Browsing Category

Discover New Electronic Music on Our Blog

Zach Hodges Bottled an Atomic Glitch in Jazz Fusion Form in ‘Nuclear Muskrat’

Zach Hodges let chaos reign in Nuclear Muskrat and conducted it with a conductor’s cultivated touch and a mad scientist’s curiosity. The 19-year-old Midlands-based musician, composer, producer, and multi-instrumentalist may be early in his career, but through his LP, Baby Landmark, he’s already proven that genre loyalty is a concept best left in the past.

Hodges, known for his work as a theatre musical director for String Cheese Theatre, his position behind the kit in Midlands jazz trio Head to Head, and his international touring experience, funnelled every inch of his multidisciplinary pedigree into this 7-minute experimental tour de force. Nuclear Muskrat isn’t content to sit still—within its frenetic framework, it flexes polka funk motifs, indietronica laced with avant-garde effects, funked-up disco grooves, blues-drenched riffs, erratic polyphonic keys, and incendiary synth bursts.

While it could have been easy for this to feel like a pure act of self-indulgence, it’s easy to go along with the ride with Hodges as he demonstrates the malleability of sound in a way so seamless it is as though all of the textures, tones and tempos have always been complementary pairings. It’s as though the contemporary history of music has been condensed in the explorative mind-melter that continually pulls the rug and lays down a different one before the last footstep can land.

If you’re always on the hunt for music that challenges mediocrity, Nuclear Muskrat is the ultimate contender.

Nuclear Muskrat is now available to stream on all major platforms, including Spotify. 

Review by Amelia Vandergast.

Blue Violence. Became the Definitive Sad Boi of Synth Pop with ‘My Feet Are Sad on the Dancefloor’

Blue Violence. turned the emotional weight of disconnection into a dancefloor confession with ‘My Feet Are Sad on the Dancefloor’, the keystone single from his 3-track EP, ‘Ugh…’. With synths set to shimmer and sardonic melancholy laced through the beat, this melancholic indietronica lament spins the disco ball on its axis to reflect a darker spectrum of inner turmoil.

Through anthropomorphised sorrow, Daniel Fischetti—writing and producing as Blue Violence.—exposes the paradox of internal desolation amidst external euphoria. While glitter rains and basslines throb in euphoric unison, his feet remain heavy with the weight of unshakable emotional inertia. There’s funk in the Depeche Mode-esque rhythm and pain in the lyricism, stitched together with the same magnetic gloom found in the works of John Grant.

Hailing from Southern California, Fischetti started Blue Violence in 2019 during a collaboration with producer and engineer Chris Caccamise of CJE Productions. Their work on the debut album Modern Love cemented Blue Violence. as a name worth noting in the shadowy corners of synth pop. Since then, Fischetti has remained self-contained in his sonic pursuits, refining his signature style without sanding away the raw emotional contours.

‘My Feet Are Sad on the Dancefloor’ doesn’t fake the catharsis—it coils around it, examining every nuance of numbness through neon-soaked textures and darkly sweet tones. Blue Violence delivered the funked-up synth pop hit we never knew we needed. He’s the definitive sad boi of synth pop.

‘My Feet Are Sad on the Dancefloor’ is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Leirbag X.O. Threads a Sonic Scalpel Through the Ether in the Avant-Garde Electronica Cut ‘Earth Paradise Hell’

Earth Paradise Hell is just one of the viscerally affecting hits in Leirbag X.O.’s discography—if this release is anything to go by, no one will be in line to tell the French producer to watch their tone. Starting out in the vein of a pulse-pounding deep-house anthem, the single quickly transmutes into transcendence to sonically visualise the paradise alluded to in the title. Through arresting quiescence, the cultivated producer compels you to lean into the instrumental soundscape far enough that you can feel the textures bleed into your anatomy, leaving you at the mercy of the concluding chapter of the single which feeds disquieting motifs into the ambience, reaching the epitome of harbingering while never forsaking the diaphanous euphony.

Clearly, Leirbag X.O. grabbed a cleaver and ensured he was a cut above the rest through Earth Paradise Hell—a cut deep enough to expose the full contrast between serenity and dissonance without losing control of either. As part of a growing discography which has earned him over 5,000 monthly Spotify listeners, this release showcases his ability to structure tracks as psychological arcs rather than passive audio wallpaper.

Based in France, Leirbag X.O.—real name Gabriel—is already working on his second conceptual album Awakening of Light, following his debut Annihilation of Darkness, released track by track from October 2023 to July 2024. With ambitions of collaboration and a beatmaker’s instinct for sonic architecture, he’s a producer wired for deeper conversations through sound.

