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The Vaulted Skies

The Vaulted Skies unleashed their poetically primal post-grunge exposition of complicated desolation, Hollowhead

Hollowhead by The Vaulted Skies

The Vaulted Skies wrapped their signatory angular guitars around eastern rhythms in their achingly resonant exposition of grief, Hollowhead; penned and arranged to pay tribute to the singer-songwriter and guitarist, James Scott’s father, who left a legacy tainted by racial discrimination behind him in 2000.

Between the lines, tones, and artful aural abstractions of complicated desolation, Hollowhead transcribes personal loss while painting the universally relatable possessive nature of grief as it wraps around the physiological senses to leave us cold, dark, and hollow. I couldn’t help but see the contrast in the hallmark platitudes that cascade around the grief-stricken and the primally poetic outpour of emotion.

In the evocative context of the release, which uses dark post-grunge-y cascades accentuated with stinging orchestral layers to mirror the grappling sensations of grief that contest you into subjugation, the solid rock riff that sears towards the outro may be one of the most visceral I’ve ever heard. And if that sounds superfluous, you evidently haven’t heard the existential death roll off a riff in question yet. Get to it. From start to 6-minute finish, it’s sheer perfection.

Stream & purchase the official studio recording of Hollowhead on Bandcamp.

Follow the goth antics of The Vaulted Skies on Facebook and Instagram.

Review by Amelia Vandergast

LIVE REVIEW: The Vaulted Skies at The Angel, Nottingham 24/09/2021

The Vaulted Skies were one of the few bands that became the soundtrack to my insanity during lockdown. When they announced their show at The Angel in Nottingham supporting Lesbian Bed Death, I obviously had to be there in full unashamed fangirl fashion.

Starting with their sludgy hard-hitter, Hollowhead, they instantly asserted their ability to create an atmosphere where hearing the music becomes secondary to feeling it. After a delicate guitar intro that feeds intoxicating post-punk opium vibes, they slammed into an arresting amalgamation of shoegaze, rock and grunge with Molko-Esque vocals that cut above the noise.

Originally it was their gothy dancey hit, Does Anyone Else Feel (Strange)? which ended the set that won me over; the mix of inimitably intricate guitars over a filthy four-on-the-floor beat naturally had me hooked. But with the emergence of their demo release of their slower indie single, Almost Happy, my adoration became far more multifaceted.

Whether they’re creating floor-fillers or stripped-back melodic tracks, there’s a magnetism that proves emotion always comes before ego, which makes it so easy to lose yourself in their sonic alchemy through the sense of unfiltered connectedness.

The Vaulted Skies is easily one of the most criminally underrated alternative acts in the UK right now. Anyone with a proclivity towards pensiveness and pioneering alt-rock should be paying attention.

Listen on YouTube, Spotify, SoundCloud

Photo Credit: Rich Lindley Photography

Review by Amelia Vandergast