Browsing Tag

UK Alternative

London’s Chaidura Fires Hypersonic Glitchy Metalcore at Synthetic Superficiality in the Theatrically Surreal Hit, Plastic Beauty

Genre-fusionism becomes a hypersonic missile in the latest drop from Chaidura, Plastic Beauty, an Avant-Garde glitchy metalcore riot incited against society’s surreal obsession with synthetic superficiality, which now masquerades as beauty. The London-based artist has been building a world where visual kei drama, emo candour, alt-rock weight and raw emotional exposure all converge, and in the artist’s LIMINAL chapter, that vision feels darker, heavier and more grounded in the psychic damage of comparison, control and self-reckoning.

Following a Pendulum-esque intro, mechanical metalcore intensity consumes you, and the arrangement, as it keeps throwing subversive symphonic pop and industrial aesthetics into the mix, keeping it off the keel to hold you inside the explosive yet seamlessly natural progressions. Beneath the sonic violence, the lyrics cut with blunt force, taking aim at beauty standards, self-rejection, and the kind of shame that festers when appearance gets treated as currency.

As undoubtedly one of the most talented bands in the UK alt underground, Chaidura delivers head-spinning panoramic production quality, almost beyond conceivable instrumental talent, vocal magnetism that pulls you into the core of the emotion, and, polishing it off, a savant-level imagination to envision such a hit. While too many artists are painting by numbers to stitch together reincarnations of tried and tested formulas, Chaidura is building chaotic cathedrals of noise that rain society’s rubble down on you when you step inside. It’s fucking phenomenal.

The London-based artist has already drawn attention across tastemaker platforms, and this latest release pushes further into the harsher emotional terrain of their LIMINAL era, where self-acceptance, image, and psychic fracture all scrape against each other.

Plastic Beauty is now available on all major streaming platforms, including Spotify.

Follow Chaidura on Instagram.

Review by Amelia Vandergast

90s Nostalgia Spiralled into a Darkly Psychedelic Fever Dream in Goth Milk’s Standout Single, Cough Syrup Purple: 

Goth Milk cracked open their standout single, Cough Syrup Purple, with the swagger of 90s boy bands wired straight into the atmospheric charge of Gary Numan and Depeche Mode. The Merseyside duo do exactly what their moniker hints at, yet they take it further by plunging headlong into an infectious fusion of hedonic EBM shivers, distortion-heavy guitar textures, and a frenetic breakbeat Drum n Bass-esque crescendo that blows the hinges off any expectation of a pedestrian pace. The track is a technicolour detonation of impulsive rhythm and psychedelic saturation, delivered with the kind of ego-less vocal fearlessness that makes their sonic universe feel entirely unfiltered.

As the oscillations build, the hit grows more labyrinthine, shaking loose any sense of predictability while keeping its centre fixed on pure ingenuity. Goth Milk exhibit an instinctive command over their sound, threading their influences through a high-octane synthesis of rave-tinted exuberance and shadow-soaked pop sensibility. The way they reimagine nostalgia into something fevered, hot, and utterly alive adds a delirious, spectral shimmer to the release, turning the track into a warped little portal into their own world of dark disco from space. It is a headrush of a listen, steeped in immediacy and anchored by the impulsive charm that fuels the entire Like the Taste EP.

Formed in Merseyside by Zach Tellett and Guy Anderson, the psychedelic-pop duo spent a year developing their first official EP through constant experimentation, lifting influence from electronic, rock, funk, and hip-hop while stubbornly refusing to settle into a single lane. Their sound pivots between club culture and live-band energy, creating landscapes thick with big beats, stacked synths and guitars, and the kind of catchy vocal hooks that coil around your attention and tighten their grip. Cough Syrup Purple sets the tone for their restless creativity while the rest of the EP sprawls into quieter jazz-infused corners, rock climaxes, sarcastic funk rhythms, and disco-leaning grooves.

Cough Syrup Purple is now available on all major streaming platforms, including Spotify. 

Review by Amelia Vandergast

Mimi Satanistá evenomated the poison of post-truth reality with her industrial rager, ‘Fake’ 

Mimi Satanistá

Mimi Satanistá is primed to dominate the darker corridors of industrial electronica with their latest augmented fever dream of a release, FAKE. It’s a full-body trip for the mind, body, and rhythmic pulses, an intoxicating fusion of raw emotion and mechanised sound design. The way the synthetics flare with electric fervour around their semi-lucid lyricism turns FAKE into something visceral, a sensory riot that blurs the lines between self-expression and exorcism. The bass slams and distorts into oscillations of renegade scorn, creating a soundscape that’s unnervingly synthesised and deeply human in its rage.

