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SVLEM

An Exclusive Interview with SVLEM on Crowdfunding and the Dark Melodies Ahead

In a time when the independent creative spirit is often stifled by soaring costs, SVLEM, the Australian Alternative Goth Metal quintet, is harnessing the power of community and crowdfunding to manifest their debut album. Their unique approach to fundraising, featuring tantalizing perks and a sense of camaraderie among supporters, promises to breathe life into their haunting, dark melodies.

SVLEM, your crowdfunding campaign has introduced some fascinating perks, from ‘Satan’s Spit’ hot sauce to Metal Burlesque classes. Can you tell us more about the inspiration behind these unconventional rewards and how they connect to your music and artistic vision?

“Cheers and thanks for having us! Creativity fuels SVLEM and this goes far beyond music creation: From our own merchandise, to our stage decor we conceptualise and create everything we can ourselves.

When it came to brainstorming ideas for perks in this campaign, on top of the traditional band merch and of what we could offer ourselves, we thought it would be just sick to collaborate with our friends Claire from TIME+BRINE and performer Betty Bandit to expand our universe in a more sensory and sensual direction. They were both fully on board, which was thrilling, and this collaboration resulted in the two unique perks you mentioned: “Potions” and “Seductive Spells” have always been integral to the witchcraft universe, and we’ve added our own unique twist based on what we, as fans ourselves, would love to receive through an album crowdfunding campaign and what our Coven might find exciting!”

Your music is often described as dark and haunting. How does this theme manifest in your upcoming debut album, and what can fans expect from tracks like “The Witching Hour,” “Nevermore,” and “Let it Burn”?

“Well, it’s going to be all about capturing that raw live energy and infusing it with a nerve-wracking abundance of details, such as vocal harmonies, haunting keys, and mesmerizing effects onto the record haha! We’re also gonna intensify the heaviness and the eerie atmosphere. It’s still early to say for sure, but that’s the goal.”

Crowdfunding can be a challenging journey. Can you share some of the highs and lows you’ve encountered throughout this campaign, and what keeps you motivated to press forward despite the obstacles?

“Insecurities, such as the fear of rejection or the fear of failing, are one of these challenges. It’s a matter of silencing those negative voices, believing in your art, and pushing through. In life, nothing happens if you don’t move forward or if you adopt a defeatist attitude.

The second challenge, which might be the biggest one, is communication. Since there’s no minimum donation requirement, the key is reaching your audience and ensuring your message cuts through the noise so they are actually aware that there’s a campaign going on, even before getting them on board. To achieve this, you must be fully committed and create engaging content that conveys your passion, allows your community to connect and feel invested in your project. While we create music for ourselves, it’s ultimately the ears and souls of our audience that give it meaning.

For our first crowdfunding campaign, we didn’t even have a single song released with SVLEM’s new lineup. Cecile had just joined as the vocalist, which is always a significant change for a band, and Shah had come on board as the rhythm guitarist and keys player. This was quite a leap of faith as we essentially asked people to follow us blindly into creating our live session. The pressure was intense, and it marked a turning point for the band.

The current campaign does have its challenges, particularly given the current financial climate and the difficulties many have faced, including us, in the past year or so. However, we are confident that we will reach our goal since everyone can contribute whatever they want or can afford.”

The debut album is predicted to drop in 2024. How will the funds raised through this campaign be utilized in the production and promotion of the album, and what do you hope to achieve with this highly anticipated release?

“In conjunction with the band’s investment in this debut album project, the funds raised will contribute to various aspects, including recording, mixing, mastering, creating music videos, and conducting some PR work to promote the result to new audiences, thereby helping our Coven to expand.

During our last crowdfunding campaign, we exceeded our goal by reaching 157%, which was simply incredible. This not only enabled us to record our Live Session but also invest in an in-ear monitor system that has significantly enhanced our live performances. Any additional funds we raise, should we surpass our goal once again this time, will give us the breathing room we need to go a little more in-depth during the recording process and produce music videos with fewer compromises, among other improvements.”

As the crowdfunding campaign is set to conclude on 15/11/23, what message would you like to share with your supporters, both old and new, who have contributed to SVLEM’s journey and made your music dreams a reality?

“We do not take their support, investment and involvement in SVLEM lightly or for granted: We’re fully aware that they don’t owe us anything, and we’re just thankful. We will continue pushing and challenging ourselves to create music that moves both their bodies and souls and to deliver live performances that take their mind away from whatever bullsh**t they could be going through in this sick world when they take the time to come and see us live.

We’d like to express our deepest gratitude to those who have contributed in the past and are supporting us through both crowdfunding campaigns or this one. You may not realize how much this means to us and the tremendous impact it has for a band of our size.

Lastly for those of you hesitating, no matter what you can contribute, join us “We have such sights to show you”!

Love,

SVLEM”

To grab an exclusive pack or make a donation click here

SVLEM shows the world their global artistic approach with an interview with A&R Factory

After recently dropping their latest sizzling soundtrack for us to salivate over called Live Session (Nevermore + Adore & Devour), SVLEM drops the curtain and leads us into their world with a hugely revealing interview to expand our minds.

