Browsing Category

Discover Top Classical Music On Our Blog

Embrace the beauty and brutality of the human experience with Mirko Sangrigoli’s seminal neo-classic composition, Z

Mirko Sangrigoli’s latest single ‘Z‘, from his sophomore LP, is a cinematic instrumental emblem of his dual artistic identity. As a jazz musician and a composer of filmic soundtracks, Sangrigoli demonstrates his ability to straddle these worlds with finesse.

Z, the title single from his 2024 album, is a narrative of the complexities of our times, articulated through the eloquence of keys. The track begins with a sense of urgency, the piano keys dancing rapidly, evoking a sense of franticness that mirrors our chaotic epoch. Yet, there’s a method to the madness, which speaks to Sangrigoli’s jazz background. The improvisational feel of jazz is present, but it’s reined in, controlled, and purposeful.

As the piece progresses, it shifts into more reflective moments; these intersections are where Sangrigoli’s talent shines brightest. The transition from the frenetic to the contemplative interludes is seamless as they open a gateway to introspection, echoing the quieter moments in our own lives.

It’s a soundtrack for the ennui-inclined existential soul, capturing the beauty and brutality of the human experience. For those seeking a musical piece that is both thought-provoking and emotionally resonant, ‘Z’ is a journey worth embarking on.

Z was officially released on January 31st; stream the single on Spotify.

Review by Amelia Vandergast

Stelios Kyriakidis created a passport to ‘Copenhagen’ in his seminal ambient classical guitar composition.

Stelios Kyriakidis staked his claim as one of the most evocative neo-classical guitar composers of his generation upon the unveiling of his debut album, 508 Days. The opening single, Copenhagen, pays a fitting ode to the titular destination; each note, a breath taken at the profoundly inspiring scenery, a moment stolen within the rich culture, a step taken through the enriching streets.

The serenity within the instrumental soundscape constructed by the London-based Greek guitarist and composer echoes his influence of neoclassical, folk and film music elements. If the soundtrack to the film Her made an ever-lasting impression on you, expect the very same affecting experience from Stelios’ intimately composed score which undoubtedly resounds as well in a live performance as it does on record. The connection he feels to the guitar in hand is comforting throughout, echoing his own familiar and fond acquaintance with the instrument he uses to make highly visual mirages from melodies.

Prior to the release of 508 days, Stelios Kyriakidis performed in prestigious venues globally and has been featured by BBC Radio London, The Music Dances When You Sleep, and the Minor7th. Since releasing Copenhagen, the single entered the iTunes Classical Charts at no.34. We can’t wait to see where he takes his sound next.

Visit Copenhagen via Spotify and explore the rest of Stelios Kyriakidis’ debut LP,

Review by Amelia Vandergast

Nick Pike has debuted a neo-classic composition of profound contemplation with the release of ‘Norastoria’

Nick Pike

Nick Pike’s instrumental neo-classical piece, Norastoria, is a composition of contemplation, capturing the tenderness of tentative new beginnings as vividly as the tumultuousness of reality which demands resilience to weather life’s relentless storms.

Each note is as accessible as the last in the endlessly inviting piece which keeps its finger on the evocative pulse. Words are surplus to requirement through Pike’s talent in depicting human narratives in humble neo-classic melodies. Pike’s ability to infuse each note with a sense of purpose and feeling is remarkable. The single is a journey through the highs and lows of the human experience, rendered with a sensitivity and depth that only a musician of Pike’s calibre can achieve.

As a London-based producer, multi-instrumentalist, and educator, Pike brings a unique blend of influences to Norastoria, the title single prised from his debut solo album, from the classical echoes of Beethoven and Debussy to the rhythmic intricacies of jazz and funk. The title single is a testament to Pike’s versatility and his ability to weave diverse musical threads into a cohesive and engaging narrative.

Norastoria will be available to stream and purchase on all major platforms from January 12th. Discover Nick Pike’s sound via his official website.

Review by Amelia Vandergast

Maryama teased her listeners through the time signatures in her jazz fusion reimagining of Britney Spears’ Toxic

Though covers often pale in comparison to their originals, Maryama’s rendition of Britney Spears’ Toxic stands as a seductive exception. This renaissance of a pop classic, draped in the finery of loungey jazz fusion, is fittingly intoxicating.

Maryam Mirbagheri, known artistically as Maryama, infused her multicultural musical prowess into this track, creating a soundscape that’s as rich in texture as it is in history. Her Iranian-American heritage, coupled with a profound grounding in jazz, soul, Persian, and classical music, sets the stage for a rendition of Toxic that’s almost inconceivably intimate.

The track begins with a seductive ease with complex time signatures weaving a hypnotic tapestry that’s both intricate and inviting. It’s a bold move, transforming a well-known pop anthem into something that feels more at home in a smoky jazz club than on a dance floor, but Maryama executes it with nothing short of remarkable finesse.

Her rich, airy, and velvety vocals glide over the music to breathe new life into the lyrics while the song retains its catchy core, despite the adornments of decadent instrumentals. For those who have yet to experience her music, this track is the perfect gateway into the lush, diverse world of Maryama.

Stream Toxic on Soundcloud. 

Review by Amelia Vandergast

Basil Babychan cast a spectral shadow over his latest filmic score, Insentient Nature

https://soundcloud.com/basilbabychan/insentinent-nature/s-Zo5Ovv7zuQl?si=5165905864934628a4c17bc22fe9047c&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Insentient Nature is the latest cinematically sombre neo-classic score from the avant-garde ambient composer Basil Babychan, who has garnered international critical acclaim for his phantasmally affecting work, which entwines futurism with touches of classical orchestration to create profoundly reflective sonic spaces.

