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M31 injected catharsis into loss with his soul and rhythm-driven ambient electronica debut Gone

M31, the new electronic project by Melbourne-based artist and producer Jake Debono, made a captivating entry into the leftfield chill electronica scene with the debut single ‘Gone’. The soul-driven staple for any vibe-out playlist pours aching emotion into a lo-fi production which grooves through the warm reverberations of major key chord progressions, creating an intimate soundscape which speaks volumes of M31’s songwriting stripes.

The track explores the impact of loss while agonising over hauntingly sweet memories and the anxiety of moving on. M31’s mastery in confessional lyricism is evident, offering a narrative that will resonate with anyone who has faced the struggle of starting a new chapter with someone they never wanted to leave behind. Despite its strong emotional themes, ‘Gone’ is a sonic lesson in catharsis. As passion reverberates through the single, it becomes a space for reflection and emotional release.

The production of ‘Gone’ is a testament to Jake Debono’s versatility. Transitioning from a rock-licked sonic edge, influenced by bands like Red Hot Chili Peppers and R.E.M, to a chilled-out electronic ambience, M31 showcases a profound adaptability.

Gone was officially released on March 29; stream the single on SoundCloud.

Review by Amelia Vandergast

Delve into the digital abyss with Intonation Effigy’s harbingering journey, Artificial Intelligence

Intonation Effigy’s latest single, ‘Artificial Intelligence‘, composed by Keegan LaBrot, is a dark and harbingering journey into the underbelly of electronica. This cinematically dystopian instrumental release is larger than life in its encapsulation of the ever-lingering threat of AI’s inevitable domination.

The track is a masterclass in creating a disquieting and artfully disconcerting atmosphere. Intonation Effigy’s use of complex and glitchy time signatures is a sonic visualisation of the tumultuous epoch we are entering. The equilibrium between dark, bass-drenched synthetics and light, almost ethereal aesthetics is a testament to Intonation Effigy’s ability to emotionally round out his immersive productions. The track is a journey, not just through sound, but through the emotional landscape of a world grappling with the rise of artificial intelligence.

As the third single from this artfully profound visionary, ‘Artificial Intelligence’ establishes Intonation Effigy as an essential name to follow in the electronica scene. This track is more than a musical composition; it’s a statement, a reflection of our times, and a glimpse into a possible future dominated by AI. For fans of electronica looking for depth, complexity, and emotional resonance, ‘Artificial Intelligence’ by Intonation Effigy is a must-listen.

Artificial Intelligence dropped on March 19th; stream the single on Spotify now.

Review by Amelia Vandergast

Am Élie welcomed EDM fans to a new era with ‘Pareidolia’

Am Élie’s latest single, ‘Pareidolia‘, welcomes EDM fans to the new age while showcasing the Sydney-based prodigy as an emissary of innovation who operates decades beyond current trends.

This blissfully utopian anthem is a one-way ticket to an auditory sanctuary, where the builds and breaks rhythmically oscillate around bursts of euphoria and the production intertwines a futuristically rich tapestry of sonic rapture, strings, lush synths and EDM beats. Am Élie’s use of animatronic vocal effects complements the instrumentals perfectly, ensuring that the emotional themes resonate as powerfully as the ingenuity of the composition.

The lyrical narrative arc of Am Élie’s redemption following a bittersweet breakup is a testament to how the grass will always be greener if you move from what no longer serves you; the emotional depth of ‘Pareidolia’ is palpable, making it a standout piece in Am Élie’s growing discography.

Am Élie, a graduate of the prestigious Talent Development Project and a student at the Sydney Conservatorium of Music, brings a unique blend of influences to her music. Drawing inspiration from the likes of David Guetta and Lana Del Rey, she occupies the middleground with her distinctive flair which effortlessly sets her apart from her contemporaries.

Check out Pareidolia when it drops on April 5th on SoundCloud.

Review by Amelia Vandergast

We Architects Synthesised the Sound of Summer with their Progressive House Pop Hit, Light Blue Skies

If your climate isn’t giving you the feel of summer, tune into the sound of it with the seminal progressive house pop single, Light Blue Skies by the cousin duo, We Architects, who have become infamous since their 2014 debut for their infusions of contemporary pop and tropical beach vibes. The stellar production will whisk you away on a holiday you never knew you were going on.

After racking up almost a million streams on Spotify alone, this single which oscillates with serotonin and soul, has become a staple of many who love the anticipation of sun-soaked hedonism and the core memories that follow sticky sweet escapades in the sun.

