Browsing Tag

Vintage Rock

Mario Deschenes as OneSelf Set Soul Spinning Through 60s Psych Rock Kaleidoscopes in ‘Unicitude’

Versions 'N' Not 8 by OneSelf Featuring Mario Deschenes

OneSelf’s latest seminal release, Unicitude, which translates to ‘Unique Link’, swings rock back into the 60s as so much more than a sonic pitstop; it’s a reincarnation of the shaking, rattling, rolling kaleidoscopes of soul that sparked a movement still reverberating with momentum 60 years later. With a garagey rock production giving the track a raucous bite and psychedelic carousels of colours contouring through the harmonised melodies, it’s impossible not to get in the groove with Unicitude. The vocal presence is a dualistic dream; there’s no tearing the rock renegade energy from the lyrics, regardless of the sticky-sweet proclivities that envelop the performance.

OneSelf created Unicitude as a force that reconnects the soulful rawness of yesteryear with the imagination of the present, setting a new standard for how rock and soul can collide and reawaken.

Mario Deschenes, the mastermind behind OneSelf, is a multidisciplinary artist who has spent over four decades weaving his authentic and original creativity across music, painting, and videography. With seven albums released under his name and another set for release in September 2025, Mario’s music is an extension of his visual art, infused with the same vibrant essence. His catalogue spans over 91 songs and 42 videos, a testament to his enduring commitment to artistic expression through every medium he touches.

Unicitude is now available to stream on all major platforms, including Bandcamp. 

Review by Amelia Vandergast

Revive your reverence for rock with Doneil’s hit single, ‘Georgia’

Doneil channels rock’s golden era, dragging it through the dust, drenching it in gasoline, and setting it ablaze. Their standout single, Georgia, is the sound of a band with nothing to prove but everything to give. Any old-school rock devotees will be on their knees for the adrenalised hit that piles up multi-layered harmonies as high as the southern rock grit in the riffs.

With a riled renegade spirit, Doneil leave no raw edge, no smouldering swagger, and no ounce of soul to be desired. But at the core of it all lies a reverence for rock’s untouchable legacy—infectious, perceptible, and entirely unfeigned.

Born from two musicians who met, married, and turned their bus into a roving rock hub, Doneil have spent the past three years building their name across Spain and Sri Lanka. Now, with a full lineup and a European tour kicking off in 2025, they’re set to bring their vision of PURE ROCK to an even bigger stage. Their roots dig into 80s pop-rock, funk, and disco, but Georgia is a full-throttle statement—no distractions, no compromises, just the kind of rock ‘n’ roll that keeps the genre alive.

With Tilt Corporate behind their distribution and SacatapusMusic on production, Doneil are riding full speed towards rock supremacy.

Stream Georgia on Spotify now.

Review by Amelia Vandergast

Jo James sparked an insurgence of soul with his vintage-toned blues rock earworm, Peace of Mind

Jo James

With heartfelt plaudits from John Legend and a wave of other admirers, it almost seems certain that whatever Jo James touches will turn to aural gold. The raw power, panache, and precision in the bluesy vintage-toned outburst of rock-licked soul in ‘Peace of Mind’ reveal the depth of his reverence for blues rock.

His ability to electrify senses you never knew existed is unmatched, as is his ability to teasingly pace his songwriting, leaving you on tenterhooks for the next cultivated blast of overdriven rock euphoria. Once you’re through the track, the track will be far from through with you, the infectious melody becomes a compulsion, urging you to revisit the single’s radioactively emotional core.

Beyond the studio, Jo James demonstrates a natural talent for songwriting and commanding a crowd, whether he’s headlining heavyweight stages or pouring heartfelt intensity into more intimate venues. Blending blues, soul, and rock ’n’ roll, he has graced line-ups alongside Dr. John, Leon Russell, and Robert Randolph & the Family Band. He has also lent his guitar chops to Capitol Records’ Fletcher and made waves on Season 17 of NBC’s The Voice.

You can get some ‘Peace of Mind’ when the single officially launches on February 21st.

Find your preferred way to listen via Jo James’ website and keep up to date with the artist’s latest releases via Instagram and Facebook.

