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UK Electronic Producer

Stave off existential burnout with James Greenfield’s alt-indie electro single, Turn it Off

https://soundcloud.com/user-93978067/turn-it-off/s-MX2xNnDZDtU?si=f2294089a37a420b8a960ec8c4255b92&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The Southcoast, UK Songwriter, multi-instrumentalist and producer, James Greenfield, released the most essential electronica single of the year with Turn It Off.

With soul bleeding equally through his vocals and the organic indietronica-meets-EBM rhythms, the impact of this single isn’t to be underestimated. You get a real sense that he’s harmonising from a position of experience when he verses on the pervasive negativity being too much.

Not giving up, just rising above” is a mantra we would all benefit from taking in our stride. Nothing about Turn it Off feels preachy and holier-than-thou. It is clear that his warning comes from a place of deep compassion.

With 20 years working in the industry, Greenfield was primed to create a resoundingly empowering hit with Turn It Off. I, for one, will be heeding his advice to curb my doom scrolling and let more positivity shape my mentality.

“The demands being put on people these days are relentless. On any given day, we are exposed to huge amounts of disproportionately negative news and are constantly targeted and manipulated to buy more stuff.

We also have demands from other people’s expectations and how they want us to behave. We also live in a world where a never-ending stream of addictive content keeps us glued to our devices.”

For your own sake, place the efficacious reminder that you owe it to yourself to turn off and tune out now and again before you existentially burn out firmly on your playlists.

Check out Turn it Off from December 2nd on SoundCloud. For more info, check out his website. 

Follow James Greenfield on Facebook and Instagram. 

Review by Amelia Vandergast

Sentry takes us to Yesteryear with his latest future bass production.

If any up and coming electronica artist has what it takes to create a new trajectory in the evolution of future bass, it is the 21-year-old UK pioneer, Sentry.

By using natural elements in his ambient work that cuts with an atmospheric chill, despite the warm organic textures weaved into the production, you can’t help but be arrested by the cinematic flair exhibited in Yesteryear.

The first drop is a harsh and scuzzy descent into discord; from there on out, the basslines tear away at any ambience the prelude offered and leaves you galvanised by the alchemic synthesised momentum.

Yesteryear is now available to stream on Spotify.

Review by Amelia Vandergast