Earth Paradise Hell is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast.

Viresha Found Rhythm in Transcendence with Her Organic Tech House Debut, Flow of Life

Viresha

Hit play and permit the augmentations of transcendent spirituality to slam and spiral through your speakers as the synthesis of organic house and techno in Viresha’s debut, Flow of Life awakens the senses. Like a tribal calling to the dancefloor, the instrumental radio edit of Flow of Life delivers exactly what it says on the tin—encapsulating what it means to be human in the tension and catharsis of the progressions, which seamlessly shift as a tribute to the trials we face and the sanctuaries we can lead ourselves to if we ebb to the flow of life.

Viresha—the moniker chosen by Swedish producer, DJ, and breast cancer survivor Anna—channelled her invincible strength into every beat of her self-written and self-produced debut. Drawing from years behind the decks and deep immersion in vinyl and radio culture, she’s carved out a sound steeped in tribal, Latino, afro, melodic tech, and downtempo roots. Her style doesn’t borrow; it builds. There’s structure in the sonic chaos, purpose in the propulsion, and emotion that doesn’t just flirt with the surface but cuts clean through it.

From her past to her pulse-raising future—including her forthcoming attendance at Tomorrowland Academy—Viresha is proof that it’s never too late to create something worth dancing to—debuts rarely come as strong as this fierce rhythmic reckoning.

Flow of Life is now available to stream on all major platforms via this link.

Review by Amelia Vandergast.

Pop Culture’s Powder Keg: Maeve Riley Lights the Fuse with her EDM Pop Anthem, ‘Oops’

Maeve Riley

After a year where pop icons have openly paraded the imperfect and the unruly, Maeve Riley set the dancefloor on fire with Oops—a decadent pop explosion that anthemises digressions with no intention of cleaning up the mess. From the first hit of the tropic house kicks and 80s polyphonic motifs, Riley slams the accelerator on sonic excess, riding a disco groove fuelled by one of the rawest rock riffs ever dropped into a pop production.

The hedonism only intensifies around Riley’s meteorically magnetic vocal lines, which invite you to shed shame, strip away your inhibitions, and groove to the realisation that few things in life are as pristine as idealism, so get lit to the rapture of chaos. Every beat is a rebellion, every lyric a permission slip to abandon composure in the name of unapologetic pleasure.

Born in Rancho Cucamonga and now entrenched in LA’s music circuit, Riley sharpened her performance edge at UCLA’s School of Theatre, Film, and Television before becoming a fixture in the entertainment world. With 200K+ followers across TikTok and Instagram, she’s turned visibility into credibility without sacrificing authenticity.

Connect with Maeve Riley on Instagram and TikTok and wait for the drop of what will undoubtedly become one of the hottest tracks of the summer.

Review by Amelia Vandergast.

Venom in the Reverb: Offworld Narcotics Lace Trip-Hop with Lynchian Limerance in ‘Siren Serpent’

As harbingering, serpentine, and seductive as the title would suggest, Siren Serpent by Offworld Narcotics is a salacious cocktail aimed at intoxicating your mind as much as the rhythmic pulses. The juxtapositions between the dark reverberant effects, chilling tones and timbres, and spectral shadows cast across the illuminated motifs and the ethereally diaphanous vocal lines as they refract light through the alchemised darkened corridors in the mix results in a hypnotic effect; you’ll be fully at the mercy of Offworld Narcotics as they build to a crescendo of Lynchian Avant-Garde beguile.

The trio behind the track – multi-instrumentalist Bryan Drummond, vocalist and producer William Fyke, and drummer-engineer Brandon Bera – have already laid down a reputation for sonic subversion. Their debut single Mariana earned spins on WFMU, and with their 2025 dual drop Siren Serpent and Chained (The Descent), they’ve proven their dedication to pushing their trip-hop sound further into the abyss.

Rooted in the rhythmic tension of artists like Portishead and Massive Attack, Siren Serpent flirts with electronica and alternative rock while keeping a firm focus on subjugating the listener through sound.

Siren Serpent is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast.

Whit2Boi’s Progressive House KPop Earworm, ‘Set the Vive’, Pulses Through the Cracks of Reality

Whit2Boi

Whit2Boi threw out the rulebook to make room for an innovative recalibration of electronic music with his KPop-laced house anthem Set the Vive, featuring the exhilarating vocal presence of Estelle. While Western EDM producers cling to worn-out formulas, Whit2Boi architects an entirely different experience—one that abstracts your senses from material reality and relocates you into the textural transcendence of his sound.

