Folk-Pop singer-songwriter Blonde Lion released their latest single “Ordinary Day” on August 5th. Elliott Smith may not be with us anymore, but Blonde Lion’s melancholic style is just as efficacious at drawing pensive emotions from you and offering aural resolve.
Obviously, I didn’t make it to the end of Ordinary Day with dry eyes. The delicateness of the atmospheric and intricate acoustic instrumentals was one thing, the resonance in the lyrics was quite another. Ordinary Days was inspired by the days where you wake up and struggle to find anything which offers any meaning. The jaded ennui was all too relatable and it’s safe to say that after the global lockdown, plenty more people will see themselves in this sublime soundscape which serves as the perfect introduction to Blonde Lion’s compelling style.
You can check out Blonde Lion’s latest release by heading over to SoundCloud now.
Any fans of Kurt Vile will want to get acquainted with the pensively captivating latest single “The Key” from up and coming Americana Folk artist Max Seidman.
There’s a contemporary spin on the timeless genre through the ethereal polished production. Yet, the organically sentimental track shares the same beguiling magnetism as tracks by the likes of Cohen, Waits, and Elliot Smith.
The melancholic keys find perfect synergy with the stripped-back delicate fingerpicked acoustic guitar notes and create an immersive soundscape to lie under Max Seidman’s powerfully resounding vocals which will leave you hanging on every neatly-pitched vocal note in the Key.
Tracks don’t often come as narratively arrestive as the Key. Max Seidman is undoubtedly one to watch.
You can check out The Key along with Max Seidman’s earlier releases by heading over to Spotify now.
If all good things come in small packages, expect to listen to this song and get one of the best surprises from a dynamic duo from Jackson, Tennessee. Hunter Cross and Cameron Briley make up the members of The Skeleton Krew and their latest offering called “Love”, is already making some serious waves on the internet.
The song starts off with sweet, intricately woven harmonies, reminiscent of Crosby, Stills and Nash or Alison Krauss, and one would be forgiven for thinking that they were about to take us on a journey down the best of a scenic Country or Soft Rock road. Instead, a few face melting guitar solos, talented drum rolls and riffs that are played deep in the pocket, and an incredible vocal performance, make for a heady mix of Punk, Rock, and Goth that is teeth clatteringly good. It’s eight short bars in the back of Buick but the rest is pedal to the metal in a Mustang all the way!
You are going to want to rewind this track a few times as the musicality and vocal dexterity is subtle but brilliant.
Listen to “Love” by The Skelton Crew here at Soundclound. Have fun, we sure did!
I grew up on the iconic sounds of 90’s female Pop acts; Texas, Garbage, Catatonia and The Cranberries to name a few. So, when I checked out the fresh new track Original Lies by the sensational Pop act Tekla Waterfield I was blown away by the nostalgia that is entrenched in the sound. She has a unique sensibility to her vocal style, however her vocal range is somewhat reminiscent to one of my favourite current artists Courtney Barnett. Yet it’s clear, that Tekla Waterfield is more than any sound that has been orchestrated before. The singer songwriter found her own essence within her poignantly palpable harmonies which she’s infused with the roots of her Seattle sound. Her sounds tend to bounce between Folk, Jazz, Indie and Blues through her discography proving that she’s one of the most eclectically talented underground artists around today.
With Original Lies, Tekla has created an anthemically catchy Pop hit, complete with an irresistibly catchy chorus that even Kim Gordon would give 5 stars.
Check out the sensational Pop hit Original Lies on SoundCloud:
Annika Brown’s Latest track Apocalypso is a theatrical spectacular. Nothing quite could prepare me for what was about to unfold over the next three minutes as I hit play on YouTube. It’s hard to pay attention to the actual sound of the track after watching the official music video in which she embraces Kate Bush style dramatics. I certainly won’t be forgetting what I’ve just heard in a long time.
Annika’s sound Is definitely an acquired taste, I’m not sure tracks such as Apocalypso will ever fair well in the mainstream, however she’s created an eclectic mix of sound which she imparts her Emily The Strange demeanour within. Even when she’s playing an acoustic guitar in the woods her unique charm is never dampened. . But that’s just part of it’s charm. Alternative music fans are in for a treat with this act. With operatic vocals, doom riddled melodies and classic piano backing track. There’s a hint of Victorian hysteria within her music, which she reincarnates through her Gothic Soprano vocals. The Same as can be heard with acts such as a Emilie Autumn and her signature Fantasy Rock styling.
Head on over to her website where you can keep up date with her musical ventures. Her latest album The Devils Story Book featuring Apocalypso is available to download or stream now!
Rock music has infinite permutations in modern day. Under every genre, there’s a subgenre that hybrids with rock. When folks complain about a lack of rock, they ought to be more specific. Rock is everywhere, but the blues is scarce these days. Other than a few big acts, rock has had to adapt to survive. The Thinking Men seek to remind us of why we like to add rock to our music. They remember where rock came from and they know how to inject the blues into good, energetic bursts of sound creating that feeling we’ve been missing.
Their song I Wanna Be Good lends itself to a fairly simple, formulaic approach. There’s no need for too much going on in the verses as they’re a means to an end, and that end is a rip-snorting time full of aggression and virility. It’s also downright fun. This song has all the raw catchiness of garage rock with the soul and style of blues rock. The Thinking Men have form and function in mind as they bring together all the things you’ve wanted to return in a new package that can keep up with the loudness wars while retaining its rooted dignity. This can be a dangerous game though, reviving old flames. As the lyrics state, if you can’t be good, you’ll wind up dead. Let’s see how long the Thinking Men can stay on that bull and remain good.
Anyone described as “seriously gorgeous sounds” by such as a songwriter as The Waterboys head honcho Mike Scott has to be someone you need to check out. When you do you will see that he has a valid point. Art Theefe blends so many classic sounds but does so deftly and delicately that gorgeous is certainly the word for it. As the band themselves have always pointed out good artists copy, great artists steal, I guess the clue is in the name! But even though you can see what is under the musical hood, they still fashion a musical vehicle that is unique and a brilliant sonic ride.
A dash of Kink’s kitchen sink drama and wry, quintessentially English humour, a touch of classic singer songwriter such as Dylan and the aforementioned Mr Scott, a smooth Steely Dan vibe and even some Van Morrison Celtic rock mystique and you have a fantastic slice of power-pop, slightly Paisley psych and bluesy-rock all rolled into one. And as much as you can detect these hints of the past it feels nothing less than the way forward.