Browsing Tag

soundgarden

Supersonia became darkwave’s Dr Frankenstein with the electricity in the disquieting Sci-Fi Post-Punk atmosphere of ‘Glowing Engines’

Posted on 11 July 2026

Disquieting sci-fi synths open the latest release by French-born, Los Angeles-based alt-rock emissary Supersonia. From there, Carpenter-esque scores, Kraftwerk-echoing synth-pop, post-punk and Krautrock converge, creating friction around the harbingeringly charismatic vocals which deliver the same kind of drama as Peter Murphy.

In Glowing Engines, Supersonia offers a cheeky Machiavellian grin with his histrionic narration before the stadium-sized rock riffs ensure there is not an atom of negative space in the production. Glowing Engines sparks with more electricity than what Dr Frankenstein used; this track is most definitely alive with darkwave scintillation. As an artist who knows exactly how to take charge of a chilling atmosphere and create gothic spectacle, he is emitting his own limelight.

Glowing Engines speaks to every unsung hero who pours themselves into others while silently running on empty. Within Supersonia’s connected sci-fi narrative, that idea becomes the story of a future healer repairing broken wounds until someone finally repairs his. The emotional premise gives the track a human core beneath its metallic, cosmic casing.

With 80s rock influence, 90s grunge, modern rock force and cosmic shred running through the release, Glowing Engines has obvious appeal for fans of Muse, Metallica, Soundgarden, Queen and DJO. More importantly, it positions Supersonia as an independent artist worthy of a cult following.

Glowing Engines is now available to stream on all major platforms via this link.

Review by Amelia Vandergast

‘BROKEN’ is Triggered Velocity Turning Post-Grunge Grief into a Scarred Juggernaut of an Earworm

Posted on 22 June 2026
Triggered Velocity

Triggered Velocity feel born for Seattle’s 90s grunge pantheon alongside Nirvana, Pearl Jam, Soundgarden and Alice in Chains, yet their post-grunge masterpiece, BROKEN, comes raging out of Norfolk, UK, with its own bruised, rain-blackened authority.

The way the vocals move through the murky, turbulent waters, carrying echoes of unplaced familiarity, gives the distinction in the evocatively melodised notes a raw sense of magnetism. Bruising and broadsiding in equal measure, the quivering grief over how life feels like a losing battle more so than death makes BROKEN a vignette of bouncing between the cold, harsh reality of existing in a world that is as punishing as your mind.

Imagine the rage of Nirvana fuelling the emotive capacity of Placebo and meeting the sludgy cinematic unravelling of Soundgarden, and you will come close to envisioning what Triggered Velocity slam into the airwaves with this scarred juggernaut of an earworm.

Formed in 2018, the five-piece have earned their reputation through sweat-soaked rooms, thick basslines, 90s-fuelled riffs and lyrics that land close to the bone. Winners of The Brickmakers Battle of the Bands 2024, they channel that live force into their self-titled debut album with total conviction, turning volume into emotional evidence and distortion into survival language for anyone still standing.

BROKEN is now available to stream on all major platforms, including SoundCloud.

Review by Amelia Vandergast

Step into a sanctuary of alt-90s nostalgia with Straw’s debut single, Apartment 3513

Posted on 22 August 2024

With all the seductive appeal of Soundgarden, the debut single, Apartment 3513, from the Panama-hailing solo artist, Straw, allows alt-90s fans to crawl through the corridor of nostalgia before unlocking the door to an affectingly warm earworm which animates through scuzzed vintage tones and deliciously hook-rife vocals.

In spite of the convivial sonic and vocal magnetism in the debut single, Apartment 3513 charts a journey on a road to nowhere, fuelled by anxiety and depression, where the only pit stops made were to score. After 14 years of mental health issues and an attempt to numb them through substance abuse, Straw has turned his life around like a velvet revolver to give sanctuary to anyone who needs to veer from the path of self-destruction.

