Browsing Tag

Valentine’s Day 2024

We Were Blank – Blame: The Emo Antidote to the Influx of Valentine’s Day Sonic Banality

Every Valentine’s Day sees a flood of trite sentiments cloyingly affix themselves to the airwaves; if you’re looking for a scathingly antithetical antidote, look no further than We Were Blank’s latest installation of pop-punk rancour, Blame.

With hints of Tom DeLonge in the vox before they burst into Rise Against-reminiscent outpours of visceralism, Blame ticks all the right vocal emo boxes as We Were Blank throws a barrage of aggravated instrumental curveballs to keep you on the edge of your proverbial seat (or in the middle of the pit if you’re catching them live). And what emo hit would be complete without a slam poetry elucidation that captures the essence of the single towards the outro to make you want to relive the experience and make your heart rise to your throat again?

The Craigslist-born, basement in Buffalo-raised fourpiece banded together with the ethos of writing with their heartstrings and letting their bodies visualise the torment; Blame is the ultimate testament to their vulnerable expressionism. They’ve got the precision, the volition, and the unflinching dedication to raw lyrical candour to hold dominion over the emo domain in 2024.

Blame will be available to stream on all major streaming platforms from February 14th; check it out on all major platforms via this link.

Review by Amelia Vandergast

Brian Berggoetz pulled the strings of the soul with his amorous Americana serenade, I Know I Love You

Brian Berggoetz

The Tuscan-hailing poet of the heartstrings, Brian Berggoetz, prepared his most affectingly tender love song to date for his Valentine’s Day release, I Know I Love You.

With hints of Springsteen within the cultivated charm of the folk-infused Americana release, I Know I Love You, which sees the serenader’s vocals coalescing with the duality conjured through female harmonies, is a timelessly captivating love song, which alludes to how Cupid’s arrows cut deep, especially when they bring insecurities and a sense of imperfection to the surface.

The musical arrangement is a masterclass in subtlety and crescendo. The folky strings rise and fall like the tides of emotion, each note becomes a heartbeat in the song’s narrative. The guitar strings ring with an assurance that draws listeners into the very core of this country folk serenade. It’s as if each strum is a call to explore the depths of our own hearts.

Berggoetz’s voice is the guiding light in this exploration of fallible, beautiful romanticism. His vocal delivery, imbued with a sense of both wisdom and wonder, captures the essence of a soul laid bare. I Know I Love You is a musical journey that promises to leave listeners both moved and inspired, eagerly anticipating the future chapters in Berggoetz’s evolving musical saga.

I Know I Love You will debut on Valentine’s Day; stream the single on Spotify.

Get better acquainted with Brian Berggoetz via his official website.

Review by Amelia Vandergast

Amoré The Songstress & Kolby Cordell showcased synchronicity of the soul in ‘Date Night’

Amoré The Songstress & Kolby Cordell gave the ultimate 101 on how to keep the spark alive in their collaborative contemporary soul release, Date Night, which busts the myth that dates are only for people trying to lock down a relationship.

As the smoothly impassioned gospel-esque lyrical delivery elucidates, there’s no better way of showing appreciation to your partner than putting them on your arm and giving them attention undivided by the distractions that deplete connections.

The dynamism between Amoré The Songstress & Kolby Cordell in the release couldn’t be stronger as they work together to paint a portrait of romantic idealism over the wavy layers of soul-infused lush reverb. Amorousness oozes from every euphonic pore in this superlative Valentine’s Day hit; yet, the alchemic duo grounded Date Night in a sense of realism, ensuring that by the time the intro rolls around, you won’t be left with a wanton desire for unrealistic expectations.

Date Night debuted on January 26th; stream it on Spotify.

Review by Amelia Vandergast

Ayla Schofield put a serenade in motion in her country pop release, In Your Car

Tracy Chapman meets Taylor Swift and Bob Dylan in Ayla Schofield’s latest country-pop anthem of affection, In Your Car. If you want to take a scenic drive through the countryside of emotions, hit play. Released just in time for Valentine’s Day, In Your Car is a testament to Schofield’s growing artistry and her ability to blend the soul of folksy country with the heartbeat of contemporary pop.

Schofield, a former contestant on The Voice of Germany, has been carving out her niche in the music world and made an ever-lasting imprint. Her collaboration with Oliver Anthony has already captivated over 1.3 million viewers, a clear sign of her rising star status, ahead of the unveiling of her upcoming debut EP, Little Big Journey, produced by the Grammy-nominated Michael Hanson.

The track opens with a gentle strumming that sets the stage for Schofield’s tenderly powerful Alison Krauss-reminiscent vocals which carry purity and resonance by the smorgasbord. The fiddle, an extension of her expression, weaves through the song, adding layers of depth and emotion against the honkytonk keys.

Lyrically, ‘In Your Car’ explores the intimacy of shared moments, the kind of silent understanding that speaks volumes. Schofield’s songwriting prowess shines as she captures the essence of love’s quiet, unspoken bonds. The chorus is a crescendo of emotion, a harmonious blend that feels like a divine intervention.

In Your Car was officially released on February 2nd; stream the single on Spotify.

Review by Amelia Vandergast