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Americana Music Blog

America has been serving up slices of Americana since the mid-19th-century. The genre is an all-encompassing term for a variety of music styles that found their roots in America, including blues, bluegrass, country, and roots-rock. More often than not, Americana is a fusion of one or more forms of roots music, and it is commonly synonymous with folk-based country and singer-songwriter music.

Some of the most iconic Americana artists include Johnny Cash, Bruce Springsteen, Willie Nelson, Lucinda Williams and Steve Earl. Steve Earl remains popular to this day; his 2021 album, J.T., was listed as one of the best Americana albums of the year. Other artists that featured alongside Earl on the albums of the year list included Brandi Carlile, John Hiatt, Jack Ingram and Strand of Oaks.

Prior to 2010, Americana was considered a niche genre, yet in a transition that no one anticipated, Americana moved into the mainstream. The artists responsible for pulling the genre into the limelight included The Lumineers, the Avett Brothers, and of course, Mumford & Sons. Despite being a British band, Mumford & Sons became one of the best-selling Americana artists in recent years. They made history when they became the first British band since Coldplay to make it big in the US and sell more than a million albums. Yet, Mumford & Sons held their hands up to admit that without The Lumineers, their success wouldn’t have been possible.

In the late 90s, the Americana Music Association was established in Nashville; and they still have their finger on the pulse to this day. In 2021, they named Black Pumas as the group of the year, Brandi Carlile as the artist of the year and Charley Crockett as the emerging artist of the year. It’s not surprising to see Black Pumas named as one of the Americana artists of the year; the Austin-based act has amassed over 100 million streams with their most popular soul psych song, Colors. They also picked up three Grammy nominations in 2020.

Americana received another uptick in interest with the release of the blockbuster film, A Star is Born, which followed a roots music raconteur (Bradley Cooper) on his quest for fame. Bradley Cooper’s character may have been fictional, but plenty of Americana history and culture was poured into the critically acclaimed film that became an overnight sensation; both Lukas Nelson and Brandi Carlile appeared in the film. It seems that as long as there are artists committed to planting roots of Americana into their music, it will never go out of trend.

Paraguayan Southern Rock troubadour Sunburned River is beguilingly defiant in his cinematic single, Go On

Paraguayan Southern Rock troubadour Sunburned River closed 2022 with the release of his heart-wrenchingly defiant single, Go On.

Starting with choral 70s folk-rock tones, the disarming single seamlessly builds around orchestrally cinematic and baroque motifs, complementing the rugged acoustic guitar timbres and the low ethereal hum of his evocative vocal timbre. If that wasn’t enough sonic beguile, the singer-songwriter orchestrated an electric guitar riff solo for the ages.

Regardless of who you revere as a guitar hero, Sunburned River’s talent while ripping through the soaring lead guitar work is breath-takingly superlative. The only thing on par with his instrumental ability is his captivatingly immersive songwriting skills.

The official video for Go On is now available to stream on YouTube.

Review by Amelia Vandergast

Terry Blade warns even unconditional love has its limits in his Country-Blues single, ‘Won’t Be Around’

Two-time recipient of the Global Music Awards, Terry Blade, lined himself up for more prestigious accolades by recording his latest single, Won’t Be Around. The stripped-back simmering melting pot of Gospel-Esque Soul, Blues and Country commands your adoration from the first gravelled in feisty-fervour vocal note.

From there on out, the lyrics compel you to take stock of the protagonists in your life as you’re reminded that unconditional love always has its limits. With his voice commanding the soundscape, which paid homage to the roots of Americana with the minimalistic trickle of bluesy keys and strummed acoustic guitar notes, you’re left with no option but to be arrested.

During his career, which sheds light on his experience as a black gay artist, Terry Blade has picked up over 40 awards, And something tells us his glory days are far from behind him.

Won’t Be Around will officially release on January 6th. Hear it on SoundCloud.

Review by Amelia Vandergast

Two cultures collide in Rob Carey’s consoling amalgam of Americana and proto-rock NEW YORK STATE OF PLAY

Any fans of Violent Femmes and the Psychedelic Furs will easily find a place on their playlists for the jangly proto power-pop guitars against bluesy twangs of Americana in Rob Carey’s latest era-spanning alt-indie single, NEW YORK STATE OF PLAY.