The darkly compelling minor key progressions against the spectral shadows cast by the classical strings and glitchy synths lead the instrumental soundscape into a brand-new depiction of dystopia; one which allows you to see the beauty beyond the consternation. Harbingering the age of the machine and a sense of detachment from the organic world, Babychan taps into our fears, while demonstrating everything has its place and a right to belonging and freedom.

Insentient Nature is due for official release on November 10th; stream it on SoundCloud.

Review by Amelia Vandergast

Jisu Jung took her journey of self-discovery in the neo-classic jazz release, Who Am I

After honing her talents in some of the most prestigious music institutions including Dresden College of Music, Berklee College of Music in Boston, and the Manhattan School of Music, the pianist and composer, Jisu Jung’s technical skills transcended into an ability to forge evocative connections with her innovative compositions.

Her latest classical jazz piece, Who Am I, welcomes you into her expressive world, where cello strings visualise the darkness we all need to negate on the path of self-discovery and the piano keys embellish the score with flourishing syncopation to mimic the freedom of personal growth.

As the momentum builds towards the mid-way point in the instrumental release, euphoric zeal starts to underpin the orchestration, marking a radical shift from the ornate air in the prelude to the virtuosic control of chaotic time signatures. Even though the energy doesn’t sustain towards the outro, the innate liberation in the progression lingers before the abrupt silence allows you to take a breath that isn’t influenced by the momentum within the classical Tour De Force.

Who Am I was officially released on September 22; stream it on YouTube.

Review by Amelia Vandergast

Fabian Jeller took his listeners ‘From Zero to Infinity’ in his latest composition

The classically trained pianist, electronic music producer and composer, Fabian Jeller used every modicum of his training and talent honing to mark his evolution towards a more viscerally stylistic, organic, and colourful tonal palette in his most seminal single to date, From Zero to Infinity.

The synthesis of classical instruments in the electronic soundscape embodies the vivaciousness of a full symphony orchestra to take you on a journey of vibrant transcendence via the arrangement of the synths and strings, which work in absolute synergy to ensure you sonically arrive at the destination the Italian virtuoso intended.

Blissful, rejuvenating, and deeply evocative in inexplicable equal measure, From Zero to Infinity captures the momentum of life, and all the stratospherically colossal twists and turns it leaves us with no option to traverse. As Bill Hicks once famously said, it’s just a ride. Jeller proved the intrinsic beauty in that ride. Strap yourselves in and surrender yourself to it.

From Zero to Infinity arrived on the airwaves on September 16; stream it on SoundCloud.

Review by Amelia Vandergast

Michael Carson emulated the emotional connection of artistic expression with ‘Blades on Ice’

The classical music composer, Michael Carson takes inspiration from everything from the vastness of the universe to the majesty in the contortions of the human form; for one of his most captivatingly seminal scores, Blades on Ice, he took his fans on an audio-visual journey inspired by the grace of Olympian figure skaters.

To the accompaniment of his orchestral arrangement, the artistry and expression of the figure skaters are heightened to the nth degree. By soundtracking their defiance of physics, Carson amplified the tension within the dramatic routines, added to the melancholy of their sombre performances, and made melodic their spirited sequences. While some soundscapes cradle what it means to be human, others demonstrate the definition of extraordinary, Blades on Ice superlatively lies in the latter camp.

The official music video for Blades on Ice is available to stream on YouTube.

Review by Amelia Vandergast

Gary Albert orchestrated an ambient neo-classic respite from discomposure in his piano score, Skies

With melodies moulded into the mellifluous form of drifting clouds and ascending motifs which explore the cosmological atmosphere above, the latest ambient score, Skies, from the composer Gary Albert, is an invitation to lose yourself in the transformative power of music, nature, and art.

The neo-classical piano score was crafted to provide respite from the tumultuous fray of our deeply unsettled world, which can all too easily disquiet the psyche; paired with the mesmerism in the official music video, Skies is a musical and visual journey equipped to mainline the antidote to discomposure.

Instead of using Skies as a testament to his multi-award-winning and critically acclaimed talent, Skies served the far more utilitarian purpose of projecting tranquillity into the soundwaves via pulsating reprises, cathartically cascading melodies, and minimalist movement for fans of ambient soundscapes. Rest assured that you will tune into the same accessibility as offered by Nils Frahm and Hani Rani when you delve into this reflectively accordant piece.

The official music video for Skies premiered on September 4th; stream it on YouTube.

Review by Amelia Vandergast

Michael Carson emanated ephemeral grace in his classical score, The Elusive Ballerina

https://youtu.be/U9r0QzgCdEQ`

For his latest orchestral score and music video, the fan-revered and critically acclaimed composer Michael Carson captured the ephemeral grace of The Elusive Ballerina.

The evocative beauty of the masterpiece wouldn’t leave the score out of place in a performance of Swan Lake. With the pirouetting orchestral melodies which ebb and flow in mellifluous rhythm, your rhythmic pulses will be efficaciously awoken to the tune of Carson’s contemporary classical narrative that will capture your attention and flood catharsis into your senses.

On the basis of The Elusive Ballerina, and all of the pieces that have preceded it, it is only a matter of time before Carson’s name is one of the biggest in the classical realm.

Stream the music video for The Elusive Ballerina which premiered on August 12th via YouTube.

Review by Amelia Vandergast