Review by Amelia Vandergast

Convertible’s ‘Wifey’ Hits Like a Whiskey-Soaked Sermon at the Altar of Rock & Roll

Some songs are just too potent to fade into obscurity, and ‘Wifey’ by Convertible is a prime example. Half a decade may have passed since the duo first sent shockwaves through the airwaves with their seminal Trim EP, but it would be criminal not to revisit the raucously electric revival of dive bar hedonics. If blues-soaked rock rhythms and foot-stomping euphoria are your vices, ‘Wifey’ has the bite to keep you hooked.

Born in the depths of Melbourne’s indie rock scene, Convertible—Marc Cifali (vocals, guitars) and Manny Mason (drums)—have been refining their signature sound of raw energy and anthemic hooks since 2018.

‘Wifey’ doesn’t waste time with saccharine sentimentality as it breeds romanticism back into rock n roll. Instead, it resurrects the pulse of vintage rock ‘n’ roll, infusing it with modern swagger and riffs so tight they could send you into a catatonic trance.

The Trim EP is enough to get you on your knees and pray for another release; it might be time to start lighting candles. Until then, ‘Wifey’ remains a testament to the band’s creative zenith, proving that true rock ‘n’ roll doesn’t just survive—it prowls.

Stream Wifey on all major platforms, including Spotify

Review by Amelia Vandergast

alley of Salt Discusses the Progressive Rock Opera Voice of One Crying in the Wilderness

Valley of Salt

Valley of Salt’s upcoming concept album, Voice of One Crying in the Wilderness, brings the story of John the Baptist into the sphere of progressive rock, combining vintage instrumentation with timeless themes of faith, resilience, and transformation. In this interview, the artist discusses the creative process behind the album, the influence of prog-rock greats, and the collaborations that shaped its organic sound. From recording with vintage guitars to layering intricate melodies, the conversation explores the personal and artistic ambitions behind the record.

Welcome to A&R Factory! It’s great to have you here to discuss your new album Voice of One Crying in the Wilderness and all the inspiration and artistry behind it.

Thank you for having me. Voice of One Crying in the Wilderness was inspired by the life of John the Baptist. I wanted to create a progressive rock opera and concept album using vintage guitars and equipment to capture an authentic, timeless sound.

Voice of One Crying in the Wilderness is such a striking title. What drew you to John the Baptist’s story, and how does it fit into the album’s overarching narrative?

I was drawn to John the Baptist’s story because it’s a tale of courage, purpose, and conviction. He was a voice for change, willing to stand apart from the crowd to speak truth and inspire others. His story reflects timeless struggles, and I believe it’s incredibly relevant today.

The overarching narrative of Voice of One Crying in the Wilderness is a journey of purpose, resilience, and transformation. It tells the story of an unwavering commitment to a calling, even in the face of doubt, isolation, and opposition. My hope was that the music and lyrics would weave his story into something both universally resonant and deeply personal.

This project is deeply personal for you. Could you share how creating this album fulfilled a lifelong dream and what it represents in your artistic journey?

Creating this album has been a dream come true. I’ve always wanted to combine my passion for storytelling and progressive rock into a cohesive concept album. This project represents my journey as an artist—exploring themes of faith, self-discovery, and redemption while using the tools and sounds that have inspired me since I first picked up a guitar.

Vintage instruments and progressive rock elements play a significant role in the album’s sound. What inspired you to take this approach, and how did it influence the creative direction?

The producer, Marty Willson-Piper, has an extensive collection of vintage equipment, and I’ve always been drawn to vintage guitars myself. Marty encouraged me to use vintage gear throughout the recording process. It truly influenced the direction of the album, giving it an authentic progressive rock feel. We didn’t use any plug-ins—it’s all vintage sounds, which made the music feel organic and timeless.

How did your partnerships with Marty Willson-Piper and other talented musicians come together, and what impact did they have on the final result?

 Working with Marty was a privilege. He brought a wealth of experience and creativity to the project, and his guidance helped shape the album’s sound. The musicians we recorded with in Dallas, Texas, were incredibly talented. Their expertise and passion elevated every track. It was truly a collaborative effort, and I’m so grateful for everyone’s contributions.