We Architects gave the progressions superlative intuition by knowing exactly where to take you to ensure you’re always led to euphoria. The rapture in the polished instrumentals juxtaposes the vocal lines which carry a melancholic sting while vibrantly celebrating the sanctity of summer, making them a perfect addition to the emotion-rich production which reaches the epitome of infectious stridency.

Stream Light Blue Skies on Spotify now.

Review by Amelia Vandergast

Yodashe is a spectral siren in her avant-garde electronica track, EASTER

Yodashe, an avant-garde firebrand will leave you eating out of the tones of her spectral vocal presence as she weaves a tapestry of sound that transcends the ordinary in her single EASTER.

She didn’t need any further testaments to her ingenuity at this stage in her rapidly ascending career, but in EASTER, she became an undeniable contender for the accolade of one of the most prodigal names in electronica. While others are content riding on the coattails of Trip-Hop pioneers, Yodashe uses glitchy elements as one facet in her richly layered sonic synthesis.

In EASTER, Yodashe’s production skills shine through the complex blend of massive beats, trance-esque phasers and indietronica trappings, creating a hauntingly panoramic soundscape. Her introspective vocals weave through the music, creating a sense of intimacy that contrasts with the grandeur of the electronic backdrop. This juxtaposition is the heart of the track, a dance between the colossal and the vulnerable.

As the less-than-archetypal rhythmic progressions storm through you, playing havoc with your rhythmic pulses, until you are left wantonly desperate for the next hook to ensnare you into the ebb and flow this production that is as disorientating as it is exhilarating.

For those seeking a track that defies convention and delivers a profound sonic experience, EASTER by the London-based artist, producer, and Redbull Music Academy alumni is an essential listen.

Stream the EASTER EP on Spotify now.

Review by Amelia Vandergast

Meet the Einstein of IDM in Bitvert’s latest soundscape, wasted states

Wasted states by bitvert

Bitvert’s latest offering, ‘wasted states‘, is a testament to his profound understanding and innovative approach to electronica. Trained as a painter and skilled in music production, projection, 2D artwork, and visuals, Bitvert brings a unique perspective to his musical creations, evident in this captivating track.

‘wasted states’ draws listeners into a monochromatic techno landscape that is as dark and harbingering as it is transcendently liberating. Bitvert’s mastery in creating a soundscape that is both oppressive and enchanting is unparalleled. The backbeat, demanding and unyielding, forms the backbone of this auditory experience, compelling submission with its rhythmic magnetism.

As the instrumental progresses, haunting violin strings weave in, adding an exotic beguile that juxtaposes the track’s oppressive nature. This element of contrast is a reflection of Bitvert’s ability to allow his audience to profoundly feel what he visualises sonically.

Bitvert’s background in various artistic disciplines enriches his music, allowing him to create multi-dimensional experiences. His work with The Light Surgeons and performances at The Big Chill and Glastonbury Festival’s Gas Tower stage, as well as a groundbreaking VR set at The Lost Horizon Festival, showcase his versatility and commitment to pushing the boundaries of electronic music.

Wasted states was officially released on March 15; stream the single on Bandcamp.

Review by Amelia Vandergast

SQUARMS started a revolution with their avant-garde electronica manifesto Goodbye Thinking

As we teeter on the precipice of a new world, not the brave new world imagined by Aldous Huxley, but one in which cognition falls to the wayside as AI thinks and creates in place of us, SQUARMS have elucidated the beauty which lies within organic creation, the zeal of true passion, the fire of authentic volition through their debut LP, Goodbye Thinking.

After lulling you into a psychedelic neo-jazz dream state through the opening title single, the ground-breaking electronica duo narrates a harbingering account of where society has rushed to, an era of technology advancing us as we regress into discord and dissension.

With the vocals finding the middle ground between voracious charisma and histrionic oration in the extended intro single, the verses ensnare with the grip of a beartrap, leaving you open to the mind-altering jazzy neo-pop grooves in the first of the standout singles, Artificial Love.  As the intricate layers of the instrumentals pull together over the solid backbeat, culminating in a tranquilly haunting haze that spills into the psyche, the vocals pour an elixir of ardour, giving us a taste of what we’re missing when connection is digitised and commodified.

The single, Meatbrain, reaches the epitome of oscillating innovation; the interstellar production reverberates around dystopic aesthetics as the Devil May Care vocal lines marry human emotion and logic, painting a disparaging portrait of the future that we’re sleepwalking into.

