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Latino

Catch the fever of euphoria in Bekah Wilbourn’s sophomore single, Lost in Colombia

Bekah Wilbourn took the Latino Pop scene by storm with her cinematically melancholic debut single, Go Numb. On the 19th of July, the airwaves witnessed a different side to the songstress with the unveiling of her sophomore single, Lost in Colombia. Orchestrated as a celebration of multiculturalism viewed through the lens of a one-in-a-lifetime love affair, Lost in Colombia is an instantly infectious fever of euphoria.

As the strident horn stabs meet the mesmeric rhythm of the Latin percussion, a carnivalesque energy sweeps across the panoramic production which enshrines the El Paso-based artist’s expansively arrestive vocals that embody vitality.

In a time when it feels as though division is eroding connection, Bekah Wilbourn did so much more than simply contribute to the airwaves with Lost in Colombia, she served a reminder that, unlike prejudice, love knows nothing of borders.

In her own words,

“Lost in Colombia tells the heartfelt story of a journey driven by love and cultural immersion. The song’s narrative explores a deep, personal connection where the protagonist finds herself yearning to embrace the Colombian culture and lifestyle after meeting a lover in Colombia. The lyrics reflect her desire to step out of her comfort zone and fully integrate into his world, longing to be lost together in the enchanting and magical city of Colombia.”

Lost in Colombia is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

EmiTQM has made an ethereal debut with his installation of Latin indietronic pop, IGUAL Y ME PENSASTE

Latin pop sensation in the making, EmiTQM, has made an indelible mark on the Latin pop scene with his dreamy indietronica debut single, IGUAL Y ME PENSASTE, which arrests with ethereal melodic waves in the same vein as Cigarettes After Sex, and originates via tenderly warm and exploratively 8bit-adjacent sequences which envelop you in a sonic world of kaleidoscopic colour and soul.

Translating to ‘maybe you thought of me’, IGUAL Y ME PENSASTE is a reticently sweet embodiment of hope and yearning to reverberate around the mind of the person who ceaselessly occupies every waking thought.

The single is an affectingly unforgettable introduction to the Mexican pop singer-songwriter and producer’s unique style which has already seen him amass a loyal army of fans who relish in his ability to visualise universally resonant facets of the human condition.

The emotions that will flood through you as you follow EmiTQM’s lead through this future-forward earworm reach the pinnacle of visceralism. The hazy love-drunk hues translate with perfect articulation as the lines between reality and imagination blur.

One of the only things with more promise than his music career is that the sun will rise tomorrow. We are already stoked to hear what he has in store for his sophomore release.

IGUAL Y ME PENSASTE was officially released on June 27; stream the single on Spotify.

Review by Amelia Vandergast

Teff exhibited the exhilaration of being inside of love in her Latin Pop triumph, Suerte

Teff

Teff, the Latin Grammy-nominated sensation, has returned with a rhythmic explosion in her latest single, Suerte, which attests to the bliss of finding love in an ocean of 8 billion souls. Suerte, meaning ‘luck’, is a celebration of serendipitous romance that has the capacity to transform every moment into a fervent exhilaration.

The song’s production, co-helmed by the illustrious Bernardo Arzola, is a masterclass in blending quality and innovation. Martha Paredes’ percussion, Camilo Rodriguez’s guitar work, and Danny Thomas Gonzales’ bass provide a rich, soulful backdrop that captures the essence of Teff’s upbeat Latin pop style. The synergy between these artists creates a dynamic and infectious sound that radiates positivity and gratitude.

Teff, born in Caracas and raised in the United States, pours her heart into every beat and lyric of Suerte. Her voice, filled with a fiery passion, navigates the listener through the highs and lows of love, ultimately landing on the sweet realisation that true connection makes every bad moment fade into insignificance. The track’s upbeat tempo and quirky lyrics encapsulate this duality of luck, delivering an authentically heartfelt experience.

Every progression in Suerte is laid down with flourishing finesse, while the effervescence of the crystalline production attests to the transformative power of love. It’s a timeless piece that teaches the ultimate lesson in gratitude and showcases Teff at her most candid and uninhibited. For fans of Latin music, Suerte is an essential listen, capturing the vibrant, soul-rich colour that defines Teff’s unique musical journey.