After studying at Berklee and the Musicians Institute in Hollywood, Straw returned home to Panama where he collaborated with the Nashville-hailing songwriter, Grant van Dijk to bring his debut to life. Through the perfect equilibrium of candid soul and rock n roll swagger, Straw ensured that he wouldn’t find himself short of plaudits – especially if the singles in the pipeline match the intoxicating energy in Apartment 3513.

Apartment 3513 opened itself to the airwaves on August 9th; step in via Spotify.

Review by Amelia Vandergast

Sleeping in Circles honeyed their indie-post-grunge seminal single, Grey, with beguilingly artful melodicism.

Posted on 25 August 2023
Sleeping in Circles

 The Little Rock, Arkansas outfit, Sleeping in Circles, bridged the gap between Smashing Pumpkins and Soundgarden in their honeyed-with-melodicism standout single, Grey.

With sludgy hooks by the smorgasbord and a gruff yet soulfully smooth vocal melody striking enough that it will continue to reverberate through your consciousness long after the quiescent outro, Grey is an unforgettable indie release that stands as a testament to the trio’s songwriting chops.

Grey is the first single to be released from the upcoming LP, which is due for release in September 2023. If the rest of the album carries the same evocatively arrestive beguile of the title single, Sleeping in Circles will be the creators of the most seminal post-grunge album of the year.

Grey will be available to stream on all major platforms from August 25; hear it via their website.

Review by Amelia Vandergast

iODYNES became the prodigal sons of compassionate rancour with their alt-rock hit, Know You’re Not Alone 

Posted on 12 August 2023

Nostalgically running in the grungy vein of Soundgarden’s Rusty Cage, the primal outpour of compassionate rancour, Know You’re Not Alone, by iODYNES is a hard-hitting sign of the alienating times and one of the strongest alt-rock debuts we’ve heard this year.

To diminish the melancholic tinges within the vignette that offers a high-octane olive branch to the ostracised, the North Scotland-hailing three-piece threw in a few punchy Paramore and Biffy Clyro-esque pop-punk hooks and blended them with melodic rock increments that reminisce with stylings popularised by Foo Fighters.

The recording of their debut single is as viscerally animated as you could possibly hope for with the gravitas in the tightly knit grooves and punchy breaks. We can only imagine how exhilarating a live set from iODYNES would be. Grab your tickets while you can still see them in intimate venues.

Know You’re Not Alone is now available to stream on Spotify.

Review by Amelia Vandergast

Never Built to Last by Forgotten Tides – Reminds Us to Live Passionately

Posted on 25 April 2023

“Never Built to Last” by Forgotten Tides is a captivating rock ballad that showcases the band’s musical talent and lyricism. The song starts with a mellow guitar intro, followed by the powerful vocals of lead singer, Jonny Lees. The lyrics speak of the fleeting nature of relationships and how they often come to an end, despite the initial passion and promises. Lee’s emotive delivery captures the heartache of lost love, making it a relatable and poignant experience for listeners.

Forgotten Tides is an up-and-coming band from Aberdeen, Scotland, and “Never Built to Last” is one of their most popular tracks. According to their website, the band was formed in 2019 and is influenced by rock legends such as Pearl Jam and Soundgarden. Their music combines the raw energy of grunge with modern production techniques, resulting in a unique sound that appeals to both classic and contemporary rock fans.

On social media, Forgotten Tides are active on Facebook, Twitter, and Instagram, where they share updates on their music and interact with fans. Their social media presence is a testament to their dedication to their craft and their desire to connect with their audience.

I love this song, “Never Built to Last” by Forgotten Tides is a must-listen for fans of rock music. Its powerful lyrics, raw energy, and impressive musicianship make it a standout track that is sure to leave a lasting impression. The band’s promising future is evident in their growing fan base and active social media presence, and they are definitely worth keeping an eye on in the coming years.

