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Alt Rock

Spotlight Feature: Reverberations of Longing Linger in the Affecting Agony of Pinwheel Valley’s Single Reverie

Pinwheel Valley’s latest eclectically alt-indie single, Reverie, echoes a poignant symphony of emotional turmoil and tender confession. The bittersweet draught of love is the lead single from their eagerly anticipated Reverie EP, which heralds a significant evolution for the Canadian artist, formerly known as KAIS, now steering the ship of Pinwheel Valley through the waters of the indie music scene from their Mediterranean home base.

The melancholic mosaic of poetry, agony and rhythmic intuition is the first signal to be distributed via Levantine Music, it stands as a testament to how honed the artist’s sound has become in the absence of lyrical inhibition. Qais Khoury’s vocal delivery and melodic structuring evoke the spectrally affecting beauty of Jeff Buckley as Reverie traverses the complex emotional landscape with soul-stirring urgency and timeless poignancy.

The guitars, warm and overdriven, act as the perfect counterpoint to the raw lyrics, as the progressions journey through the valleys of longing and the peaks of despair. Pinwheel Valley masterfully conjures a world where every note and every word is steeped in emotional significance. The result is a track that does more than just resonate with the listener; it pierces the soul, leaving an indelible mark.

Khoury’s influences, ranging from Thom Yorke to Ben Howard, shimmer through in the song’s intricate fabric, but Reverie is unmistakably Pinwheel Valley’s own. As the band starts this new chapter, writing through their inexplicably alchemic signature, it is clear they have the potential to write the future of alt-indie.

Reverie is now available to stream on all major platforms, including Spotify.

Follow Pinwheel Valley on Facebook.

Review by Amelia Vandergast

Be a (Bar)Fly on the Wall with Jude & The Strangers’ Standout Single Beggar’s Tavern

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Some tracks ensnare you with hooks, others dig to the depths of your soul; Beggar’s Tavern by Jude & The Strangers dug into the trenches of the latter camp.

Imagine sinking beers with Bukowski, drinking in the sanctifying feeling of listening to Journey, experiencing the panoramically artistic gravitas of Father John Misty, and getting your blues rock licks as a courtesy of the Black Keys simultaneously, then you’ll get an idea of what this era-spanning Tour De Force delivers.

With all the infectious charisma of Jim Jones himself, singer-songwriter Aiden Jude doesn’t just command attention, he drenches his work in kinetic emotion. With a sonic iteration of a borstal breakout to conclude the single, it’s safe to say we’re beyond desperate to hear the rest of the Beggar’s Tavern LP which will arrive in May 2023. The New Jersey music scene won’t know what has hit it after the launch.

Beggar’s Tavern is now available to stream on YouTube.

Review by Amelia Vandergast

Indie sleaze voraciously came back around with Sweet Houdini’s antagonised earworm, Metaphorical Red

Sweet Houdini

Essex’s Sweet Houdini’s latest single, ‘Metaphorical Red‘, opens a temporal gateway back to the anthemics of 90s alt-rock with the swagger and grit that infectiously shakes, rattles, and rolls with a palpable sense of antagonism and volition.

The supersonic and vortexical electronic cuts weave seamlessly around thunderous drums and effect-laden guitars, reminiscent of the Black Keys’ bluesy grooves; this sonic backdrop sets the stage for a snarling confrontation that captivates from the first verse, making ‘Metaphorical Red’ a sludgy earworm that rivals the likes of Mansun.

Sweet Houdini doesn’t just pay homage to the alt-rock era; they reinvent it. Their sound crosses the Atlantic, delivering harsher sonic palettes reminiscent of US Alt Indie. The track is a testament to the band’s ability to channel the spirit of 90s icons like Nirvana and The Smashing Pumpkins, while injecting their unique personality and magnetism.

