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From Earth to Utopia: Galactica Tranctica Fearlessly Innovated the Trance Anthem with the Cosmic Unconventionality of ‘Cleopatra’

Posted on 11 July 2024

One of the most fearlessly innovative forces in trance, Galactica Tranctica, has made a name for himself with his eclectically styled and unapologetically unconventional singles and EPs. His eagerly anticipated debut LP, Forgotten Forever, which hit all major streaming platforms in June, etched his legacy.

His intuitive exploration of a cosmos of styles, textures, tones, and emotions prises the listener from material reality into interstellar journeys through utopias of ecstasy. The standout single, Cleopatra, is a progressive tour de force which teems with euphoric energy and filters diverse layers of electronica into a cohesive soundscape of bass-swathed beats, transcendent ethereal motifs, and experimental synths, which showcase an artist unafraid to explore new territories to lead his listeners to the brink of nirvana and beyond.

Influenced by Grimes’ ability to obliterate aural boundaries with sound, Jason Poole, the mastermind behind Galactica Tranctica, follows suit with his intrinsically originated, expansive as a solar system, productions which have earned plaudits from BBC Radio Introducing, Amazing Radio, and Wigwam Radio.

Stream Cleopatra and the Forgotten Forever LP on Apple Music.

Review by Amelia Vandergast

Bitvert – Deletist: A Techno-Punk Invocation of Resistance

Posted on 9 July 2024

Bitvert’s latest release, Deletist, is an off-kilter slice of pulse-pounding experimental electronica, crafted in the heart of East London’s artist quarter—where creativity thrives despite economic and political adversity.

The encapsulation of the struggle against a dysfunctional government and parasitic leaders embodies the spirit of liberation and defiance; the punk ethos charges the sequence of nocturnal electro, born through an amalgamation of spectral electronica, 4/4 techno beats and kinetic sub-bass frequencies.

The single’s release coincided with the new government’s election, yet it remains timely all the same, given the sense of nihilism and despair that remains pervasive in the UK’s collective psyche. Deletist serves as a bass-drenched techno resistance, a sonic uprising against the subjugation that has eroded hope and fuelled a belief in our epoch’s irreversible regression.

With punk’s spirit relegated to the shadows of the music industry, Bitvert ensures its essence endures through his frenetic rhythms that testify to the times, call for unity and vindicate through volition.

Deletist was released on the 4th of July via We Are Not Content; stream the single on SoundCloud now.

Review by Amelia Vandergast

Batka – Ałive: An Electronic Odyssey Between Serenity and Storm

Posted on 7 July 2024

BaŁka went down a cinematic storm in their latest release, Ałive, featuring PRESPHNE. The seductively progressive hit opens on a note of ethereal transcendence with the intricate instrumental layers efficaciously complementing the quiescent harmonic whispers, but it isn’t long before the intensity builds within the momentum of the tour de force of seamlessly chameleonic shifts in tone and tempo.

The head-spinning hits of Drum ‘n’ bass contort Ałive into a pulsative juggernaut of an anthem; the industrial rock aesthetics which follow act as further attestations to BaŁka’s ability to move sonic mountains with virtuosic melodic manipulations.

From the exponentially expansive crescendos to the transient installations of nature-infused cathartic tranquillity which follows like serenity after a storm purges the atmosphere, Ałive is definitive proof that few artists are as capable as BaŁka in depicting the duality between the brutality and ferocity of the human experience.

The inspiration for his powerful sound design is so much more than just an abstract concept. The thematic essence of his work hits you as hard as the beats, which goes a fair way in explaining how in six months within the industry, he’s already had an official release on MONTA Records, been signed by the LA-based music group, Cage Riot, and garnered over 30k streams.

Stream Ałive on all major platforms, including Spotify, now.

Review by Amelia Vandergast

Electro-House Goes Pop in Secret Wish’s EP Melody of the Music Man

Posted on 1 July 2024
Secret Wish

Secret Wish’s hotly anticipated EP, Melody of the Music Man, kicks off with the unfetteredly feel-good 7th Heaven Radio Edit before blasting into the 7th Heaven Club Mix, then progresses into the DJ Combo & Rayman Rave, Duumix, DIM3NSION, and Stelios remixes; offering nine different ways to experience the euphoric waves of electro house as they progressively crash on the shores of airwaves and dancefloors worldwide.