Frakard – Slate: Play It Loud, See It Live

Posted on 11 November 2022
Frakard

Cardiff’s loudest and tightest alt-rock trio Frakard went into frenetic overdrive with their latest single, Slate. With their respective influences counting Architects, Soundgarden and Steely Dan, Slate is a melting pot of familiarity fed through stylistic raucous swagger.

Sonic appeal aside, Slate truly comes into its own through its witty questioning of our relationship with nostalgia, the nihilism that comes with age and the ever-pervasive climate change fear. If you’re anything like me and you’re sick of lyricists that scrape the bottom of the IQ barrel when penning their lyrical hooks, you will be a Frakard fanatic by the time this anthemic juggernaut of a release that comes with an arsenal of razor-sharp lyrical lines hits the outro.

Slate will officially release on November 11th. Check it out on Spotify and scope out Frakard on their official website.

Review by Amelia Vandergast

Tin Zelkova achieved the heart-in-mouth and jaw-on-the-floor affect in their rock single, Soul Shaker

Posted on 31 October 2022

After the launch of their debut self-titled album, the three-piece rock powerhouse, Tin Zelkova, became one of the most refreshing names in the genre. The standout single, Soul Shaker delivers a tight rhythmic furore, complete with extended guitar solos and a sense of soul that has been scarcely seen since Soundgarden.

Steven Thompson’s melodically hook-rife vocal lines as a bright and intimate contrast to the murky and overdriven guitars is a mesmerising combination that will be an instant hit with any fans of Highly Suspect, Royal Blood and Badflower.

After writing more than 30 songs by the summer of 2021, the Louisville-based outfit distributed their demo EP and started gracing stages in their hometown. But my god, there’s nothing local about the gravitas in their sound.

Shortly after the release of their first studio-recorded single, they were airing across a plethora of radio stations and performing with the likes of Tantric, Texas Hippie Coalition, Local H, Resist & Bite, Native Sons and many others. If the music industry is still capable of crating iconic acts, my money is on these guys.

Soul Shaker was officially released on September 30th. Check it out on Spotify.

Review by Amelia Vandergast

 

Seattle converges with Manchester in BLUEBOO’s latest smorgasbord of alt 90s aesthetic, Cherry Woman

Posted on 4 June 2022

With a touch of Oasis to the choral vocals to anchor the anthem in its melodicism, the alt-90s Seattle sound doesn’t asphyxiate any originality out of the revivalist nature of BLUEBOO’s latest single, Cherry Woman. It teases just the right amount of nostalgia for Screaming Trees, Soundgarden and Pearl Jam as your synapses fire to the tune of the Chicago-based artist’s off-kilter hook-filled sonic signature.

Notably, we aren’t the only ones finding addictive propensities in the effortlessly original sound of BLUEBOO. They’ve garnered acclaim from across the globe, especially on their strikingly ethereal seminal single, You Win Abigail, which has amassed over 260k streams on Spotify alone.

Cherry Woman is now available to stream on Spotify.

Review by Amelia Vandergast

Francis Botcherby brought the Seattle sound to morally bankrupt British shores with ‘Parliament of Wolves’

Posted on 4 December 2021
Francis Botcherby

Cambridge, UK-based alt solo artist, Francis Botcherby, has been honing in on his sound for over a decade; his music has featured on BBC Cambridgeshire amongst many stations. His most popular music video to date has racked up over 100,000 streams, and he has counted plenty of other successes in between.

His latest single, Parliament of Wolves, carries the same protestive lyrical edge as Billy Bragg, but stylistically, Botcherby brought the sound of Seattle to UK shores. With bassline growls that will evoke nostalgia for Soundgarden’s grungy licks and enigmatic vocals that carry a touch of the Mike Patton magic, there’s a fair amount of nostalgia but there is something incredibly refreshing about his shimmering guitars and grooving rhythms that throw further back to the days when Hendrix reigned supreme.

Francis Botcherby’s single Parliament of Wolves was officially released on December 3rd. You can check it out for yourselves via SoundCloud.

Review by Amelia Vandergast