The blissful harmonies entwined with the enrapturing warmth of his nostalgic tones pushed into overdrive, bypassing innovation, around the Billy Bragg-Esque edge of everyman blues, are a melodiously amalgamated remedy for the soul.

By day, Rob Carey is a mental health nurse and counsellor. By night, he uses his understanding of the complexities of the human psyche in his compassion-driven singles, which efficaciously envelop you in their consoling melodicism.

NEW YORK STATE OF PLAY officially released on December 14th. Hear it on YouTube.

Review by Amelia Vandergast

Ye Angst – 15: A Superlatively Succinct Alt-Indie Rock Remedy for the Soul

The indie singer-songwriter Ye Angst is renowned for sharing his artistic vision through the looking glass of youthful angst. In his evocatively enriched discography, which dates back to 2011, the perfect example is his exemplary single, 15. The jazz-blues piano keys around the Americana folk-rock body unravels as a superlatively succinct remedy for the soul.

In the same way, Cohen, Cat Stevens and Lou Reed emanate elevated grace, Ye Angst is in the habit of implanting ethereally cathartic instrumental accord in his singles that will effortlessly take you to a higher plateau while the lyrics and vocals pull you back down to our ennui-imparting earth.

Nearly a decade has passed since the release of 15, but the timeless single still resounds with glistening gospel for the impiously disenfranchised. Even around the complex instrumental interludes that give way to Journey-Esque heart-in-throat vocals, you’ll be caressed by the upliftingly melodic single, which perfectly rounds itself with orchestral strings for a filmic touch.

Succumb to the soul in 15 by heading over to Spotify.

Review by Amelia Vandergast

What it means to be lost: Jamos Blood – Flesh and Back to Bone

Jamos Blood sludged up blues-rock in the standout single, Flesh and Back to Bone, from his debut EP, Blood Brothers, which delivers swampy riffs, train track rhythms and a sense of ennui that cries out to the disenfranchised by uncertain futures masses.

Gonna walk my dog til he don’t walk no more” beautifully and sentimentally encompasses the notion that everything is fleeting in a cruel world which pulls away every anchor, eventually.

The EP was recorded with Blood’s late brother, Clayton, which puts even more context behind the titular disposition and the themes of love and loss that will wash with any Waits and Petty fans.

As someone who is no stranger to grief, it was all too easy to connect with Jamos Blood’s psyche in Flesh and Back to Bone. The sense of lost listlessness with splinters of optimism that can often feel naïve was captured with such finesse in the roots-driven rock hit it is easy to view Jamos Blood as one of the most important voices of our era.

Flesh and Back to Bone is available to stream on Spotify.

Review by Amelia Vandergast

Chris Landry un-reliced roots music in his debut album ‘Marylou’

Chris Landry is a well-known name in the Ottawa music scene; the singer-songwriter and musician has been writing, recording, and touring since the turn of the century. At the start of his accoladed journey, he livened the punk and rock scenes. Now releasing music as a solo artist using his own name as a moniker, he’s delivering roots music entwined with a sense of soul that brings to life his observationally arresting lyricism.

His debut album, Marylou, was officially released on November 8th. The title single is a compellingly contemporary reiteration of country that proves his maturity as a songwriter. After the desert-y bass rumbles in the prelude, on top of the foot-stompin’ percussion, his vocal melodies soar above the pedal steel and organ wails, giving that iconic country sound a new lease of life with the same zeal of Kurt Vile.

Chris Landry’s debut album is now available to stream on Spotify.

Review by Amelia Vandergast

Joe Astley sings the everyman blues in his world-class single, Suburbia

Joe Astley

Drawing parallels between Bitter Sweet Symphony, sans the bitterness, Joe Astley’s orchestral feat of folkish rock, Suburbia, taken from his forthcoming debut album, is for anyone who has ever felt the gravity of their hometown dragging them down more insidiously than anywhere else.