Faith, self-discovery, and redemption are central themes in the album. How do you hope these themes will resonate with listeners, and what personal significance do they hold for you? 

Faith, self-discovery, and redemption are universal themes that speak to everyone. I hope listeners can find their own connection with these ideas. Faith, to me, is about trusting in something bigger than ourselves, like God, even when the path isn’t clear. Self-discovery is a journey we’re all on, and redemption is a reminder that renewal and growth are always possible. These themes are central to my life and inspired much of the music on this album.

The songwriting and recording process can be just as transformative as the finished product. Could you share any standout moments or challenges that shaped the album?

The album took two months to complete, with 12-hour days in the studio. Recording in Dallas with such talented musicians was a highlight. One standout moment was layering over 25 guitar tracks on various songs to create a rich, textured sound. While challenging at times, the process was incredibly rewarding. The musicianship and creativity in the studio made the entire experience unforgettable.

How did the annals of prog-rock influence your sound, and what specific artists or albums inspired you along the way?

Progressive rock has such a rich history, and bands like Yes, Genesis, Emerson, Lake & Palmer, and King Crimson were major inspirations. The album Fragile by Yes, in particular, had a huge impact on me. I wanted to honor that legacy while creating something fresh and uniquely my own.

The album’s release must be an exciting milestone. What can fans expect in terms of upcoming performances and ways to connect with your work?

The release of Voice of One Crying in the Wilderness is a huge milestone for me, and I’m thrilled to share it with everyone. Fans can look forward to live performances, content on social media, and videos for several tracks to bring the songs to life. The album will be available on all major streaming platforms, and we’ll also share behind-the-scenes glimpses of the creative process. I can’t wait to connect with everyone and hear how the music resonates with them.

How do you feel the themes of the album speak to today’s world, and what message do you hope listeners take away after hearing it? 

I think the themes of this album are incredibly relevant today. We live in a time of uncertainty, and John’s story reminds us that even one voice, guided by faith, can inspire hope and spark transformation. My hope is that listeners come away feeling encouraged and inspired.

If you could describe Voice of One Crying in the Wilderness in a single sentence to someone discovering your music for the first time, what would you say to pique their interest?

Voice of One Crying in the Wilderness is a progressive rock opera and concept album that weaves powerful storytelling, intricate melodies, and timeless themes of faith, purpose, and redemption into a journey that’s as thought-provoking as it is musically captivating.

Stream and purchase Voice of One Crying in the Wilderness when it launches on Bandcamp.

Connect with Valley of Salt on Facebook and Instagram.

Interview by Amelia Vandergast

Turquoise Willie brought the Southern rock funk in ‘Gonna Make It Alright’

Turquoise Willie funked up Southern soul-rock in a way that sets them apart from every other vintage-toned entity gracing our speakers. ‘Gonna Make It Alright’ is a freewheeling escape into euphoria. With sonics to repair the soul, it’s hard to think of anything that this track couldn’t remedy.

From an intro that echoes the legendary vibes of the Stone Roses or Happy Mondays, the single explodes into a Southern soul-rock groove that’s nothing short of infectious. The track testifies to the power of feel-good rock ‘n’ roll, doing exactly what its title promises. Turquoise Willie riffs with an unholy amount of talent, aiming solely to deliver sonic serotonin to rock enthusiasts everywhere. Embed this timelessly gasoline-soaked hit in your playlists and say goodbye to your dark days for good.

Jason Young and Chris Schiltz, the dynamic duo behind Turquoise Willie, formed in 2015 after a long journey as studio and touring musicians, including stints with the legendary Steve Azar. They found their synergy in a shared passion for keeping vintage roots rock not just alive, but amplified. The result is music that reverberates across the vast expanse of roots music with unwavering authenticity.

Gonna Make It Alright was officially released on November 22; stream the single on all major platforms, including Spotify.

Review by Amelia Vandergast

The Wrong Party is ‘California Bound’ in their glimmer of indie garage rock nostalgia

The Southern Kentucky/Northern Tennessee fourpiece, The Wrong Party, delivered an irresistible invitation to revisit epochs of rock via an unchartered route with their third single, California Bound.