The opening iteration of Melody of the Music Man starts with a simple AVICII-esque piano melody before erupting into a disco-grooved EDM anthem for the ages, not just the summer; the appeal of an EDM anthem in this evocatively and melodically liberating vein could never come close to temporal.

The track reaches the epitome of sun-drenched rhapsodic bliss through layers of transcendentally augmented instrumental layers; the beats bring just as much enraptured ecstasy as the synths as they endlessly ascend throughout the progressive house mix that stands as a testament to the Belgian duo’s ability to craft infectious dance-pop anthems with global appeal.

Their music consistently tops charts across Europe and Asia, demonstrating their ability to transcend borders with crowd-pleasing anthems while injecting high-octane energy into productions hooked with a timelessly finessed pop sensibility. It’s safe to assume that Melody of the Music Man will be sitting scintillatingly pretty at the top of the charts before long.

Stream the Melody of the Music Man EP in full on all major platforms via this link from July 1st.

Review by Amelia Vandergast

Sharon West – Fake: A Euro Disco House Anthem of Pulsating Vindication

Posted on 17 June 2024

Sharon West’s latest single, Fake, created in collaboration with Nick Jay and Jean Luc is an electrifying euro disco house installation of euphoria underpinned by a scathingly sharp persecution of pretenders. The track’s synthesis of retro disco grooves, solid beats, and Sharon’s powerhouse vocals creates a hedonically rhythmic hit that delivers catharsis with infectiously kinetic rhythms that any dancefloor would want to devour.

Sharon West’s journey from live band performances to becoming a sought-after House, Dance, and EDM vocalist and songwriter is reflected in this potent release. Her evolution in the music scene has been marked by her debut album, Revelation, and a series of celebrated collaborations.

Now that Fake has permeated the airwaves, there will be no stopping West in her mission to revolutionise the airwaves. It’s so much more than a nostalgic nod to the forebearers of house; it’s a deeply visceral experience where familiar rhythmic warmth meets the searing burn of truth.

Stream the Radio Edit of Fake on Spotify now.

Review by Amelia Vandergast

Novit Terminus Orchestrated A Darkwave Descent Into a Euphoric Descent With ‘Take Me Down’

Posted on 15 June 2024

Take Me Down by Novit Terminus plunges listeners into unchartered intersections of EBM, Post-Punk, Darkwave, and Techno and drenches its audience in an infectiously rhythmic rendition of sonic Jungian shadow work that is poised to become a sanctuary for darkwave electronica fans seeking liberation from the dark reverberations of their own minds.

Fans of VNV Nation, Ari Mason, Electro Spectre, and Black Nail Cabaret will find themselves irresistibly drawn to this release, which offers a cathartic outlet for emotions as blackened as the industrial-tinged, Eastern-rhythm-influenced progressions.

Each element of Take Me Down attests to Novit Terminus’ cultivated skills as a sonic architect. The euphoria-inducing crescendos, tension-fraught build-ups, and spectral whispers of philosophical poetry come together seamlessly. The result is a track that permeates the soul as deeply as the rhythmic pulses permeate the body.

Novit Terminus’ return to music after a successful tenure in historic preservation and higher education is marked by a profound exploration of trauma and recovery. This project is not just a return to form but a therapeutic journey through shadow work, making Take Me Down a significant and poignant piece in the artist’s discography.

Take Me Down was officially released on May 31; stream the single on Spotify.

Review by Amelia Vandergast

Embers’ Breakbeats are as Hard-Hitting as Her Bite in ‘Teeth’

Posted on 2 June 2024

By anchoring the transcendent house elements with the forcefully resonant undertones of the bass that reverberate through the entrancing breakbeat production against techno beats and vocal pop hooks, Embers’ started a fire that will never go out with her latest single, Teeth.

Sensually sonorous in one breath and rhythmically liberating in the next, every progression is a revelation in stylistic motion in Teeth, which attests to the London-based singer-songwriter and producer’s triple-threat talent that is making waves in the UK electronica scene and tearing attention away from the likes of Sylvan Esso, Lapsley, and Maggie Rogers.