Thanks so much for taking the time to cut it up with us today SVLEM. Firstly, please let everyone know where you’re from and based currently?

SVLEM: Thanks for having us! So…We’re Australian except for Cécile who, unfortunately, is French… Hahaha! We’re based in Sydney.

What was the main vision behind your new release Live Session (Nevermore + Adore & Devour)?

SVLEM: We wanted to share something halfway between a raw live performance and a studio experience to take our audience into a more intimate and stripped down set up where they could feel like they’re a bit behind the scenes. We financed it through Crowdfunding so it was a big deal for us to make it sound and look as great as possible within a Live Session constraints: recording all in a same room is quite an exercise and was something completely new to us. It pushed us as artists, and yet we had a total blast doing it! The response has gone way beyond our expectations and we are so thankful for anyone who’s watched it, the old fans and the new and to the media who have shared this release with their community so far.

Sydney is a special city indeed. How does the music scene feel at the moment and which venues in your local area do you feel a connection with currently?

SVLEM: Sydney’s nightlife is back from the dead after years of curfews and lockdown:

The scene is in full bloom and it’s a great opportunity to try to make a difference by bringing back the fun, promote positivity and inclusiveness out there.

Some venues are doing an incredible job at making the scene accessible for emerging bands and offering quality nights for the audience: Sabrina and her team at the Duke of Enmore always have something interesting going on which highly contributes to keeping the local indie scene alive! The guys at Freakflag don’t cease to blow our minds with the most insane lineups. The team at Crowbar not only gets the best international acts but keeps their stage open to way smaller bands. We’ll mourn Frankie’s Pizza as it was a total institution, but some new venues are popping up like the Soundgarden in Penrith that we cannot wait to experience!

How would you describe your sound in one sentence?

SVLEM: A sonic wall of blazing energy that sucks you in, heavy and hypnotic!

Do you have any goals for 2023 music-wise?

SVLEM: We have just started to lay the foundations for a more substantial release and really hope to get some fresh tunes out next year. We also hope to continue gigging as much, if not more!

When you close your eyes and imagine being on stage, what does it feel like?

Diz (bass): An escape that feels all too brief. Being in the moment and letting the adrenaline take you.

Shah (rhythm guitar & keys): Being on stage is almost an out-of-body experience, it’s like my equanimous mind clocks out and my primal brain kicks in. On stage I’m unchained, unhinged but most of all vulnerable, the music guides my movements and my emotions.

Josh (drums): It’s absolute bliss and freedom. The energy from the crowd just drives your adrenalin for one hell of a ride!

Rhys (lead guitar): Time stops: The truest and most natural form of fulfilment consumes me from head to toe. It feels like it’s one of the few occasions where you are your one and true deity. Haha!

Cécile (vocals): Personally, I become something else. I just let completely loose and can be unpredictable performance wise… last week we played alongside Carmeria, Our Last Enemy and Witchgrinder during the Halloween SpookShow: I smashed my megaphone repetitively onto my head until the batteries eventually popped out and flew at the audience… that was fun. Haha! I just love being on stage, I honestly don’t think there’s a greater feeling.

Do you have any plans to tour or have any events on the horizon? If so, where can we find you next?

SVLEM: We’ll play our last show for this year at ‘The Soundgarden’ in Penrith alongside Thraxas and Taliesin on 19/11 and will kick of the new year on 13/01 at ‘The Duke of Enmore’.

Tour wise, there’s nothing in the cards yet for next year but we’re always happy to tag along and play with our friends and other bands who would like to bring some SVLEM vibes to the night… whether we open or headline we’re always having a rad time!

Thanks for having us A&R Factory and thanks for reading this everyone! If you didn’t get a chance to check out our Live Session so far, go for it and we’ll see you around at a next show!

Check out this new video on YouTube.

Follow SVLEM on IG for more.

Reviewed by Llewelyn Screen

SVLEM return with the speaker-hugging Live Session (Nevermore + Adore & Devour)

Risking it all again with a lineup change that has provided exhilarating results, SVLEM shows us deep inside the vision with a recording from their recent experience at Housefox Studios, with Live Session.

SVLEM is an Australian indie alternative metal project who like it raw and loud as they take us back to the underground with a sterling presentation.

The band that’s bound to put a spell on you has already set Australia’s radest venues on fire alongside Carmeria, Victoria K and Temtris to name a few and has successfully financed their Live Session thanks to their growing fan base.” ~ SVLEM

Showing us what we have been missing out on with a powerful portrayal your heart was waiting for, SVLEM trigger our senses awake and dominates proceedings with a terrific display that hits dizzy heights of intrigue.

Live Session from Australian indie alternative rock/metal outfit SVLEM is a thunderous performance from a band who would certainly play live even if a tornado was close by. Pulsating eardrums and shocking many with their rugged new music, this is a release that will please those who love things rather raucous and in your face.

See the new video on YouTube and find out more on IG.

Reviewed by Llewelyn Screen