With nods to everyone from The Strokes, Pavement, Placebo and Iggy and the Stooges in the honeyed with vintage hues production which also teases the distortion of 90s Seattle grunge and grooves through bluesy psychedelic guitar licks, California Bound is pornography to sonic nostalgists.

The way the influences and eclectic stylings enmesh in the garage-rock-esque release is an undeniable attestation to the band’s unique vision and mission to make up for the shortfall in real and raw rock in the past few decades. If you would rather get a lobotomy than listen to Highly Suspect or Royal Blood, The Wrong Party, fronted by Matt McNew, is made for your playlists.

California Bound hit the airwaves on September 1st; stream the single on Spotify now.

Review by Amelia Vandergast

JD Kucharik rekindled the soul of blues rock with ‘Leavin After Midnight’

JD Kucharik deserves to be placed on the same pedestal as Santana after releasing his INCEPTION EP, featuring the standout single, Leavin After Midnight, which delivers a sound rich in vintage blues rock reverence.

Hit play and encounter a deft evocation of classic blues rock soul that JD Kucharik has meticulously honed over decades. The release is the epitome of aural alchemy; the otherworldly presence comes as a result of the arcane electricity of its instrumental arrangement with Kucharik’s commandingly charismatic vocal presence. The narrative woven through the tune—a story of a fugitive seeking transient solace—adds a compelling lyrical depth to the rich instrumental backdrop.

With a career spanning over 50 years, Kucharik’s roots in blues and rock are evident as he plays the B3 Hammond, piano, guitar, or drums. His approach to music remains steadfastly organic, eschewing auto-tune and computer-driven edits for real-time, hard-earned sound craftsmanship. His dedication to traditional recording methods ensures that each release, whether from his extensive archives or fresh from the studio, resonates with authenticity and passion.

Leavin After Midnight was released as part of JD Kucharik’s EP, INCEPTION, on April 20; stream the release on Spotify.

Review by Amelia Vandergast

Psychosomatik amplified a high-octane alt-rock revelation with their latest release, Slow Motion

Slow Motion by Psychosomatik

Psychosomatik’s latest single, ‘Slow Motion‘, erupts from the speakers with a ferocity that belies its title. This Miami-based rock duo, Edison and Noah, have distilled their diverse universe of influences into a potent mix of alt-rock, psych-rock, and progressive elements, culminating in a track that’s both a nod to rock’s rich history and a bold step into its future.

From the first chord, ‘Slow Motion’ ignites a sense of nostalgia, reminiscent of Led Zeppelin’s rhythmic allure and the Black Keys’ mastery of reinvented rock. Yet, Psychosomatik’s sound is unmistakably their own. The track is a masterclass in controlled chaos, weaving the slick, seductive elements of Velvet Revolver with a grungy, prog edge.

‘Slow Motion’ is a journey through the duo’s “personal hell”, a character study born from a dark, troubled winter. The track’s power lies in its raw, unfiltered emotion; the unholy release will leave you praying at the altar of the ingenuity of the duo. With every groove, you’re inseparably combined from the momentum as it ebbs and flows, pummelling you down into the grungy depths before bringing you up with the soaring riffs and vocal lines.

Slow Motion dropped on March 13; stream and purchase the single on Bandcamp.

Review by Amelia Vandergast

GETNER enriched the Manchester music scene with their expansively influenced Rock n Roll debut, White Walls

Manchester’s newest band of prodigal sons, GETNER, modernised vintage rock n roll tones with the shaking, rattling and rolling reverence in their debut single, White Walls.

With a rhythmic undercurrent reminiscent of The Undertones, an injection of Irish rock roots, garage-y blues rock nostalgia in the same vein as the Jim Jones Revue through the shimmering organ timbres and the barely tamed guitar riffs, White Walls is an expansively influenced Rock n Roll tour de force that asserts GETNER as one of the most promising Manchester bands on the scene.

By thriving on the unique sonic proclivities that each of the four members brought to the table, the band of superlatively talented artists ensured that White Walls hit the airwaves hard enough to bruise it. Feel the impact and be a part of GETNER’s inevitable ascent.

Stream the official music video for White Walls via YouTube.

Review by Amelia Vandergast