The opening lyric, “this city’s got it in for me, there’s a thousand other places that I wish to be”, delivered through harmonic lines that soak the record with sepia-tinged lament as they resound over the rugged acoustic guitar chords, orchestral strings and soaring electric guitar notes as they wind old school Americana into the release starts the single on a sombre note.

The profoundly uplifting release seamlessly progresses into a defiantly strident score through the refusal to fade away into the misery that soaks the streets of working-class towns and cities across the UK. The Wigan-based professional singer-songwriter and instrumentalist sonically attested to the bleakness scribed in Orwell’s The Road to Wigan Pier while simultaneously pulling beauty from the destitution that his accoladed career is pulling him from.

As some artists bemoan the current climate of the music industry, Joe Astley is thriving as definitive proof that with the right balance of tenacious songwriting, insurmountable talent and effortless charisma that immerses you into the emotional states he orchestrates, success is still in the sightline.

Between his residency at the Cavern Club, SKY TV streaming the live run-through of Suburbia, his debut EP on the shelves in HMV, and all his singles charting in the iTunes top ten, it’s impossible not to feel giddy when anticipating his next move.

The launch of his debut album, Twenty-First Century Times, on January 20th, 2023 will undoubtedly open up even more roads for Astley as he takes his boy-next-door resonance wherever he goes.

Purchase Suburbia on Apple Music or add it to your Spotify playlists.

Follow Joe Astley on Facebook & Instagram.

Review by Amelia Vandergast

Swing back to the late 60s with Sarah Streitz’s dusky groove-led rock hit, Time Passes

Ahead of the release of her 2022 album, Different Space, we got stuck into the retro grooves of Santa Fe and Minneapolis singer-songwriter Sarah Streitz’s single Time Passes. While there’s no arguing with the titular statement, clearly, Streitz doesn’t conform to the linear passing of time if the tonal nostalgia that the dusky rock record spills is anything to go by. With just a few licks of the bass and her effortlessly cool vocal performance, you’re doused in late 60s synaesthesia.

After leaving Americana and country (mostly) behind her, Streitz teamed up with the Grammy-winning sound engineer Marc Whitmore to deliver soundscapes that would make Tarantino’s head spin. Evidently, Whitmore poured the same magic into Time Passes as he did with The Black Keys records – there’s something infinitely intoxicating about her demurely vintage vocal timbre colliding with the bass lines that roll around the shimmering organs and spacey sonic effects that bring a touch of modernism to the trippy swing of the single.

Time Passes is now available to stream on Spotify.

Review by Amelia Vandergast

Peppler lulled us into optimistic gratitude with his dream folk serenade, Blessed

Creating ample anticipation for his upcoming dream folk album releasing in early 2023, the acoustic folk artist Peppler exposed his old soul in his lead single, Blessed.

Entwining the warm vintage tones of 60s and 70s folk with a modern signature dream pop sound that only Peppler can call his own, Blessed is effortlessly efficacious in beckoning you into the beguiling grace of the release. Which needed no more than accordant acoustic guitars, a harmonica and Peppler’s consolingly dulcet tones to lull you into gratified catharsis.

Lyrically, Blessed optimistically reinforces the message that we are blessed within ourselves and that trust that it will all work out is never misplaced. It’s a simple message, but one worth reiterating, given our tendency to curse every downfall and diminish everything positive. Notably, artistically thriving within pure, simplistic minimalism is Peppler’s gift, one that he’s worked tirelessly to perfect after eight years of performing live and crafting albums with various projects.

Watch Blessed live from the G7 Recording Studio on YouTube.

Review by Amelia Vandergast

 

Masorti presents: “Father’s Eyes”, a new studio release

Masorti is a creative and talented musician with a focus on exploring a wide variety of influences, while still ensuring that his music is incredibly punchy and creative, appealing to listeners of all backgrounds while portraying the artist’s personality and Americana-folk vibe.

Masorti’s most recent studio work is titled “Father’s Eyes”, and it is yet another step forward for him. This one shows a lot of potential, as the production is just as good as the performance of the artist, which brings so much vitality and passion to the mix. The release is a crossroads of different vibes and influences, yet as if by magic, it all really acquires a stunning and original tone, which adds to the scope of this release.

Find out more about Masorti, and check out “Father’s Eyes”, his flavorful new release.