Suerte will reach all major streaming platforms on June 7th.

Discover Teff on her official website, Facebook, and Instagram.

Review by Amelia Vandergast

Sojourn to Tijuana with The Dream X’s Latest Serving of Hip-Hop Exoticism

After The Dream X racked up over 600k Spotify streams with his sophomore single, Tijuana, we had to know what the hype was about, and we quickly found it within the instrumental exoticism of the vibrant sojourn of a release which will leave you riding high on the waves of the oceanic production.

With the hazy melodies working in contrast to the bitter-sweet lyricism which explores the anti-climax of post-breakup hook-ups, there are as many layers to the emotions as there are to the genre-fluid instrumentals which fuse Latin guitars with a pseudo-trap backbeat and afrobeat colour.

Tijuana is the kind of track you’ll hit play on and feel the compulsion to crank up the volume until it’s slamming through your speakers and melodiously reverberating through you so you can savour the honeyed elixir which pours from The Dream X’s vocal harmonies which groove between his rap bars.

The Utah-based rapper, singer, producer, and actor is a fucking phenomenon, and we’re already desperate to hear what comes next.

Stream Tijuana on Spotify now.

Review by Amelia Vandergast

Joseph Batrouney gently deconstructed the monocultural mould with his jazz fusion score, At Hand

For his latest seminal piece, Joseph Batrouney collaborated with Niran Dasika, Flora Carbo, and Jacques Emery to orchestrate a beguiling instrumental serenade, which sees jazzy smoke signals billow through the progressions in the sublime score, At Hand.

At Hand stands as a beacon of his unique musical vision, seamlessly blending influences from Middle Eastern, jazz, and flamenco traditions. Batrouney, with his profound understanding of musical fusionism, presents a track that is as organic and fluid as a meandering river, gently challenging and deconstructing the monocultural mould. The track moves with a natural grace, each note and rhythm flowing into the next, creating a harmonious and captivating auditory experience.

Batrouney’s musical skills, honed under the tutelage of luminaries like Tony Moreno, Nate Smith, and Israel ‘Piraña’ Suarez, and through his studies at prestigious institutions like Monash University and New York University, shine brilliantly in this release. His ability to infuse his music with a rich tapestry of rhythmic textures and motions is evident in every beat.

The artist’s noteworthy performances, including appearances alongside the Melbourne Chamber Orchestra and tours with Arte Kanela Flamenco, have undoubtedly contributed to his deep understanding of rhythm and melody. This understanding is palpable in At Hand, where every chord and rhythm seems to tell a story, inviting listeners into Joseph’s world of rhythmic exploration and cultural fusion.

At Hand was officially released on the 20th of November ahead of the EP of the same name, which subsequently reached the airwaves on December 8th. Stream the EP on Spotify.

Review by Amelia Vandergast

Cenzontle’s fusionist sound is sweeter than ‘Nectar’ in their latest seminal Latin folk release.

After enchanting audiences under the GlowStone Leaf Orchestra banner and producing 13 albums that weave a tapestry of profound narratives and complex harmonies, the delectably talented Berlin-based artist, Jorge Hernandez, who has been honing his rhythmic and raconteurial crafts for over a decade stepped into a new ensemble when he assembled the three-piece Cenzontle with Lucie Nana and Kim Kong in 2019.

Monikers don’t come much more apt than Cenzontle, which translates to “400 voices”; it is a nod to the Mexican heritage of Hernandez and the multi-layered essence of his work, which breaks the monocultural mould while proving music is a universal language.

The eponymous LP, which hit the airwaves earlier this year is an opportunity for immersion in a captivating fusion of traditional Latin American Folk and electrifying Rock, delivered with a digital twist. Whether you delve into the vibrant recording or witness the emotional and innovative depth via the live performance of the standout single, ‘Nectar’, you’re sure to be stirred by the spiritually transcendent experience which solidifies Cenzontle’s position at the forefront of genre-bending music exploration.

Stream the Cenzontle LP on Spotify.

