I grew up on the iconic sounds of 90’s female Pop acts; Texas, Garbage, Catatonia and The Cranberries to name a few. So, when I checked out the fresh new track Original Lies by the sensational Pop act Tekla Waterfield I was blown away by the nostalgia that is entrenched in the sound. She has a unique sensibility to her vocal style, however her vocal range is somewhat reminiscent to one of my favourite current artists Courtney Barnett. Yet it’s clear, that Tekla Waterfield is more than any sound that has been orchestrated before. The singer songwriter found her own essence within her poignantly palpable harmonies which she’s infused with the roots of her Seattle sound. Her sounds tend to bounce between Folk, Jazz, Indie and Blues through her discography proving that she’s one of the most eclectically talented underground artists around today.
With Original Lies, Tekla has created an anthemically catchy Pop hit, complete with an irresistibly catchy chorus that even Kim Gordon would give 5 stars.
Check out the sensational Pop hit Original Lies on SoundCloud:
Annika Brown’s Latest track Apocalypso is a theatrical spectacular. Nothing quite could prepare me for what was about to unfold over the next three minutes as I hit play on YouTube. It’s hard to pay attention to the actual sound of the track after watching the official music video in which she embraces Kate Bush style dramatics. I certainly won’t be forgetting what I’ve just heard in a long time.
Annika’s sound Is definitely an acquired taste, I’m not sure tracks such as Apocalypso will ever fair well in the mainstream, however she’s created an eclectic mix of sound which she imparts her Emily The Strange demeanour within. Even when she’s playing an acoustic guitar in the woods her unique charm is never dampened. . But that’s just part of it’s charm. Alternative music fans are in for a treat with this act. With operatic vocals, doom riddled melodies and classic piano backing track. There’s a hint of Victorian hysteria within her music, which she reincarnates through her Gothic Soprano vocals. The Same as can be heard with acts such as a Emilie Autumn and her signature Fantasy Rock styling.
Head on over to her website where you can keep up date with her musical ventures. Her latest album The Devils Story Book featuring Apocalypso is available to download or stream now!
Rock music has infinite permutations in modern day. Under every genre, there’s a subgenre that hybrids with rock. When folks complain about a lack of rock, they ought to be more specific. Rock is everywhere, but the blues is scarce these days. Other than a few big acts, rock has had to adapt to survive. The Thinking Men seek to remind us of why we like to add rock to our music. They remember where rock came from and they know how to inject the blues into good, energetic bursts of sound creating that feeling we’ve been missing.
Their song I Wanna Be Good lends itself to a fairly simple, formulaic approach. There’s no need for too much going on in the verses as they’re a means to an end, and that end is a rip-snorting time full of aggression and virility. It’s also downright fun. This song has all the raw catchiness of garage rock with the soul and style of blues rock. The Thinking Men have form and function in mind as they bring together all the things you’ve wanted to return in a new package that can keep up with the loudness wars while retaining its rooted dignity. This can be a dangerous game though, reviving old flames. As the lyrics state, if you can’t be good, you’ll wind up dead. Let’s see how long the Thinking Men can stay on that bull and remain good.
Anyone described as “seriously gorgeous sounds” by such as a songwriter as The Waterboys head honcho Mike Scott has to be someone you need to check out. When you do you will see that he has a valid point. Art Theefe blends so many classic sounds but does so deftly and delicately that gorgeous is certainly the word for it. As the band themselves have always pointed out good artists copy, great artists steal, I guess the clue is in the name! But even though you can see what is under the musical hood, they still fashion a musical vehicle that is unique and a brilliant sonic ride.
A dash of Kink’s kitchen sink drama and wry, quintessentially English humour, a touch of classic singer songwriter such as Dylan and the aforementioned Mr Scott, a smooth Steely Dan vibe and even some Van Morrison Celtic rock mystique and you have a fantastic slice of power-pop, slightly Paisley psych and bluesy-rock all rolled into one. And as much as you can detect these hints of the past it feels nothing less than the way forward.