With ‘Metaphorical Red’, Sweet Houdini has done more than kick up a storm; they’ve choked the atmosphere with a resurgence of indie sleaze. Their energetic live performances, known for authenticity and genuine crowd interaction, mirror the raw emotion and energy of this track. It’s a bold statement in the alt-rock scene, proving that Sweet Houdini is not just a band to watch, but a force to be reckoned with.

Check out Metaphorical Red when it drops on April 5th on Sweet Houdini’s official website.

Review by Amelia Vandergast

The Unbranded penned a riotous alt-90s love letter with ‘Novacaine’

If you’ve ever wondered what Dinosaur Jr would sound like with a bigger and louder sonic stature, find the answer in the high-octane riotous love letter to the alt-90s, penned through The Unbranded’s hit single Novacaine.

Once you let the impaled-with pop-punk-hooks earworm in, don’t expect it to depart any time soon. As the kinetically infectious chord progressions subjugate your rhythmic pulses into submission, the augmented-with-charisma vocal lines draw you further into the centre of the frenetic epitome of rebellion which spits in the face of anyone who wants to shunt people who don’t fit the mould of banality to the sidelines.

The track is a clarion call to all the outliers looking for permission to transform their idiosyncrasies into fuel for their empowered fire. Following in the footsteps of the likes of Social Distortion, The Unbranded and their motivation to inject spiritual awakenings into their music are an essential listen; just one hit, and you’ll want to join them at the vanguard as they smash down toxic social constructions.

Novacaine was officially released on March 15; stream the single on all major platforms via this link.

Review by Amelia Vandergast

The Grunge Father Let His Demons Out to Play in an Exclusive A&R Factory Interview

In an evocative interview with A&R Factory, The Grunge Father delves into the soul-stirring depths of his debut album, ‘Demons‘, which unravels as a raw, introspective journey through the labyrinth of personal struggles and the relentless pursuit of clarity amidst life’s chaos.

With a nod to the gritty essence of Seattle’s grunge era, The Grunge Father weaves a tapestry of emotive narratives, each track a chapter in a larger story of battling and acknowledging one’s inner demons. His unique blend of melodic grunge, infused with introspective lyrics and acoustic warmth, offers a fresh perspective on the genre.

As he discusses the creative process, inspirations, and the cathartic experience of bringing ‘Demons’ to life, readers are invited to delve into a world where darkness is met with the resilience of the human spirit, a theme that resonates universally.

The Grunge Father, thanks for sitting down with us to discuss your debut album, Demons, what are the emotional themes which underpin this release?

Thank you for having me. With ‘Demons’ I wanted to create a strong theme throughout the album which all tied together. The album is mostly about my own personal Demons and the life experiences I have had with them. I try to shine some light on the darkness and mazes of life and our constant search for clarity among the chaos.

I am aware that everyone has their own Demons and I hope they can relate in some way. I think anyone of age has gone through some kind of personal struggle with their inner Demons. Whether it be with addiction, low points, vices etc. There will be voices in your head which have conflicting views trying to pull you one way and then the other. The Demon is always there lurking in the shadows but you always have a choice in what to do? Will you give in to the Demon or fight it and battle through? This is how I see life. It is a constant fight against the creatures which live inside you.

I wrote the songs and put them on the album in that specific order to tell the story that I have personally been through and tried to cover all the different angles from which I see life. Although the album is quite dark, I do hope people can take a lot of positivity from it with the main theme being ‘acknowledge that your Demons are there and then do your best to slay them or keep them at bay.

We love how the Seattle sound resounds through your uniquely melodic grungy sonic signature, what is it about the era that continues to inspire you? 

Grunge music and the bands which came out of Seattle in the early ’90s had a rawness which instantly resonated with me from the age of 8. I was hooked instantly and listened to cassette tapes on repeat. I don’t know if it’s because I listened to Grunge music so much growing up but whenever I write songs where I am trying to express an emotion through the lyrics, the songs have a gungey vibe and that is completely unconscious. I was in metal bands for years and also have played and written a lot of Jazz and Blues music but I find Grunge is the best way to convey an emotion or tell a story.

