Browsing Tag

Skate Punk

WHEN I’M GONE Is Maiden Lane’s Fuzz-Pedal Funeral for Polished Punk

Posted on 8 June 2026

Someone may want to check on Maiden Lane’s fuzz and overdrive pedals after the Ontario solo punk rock project recorded WHEN I’M GONE, one of the seminal singles taken from their third LP, BOUDIN MEDICINE. The grungy skate-punk aesthetics of Fidlar scathe their way into the feverish, scuzzy electricity of this short but serrated release, making the track feel like a gig poster plastered basement wall suddenly learned how to bite.

Hit play, and the artificial gloss of modernity is instantly scoured away as Maiden Lane rolls with all the rabid punches, harking back to the nostalgia of no-wave’s first crash to the shore of safe punk. Yousif Abusitta, the artist and producer behind the project, lets the guitar-driven aggression come through with total conviction, throwing groovy bass lines, melodic hooks, and raw-throated conviction into a sound built for rooms where sweat collects on the ceiling.

Since forming Maiden Lane in 2022 with The Black Cat Project, Abusitta has kept expanding the project’s political bite and garage-punk volition through releases including Pay The Man Before His Sweat Dries, Marijuana, I Pray To This Guitar, Tunnel (Dig Until I Die), and Lap Dog. WHEN I’M GONE carries that same refusal to sanitise the moment, bringing BOUDIN MEDICINE’s ferocity into focus.

WHEN I’M GONE is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

LA’s Skittish Cracked the Whip of Existential Backlash with the Sardonic Alt-Indie Hit ‘Kicking In’

Posted on 7 May 2025

Skittish nestled into a niche between indie rock urgency and alt-pop accessibility with the release of Kicking In, a track that flirts and orders drinks at the bar for garage punk and nostalgic neo-pop to entice them into the stylings of this scorned yet superlative anthem that writhes through collective frustration.

They may be outliers on the airwaves through their refusal to fall into lines of monotony, but anyone searching for visceral authenticity and the opportunity to connect with an artist unafraid to wear their authenticity on their guitar strings will find their own form of reverie within Kicking In. The ennui resounds at a palpable level in spite of the high-octane energy of the earworm, which is battle-ready with euphoric choruses, razor-sharp angular indie guitar licks, and crooning vocal lines pinched with sardonic wit.

Jeff Noller’s DIY defiance has always been the pulse of Skittish, but with this new Los Angeles-based incarnation, he’s enlisted sonic arsonists including guitarist Chris Lahn, who carved searing licks into the heart of Kicking In, and drummer Ian Prince, who kept the rhythmic volatility simmering beneath the pop polish. It’s just one example of the genre-fluid chaos that defines the new EP Ugly Makes Pretty—a record that dances through its existential crises and punches back with hooks.

Kicking In is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

‘Mr. Struggle’ – A Sardonic Sucker Punch from Watch Your Tone

Posted on 20 February 2025

With a name as sharp as their sonic sensibilities, Watch Your Tone proves tonality is no afterthought in Mr. Struggle. The Los Angeles-based post-whatever trio—Andy Hoopes (guitar, vocals), Sam Thorne (bass, vocals), and Jenna Terranova (drums)—tear through rock’s lineage with a fuzz-soaked, sludgy surf punk charge that lands in the future of the genre. Sardonically subversive lyrics amplify the hook-rife hit’s immersive pull, with installations of power pop panache ensuring there’s just as much sugar as there is garagey grit.

Falling for the hype is effortless when a band can hammer out infectious earworms with this level of precision. Fans of Teenage Fanclub and The Wildhearts will find plenty to sink their teeth into, though Watch Your Tone’s ability to weaponise chaos into anthemic choruses is entirely their own.

If they hit this hard on record, the live experience must be nothing short of an intravenous shot of euphoria and adrenaline. Watch Your Tone were never made to be contained by the underground—Mr. Struggle is proof of that.

Mr. Struggle is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Rob Russell antagonised the airwaves by unleashing his alt-rock debut LP, What It All Meant

Posted on 25 February 2024

Rob Russell’s single ‘Carried‘, extracted from his debut LP ‘What It All Meant‘, is a striking genre synthesis that boldly defies the conventional boundaries of alternative rock. The track is an audacious blend, merging the defiant spirit of contemporary skate punk with the wistful echoes of 90s pop punk, all while embracing the gritty essence of grunge.

Russell’s approach to production is refreshingly unpolished, allowing the song’s inherent rawness to shine through. This choice pays off, as it accentuates the emotional gravity of the track, making ‘Carried’ a lesson in volition.