While the instrumentals deliver an expansive brand of alchemy, Embers brings the intimacy with her ever-ascending vocal lines, making Teeth fitting for late-night sessions of reflection, your after-party playlists, and whenever you need reminding of the transformative power of sound orchestrated by a visionary who knows exactly to stir the soul with melody.

Teeth was officially released on May 24; stream the single on all major platforms via this link.

Review by Amelia Vandergast

Lose your head and your heartbreak on the dancefloor with Sam Macdonald’s nu-disco hit, I Wanted More

Posted on 2 June 2024

80s synth pop vicariously lives and breathes through Sam Macdonald’s latest nu-disco hit, I Wanted More, which is a testament to the artist and producer’s cultivated talent, honed while studying music production at Leeds Conservatoire.

Hit play and be force-fed ear candy through the synthesis of the rhythmically compulsive disco grooves and the 80s Madonna-esque vocals that don’t stop at soaring above the production; the passion within them wraps around the track like an incandescent aura you will want to bask in time and time again.

The euphoria within the fiery neon-lit tour de force, which finds a vindicating way to address the dejection of not being able to meet unrealistic romantic expectations ensures that anyone who has been burnt by that particular old flame before will be able to lose their head and heartbreak on the dancefloor with this flawless hit.

I Wanted More was officially released on May 10th and is now available to stream on Spotify.

Review by Amelia Vandergast

Grief transmuted into ground-breaking dance-pop in Tori BLK’s anthem of fortitude A-Okay

Posted on 31 May 2024
Tori BLK

Ignited by fiery pop-punk energy, Tori BLK’s latest dance-pop track, A-Okay, is an act of intense sonic fortitude. Written in the months following losing her mother to liver cirrhosis in February 2024, the single delivers mantras and sonics of solace as it sarcastically scathes at the internal and external expectations to be okay in the wake of a tragedy so colossal you lose your sense of gravity in an alien orbit of reality.

With so many layers to the single, consuming it completely requires digging deep into the emotional and thematic mantles of the single in addition to acknowledging how the instrumentation and stylistic touches amplify the heart-wrenching yet juxtaposing soul-enriching essence of the single.

As the hard-hitting beats thrash against the grief, the upbeat synth-carved melodies deliver the consolation in synergy with Tori BLK’s ascendingly ethereal vocal lines until the chorus hits and she fervently delivers the refrain “tell me that I’m okay, tell me that I’m a-okay”. The heterogeneous hit is inexplicably affecting; it transcends music to exhibit an unfiltered manifestation of a grief-torn soul. As someone who has also experienced the loss of their mother, I can attest first-hand to how raw and real the resonance is.

If this is your first introduction to Tori BLK (AKA Victoria Islas) and her ability to alchemise, transmute and transform broken hearts, it will be an unforgettable acquainting with the singer-songwriter, music producer, poet and spiritual intuitive.

A-Okay will be available to stream on all major platforms from May 31; find your preferred way to listen and connect with Tori BLK through her official website.

Review by Amelia Vandergast

Reach Nirvana with DJ Roko’s Slice of EDM ‘Heaven’

Posted on 12 May 2024

DJ Roko dialled up the disco dance-pop euphoria in his latest burst of beat-driven euphoria, Heaven; 90s disco nostalgia permeates the exhilarated EDM production that embodies the UK producer’s influence of David Guetta, Tiesto and Calvin Harris while leaving plenty of room for his signature style to ensnare the airwaves. If rhythm is a dancer, as Snap! proclaimed in ’92 it would get down to this hit that will maximise your lust for life.

The West Midlands-born, Glasgow-based artist and DJ first exhibited his talent for fusing kinetic rhythms with melodies that melt into the mind through his official debut release, Velocity, earlier this year, and has already attracted over 10k monthly Spotify listeners with the infectious intensity within his sound that will undoubtedly flood dancefloors throughout 2024.

With his self-produced debut LP, in addition to several other projects, ready to drop later this year, DJ Roko isn’t a name EDM fans will want to ignore for much longer.

Heaven was officially released on April 27; stream the single on Spotify.

Review by Amelia Vandergast