For your new listeners, where would you say your sound fits in the grunge genre?

I would like to say I take a unique approach to the genre while keeping the foundations as a baseline. Out of the big grunge bands, my music is definitely more in line with Nirvana and Silverchair than any of the other big Grunge bands. I don’t think I quite fit in with the ‘Post Grunge’ category that much, as I feel the bands which are labelled as this have more of a nu-metal sound.

The acoustic fingerpicked guitars bring swathes of warmth to juxtapose the evocative vocal performance of the lyrics, was this an easy stylistic choice to make? 

Yes to refer back to your previous question this is hopefully where my own style cuts through. Especially on this unplugged album where I felt it needed more depth. My approach here was slightly different to other music I have written previously because your standard power chords don’t round out the sound enough and get lost in the mix. There are a lot of fuller and melodic chords used to fill the space where the distorted guitars would normally sit and the guitar picking parts are opened up to interact melodically with vocals.

How long has the LP been in the making?

I spent a bit of time writing the songs with no real set period and just waited until it all came together organically before going into the studio. As I write and play everything myself, it does take a bit of time because the last thing you want to do is rush it. When I finished recording all the parts I took about a month or so to let it sink in and see if there were any parts not working. I then went back into the studio to mix and master it. All in all, it took about a year.

What was the most rewarding part of bringing Demons to fruition? 

This is my first unplugged/acoustic album to be released and that within itself is really rewarding to me. It was a challenge and a different recording process, but I feel the hard work has paid off. I am also glad that the story of the inner demons seems to have come through and resonated with people.

What’s next for The Grunge Father? 

So for the next few weeks, I will continue to promote the album and my first single ‘Seesaw’ then it will be straight onto the next album which is written with guide tracks ready to go.

While I get things sorted for the next album, I will continue to record some grunge classics. These will go up on my YouTube and social media platforms. I will also start to document and film more behind-the-scenes footage from the writing and recording process.

Stream Demons (Unplugged) on Spotify now.

Interview by Amelia Vandergast

Ren Ashfield and the Magicians – Geronimo: A One Way Track to Nirvana

Genre fluidity is one thing, genre sorcery is quite another; find the difference by delving into one of the seminal singles, Geronimo, from Ren Ashfield and the Magicians’ unmissable LP, Sonic Creations.

Starting with a groove which melds Motown-reminiscent basslines with gospel-esque bluesy shimmering organs before rock inclinations are licked into the production by the audaciously brashy guitars, Geronimo is a riot of alchemic ingenuity before the first chorus hits. You’ll know when it does; the synths kick up a frenetically dance-y 80s storm before psych folk elements entwine with them to lace the polyphonic aesthetics with organic elements for a truly mind-melting experience.

It took a talented vocalist to tame the sonic beast which is Geronimo, but Ren Ashfield’s naturally commanding vocal lines blazed across the unchartered territory with unfaltering ease, pulling you deeper into the production, ensuring that by the time the guitar solo starts to tear through the atmosphere, it will lead you to nirvana as it endlessly ascends.

Stream the Sonic Creations LP on Spotify now.

Review by Amelia Vandergast

The Seattle Sound Came Back Around in The Grunge Father’s Acoustic Single, Introvert

The Grunge Father embodied the aura of the 90s Seattle sound in his debut LP, Demons (Unplugged). The standout single, Introvert, is diaphanous in one breath, cacophonously ensnaring in the next to echo the raw, unadorned spirit of the genre.

Fans of Nirvana’s iconic MTV Unplugged in New York session will find a familiar refuge in Introvert, where the Grunge Father channels the same rugged, scorned magnetism that defined a generation.

His vocal performance and instrumental work are a study in contrast as they find a rare equilibrium between melodic harmony and a deliberate, volition-fuelled discord as the lyrics reflect the weariness of introversion in an extrovert’s world. Despite being an introvert by his own admission, The Grunge Father emerges larger than life in this track, his voice a slice of vindication for those who find strength in introspection.