Set the Vive is a slamming EDM house release that hypersonically injects euphoria into every drop. The builds, however, are where Whit2Boi’s signature hits hardest. Meditative textures ripple through the structure with spiritual and naturalistic ambience, dialling back the intensity just long enough to let the anticipation simmer into something more divine than mechanical.

Where other artists are happy to build club tracks for disposable escapism, Set the Vive constructs a world beyond imagination and delivers you straight into it. This isn’t an anthem for losing yourself on the dancefloor. It’s full-body escapism from an artist who understands how to make the synthetic feel sentient.

Discover Whit2Boi on SoundCloud. 

Review by Amelia Vandergast

Ghost Nation’s ‘Last Words’: A Dark Pop Mirror Reflecting the Tightrope of Truth

Ghost Nation’s latest dark pop single, Last Words, opens with disquieting, carnivalesque scintillation, quickly establishing an atmosphere thick with tension. The distorted effects enveloping the vocals mirror how fractured we can become when communication is reduced to a battle of reticence and manipulation rather than genuine connection. It’s proof of Ghost Nation’s adept grasp of lyrical themes, vividly amplifying the intense narrative beneath the track’s surface.

There’s swathes of desolation oscillating throughout the darkwave and industrial-infused pop production, emphasising the idea that no man is an island—we’re all adrift if we lose the ability to tether ourselves with truthful expression. But truth itself can cut deeply, and Last Words provides ample space to ruminate on the weight every syllable carries.

Formed by vocalist and producer Tomas Vasseur and producer Micke Berg, Ghost Nation has cultivated a globally resonant sound since 2016, accumulating over eight million streams by fusing alt electronica with cinematic arrangements. Their seasoned approach is apparent in every motif of Last Words, particularly in the dynamic interplay between innocence and strength.

By intertwining rhythmic urgency, playful experimentation, and philosophical depth, Ghost Nation reveals the fragile tightrope we all navigate with words—where one slip can irreversibly alter our connections.

Last Words is now available to stream on all major platforms, including SoundCloud. 

Review by Amelia Vandergast

Matcha & Mayhem: A Conversation with Cami Bear

Cami Bear marks her return with the unapologetically sharp single, matchacoldbrew, ushering listeners into a fearless new era defined by confidence and contradiction. Rejecting expectations to fully embrace intuition, Cami unpacks her fresh artistic philosophy, inviting us into a creatively liberated space that feels both vivid and deeply personal. Partnering with Atlas Lens Co., whose cinematic credentials include groundbreaking films like Everything Everywhere All at Onceand The Batman, she crafts an emotionally tactile universe steeped in glamour and grit. Through this conversation, Cami candidly discusses the tension between digital experimentation and human imperfection, the courage behind creative reinvention, and the importance of celebrating chaos as much as polish. With characteristic wit and honesty, she offers a  look into her newest chapter, challenging her audience—and herself—to boldly claim their own contradictions.

Welcome to A&R Factory, Cami Bear—it’s a pleasure to have you with us as you usher in a bold new chapter with matchacoldbrew. The single signals a new era for you creatively—what sparked the shift, and how did you approach reintroducing yourself on your own terms? 

This shift came from finally giving myself permission to create without overthinking. I used to mold myself to expectations—whether industry, aesthetic, or sound—but matchacoldbrew is me trusting my instincts. It’s playful, sassy, and layered, like me. I wanted to reintroduce myself with something that felt effortless yet intentional, letting the music and visuals speak before I did.

Reinvention can be a powerful tool, but it also comes with risk—how do you navigate shedding past versions of yourself while staying rooted in your artistic instincts?

I don’t see reinvention as abandoning past versions of myself—it’s more like evolving them. Every chapter of Cami Bear thus far has been real to where I was at that time. I let my instincts guide what stays and what gets left behind. The key is staying honest. If a sound, a look, or an idea doesn’t feel real to me anymore, I don’t force it.

The collaboration with Atlas Lens Co. adds cinematic weight to your vision—can you walk us through how that partnership formed and what it meant to have their backing for your latest video? 

The collaboration happened organically, Atlas Lens Co. teamed up with talented director and editor Max Lin to carry out this submission-based initiative called “MONTH2MONTH” where they hand-picked brands and artists to sponsor a video for and spotlight monthly. I submitted a pitch earlier this year and Max replied the next day, the rest was history. Having their lenses shape this video gave it a timeless quality. It means everything to know that a company of such high calibre, behind some of the most powerful films today (Anora, Everything Everywhere all at Once, The Batman) and ever is now part of my story too. I’m so grateful to their whole team and everyone involved. I’m still wrapping my head around it.

