Browsing Tag

teenage fanclub

Holy Gloam borrowed from Dinosaur Jr in their melancholic shoegaze serenade, Used for Falling

Making an authentic mark on the Shoegaze landscape where so many chorally dissonant signatures have been scribed is no easy feat; Holy Gloam succeeded all the same with their latest single, Used for Falling.

The vulnerable vocal lines become the soft sonic underbelly of the sludged-to-the-nines single, which uses clamorously effect-laden guitars to visualise the rancorous paths of descent our minds can take us down and sweeten the vocal harmonies in texturally sublime contrast. Sharpening the teeth of the melancholy is lyrical diehard romanticism, which paints a portrait of unconditional affection which distance and disconnection can’t diminish.

With their ability to invite their listeners into such evocatively compelling soundscapes which play the heartstrings as intricately and intimately as the guitars, the North Wales/NW England five-piece clearly have a bright future ahead of them. They have already been making major waves since songwriter Julian Neale founded the outfit in 2021; they’ve become staples in the NW touring circuit and their debut album, Small Nothings, was longlisted by Welsh Music Prize. Watch this space for more major moves from the scintillating evocateurs.

Used for Falling was officially released on July 7th; stream it on Spotify.

Review by Amelia Vandergast

 

Metrophobia chase ghosts in their Alt-90s inspired single, How Long

https://www.metrophobia.net/pictures/silent_treatment_800.jpg

If Metrophobia’s 2021 debut album, Silent Treatment, was marketed as a lost relic from the alt-90s, I’m fairly sure that no one would raise an eyebrow. The best introduction to their sonic palate that amalgamates shoegaze, noise, indie and grunge is the nostalgically ethereal single, How Long.

Around the catchy hooks, the tender vocals fall into the discord that spills from the scuzzed-up over-driven guitars, allowing you to see a softer side to the discontent How Long was inspired by.

The two forming members of Metrophobia met in Geneva, Switzerland; they worked on various projects together before turning their attention to their bitter-sweet cocktail of alt culture that will be a hit with fans of Pixies, Dinosaur Jr, Teenage Fanclub and Sebadoh.

Metrophobia’s debut album is now available to stream on Spotify.

Review by Amelia Vandergast

A&R Factory Present: Snails

‘Jennifer Jones’ is the lead single from ‘Safe in Silence’, the debut LP from Bristol (UK) based experimental pop band Snails.

It follows a brace of 7” singles on cult label The Great Pop Supplement, praised by Jarvis Cocker on his BBC 6 Music show and hailed by Stephen Pastel as “Eerie, beautiful, modestly majestic.”

The 10-track album is released on 5th September 2016, again via GPS on 12″ vinyl LP and DL. It was produced with Ali Chant (Gruff Rhys, PJ Harvey) in Bristol.

Snails generate moments of suburban guitar pop reverie for lonely people walking to the shops. Formed after a friend’s request to soundtrack a budget slasher involving a homicidal nun, their sound bears the influence of chamber pop mavericks such as Basil Kirchin, Syd Barrett and Nico. The 5-piece band were hand-picked to support Teenage Fanclub at their Bristol show in September, where the album will be launched.