The fiercely independent DIY outfit, now residing between Newcastle Upon Tyne and Japan didn’t just make their mark with Goodbye Thinking, they started an aural revolution with the avant-garde manifesto.

Goodbye Thinking was officially released on March 15th; stream the LP on all major platforms including Spotify.

Review by Amelia Vandergast

Ami Leigh’s Dark Soul was reinvented in the shadows of the G185TARR Death by TripHop Remix

G185TARR’s remix of Ami Leigh’s debut single, ‘Dark Soul‘, is a masterful reinvention that amplifies the original’s raw innovation and emotional depth. This collaboration, a long-awaited fusion of talents, brings a new dimension to the track, infusing it with a darker, more enigmatic edge.

Ami Leigh, a multifaceted musician from County Durham, UK, originally captivated audiences with ‘Dark Soul’ in March 2019. The track, known for its candid confessions and intimate revelations, showcased her ability to weave personal narratives into compelling musical tapestries. In this remix, G185TARR, a producer with a discerning ear for unique soundscapes, has skilfully reimagined the song, maintaining its core while introducing a beguiling Trip-Hop flair.

The ‘Death By TripHop Remix’ elevates the original’s beguile to the nth degree. It retains the affecting shimmers of the angular cutting guitar strings while allowing Ami Leigh’s direct vocal lines to pierce through the veil of the Trip-Hop-ed production. The remix adds swathes of style to the substance that Ami Leigh is quickly becoming renowned for.

With vocal lines that ache in the same vein as Mazzy Star and an artful approach to songwriting, Ami Leigh pushes the boundaries of alt-indie into dark new territories. This remix, rhythmically bolstered and erratically arcane, is a stunning ode to the panache of Trip Hop. It’s a track that resonates with those whose souls are married to the shadows, inviting them into the disquiet turbulence of a sound that is both haunting and profoundly contemplative.

Stream the official music video for the G185TARR Death by TripHop Remix of Dark Soul on YouTube now.

Review by Amelia Vandergast

AR Jiggy followed a vibe into unchartered new wave hip-hop waters with ‘4U’

No one rides the new wave of hip-hop smoother than AR Jiggy, as exhibited through the hypersonically hot standout single, 4U, from his new LP, Ratchet Melodic 2, which strangely enough, delivers everything it says on the tin. The scintillating synths mimic the twilight as they glisten in the melodiously wavy production that will instantly get you in the genre-fluid groove of the synthesis of hip-hop, pop, and RnB.

Instead of ticking all the right hip-hop boxes with this seminal release and pandering to antiquated parameters, the East London rapper and singer followed a vibe into unchartered waters and ensured any urban innovation seekers would want to take the plunge time after time. From the precision in his sharp lyrically rhythmic hooks to the instrumental odyssey AR Jiggy puts before you in his tracks, there’s no refuting that he has exactly what it takes to hold dominion over the hip-hop domain in London and beyond.

Ratchet Melodic 2 was officially released on February 15th; stream it in full on Spotify now.

Review by Amelia Vandergast

Slip into the hypersonic vortex of Peach Giraffe’s latest experimental track, Intertwined

Peach Giraffe’s new single, “Intertwined,” is a masterful blend of skate punk, hyper-pop, trap nuances, and a touch of Arcade Fire, creating a vortexical kaleidoscope of avant-garde electronica. The grungy and antagonised vocal lines sink into this eclectic mix, stitching “Intertwined” with a mind-altering amalgam of aural aesthetics.

This daring combination cements Peach Giraffe as one of the most bold, indomitable, and fearlessly innovative artists in the alternative music scene. As genre lines blur in “Intertwined,” Peach Giraffe’s commitment to sonically visualising emotional themes shines through. The single is a lyrically poetic exposition of a relationship where distance doesn’t necessitate disconnection, despite the ambiguous parameters that could easily send the mind into a spiral with too much contemplation.

Peach Giraffe’s approach to music is an unforced journey of experimentation, spanning over a decade. His process involves piecing together a puzzle of sounds and ideas, driven not by genre constraints but by spontaneous inspiration. “Intertwined” is a testament to this organic and free-flowing approach to music creation. It’s a track that doesn’t just fit into the alternative music scene; it stands out as a bold statement of Peach Giraffe’s unique and unbridled creativity.

Intertwined reached the airwaves on March 10; stream the official music video on YouTube now.

Review by Amelia Vandergast