The single resonates with a sense of rugged honesty, a quality that is increasingly rare in today’s alt-rock landscape. Russell’s vocal delivery is both poignant and powerful, weaving through the dynamic soundscape with a balance of aggression and vulnerability. The instrumentation complements this perfectly, with guitar riffs that are both sharp and melodic, underpinned by a rhythm section that drives through the track with relentless energy.

‘Carried’ stands as a testament to Russell’s ability to channel the ethos of alt-rock’s past while forging his own path. We can’t wait to hear what follows.

Check out Rob Russell’s LP, What It All Meant, on Spotify.

Review by Amelia Vandergast

The Jesters borrowed from Pavement in their reinvention of the 90s DIY sound in ‘Magnet’

Posted on 31 December 2023

The standout single, Magnet, from The Jesters may have been released in the Summer of 2023, but it is the perfect hit to place on your playlists as we move into the new year with the underpinning themes of pining for personal reinvention that, on some level, we all know we’ll never achieve because the force of our habits is far too strong to resist.

The grungy pop-punk pierced aura of the track, which finds the middle ground between Fidlar, Pavement and Dinosaur Jr, was the perfect atmosphere to pour the self-disdain into to ensure it rings with relatable and rogue down-and-out blues. Veering away from self-pity and right into the inner trappings of the human condition that compels us to tread the hamster wheel as creatures of idiosyncratic convention enabled Magnet to unravel as every antihero’s feel-good hit.

When it comes to reinventing the DIY sounds of the ’80s and ’90s, few do it better than the Philadelphia four-piece, whose sound falls under the new wave retro alt-folk punk banner while spilling out into other nostalgic avenues to lead you to the sounds you adore via a route never taken before.

Magnet is available to stream with the rest of The Jesters’ three-track release, Mental Model, on Spotify.

Review by Amelia Vandergast

Project Revise tended to the wounds of scene victims with their nettled with emo nostalgia single, Take the World

Posted on 11 November 2023

After we joined the Worcestershire, UK three-piece pop-punk powerhouse, Project Revise, in ‘Free Fall’ with their previous release, we’re stoked to announce that they’re back on the airwaves with their nettled with emo nostalgia latest single, Take the World.

Fans of Taking Back Sunday, Funeral for a Friend and New Found Glory will easily find a place on their playlists for the caustic cuts of the guitars, chugging basslines that leave you psyched for the gravity-defying choruses and adrenalizing infectious vocal lines which soar through the lyrics that run through the pitfalls of staying loyal to toxicity within a scene.

Project Revise’s tracks have previously been heard on BBC Introducing and seminal Spotify playlists, including New Punk Tracks, Pop Punk’s Not Dead, Skatepark Punks and Punk Unplugged. Given that Take the World is some of their viscerally viral-worthy work to date, we expect this rancorous hit to take them to the same heights as Hawthorne Heights.

Take the World will be released on October 20; stream it on SoundCloud.

Review by Amelia Vandergast

The Real Zebos captured the banality ‘Indie Girls’ struggles in their latest single

Posted on 10 September 2022

Humility goes a long way in the indie scene, which is just one of the reasons The Real Zebos haven’t failed to amass a staunch following on their journey from Craigslist strangers to a 5-piece garnering over 3 million hits on their most popular tracks.

I’ll be honest; I thought I was going to hit play on their latest single, Indie Girls, and hear yet another cringe exposition on Manic Pixie Dream Girls. Thankfully, the garagey pop-rock jam is an addictive continuation of the same playful hubris found on Pavement’s seminal album, Brighten the Corners, with hilarious observations on the trends of try-hard e-girl vampires and the banality of their struggles. Admitting to loving this track is probably the most un-feminist thing I will ever do, but I can think of infinitely worse hills to die on.

Indie Girls is now available to stream on Spotify.

Review by Amelia Vandergast

60s garage rock rides surf rock waves in The MindRide’s latest single, Delta Alpha

Posted on 24 August 2022

Even at half the length of your average pop track, the nostalgia-driven duo, The MindRide created the ultimate LA proto punk bop with their latest single, Delta Alpha, which grooves with nuances of skate punk and surf-rock and comes together as the ultimate genre-fluid earworm.

With The Walkmen-Esque percussion falling slightly below the warm and crunchy overdriven guitar tones and the relentless momentum in the vocals, getting caught up in the punky euphoria of Delta Alpha is non-optional. Especially for fans of The Kinks, The Strokes, and The Sonics. With their 5th album in the pipeline, The MindRide deserve a spot on your radar.

Check out The MindRide on their official website.

Review by Amelia Vandergast