Browsing Tag

ViperSnatch

Make ViperSnatch’s latest Riot Grrrl revival, Witchcraft, Baby, your new sonic ritual

ViperSnatch added a touch of the arcane to the airwaves with the debut of their latest fiercely fervent release, Witchcraft Baby.

As the basslines growl, the drums punctuate the production with volition, and the guitars give the release a chilling shadow side, the vocal dualism, which seamlessly switches from innocently light harmonics to visceral outpours of rancour, draws you deeper into the Riot Grrrl revival that leaves plenty of room for folkishly ritualistic experimental expression.

The Central Queensland-hailing three-piece originally convened to bring a female perspective to Australia’s alt-music scene in 2018, but in 2024, they’re proving to be an indomitably unreckonable force at the epicentre of the scene.

ViperSnatch isn’t just following in the footsteps of L7, Babes in Toyland and Jack Off Jill. With their latest release, they chartered their own noir-esque path through grungy, bluesy punk rock while empowering their ever-growing fanbase to resist the limitations that will always be placed on women and stand at your own vanguard in front of the pitchforks. They’re one of the only breakthrough outfits phenomenal enough to be revered as iconic.

Stream Witchcraft, Baby on Spotify now.

Review by Amelia Vandergast

Riot Grrrl Revisited: ViperSnatch – 16

Central Queensland-hailing punk-rock powerhouse Vipersnatch has unleashed their self-titled debut EP, featuring the standout single, 16. Instrumentally, there’s the bouncing Frenetic energy of The Distillers; vocally, ViperSnatch ensnares with Juliette Lewis and the Licks-Esque vocal hooks. But that’s not to say that reminiscence is all there is to this feisty punk track. 16 shines a light on the pitfalls young women can fall into in our predatory world, along with the incredible freedom we felt that we had before life started feeling like an inescapable late-capitalism trap.

16 is now available to stream on Spotify along with their debut 5-track EP.

Review by Amelia Vandergast