It’s safe to say that The Grunge Father cemented his place in the grunge pantheon with his debut LP. While other artists are busy leading the post-grunge revolution, this superlatively talented one-man powerhouse is proving that there is so much potential left to discover in the roots of the genre.

Stream The Grunge Father’s LP Demons (Unplugged) on Spotify now.

Review by Amelia Vandergast

[SCRAP] pierced the post-punk innovation veil with their debut, All in Blind

With their debut single, All in Blind, the nefarious alchemists, [SCRAP], found the affecting middle ground between post-punk and post-grunge, the result is a culmination in artfully dark volition that will ensnare you from the first verse.

Reaching the epitome of deadpan seduction with the cadence of the devil may care spoken word lyrical delivery which cuts across the dark grungy pools of bleak ingenuity, [SCRAP] broke the post-punk mould with All in Blind.

In their own words, All in Blind puts you in the mind of a 21st-century East of England Joy Division, but even that is selling themselves short. They broke the spell of post-punk assimilation that has vexed the scene since the departure of the iconic Factory Records outfit with the rhythmics of All in Blind; especially when the unholy matrimony of the outro guitar solo affirms that, as a powerhouse, [SCRAP] is worth its weight in gold.

All in Blind hit the airwaves on March 5th; stream the single on Spotify.

Review by Amelia Vandergast

Super Love – Tell Me: An Alt-Rock Rebellion of Societal Oblivion

Super Love, the dynamic husband-and-wife duo, has unleashed ‘Tell Me’, a single that picks up where Le Tigre left off by blending lo-fi synthetics with complex time signatures and brashly protestive indie rock guitars. It defies convention and expectation, inviting listeners into a perception-shifting atmosphere which vindicates anyone trying to find meaning in a post-truth society.

The song’s unusual 7/4 time signature, combined with classic rock instrumentation and synths, creates a unique earworm which will pull you into the unapologetic rebellion time and time again. The dual vocal lines add a layer of dynamism to the track. While Jared’s imploring tones seek sanctity in these tumultuous times, Constance brings fire and frustration, painting a lyrical vignette of our contemporary search for salvation and optimism amidst fears of collective oblivion.

‘Tell Me’ is a rare feat – a single that not only ticks all the sonic boxes but also connects profoundly on a lyrical level. Super Love’s ingenuity shines through in this release; their ‘autonomous indie’ style, influenced by the local vibes of New York City, incorporates elements from various sub-genres, including punk and jazz, while never attempting to stay within the confines of any style or sound.

Tell Me was officially released on March 29th; stream the single on SoundCloud.

Review by Amelia Vandergast

The Serenity Club liberated from indignation in this alt-rock release, Heaven is a World Without You

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With lyrics you instantly lock into and hooks you can’t unimpale yourself from, The Serenity Club hit an alt-rock homerun with their latest single, Heaven is a World Without You. The single warps sonic timelines, pulls the 90s Seattle sound into modernity and has all the makings of an alt-rock earworm that The Serenity Club deserve to go down in history for.

Knowing that we all have antagonists in our lives that ‘trap us in cages of resentment’, the band gave the key to freedom from indignation to everyone who tunes into the hit which synthesises grunge with the infectious appeal of bands in the same vein as Rise Against. If the single is this affecting while it is blasting through your speakers, the effect of the live performance would be cathartically unholy.

Every instrumental in the hit works to perpetuate the rapture of the release and assert The Serenity Club as one of the tightest alt-rock outfits in London’s underground alt-rock scene – it is only a matter of time before they make their ascent and stand at the vanguard of the post-grunge movement. Tune into the breakdowns so you don’t have to have one yourself.

Heaven is a World Without You will hit all major streaming platforms on March 22; hear it on SoundCloud first.

Review by Amelia Vandergast