FAKE unfolds as a retaliation against everyone complicit in shaping a post-truth reality, an anthem for those burnt out by performance culture and moral decay. Its scathingly cathartic energy feels like a grenade thrown straight onto the airwaves, a protest and purge in equal measure. The tension between precision and rage drives the track forward, while Mimi’s delivery teeters between lucid control and manic abandon.

Based in Preston, UK, Mimi Satanistá is an independent alternative artist with the power to turn cultural unrest into sonic warfare. Through brutal beats and blistering candour, they channel rebellion into art that confronts delusion and fakery head-on. With FAKE, they’ve made it impossible to ignore their ascent through the industrial underground, staking their claim among the genre’s most subversive forces, simultaneously giving Poppy, Gimes and Skinny Puppy a run for their money.

FAKE is now available on all major streaming platforms via this link.

Review by Amelia Vandergast

Lena Lovelace – Nameless: an otherworldly lullaby of gothic grandeur

The hauntingly ethereal installation of Avant-Garde aural cinema, Nameless, from alternative artist Lena Lovelace resonates with a gothic baroque atmosphere that cradles her Soprano arcane harbingering vocals. As she paints a sci-fi vignette of an alien which appears to eight people in different guises, listeners are compelled to acknowledge how no one appears in the same form to two people; we’re all alien abstractions attempting to cultivate a sense of familiarity in each new connection. Against the unsettling backdrop, Lovelace remains a fearlessly unique artist whose messages challenge you to perceive reality from new angles.

The Cambridgeshire-hailing, Norwich-based artist has been writing and recording for over a decade. Her sound—shaped by an indie/alternative vibe reminiscent of Shakespeare’s Sister—often draws on the traits of fictional characters that stir her imagination. This latest track was inspired by a dream in which an alien landed on Earth and fell in love with eight people.

The result is an otherworldly lullaby of gothic grandeur that soars above ordinary parameters, offering a glimpse into Lovelace’s dedication to forging new aural paths and ensuring no listener leaves without a shift in perspective.

Nameless was officially released on November 2nd and is now available to stream on all major platforms, including SoundCloud.

Review by Amelia Vandergast

Sabres bare their teeth in their sophomore release ‘Tell Me Where It Hurts’

Here to prove that pigeonholes are for the banal is the Portsmouth alternative duo, Sabres, with their genre-evading sophomore single, Tell Me Where It Hurts.

The titularly compassionate, sonically scuzzed up single comprises just the drums and bass guitar. But the unholy rhythm section is far more than the sum of its dualistic parts, thanks to the heady synergy that grungily grinds through the collaborative chemistry between Sam Cutbush and Dominic Taylor.

Given the times that we are living in, there has been a discernible lack of aural angst, but Sabres are tackling our collective new crises, fears and perversions head-on with their unapologetic reflections on anger.

Sabres may be fresh from its late 2021 inception but in their respective earlier careers, they have supported the likes of Catfish and the Bottlemen, British Sea Power, New Candys, Phobophobes and Melt-Banana. This is far from the first time that Dominic Taylor has left me transfixed by his monstrous percussive energy; I was lucky enough to witness the launch of his former band, Burning House’s debut album, Anthropocene. I’m stoked to hear him on top form once again.

Tell Me Where It Hurts is now available to stream on Spotify.

Review by Amelia Vandergast

Photo credit @oldskoolpaul

The Gold Supply take us ‘Completely Underwater’ in their artfully ethereal debut EP.

September saw the debut of The Gold Supply, a collective of ex-major label artists seeking to infringe ambience on the external chaos in the world with their artfully ethereal presence during the pandemic.

Their debut EP, Completely Underwater, reflects the dystopia that may as well be in the water at this point before poetically finding a way to say “mate, same” to everyone who knows how it feels when no sigh is deep enough to take the weight off your lungs.

In the same way that shoegaze icons surrender your soul to the serenity of their soundscapes, the Gold Supply efficaciously leads you to tranquillity through the delicacy of the sparse yet resounding instrumental layers. With a similar sonic palette to Pet Deaths, they’re definitely ones to watch.

Completely Underwater is now available to sink into on Spotify.

Review by Amelia Vandergast