You’ve mentioned your commitment to building worlds for your fans—what emotional and visual cues were non-negotiable when constructing the universe of Matcha Cold Brew?

It had to feel tactile like you could step into it. I wanted viewers and listeners to relive that night and that morning with me. Channeling something so oddly specific through art is challenging but we stuck to our gut and opted for the details that bring you to that place, no matter how niche. Cinematic lighting and movement were non-negotiables. In terms of visuals, we wanted it to transport you to the darkest places of the morning after while still keeping it fabulous, this goes for styling as well. Emotionally, I wanted a balance of dreaminess and sass—something surreal yet unapologetically me. I played with contrast a lot: soft moments with sharp edges, fantasy with reality. It’s all about duality for me.

You often speak about embracing contradictions—how do those themes of chaos and polish, glamour and grit, surface in both the sonic and visual elements of this release?

High contrast is my thing, we really wanted to make it pop here. To put it in the most simple terms this whole song is about embracing the good in the bad. I took my Sunday Scaries spin on that. I asked my creative team: How do we make the ugly look and feel glamorous? How do we make lyrics about bad times feel cute? Listen to the song today and watch the video on April 18th, I think we did a great job at answering those questions.

You push boundaries not just musically but conceptually—how does technology inform the emotional layers of your sound, and where do you draw the line between digital precision and human vulnerability?

I’ve always said that a huge part of my mission as a creative is to bridge the gap between technology and emotions. I play with technology a lot. Technology allows me to explore textures and moods I haven’t quite found the words for. But no matter how much I experiment, I always leave room for imperfection. That’s where the human side comes in. I’m drawn to first takes, breaths between words, things that feel alive, and visuals that don’t feel conventionally perfect.

With reinvention at the heart of this project, how has your relationship with your audience evolved—and what do you hope they take away from this version of Cami Bear?

I think my audience is growing with me. They’re seeing me take creative risks, and hopefully, that’s making space for them to do the same in their own lives. I want them to take away the idea that reinvention isn’t about fixing yourself—it’s about uncovering who you’ve been all along. That means embracing your mistakes, your boldness, your messiness—every unpolished and chaotic part of yourself. I want them to feel unapologetically them and to take up space without second-guessing it. And honestly, I just think it’s hilarious that I’m conveying all of this through the time I walked home from a one-night stand. I love art!

As this chapter begins, what’s keeping you energised behind the scenes—are there any habits, collaborators or creative rituals fuelling this current momentum?

Collaboration keeps me inspired. I’ve been working with people who challenge me in the best ways, pushing me outside my comfort zone. Also, daily rituals—matcha in the morning (of course), working out, and spending time offline. Protecting my energy is key to keeping this momentum going.

Stream Cami Bear on Spotify.

Interview by Amelia Vandergast

Paradise Drive’s ‘The Phenomenon’: Alt-Rock’s Interstellar Ride into Sonic Rapture

Paradise Drive

Paradise Drive is an alt-rock powerhouse delivering orbital euphoria through razor-sharp songwriting chops, interstellar production stylings, and a seamless transcendence beyond simply presenting as a talented act. Throughout their latest album, The Phenomenon, you won’t merely marvel at the evident virtuosity; instead, you’ll become locked into every emotional nuance as it ebbs and flows through kaleidoscopically alchemic progressions.

The opening track pulls you into a riff-raw reverie reminiscent of 00s indie rock—yet propelled further by spacey pedal-to-the-metal momentum, allowing oscillations to move effortlessly via sonic osmosis from airwaves into emotion. Bridging anthemic resonance with introspective quiescence, Paradise Drive taps uncharted intersections within alt-rock, confidently steering innovation towards one of the most dynamic albums of 2025.

From 80s new-wave synth-pop ballads like the standout single, ‘Girl on the Plane’, which fans of The Midnight will undoubtedly devour, to the cathartic rancour of ‘Let’s Be Clear’, The Phenomenon exceeds the promise implied by its title, leaving nothing to be viscerally or evocatively desired.

Led by guitarist and vocalist Hugo De Bernardo, Paradise Drive creates meteoric, immersive experiences, fusing the soulful ambition of Coldplay, U2’s ethereal expansiveness, and the contemporary zest of The Band Camino. Their songs, anchored by themes of love, heartbreak, and personal evolution, resonate affectingly through soaring melodies and lush, electronic-tinged rock landscapes, proving their powerhouse reputation is well-deserved.

The Phenomenon is now available to stream on all major platforms. Discover your preferred way to listen via the artist’s website.

Review by Amelia Vandergast