Review by Amelia Vandergast

Charlotte Lansman grooved through the last rays of summer while celebrating new love in her jazz-soul single, Stupid Love

Charlotte Lansman delivered the definitive London jazz sound while lyrically moving away from soul cliches in her latest single, Stupid Love. The London-based, Bristol-born singer never fails to hit the sultry with a little bit of grit mark in her singles that bring elements day to day-to-day reality into luxe installations of sonic beguile; Stupid Love is far from the exception.

By evading hallmarked cliches, she was free to focus on the way we wear rose-tinted glasses to cope with the false truths and how wearing your boyfriend’s shirt to the station in the morning cloaks you in impassioned ardour and enables you to fall in love with the world of around you. It’s almost a paradox how her song crafting is completely antithetical to your average love song but reaches the pinnacle of romanticism regardless.

With Joe Rodwell in charge of the production, which sees new romance explored through laid-back grooves, retro synths, rhythmically arrestive Latin jazz beats and guitar riffs that will make the last rays of summer feel even sweeter, Stupid Love became an uplifting triumph.

Stupid Love was officially released on August 24; stream it on Spotify.

Review by Amelia Vandergast

 

Get your Latin Trap ecstasy hit with FJP’s latest drop, Molly Party

FJP’s latest single, Molly Party, dropped (or should that be came up?) on the 14th of July to blur the boundaries between Latin Trap and the evolution from Jamaican dancehall, Dembow, and to generate a fierce party rocking with conviction and culture hit that could fill any Bronx dancefloor.

With a sound so hedonistically filthy that you’ll get a contact high from your speakers as the bass and harsh snares are blazing through them, there’s no better hit to get your party started – literally.

To create his galvanising distinctive sonic signature, the Dominican Bronx-born-and-raised artist fuses his Latin Caribbean roots with eclectic hip-hop influences to produce riddim-riding anthems that will safely secure his place on the Bronx hip-hop map.

Add Molly Party to your Spotify playlists.

Keep up to date with the latest releases from FJP on Instagram, Twitter and TikTok.

Review by Amelia Vandergast

Ozzie Aguilera gave the ultimate lesson in reformation in their 2023 reworking of ‘Yo Quiero Saber’

The Mexican-American singer-songwriter, makeup enthusiast and entrepreneur, Ozzie Aguilera, revisited the past by reworking their 2022 Alt Latino Pop debut single, Yo Quiero Saber, to prove that life is a journey of progress, and even though you have to be accepting of your flaws, if there is the opportunity for growth, grab it with two hands and don’t let go.

The 2022 version was a melodic dream. The 2023 reinvention carries the same dream-like colourful mesmerism with swathes more conviction in the harmonies, which exemplifies the message in the single, that we are all constantly evolving.

It was a highly conceptual move from the mindfully captivating innovator. One that shows how willing they are to right wrongs and how capable they are of spreading a resolving message of inspiration to all of their listeners on their own paths.

Yo Quiero Saber was released on June 9th; stream it on Spotify.

Review by Amelia Vandergast

POVEDA reminds us of that warm 1985 glow on Otra Noche Más

Bringing us the first composition of Roberto’s career from 1985 which has extra flair added for modern times, POVEDA performs with an electric skill and wholehearted desire on Otra Noche Más.

POVEDA is a 2-piece project born from the creative minds of Cuban composer Roberto Poveda and the American drummer Layton Weedeman.

It is no coincidence the song of freedom was picked up and recorded by the national record label of Cuba, EGREM, but met its interesting fate and was mysteriously lost without a trace. Nearly 35 years later, during the 2020 pandemic, Roberto brought the song back to life.” ~ POVEDA

Decompressing the stresses of the world with something so peacefully chilled and pleasant to sip on at the beach, POVEDA has dropped a rather influential soundtrack to summer. This is a superbly constructed song with innovative juices dripping from each corner and shall evoke a warm feeling of hope into each listener’s veins.

Otra Noche Más from the Cuban/American duo project POVEDA is a rather peaceful soundtrack to roaming around and seeing the world with a positive mindset. Sung with a soulful passion and brimming with a carefully calm aura of adventure, we are treated to something rather unique.

In a world replenished with sneaky copycats, this is a warm ray of sunshine in all the right places.

Turn this up in full via Spotify.

Reviewed by Llewelyn Screen