Browsing Tag

Space Rock

Nightbird Casino has released their hotly-anticipated sweetly psychotropic earworm, ‘The Town’.

If you’ve found yourself wondering if you will ever hear an alternative track that holds any authenticity ever again, find yourselves pleasantly surprised with the sweetly psychotropic earworm, ‘The Town’, by art-rock Oakland-residing duo, Nightbird Casino.

With elements of artfully composed jazz, grunge, space rock, psych-pop and classical all melting in the alchemically intoxicating pot, you will practically feel the rabbit hole opening beneath you as you listen to the descending cadence of the jazzy improv instrumentals.

The existentialist air to The Town paired with the playfully avant-garde approach to production allows the track to become the ‘everything is burning down around me, and I’m totally fine’ meme, personified. And something tells me that if Bukowski was still around, he would have Nightbird Casino on his playlists; they share the same downtrodden but subversively charismatic appeal.

On this track, you’ll hear dual harmonic vocals from the founding members, James Moore and Don Shepherd. Instrumentally, you’ll hear session musician Nicolas Ocampo (clarinets, flute, saxophone, oboe, bassoon), James on bass and ondes martenot and Don on guitars, piano, organ, and drums.

With their sophomore album, ‘Rusian Carpet‘, due for release this summer, any fans of Radiohead, Sonic Youth or Mr Bungle will want Nightbird Casino on their radar.

The Town officially released on April 23rd; you can check it out for yourselves by heading over to Soundcloud.

Review by Amelia Vandergast

Empire Of Lights ‘Hit The Highway’ out of South Wales and into the big leagues.

Small towns in Wales seem to regularly turn up superb melodic rock bands, and Empire of Lights – with their new single ‘Hit The Highway’ is no exception to that rule. Sparse, echoey guitar, pounding drums, and driving bass are the order of the day here; there’s a gothy vibe to the music, a feel of ‘The Forest’ or ‘Jumping Someone Else’s Train’-era Cure, mixed with Johnny Borrell Razorlight vocals from singer John Aziz.

It’s a vaguely psychedelic, spacey sound – there’s something special about the dynamics of three piece rock bands; think Hendrix, Cream, Husker Du and Sugar, and of course Nirvana. The interplay between instruments and vocals, the necessity of accepting and using space rather than simply turning everything up louder than everything else, allows for a different approach and that serves Empire Of Lights well here, adding to that slightly ephemeral, dreamy feel, and coming from such a young band – drummer Eifion Davies is still too young to drink in the bars that Empire Of Lights should be playing this year – shows a realy understanding of arrangement and songwriting. The future looks very bright for Empire Of Lights.

Hear ‘Hit The Highway’ on Spotify; follow Empire Of Lights on Facebook and Instagram.

Review by Alex Holmes

Set your alt 90s nostalgia alight with Highdiver’s sludgy feat of art-rock ‘Human Disaster’

American Horror Story taught us that all monsters are human, with the lead single from their latest album ‘Dual Control’, alt-rock artist, Highdiver are here to tell us that all disasters are human too.

With seductive bass grooves, cutting shoegaze guitars and adrenalizing percussion in the sludgy feat of art-rock, Highdiver simultaneously delivered a postcard from the alt 90s and a spacey introduction the future of hard rock.

If you could imagine what it would sound like if Deftones adopted Josh Homme as a vocalist and Thom Yorke as a producer, you’ll get an idea of what’s in store if you hit play on Human Disaster.

Human Disaster is available to stream via Spotify.

Review by Amelia Vandergast