suerte will reach all major streaming platforms on June 7th.

Discover Teff on her official website, Facebook, and Instagram.

Review by Amelia Vandergast

Sojourn to Tijuana with The Dream X’s Latest Serving of Hip-Hop Exoticism

After The Dream X racked up over 600k Spotify streams with his sophomore single, Tijuana, we had to know what the hype was about, and we quickly found it within the instrumental exoticism of the vibrant sojourn of a release which will leave you riding high on the waves of the oceanic production.

With the hazy melodies working in contrast to the bitter-sweet lyricism which explores the anti-climax of post-breakup hook-ups, there are as many layers to the emotions as there are to the genre-fluid instrumentals which fuse Latin guitars with a pseudo-trap backbeat and afrobeat colour.

Tijuana is the kind of track you’ll hit play on and feel the compulsion to crank up the volume until it’s slamming through your speakers and melodiously reverberating through you so you can savour the honeyed elixir which pours from The Dream X’s vocal harmonies which groove between his rap bars.

The Utah-based rapper, singer, producer, and actor is a fucking phenomenon, and we’re already desperate to hear what comes next.

Stream Tijuana on Spotify now.

Review by Amelia Vandergast